Part 1

Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

And Gone Tomorrow

BY ANDY OFFUT

[Transcriber's Note: This etext was produced from Worlds of If Science Fiction, December 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

* * * * *

THE $1000 PRIZE WINNING STORY in IF's College Science Fiction Contest

_Here is the best story submitted in answer to the theme question: "What Will Life in America Be Like 100 Years From Now?" ... Written by an undergraduate at the University of Louisville, Louisville, Kentucky, it pictures the America of 2054 as part of a world empire run by an Italian dictator and very similar to that of the ancient Caesars and the early Roman Empire. There is one language, one religion and customs and laws have changed to suit the times. But, basically, human nature hasn't changed and there is the omnipresent clash of faction against faction. The theme is that a dictatorship is the only perfect form of government. If there is a moral, it is that there is no permanent form of government._

_One of the requirements for entering IF's College Science Fiction Contest was that the contestant be a "simon pure" amateur--never having been published professionally. This is Andy Offut's first published story, and it has been accorded the same editing we give to professional manuscripts. No rewriting or revisions have been made. See November IF for complete announcement of this and the six other winners in this nation-wide contest._

* * * * *

He sat down suddenly. He stared up at the man.

"Say it again," he muttered.

He knew what the answer would be even before the man repeated it in that quiet voice.

"This is June 3, 2054."

The fellow wasn't kidding him. He was serious enough. But a couple of minutes ago it had been May 15, 1954. He looked at his watch and grunted. Less than four minutes ago it had been 1954. Reality. Now it was June 3, 2054. There were four steel walls. There was a steel chair. There were no windows.

He tried to take it calmly. But the unbelievable horror of being _where_ he was and _when_ he was and the man calmly repeating, "This is June 3, 2054," screamed for release.

"No! No! You're lying! It's impossible!" He grabbed the man's tunic and drew back a doubled fist. His chair went over behind him.

Then a stiff thumb jabbed him in the short ribs and he grunted and went down.

"This is June 3, 2054. You are still in Louisville, Kentucky. You are standing in a room adjoining the laboratory in the Time Building on 3rd Street at Eastern Parkway. This is the receiving room. My name is Kevin Ilaria. You've come through time. Is that so impossible to grasp? You're a thinking man. Educated!"

He looked up from the floor.

"Well?"

"So I'm a thinking man and an educated man. And what happens? I'm sapped. I'm shanghaied. I'm walking down Confederate Place to my old fraternity house at 1:00 in the morning. I've just had a row with my girl. I'm heading for the fraternity house to see who'll go down to Herman's and get good and drunk with me. And somebody clobbers me. The next thing I remember I'm sitting in a steel chair in a steel room without any windows. Just like this one. There's a man standing there. A man with watery, myopic eyes under bushy brows and his hair parted in the middle. He's Doctor Borley, of the University of Louisville Chemistry Department. There's another man with him. A little fellow with thick glasses and a crew cut and eyes like the slits between closed Venetian blinds. He's Doctor Schink, of the Psychology Department. They're talking about me."

"Umn hmn. Now you're beginning to sound normal. Doctors Borley and Schink are our agents in 1954. Do you know where you were?"

"I told you. In some sort of steel room without win--"

The man made an impatient gesture with his hand. "No, I mean _where_. You were in a steel chamber in the Daynolds Metals Plant. It stood on this spot in 1954. Two people knew--know--about that room."

"Doctor Borley and Doctor Schink?"

"I'm glad you've calmed down. Now we can talk."

Jay wasn't quite ready to calm down. "You stand there in that Roman outfit and talk about being calm. To me. To me, Jay Welch, a history major who took his AB from the University of Louisville in 1950. Jay Welch, average guy, who got into an average argument with the girl he pinned in 1950 and went for a walk to drown his sorrows and wound up one hundred years from where--when--he started. I--"

"Then you admit you've come through Time?"

"I may as well."

Ilaria cursed quietly. "But you're not an average guy. You have a working knowledge of chemistry and biology and physics and history and a few arts and sociology and psychology and geopolitics and literature and the English language as spoken in AD 1954. You hope to be successful as a writer. You're Public Relations Consultant with Duo-Point, one of the biggest corporations in your nation in 1954."

