An Author's Mind : The Book of Title-pages
Chapter 8
Divers national peculiarities of the _physique_ of homes; as, Tartars' tents, Esquimaux snow-pits, Caffre kraals, Steppe huts, South-sea palm-thatch, tree-villages, caves, log-cabins, and so forth. Then, a wide view of the homes of higher society, first Continental, afterwards British through all the different phases of comfort to be found in heath-hovels, cottages, ornees, villas, parsonage-houses, squirealities, seats, town mansions, and royal palaces. Thus, with a contrastive peep or two about the feverish neighbourhood of a factory, up this musty alley, and down that winding lane, we should have considered briefly all the external accidents of home. The miserable condition of the homeless, whether rich or poor; an oak with its tap-root broken, a house on wheels, a boat without a compass, and all that sort of thing: together with due declamation about soldiers spending twenty years in India, shipwrecked Robinson Crusoes far from native Hull, cadets going out hopelessly forever, emigrants, convicts, missionaries, and all other absentees, voluntary or involuntary. Tirades upon abject poverty, wanton affluence, poor laws, mendicancy, and Ireland; not omitting some thrilling cases of barbaric destitution.
Now come we lawfully to descant upon matters more mental and sentimental--the _metaphysique_ of the subject--the pleasures and pains of Home. As thus, most cursorily: the nursery, with its dear innocent joys; the school-boy, holiday feelings and scholastic cruelties; the desk-abhorring clerk; the over-worked milliner; the starving family of factory children, and of agricultural labourers, and of workers in coal mines and iron furnaces, with earnest exhortations to the rich to pour their horns of plenty on the poor. England, once a safer and a happier land, under the law of charity: now fast verging into a despotic centralized system, kept together by bayonets and constables' staves. Home a refuge for all; for queens and princes from their cumbrous state, as well as for clowns from their hedging and ditching. The home of love, and its thousand blessings, founded on mutual confidence, religion, open-heartedness, communion of interest, absence of selfishness, and so on: the honoured father, due subordination, and results; the loving wife, obedient children, and cheerful servants. Absolute, though most kind, monarchy the best government for a home; with digressions about Austria and China, and such laudable paternal rule; and _contra_, bitter castigation of republican misrule, its evils and their results, for which see Old Athens and New York, and certain spots half-way between them.
The pains of home: most various indeed, caused by all sorts of opposite harms--too much constraint or too little, open bad example or impossible good example, omissions and commissions, duty relaxed by indulgence, and duty tightened into tyranny; but mainly and generally attributable to the non-assertion or other abuse of parental authority. The spoiled child, and his progress of indulgence, unchecked passions, dissipation, crime, and ruin. Interested interlopers, as former friends, relatives, flatterers, and busy parasites, undermining that bond of confidence without which home falls to pieces; the gloomy spirit of reserve, discouraging every thing like generous open-heartedness; menial influences lowering their subject to their own base level; discords, religious, political, and social; the harmful consequence of over-expenditure to ape the hobbies or grandeur of the wealthier; foolish education beyond one's sphere, as the baker's daughter taking lessons in Italian, and opera-stricken butcher's-boys strumming the guitar; immoral tendencies, gambling, drinking, and other dissipations; and the aggregate of discomforts, of every sort and kind; with cures for all these evils; and to end finally by a grand climax of supplication, invocation, imprecation, resignation, and beatification, in the regular crash of a stout-expiring overture.
It's all very well, objects reader, and very easy to consider this done; but the difficulty is--not so much to do it, answers writer, as to escape the bother of prolixity by proving how much has been done, and how speedily all might be even completed, had poor poesy in these ticketing times only a fair field and no disfavour; for there is at hand good grist, ready ground, baked and caked, and waiting for its eaters. But in this age of prose-devouring and verse-despising, hardy indeed should I be, if I adventured to bore the poor, much-abused, uncomplaining public with hundreds of lines out of a dormant epic; the very phrase is a lullaby; it's as catching as a yawn; well will it be for me if my thread-bare domino conceals me, for whose better fame could brook the scandal of having fathered or fostered so slumbering an embryo?--Let then a few shreds and patches suffice--a brick or two for the house: and verily I know they will, be they never so scanty; for what man of education does not now entertain a just abhorrence of the Muses, the nine antiquated maiden aunts destined for ever to be pensioned on that money-making nice young man, Mammon's great heir-at-law, Prose Prose, Esq.?
