Chapter 6
Now, half the sum of any number and its square is always a triangular number. Thus half of 2 + 2² = 3; half of 3 + 3² = 6; half of 4 + 4² = 10; half of 5 + 5²= 15; and so on. So if we want to form a triangle with 8 counters on each side we shall require half of 8 + 8², or 36 counters. This is a pretty little property of numbers. Before going further, I will here say that if the reader refers to the "Stonemason's Problem" (No. 135) he will remember that the sum of any number of consecutive cubes beginning with 1 is always a square, and these form the series 1², 3², 6², 10², etc. It will now be understood when I say that one of the keys to the puzzle was the fact that these are always the squares of triangular numbers--that is, the squares of 1, 3, 6, 10, 15, 21, 28, etc., any of which numbers we have seen will form a triangle.
Every whole number is either triangular, or the sum of two triangular numbers or the sum of three triangular numbers. That is, if we take any number we choose we can always form one, two, or three triangles with them. The number 1 will obviously, and uniquely, only form one triangle; some numbers will only form two triangles (as 2, 4, 11, etc.); some numbers will only form three triangles (as 5, 8, 14, etc.). Then, again, some numbers will form both one and two triangles (as 6), others both one and three triangles (as 3 and 10), others both two and three triangles (as 7 and 9), while some numbers (like 21) will form one, two, or three triangles, as we desire. Now for a little puzzle in triangular numbers.
Sandy McAllister, of Aberdeen, practised strict domestic economy, and was anxious to train his good wife in his own habits of thrift. He told her last New Year's Eve that when she had saved so many sovereigns that she could lay them all out on the table so as to form a perfect square, or a perfect triangle, or two triangles, or three triangles, just as he might choose to ask he would add five pounds to her treasure. Soon she went to her husband with a little bag of £36 in sovereigns and claimed her reward. It will be found that the thirty-six coins will form a square (with side 6), that they will form a single triangle (with side 8), that they will form two triangles (with sides 5 and 6), and that they will form three triangles (with sides 3, 5, and 5). In each of the four cases all the thirty-six coins are used, as required, and Sandy therefore made his wife the promised present like an honest man.
The Scotsman then undertook to extend his promise for five more years, so that if next year the increased number of sovereigns that she has saved can be laid out in the same four different ways she will receive a second present; if she succeeds in the following year she will get a third present, and so on until she has earned six presents in all. Now, how many sovereigns must she put together before she can win the sixth present?
What you have to do is to find five numbers, the smallest possible, higher than 36, that can be displayed in the four ways--to form a square, to form a triangle, to form two triangles, and to form three triangles. The highest of your five numbers will be your answer.
138.--THE ARTILLERYMEN'S DILEMMA.
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"All cannon-balls are to be piled in square pyramids," was the order issued to the regiment. This was done. Then came the further order, "All pyramids are to contain a square number of balls." Whereupon the trouble arose. "It can't be done," said the major. "Look at this pyramid, for example; there are sixteen balls at the base, then nine, then four, then one at the top, making thirty balls in all. But there must be six more balls, or five fewer, to make a square number." "It _must_ be done," insisted the general. "All you have to do is to put the right number of balls in your pyramids." "I've got it!" said a lieutenant, the mathematical genius of the regiment. "Lay the balls out singly." "Bosh!" exclaimed the general. "You can't _pile_ one ball into a pyramid!" Is it really possible to obey both orders?
139.--THE DUTCHMEN'S WIVES.
I wonder how many of my readers are acquainted with the puzzle of the "Dutchmen's Wives"--in which you have to determine the names of three men's wives, or, rather, which wife belongs to each husband. Some thirty years ago it was "going the rounds," as something quite new, but I recently discovered it in the _Ladies' Diary_ for 1739-40, so it was clearly familiar to the fair sex over one hundred and seventy years ago. How many of our mothers, wives, sisters, daughters, and aunts could solve the puzzle to-day? A far greater proportion than then, let us hope.
Three Dutchmen, named Hendrick, Elas, and Cornelius, and their wives, Gurtrün, Katrün, and Anna, purchase hogs. Each buys as many as he (or she) gives shillings for one. Each husband pays altogether three guineas more than his wife. Hendrick buys twenty-three more hogs than Katrün, and Elas eleven more than Gurtrün. Now, what was the name of each man's wife?