"Yes," Jay Welch said. "And I make good money. Even better than a bus driver or a steam-fitter. So?"

"So here you are. 1954's representative to 2054." Ilaria was only a man. He could not keep the flourish and the Hollywood grandeur out of his voice.

"Yes! And what happens tomorrow when I don't show up for work? What happens in a few days when people find out I've disappeared? What happens when they find out Julie was the last person I was with? What--"

"You're getting yourself worked up again, Jay Welch. Don't you think we have thought of those things? We've brought you across one hundred years, Jay Welch."

"Yes," Jay said quietly, flatly. "Yes." Then just as flatly, just as quietly he said, "Why?"

"So you've remembered to wonder about that at last." Ilaria smiled. Jay noticed that the smile was one-sided and pulled back the left corner of Ilaria's mouth. He stood there and looked down at Jay Welch, who had forgotten that he was sitting on the floor. His tunic was white and there were three diamond-shaped silver pieces in a vertical line on each elbow-length sleeve. There was a wide blue stripe and a narrow silver stripe at the hem of his tunic and at his sleeves. He wore sandals. His belt was leather and there was a holstered pistol of some sort hanging at his left hip. In tiny blue script above his left breast pocket were the words 'Trib. Ilaria'. On the pocket was a red disk with the letters PR. A silver-worked blue cloak was flung over his shoulders. Except for the identification and the odd fabric of his clothes and the holstered gun he looked very like a young Roman of the first century.

Ilaria's slow smile pulled back the left corner of his mouth. "Because you are who you are and what you are. Because you attended the University of Louisville and Doctors Borley and Schink knew you. Because they chose you. Merely because they chose you. They might've chosen anyone else.

"We've your personality pretty well mapped out. We expected violence. That's why I'm here. I'm a psychologist and an anthropologist. I'm a fast-talker and I can convince people and place them at ease. I'm also big enough to handle you, Jay Welch."

From his position on the floor Jay looked up at Ilaria and decided the man from 2054 was big enough. Jay Welch was six feet one inch tall. He weighed one seventy-three and wore a 40-long suit. Kevin Ilaria was bigger.

Jay was forced to grin. The tall blond man was a likeable guy, at that. A human being.

"Who are you?"

"Kevin Ilaria. Doctor of Psychology. That entitles me to the silver band on my tunic. Also a Tribune. That entitles me to the blue stripe and the three silver diamonds and the gun."

"A Tribune? In what? Of what?"

"In the Forces. In the actual ranks, a Tribune commands 7,000 men, 250 planes or a base, or 40 tanks. But I've never had a chance to go into the field. There has been no cause to fight. Meantime I'm stationed at Standiford Field as second-in-command. A friend of mine named Rinaldi fills in for me. He's a Sub-Tribune.

"I've been specializing in the study of Time."

"The way you say Time it sounds as though it were capitalized. Where I come from Time with a capital T is a magazine."

Kevin Ilaria laughed. He reached down a hand. "Get up," he said, and, taking Jay's forearm, helped him to his feet.

"Let's go," he said.

Jay didn't bother to ask where they were going. He followed the Tribune out the door and into the hall. On the wall just outside the door, was a black box. Two squares cut into it shone with a faint white light. Ilaria paused and shielded the lighted areas a moment with his hand, and Jay saw the light go out in the room they had just left. Ilaria closed the door. As he turned, Jay saw the white letters PR emblazoned on the back of his cloak.

"This way," he said. Jay noticed that Ilaria walked on his right, so that the Tribune's gun was between them.

"The way I said Time, it _is_ capitalized. It means all the Time since the beginning. It's a corporation, like your Duo-Point. Only much larger, and much less known. Our job is to learn."

"That's a big order," Jay commented. "You learn by--borrowing--emissaries?"

Ilaria laughed again. "Thanks for the phraseology, but it wouldn't worry me if you called it 'kidnaping' or 'shanghaiing.' You're right, of course. We learn by sending men from this age to other ones, and by pulling men from other ages to this one. Doctor Schink is our Emissary to 1954. His real name is Clyde Gabrinaldi. Borley is our contact there ... rather, then."

"Well I'll be damned! I've gone to Clyde a lot of times for advice."