With humblest fear, then, and infinite apology, behold, in all sober seriousness, what the labour of such a file as I am might betimes work into a respectable commencement; I don't pretend it _is_ one; but _valeat quantum_, take it as it stands, unweeded, unpruned, uncared-for, unaltered,
Home, happy word, dear England's ancient boast, Thou strongest castle on her sea-girt coast, Thou full fair name for comfort, love, and rest, Haven of refuge found and peace possest, Oasis in the desert, star of light Spangling the dreary dark of this world's night, All-hallowed spot of angel-trodden ground Where Jacob's ladder plants its lowest round, Imperial realm amid the slavish world, Where Freedom's banner ever floats unfurl'd, Fair island of the blest, earth's richest wealth, Her plague-struck body's little all of health, Home, gentle name, I woo thee to my song, To thee my praise, to thee my prayers belong: Inspire me with thy beauty, bid me teem With gracious musings worthy of my theme: Spirit of Love, the soul of Home thou art, Fan with divinest thoughts my kindling heart; Spirit of Power, in pray'rs thine aid I ask, Uphold me, bless me to my holy task; Spirit of Truth, guide thou my wayward wing; Love, Power, and Truth, be with me while I sing.
_V'la_: my consolation is that somewhere may be read, in hot-pressed print, too, many worse poeticals than these, which, however, nine readers out of ten will have had the worldly wisdom to skip; and the tenth is soon satiated: yet a tithe is something, at least so think the modern Levites; so, then, on second thoughts, a victim who is so good a listener must not be let off quite so cheaply. However, to vary a little this melancholy musing, and to gild the compulsory pill, Reserve shall be served up sonnet-wise. (P. S. I love the sonnet, maligned as it is both by ill-attempting friend and semi-sneering foe: of course, in our epic, Reserve ambles not about in this uncertain rhyme, but duly stalks abroad in the uniform dress; iambically still, though extricated from those involutions, time out of mind the requisite of sonnets.) Stand forth to be chastised, unpopular
RESERVE.
Thou chilling, freezing fiend, Love's mortal bane, Lethargic poison of the moral sense, Killing those high-soul'd children of the brain, Warm Enterprise and noble Confidence, Fly from the threshold, traitor--get thee hence! Without thee, we are open, cheerful, kind; Mistrusting none but self, injurious self, Of and to others wishing only good; With thee, suspicions crowd the gloomy mind, Suggesting all the world a viperous brood That acts a base bad part in hope of pelf: Virtue stands shamed, Truth mute misunderstood, Honour unhonoured, Courage lacking nerve, Beneath thy dull domestic curse, Reserve.
Without professing much tendency to the uxorious, all may blamelessly confess that they see exceeding beauty in a good wife; and we need never apologize for the unexpected company of ladies: at off-hand then let this one sit for her portrait. Enduring listener, will the following serve our purpose in striving worthily to apostrophize
THE WIFE.
Behold, how fair of eye, and mild of mien, Walks forth of marriage yonder gentle queen: What chaste sobriety whene'er she speaks, What glad content sits smiling on her cheeks, What plans of goodness in that bosom glow, What prudent care is throned upon her brow, What tender truth in all she does or says, What pleasantness and peace in all her ways! For ever blooming on that cheerful face Home's best affections grow divine in grace; Her eyes are ray'd with love, serene and bright; Charity wreathes her lips with smiles of light; Her kindly voice hath music in its notes; And heav'n's own atmosphere around her floats!
Thus, wife-like, for better or worse, is the above _portrait charmant_ consigned to the dingy digits of an unidistinguishing printer's-devil; so doth Caesar's dust come to stop a bung-hole. One morsel more, about children, blessed children, and for this bout I shall have tilted sufficiently in the Muses' court; or, if it must be so said, unhandsome critic, stilted to satiety in false heroics: stay--not false; judge me, my heart. Suppose then an imaginary parent thus to speak about his
INFANT DAUGHTERS.
Oh ye, my beauteous nest of snow-white doves, What wealth could price for me your guileless loves? My earthly cherubim, my precious pearls, My pretty flock of loving little girls, My stores of happiness with least alloy, My treasuries of hope and trembling joy! Yon toothless darling, nestled soft and warm On a young yearning mother's cradling arm; The soft angelic smiles of natural grace Tinting with love that other little face; And the sweet budding of this sinless mind In winning ways, that round my heart-strings wind, Dear winning ways--dear nameless winning ways, That send me joyous to my God in praise.