140.--FIND ADA'S SURNAME.
This puzzle closely resembles the last one, my remarks on the solution of which the reader may like to apply in another case. It was recently submitted to a Sydney evening newspaper that indulges in "intellect sharpeners," but was rejected with the remark that it is childish and that they only published problems capable of solution! Five ladies, accompanied by their daughters, bought cloth at the same shop. Each of the ten paid as many farthings per foot as she bought feet, and each mother spent 8s. 5¼d. more than her daughter. Mrs. Robinson spent 6s. more than Mrs. Evans, who spent about a quarter as much as Mrs. Jones. Mrs. Smith spent most of all. Mrs. Brown bought 21 yards more than Bessie--one of the girls. Annie bought 16 yards more than Mary and spent £3, 0s. 8d. more than Emily. The Christian name of the other girl was Ada. Now, what was her surname?
141.--SATURDAY MARKETING.
Here is an amusing little case of marketing which, although it deals with a good many items of money, leads up to a question of a totally different character. Four married couples went into their village on a recent Saturday night to do a little marketing. They had to be very economical, for among them they only possessed forty shilling coins. The fact is, Ann spent 1s., Mary spent 2s., Jane spent 3s., and Kate spent 4s. The men were rather more extravagant than their wives, for Ned Smith spent as much as his wife, Tom Brown twice as much as his wife, Bill Jones three times as much as his wife, and Jack Robinson four times as much as his wife. On the way home somebody suggested that they should divide what coin they had left equally among them. This was done, and the puzzling question is simply this: What was the surname of each woman? Can you pair off the four couples?
GEOMETRICAL PROBLEMS.
"God geometrizes continually."
PLATO.
"There is no study," said Augustus de Morgan, "which presents so simple a beginning as that of geometry; there is none in which difficulties grow more rapidly as we proceed." This will be found when the reader comes to consider the following puzzles, though they are not arranged in strict order of difficulty. And the fact that they have interested and given pleasure to man for untold ages is no doubt due in some measure to the appeal they make to the eye as well as to the brain. Sometimes an algebraical formula or theorem seems to give pleasure to the mathematician's eye, but it is probably only an intellectual pleasure. But there can be no doubt that in the case of certain geometrical problems, notably dissection or superposition puzzles, the æsthetic faculty in man contributes to the delight. For example, there are probably few readers who will examine the various cuttings of the Greek cross in the following pages without being in some degree stirred by a sense of beauty. Law and order in Nature are always pleasing to contemplate, but when they come under the very eye they seem to make a specially strong appeal. Even the person with no geometrical knowledge whatever is induced after the inspection of such things to exclaim, "How very pretty!" In fact, I have known more than one person led on to a study of geometry by the fascination of cutting-out puzzles. I have, therefore, thought it well to keep these dissection puzzles distinct from the geometrical problems on more general lines.
DISSECTION PUZZLES.
"Take him and cut him out in little stars."
_Romeo and Juliet_, iii. 2.
Puzzles have infinite variety, but perhaps there is no class more ancient than dissection, cutting-out, or superposition puzzles. They were certainly known to the Chinese several thousand years before the Christian era. And they are just as fascinating to-day as they can have been at any period of their history. It is supposed by those who have investigated the matter that the ancient Chinese philosophers used these puzzles as a sort of kindergarten method of imparting the principles of geometry. Whether this was so or not, it is certain that all good dissection puzzles (for the nursery type of jig-saw puzzle, which merely consists in cutting up a picture into pieces to be put together again, is not worthy of serious consideration) are really based on geometrical laws. This statement need not, however, frighten off the novice, for it means little more than this, that geometry will give us the "reason why," if we are interested in knowing it, though the solutions may often be discovered by any intelligent person after the exercise of patience, ingenuity, and common sagacity.
If we want to cut one plane figure into parts that by readjustment will form another figure, the first thing is to find a way of doing it at all, and then to discover how to do it in the fewest possible pieces. Often a dissection problem is quite easy apart from this limitation of pieces. At the time of the publication in the _Weekly Dispatch_, in 1902, of a method of cutting an equilateral triangle into four parts that will form a square (see No. 26, "Canterbury Puzzles"), no geometrician would have had any difficulty in doing what is required in five pieces: the whole point of the discovery lay in performing the little feat in four pieces only.