The left corner of Ilaria's mouth pulled back as his grin widened. "Umn hmn. He's married, too. With a child. He's there for good."

Jay was afraid to ask if emissaries from the past to 2054 were "there for good" too. He changed the subject.

"You started to tell me before--"

"Oh, yes. I'm to be your teacher and companion. But I'll try to give you a quick fill-in. Our world of 2054 is quite different from yours. And, we hope, in better shape. We've proved that the only way to maintain world peace is by world government. And the only successful type of government is a dictatorship."

Jay gasped. "You mean the entire world--has reverted to _dictatorship_?"

Ilaria laughed. "Not _reverted_. We finally accepted it as the only logical form of government for an entire world."

"What happens when the dictator goes wild? He always has."

The smile was there again. "You're not quite ready for that," Ilaria told him. "But, it has been taken into consideration."

Out of the corner of his eye, Jay saw the slight puff of Ilaria's chest, the self-satisfied square of his shoulders, the quick set of his jaw. He wondered what part Tribune Kevin Ilaria played in the 'dictator control' this world had provided.

"The system has worked and is working. See this?"

They turned a corner in the corridor and faced a great domed room. On the far wall hung a white tapestry of something like 40 x 40 foot dimensions. On it, emblazoned in letters of red and yellow made to look like flame, were the characters PPB. In the lower right-hand corner, in white outlined with blue, was the same PR that Ilaria wore. Jay waited for the Tribune's explanation.

"PpB stands for Pax per Bello," Ilaria explained. "Peace through War. That slogan was written in 1967 by Julius and adapted in 1971 as official."

"Julius?"

"Yes. The first Dictator."

Things were beginning to click in Jay's mind.

"I think I know what PR stands for," he said. "Pax Romana."

As always, Ilaria smiled. "That's right," he said.

* * * * *

The command-car marked with the PR symbol pulled over and stopped.

"What is it? Who are you?" the driver demanded.

The Captain on the seat beside him peered into the blackness and cursed.

The man who had waved the vehicle to a halt walked away.

"Here!" the Captain cried. "What in blazes is going on here? Why'd you stop us? Centurion! Stop that man!"

The two Centurions in the back seat looked at the Captain for a moment, then they both jumped out and ran after the man.

An ellipsoidal grey thing streaked out of the darkness, landed in the driver's lap and thudded to the floor of the car. The Captain threw open his door and started to climb out. The driver bent over to see what it was.

At that moment the driver, the command-car and the Captain blew up.

The silence that followed was broken by the blast of a submachine gun as it struck down the two centurions.

"Take their weapons," said a brittle voice.

* * * * *

The detachment of soldiers from the garrison at Tel Aviv stopped and looked around.

"Sir, what is it?" asked a guard anxiously.

"Terribly quiet out here; something's up," the Lieutenant muttered calmly.

There were seven of them. The Lieutenant, the Centurion, and five legionaries. They had grown accustomed to the quiet life of garrison men in a calm, conquered city. When there is nothing tangible to be guarded, a guard's life is a dull one. The guns they carried were the symbol of their authority, and had never been used for any other purpose.

They looked around. The dirty, once-white buildings rose close on either side. There was no moon. There was no sound. The darkness and the silence could have been cut with a knife.

The Lieutenant grinned. He didn't feel much like grinning. He spoke. He didn't feel much like talking, either.

"This darkness is thick," he said. "You could cut it with a knife. Wish I had a knife."

He got a knife. The men had just started to laugh when the Lieutenant got it.

Between his shoulder blades.

As the Lieutenant toppled forward, the Centurion dodged close against the dirty stone wall and yelled "Spread out!"

They killed a lot of the shadowy, green-clad attackers, but there were only six of them and they were cornered. When the enemy drove a tank into the alley and sprayed them with its mounted gun they died.

"Take their weapons," said a quiet voice.

* * * * *

The half-track rolled to a stop.

"Where, Sir?" the driver wanted to know.

"Beyond that big crater over there. The sun glinted on metal. I'm sure of it. Didn't you see it?"

"No, Sir." The driver craned his neck. There was nothing but barren rubble and bomb craters and torn, twisted metal and ruined buildings.

"There are all sorts of old automobiles lying around out there, Sir," the driver volunteered.

