Ancient Art Of The Province Of Chiriqui Colombia Sixth Annual R

_The crayfish (?)._--In Fig. 40 we have a fine specimen, intended apparently to represent a crayfish or some similar crustacean form. The head is supplied with complicated yet g...

The map accompanying this paper (Plate I) conveys a clear idea of the position and the leading topographic features of the province. The boundaries separating it from Veragua on...

The manner in which the numerous parts or sections of complex figures are joined together is both interesting and perplexing. Evidences of the use of solder have been looked for...

The tripods shown in Figs. 125 and 126 are somewhat mutilated, but they present features of interest in the novel shapes and the unique animal forms with which the legs are embe...

I have already called attention to the fact that there is no such thing in Chiriquian ceramic art as a well modeled human figure and apparently no indication of an attempt to re...

I will now pass over the many hundreds of pieces with designs too conventional to furnish a clew to the original animal forms, yet still suggesting their existence, to those in...

The pottery of the two groups already presented exhibits characters so uniform throughout that there need be no hesitation in placing them together as the work of one community...

The largest specimen in the collection, shown in Fig. 250, represents an alligator and is finished in the usual conventional style of the alligator group. The air chamber is lar...

Single handles of like character occur in a number of cases upon minute cups, an example of which is given in Fig. 86. It would seem that possibly in such cases the rim had been...

_Images._--Objects that may properly be classed as images or idols are of rather rare occurrence. Half a dozen specimens are found in the McNiel collections. The most important...

_Use._--The uses to which most classes of earthen products were applied are easily determined. Whistles, drums, rattles, and spindle whorls have definite duties to perform, and...

I present five series of figures designed to illustrate the stages through which life forms pass in descending from the realistic to highly specialized conventional shapes. In t...

If realistic or semirealistic delineations are confused in this way it is to be expected that highly conventional derivative figures, so numerous and varied, should be much less...

Fig. 1. Section of oval grave 17 2. Section of a quadrangular grave 18 3. Grave with pillars 18 4. Compound cist 19 5. Southwest face of the pictured stone 22 6. A goddess of th...

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