Enough! not heartlessly, but to shame the heartlessness of YOUR _ennui_, let me veil those holiest affections; yes, even at the risk of leaving nominatives widowed of their faithful verbs, will I, until required, epicise no more. Let these mauled bits be intimations of what a little care might have made a little better. Gladly will I keep all the remainder in a state quiescent, even to doubling Horace's wholesome prescription of nine years: for it is impossible but that your fervent poet, in the heat of inspiration, (credit me, lack-wits, there is such a thing,) should blurt out many an unpalatable bit of advice, rebuke, or virtuous indignation against homes in general, for the which sundry conscience-stricken particulars might uncharitably arraign him. But divers other notions are crowding into the retina of my mind's-eye: I must leave my epic as you see it, and bid farewell, a long farewell, to '_Home_.' Still shall my egotism have to appear for many weary pages a most impartial and universal friend to the world of bibliopolists; I cater multifariously for all varieties of the literary profession: booksellers at least must own me as their friend, though the lucky purse of Fortunatus saves me from being impaled upon the point of poor Goldsmith's epigram, and I leave to [----] the questionable praise of being their hack. For Bentley and Hatchard, alike with Rivington and Frazer, for Colburn and Nisbet, as well as Knight, Tilt, Tyas, Moxon, and Murray, I seem to be gratuitously pouring out in equal measure my versatile meditations; at this sign all customers may be suited; only, shop-lifters will be visited with the utmost rigour of that obnoxious monosyllable.--Well, poor Epic, good night to you, and my benison on those who love you.
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To any one, much in the habit of thoughtful revery, how very unsatisfactory those notions look in writing. He can't half unravel the chaotic cobwebs of his mind; as he plods along penning it, a thousand fancies flit about him too intangibly for fixed words, and his ever-teeming hot imagination cannot away with the slow process of concreted composition. For me, I must write impromptu, or not at all; none of your conventional impromptus, toils of half-a-day, as little instantaneous as sundry patent lights; no working-up of laborious epigrams, sedulously sharpened antitheses, or scintillative trifles, diligently filed and polished; but the positive impromptu of longing to be an adept at shorthand-writing, by way of catching as they fly those swift-winged thoughts; not quick enough by half; most of those bright colours unfixed; most of those fair semi-notions unrecorded. To say nothing of reasons of time, there being other things to do, and reasons of space, there being other things to write. And thus, good friend, affectionately believe the best of these crude intimations of things intellectual, which the husbandry of good diligence, and the golden shower of Danae's enamoured, and the smiles of the Sun of encouragement might heretofore have ripened into authorship; nay, more, perhaps may still: believe, generously, that if I could coil off quietly, like unwrapped cocoons, all these epics, tragics, theologies, pathetics, analytics, and didactics, they would show in fairer forms, and better-defined proportions: believe, also, truly, that I could, if I would, and that I would, if the game were worth its candle.
But, sooth to say, the over-gorged public may well regard that small-tomed author with most favourable eye, who condenses himself within the narrowest limits; a _diable boiteux_, not the huge spirit of the Hartz; concentrated meat-lozenges, not _soup maigre_; pocket-pistols of literature, not lumbering parks of its artillery. Verily, there is a mightier mass of typography than of readers; and the reading world, from very brevity of life, must rush, at a Bedouin pace, over the illimitable plains of newspaper publication, while the pyramids of dusty folio are left to stand in solitary proud neglect. The cursory railroad spirit is abroad: we abhor that old painful ploughing through axle-deep ruts: the friend who will skate with us, is welcomer than he who holds us freezing by the button; and the teacher, who suggestively bounds in his balloon on the tops of a chain of arguments, is more popular in lecturing than he of the old school, who must duteously and laboriously struggle up and down those airy promontories.
I love an avenue, though, like Lord Ashburton's magnificent mile of yew-trees, it may lead to nothing, and therefore have not expunged this unnecessary preface: rather, will I bluntly come upon a next subject, another work in my unseen circulating library,
THE SEVEN SAYINGS OF GRECIAN WISDOM,
ILLUSTRATED IN SEVEN TALES.