"Yes, and they've been here long enough to get good and rusty," the Captain snapped. "This is something else."

The driver craned his neck. There was nothing but rubble.

Eight men in the back of the half-track leaped to their feet when they heard the faint clicking of KCN-H2SO4 guns and the buzz of an old gamma gun and the sharp bark of a very old sub machine-gun. But a grenade landed on the truck and another rolled under it.

Another wreck was added to the rubble.

"Take their weapons, if there are any left," said a quiet voice.

* * * * *

And in the more peaceful city of Louisville, Jay Welch was introduced to Kevin Ilaria's best friend, his adjutant at Standiford Field.

Jay took a liking to Sub-Tribune Jason Rinaldi the moment he felt the fellow's firm grip.

"Jason is adjutant," Ilaria explained. "And one of the few 'field soldiers' who manages to get along with Caesar's Pretorian Prefect, Lamberti. How he does it, I don't know. Lamberti's absolutely unbearable."

"Prejudice. Middle-class prejudices," Rinaldi grinned. He was short and very dark with a lot of black hair.

Ilaria's left cheek cracked into a long dimple as he smiled. "He picks on me because I'm a serious psychologist."

Rinaldi laughed. "As a psychologist, Kevin, you're an excellent bridge player. As a soldier--"

"Just remember who's got three bars and who has two."

Rinaldi waved his hand and shrugged. "They pass 'em out to psych boys wholesale," he said, and ducked Ilaria's swing. "Slow reflexes, too," he added as he turned to go.

Ilaria stopped him at the door and murmured a few sentences.

Jay caught something about sabotage at Standiford. Rinaldi seemed to be attributing it to the Commanding Officer there.

"Nice guy," Jay said as the door closed behind Rinaldi.

"You said it. Good officer, too. He'll root out the bird who's playing around out there. Can't figure out why it's being done."

"Factions," Jay said, "--within factions."

"Little ones always exist, I guess. Have you finished with the history films?"

"I've seen them, yes. I'm still trying to digest them."

"The language give you much trouble?"

"Quite a bit, but I think I got most of it.

"One man," Jay went on wonderingly. "One man. A Captain in the Italian Army.

"The Communist forces in Indo-China had been driven back and Captain--then Major--Lollabrigida went in after them.

"The defeat was becoming so terrible that the Kremlin dealt itself a playing hand rather than the dummy it had been playing. Red forces came piling in. Lollabrigida and his Italian troops stopped them cold. Then he seemed to sway. And, when the Commies pounced for the kill, they were trapped, pocketed, and annihilated.

"American newspapers and commentators began to call Major Julius Lollabrigida 'Julius Caesar.' Italy became big overnight. The Big Three became Russia, the United States, and Italy. Lollabrigida appealed to America--sometime in there they made him a Colonel, but he was actually telling the Generals and the Italian government what to do--for aid in going ahead aggressively.

"And America turned him down. They were still playing 'wait and see.' They waited. They waited too long. The Commies got tired of waiting around and sent a couple of jet bombers with A-bombs."

"Now you're telling me things," Ilaria interrupted. "I'm pretty shady on that period myself."

Jay shrugged. "It was after my time. All I know is what the films show. Two planes, each with a seven-man crew, and each carrying one atomic bomb, were dispatched from an airbase somewhere near Juneau." Jay stopped.

"And?"

The man from 1954 choked. It was hard to be objective about this. It wasn't so easy for him to pass off as the film had done.

"And--" he hesitated.

"It's over, Jay. It's done with. It doesn't even concern you anymore. It belongs to a past era."

"One was headed for New York. The other struck farther inland ... for Washington. The first one was shot down by an F-117 border patrol plane. The other one got through. It--it levelled the capitol. Almost completely. The White House and the Pentagon were destroyed."

Ilaria sat quietly and waited. Jay didn't go on.

"Thus removing the United States of America, as such, from a prominent position in the world picture," Ilaria said.

"Yes. I can't understand it. Everything just folded up. SAC didn't even get off the ground. And Colonel Lollabrigida, by then Commander-in-Chief of the UN forces, sent fifty planes, each with one A-bomb, over the Kremlin. One was shot down over Vladivostok, but the bombardier pulled the firing pin as the ship crashed and most of Vladivostok was destroyed. Six other planes made it to their destinations and dropped their loads. I can't remember the cities ... one was a new super airbase near Moscow. Five of the planes returned. None had managed to reach Moscow. Half the world was in ruins. The Pope begged that the War be stopped."

Ilaria snorted. "He knew they'd hit Rome!"

Jay looked at him. "Is that what you think?"

Ilaria shrugged and flashed that quick, winning smile. "There are no other motives, are there?"

Jay stared. What changes had taken place in religious philosophy in this hard-bitten world of 2054?

Kevin Ilaria shrugged, smiling. "That's unimportant. Let's go on with the history lesson. Then what?"

"Uh--oh, yes. As I remember Julius Lollabrigida, to be trite, launched an 'all-out offensive' against Communist forces everywhere. People were afraid of Russia, but they were afraid of Lollabrigida and Rome, too. So they joined him. Aid poured into the UN. Czechoslovakia was taken and Poland and Hungary and finally only the old Russia of pre World War II days was left. And in they went.

"Then Lollabrigida's saboteurs exploded an atomic bomb in the heart of Moscow. After that it was pretty easy sledding."

"Astounding how a nation seems to fall apart when its capitol and its leaders are gone," Ilaria remarked.

"Everybody and everything folds," Jay said. "Morale dies.

"After the demolition of Moscow and other parts of the USSR, Italy stood at the top. General of the Armies Julius Lollabrigida marched back into Italy and into Rome and into the capitol and up on a pedestal. He stood as Italy's utter ruler. His last name was lost and replaced by 'Caesar II.' He was named Dictator.

"From mighty Rome, Caesar sent out linguists and anthropologists and ethnologists and psychologists and military men and others. In twenty years, twenty peaceful years, Italian had become the language of the world. A few minor uprisings in America and in Japan were smashed. Julius Caesar II was World Dictator of the Republic of Earth. Someone in America denied him and was torn to pieces by the people. Someone in Italy spread literature of dissension and was hunted down and liquidated by Caesar's personal police, the Pretoriani. And so it went.

"Caesar adopted a prominent Air Force Colonel who became Caesar III on Lollabrigida's death. Each year on his birthday men were silent. No business was transacted. No one left his home. Except blue-and-silver clad soldiers, wearing PR armbands. Caesar's Pretorians. No one _dared_ venture out.

"During the reign of Caesar III, every person in the world changed his last name to an Italian one. The Ali bens and the Chicos and the Andres and the Fritzes and the Johns became Marianos and Roccos and Caldinis and Campisanos and diManos."

There was silence for a moment.

"The thing I can't understand," Jay mused, "is why in all these years there hasn't been a 'bad' Caesar, or an uprising."

"What do you mean by 'bad' Caesar?"

Jay shrugged. "In the first Pax Romana there was Caligula, who was insane. Nero, who preferred artistic diversions to politics. There was Galba, who didn't know what was going on. And so on. And on and on. Your three dictators so far seem to have done excellent jobs. They seem to be damned conscientious leaders."

"When you re-create something," Ilaria told him, "you try to eliminate its faults."

"Of course. But what if Caesar's son or a Caesar's adopted son goes bad?" Jay elucidated.

"So far we haven't had that problem to deal with. But we're ready. Each time a new Dictator comes to power, one thousand top military men draw folded pieces of plastipaper from a 'bowl.' On twenty of these are X's. The others contain O's. The twenty X's are a secret organization, sworn to kill the Dictator if it should become necessary. When Caesar, as you say, 'goes bad'."

"Brilliant!" Jay breathed. "And he--Caesar--never knows who they are?"

"_No_ one ever knows," Ilaria said. "Not even the members. They remain in contact, but none ever knows who the others are."

Jay remembered Ilaria's previous mention of the system, and the unconscious swelling of the Tribune's chest at the time. "You're one," he said.

Ilaria was caught off guard. "I--yes," he said. "I won't ask how you knew."

"A guess. Then you've been a--whatever it's called--for nine years, during Caesar V's reign."

"That's right."

"And you don't know any of the others?"

"Only one. I found out accidentally. He--" Ilaria stopped.

Jay shrugged. "I won't ask any more questions along that line," he promised. "But I still can't believe there haven't been any uprisings!"