Cordially may this theme be commended to the more illuminating booksellers: well would it be greeted by the picture-loving public. It might come out from time to time as a periodical, in a classical wrapper: might be decorated with the sages' physiognomies, copied from antique gems, with the fancied passage in each one's life that provoked the saying, and with specific illustrations of the exemplifying story. There should be a brilliant preface, introducing the seven sages to each other and the reader, after the ensample of Plutarch, and exhausting all the antiquarianism, all the memoirism, and all the varia-lectionism of the subject. The different tales should be of different countries and ages of the world, to insure variety, and give an easier exit to _ennui_. As thus: Solon's "Know thyself" might be fitted to an Eastern favourite raised suddenly to power, or a poor and honest Glasgow weaver all upon a day served as heir to a Scotch barony, when he forthwith falls into fashionable vices. Chilo's "Note the end of life" might concern the merriment of the drunkard's career, and its end--delirium tremens, or spontaneous combustion: better, perhaps, as less vulgarian, the grandeur and assassination of some Milanese ducal tyrant. The "Watch your opportunity" of Pittacus could be shown in the fortunes of some Whittington of trade, some Washington of peace, or some Napoleon of war. Bias's uncharitable bias, believing the worst of the world, might seem to some a truism, to others a falsehood, according as their fellows have served them well or ill; but a brief history of some hypocrite's life, some misanthrope's experience, or some Arabian Stylobatist's resolve to be perched above this black earth on a column like a stork, might help to prove that "the majority are wicked." As for Periander's aphorism, that "to industry all things are possible," pyramid-building old Egypt, or the Druids of Stonehenge, or Scottish proverbial perseverance in Australian sheep rearing and Canadian timber clearing, will carry the point by acclamation. Cleobulus, praising "moderation in all things," would glorify a moral warning of universal application, as to pleasures, riches, and rank; or especially perhaps as preferring true temperance before its modern tee-total false pretences; or lauding some Richard Cromwell's choice of a quiet country life, before the turbulent honours of a proffered Protectorate; while Thales, with his all but old English proverb of "more haste, less speed," would apply admirably to Sultan Mahmoud's ruinous reforms; or to the actual injury gulled Britain has done to the condition of negroes in general by a vastly too precipitate abolition of the slave-trade: a vile evil, indeed, but a cancer of too long creeping to be cured in a day, a rottenness too deeply seated in the frame-work of the world to be extirpated by such caustic surgery as fire and sword; or to be quacked into health by patent gold-salve.
Seven such tales, shrewdly setting out their several aims, and illustrative of good moral maxims which wise heathens live by, would (I trow and trust) be somewhat better, more original--ay, and more entertaining, too--than the common run of magazine adventures. It may not here be fair to particularize further than in the way of avowing my unmitigated contempt for the exploits of highwaymen, swindlers, men about town, and ladies of the _pave_. I protest against gilding crimes, and palliating follies. Serve the public tables with better food, good Pandarus. Those commentators on the Newgate calendar, those bringers-into-fashion of the mysteries of vice, must not be quite acquitted of the evils they have caused: brilliancy of dialogue, and graphic power of delineation, are only weapons in a madman's hand, if the moral be corrupting and profane. To cheerful, hearty, care-dispelling humour, to such merry faces as Pickwick and Co.--inimitable Pickwick--hail, all hail! but triumphs of burglary, and escapes of murderers, aroint ye!
Why then should I throw this cargo overboard?--Friend, my ship is too full; _if_ I could only do one thing at a time, and could finish it within the limits of its originating fit, these things all might be less abortive. But I doubt if my glorification of Greek aphorisms ever reaches any higher apotheosis than the airy castles sketchily built above.
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Similar in idea with these last tales, but essentially more sacred as to character, would be an illustrative elucidation of the seven last sayings of our Blessed Lord, when dying in the crucifixion. The Romish Church, in some of her imposing ceremonies, has caused the sayings to be exhibited on seven banners, which are occasionally carried before the holy cross: from this I probably derived the idea of detaching these sentences from the frame-work of their contexts, and regarding them in some sort as aphorisms. For a name, not to be tautologous, should be proposed a Graeco-Anglicism,
THE HEPTALOGIA;
OUR SAVIOUR'S SEVEN LAST SAYINGS.