Mere approximations in the case of these problems are valueless; the solution must be geometrically exact, or it is not a solution at all. Fallacies are cropping up now and again, and I shall have occasion to refer to one or two of these. They are interesting merely as fallacies. But I want to say something on two little points that are always arising in cutting-out puzzles--the questions of "hanging by a thread" and "turning over." These points can best be illustrated by a puzzle that is frequently to be found in the old books, but invariably with a false solution. The puzzle is to cut the figure shown in Fig. 1 into three pieces that will fit together and form a half-square triangle. The answer that is invariably given is that shown in Figs. 1 and 2. Now, it is claimed that the four pieces marked C are really only one piece, because they may be so cut that they are left "hanging together by a mere thread." But no serious puzzle lover will ever admit this. If the cut is made so as to leave the four pieces joined in one, then it cannot result in a perfectly exact solution. If, on the other hand, the solution is to be exact, then there will be four pieces--or six pieces in all. It is, therefore, not a solution in three pieces.
If, however, the reader will look at the solution in Figs. 3 and 4, he will see that no such fault can be found with it. There is no question whatever that there are three pieces, and the solution is in this respect quite satisfactory. But another question arises. It will be found on inspection that the piece marked F, in Fig. 3, is turned over in Fig. 4--that is to say, a different side has necessarily to be presented. If the puzzle were merely to be cut out of cardboard or wood, there might be no objection to this reversal, but it is quite possible that the material would not admit of being reversed. There might be a pattern, a polish, a difference of texture, that prevents it. But it is generally understood that in dissection puzzles you are allowed to turn pieces over unless it is distinctly stated that you may not do so. And very often a puzzle is greatly improved by the added condition, "no piece may be turned over." I have often made puzzles, too, in which the diagram has a small repeated pattern, and the pieces have then so to be cut that not only is there no turning over, but the pattern has to be matched, which cannot be done if the pieces are turned round, even with the proper side uppermost.
Before presenting a varied series of cutting-out puzzles, some very easy and others difficult, I propose to consider one family alone--those problems involving what is known as the Greek cross with the square. This will exhibit a great variety of curious transpositions, and, by having the solutions as we go along, the reader will be saved the trouble of perpetually turning to another part of the book, and will have everything under his eye. It is hoped that in this way the article may prove somewhat instructive to the novice and interesting to others.
GREEK CROSS PUZZLES.
"To fret thy soul with crosses."
SPENSER.
"But, for my part, it was Greek to me."
_Julius Cæsar_, i. 2.
Many people are accustomed to consider the cross as a wholly Christian symbol. This is erroneous: it is of very great antiquity. The ancient Egyptians employed it as a sacred symbol, and on Greek sculptures we find representations of a cake (the supposed real origin of our hot cross buns) bearing a cross. Two such cakes were discovered at Herculaneum. Cecrops offered to Jupiter Olympus a sacred cake or _boun_ of this kind. The cross and ball, so frequently found on Egyptian figures, is a circle and the _tau_ cross. The circle signified the eternal preserver of the world, and the T, named from the Greek letter _tau_, is the monogram of Thoth, the Egyptian Mercury, meaning wisdom. This _tau_ cross is also called by Christians the cross of St. Anthony, and is borne on a badge in the bishop's palace at Exeter. As for the Greek or mundane cross, the cross with four equal arms, we are told by competent antiquaries that it was regarded by ancient occultists for thousands of years as a sign of the dual forces of Nature--the male and female spirit of everything that was everlasting.
The Greek cross, as shown in Fig. 5, is formed by the assembling together of five equal squares. We will start with what is known as the Hindu problem, supposed to be upwards of three thousand years old. It appears in the seal of Harvard College, and is often given in old works as symbolical of mathematical science and exactitude. Cut the cross into five pieces to form a square. Figs. 6 and 7 show how this is done. It was not until the middle of the nineteenth century that we found that the cross might be transformed into a square in only four pieces. Figs. 8 and 9 will show how to do it, if we further require the four pieces to be all of the same size and shape. This Fig. 9 is remarkable because, according to Dr. Le Plongeon and others, as expounded in a work by Professor Wilson of the Smithsonian Institute, here we have the great Swastika, or sign, of "good luck to you "--the most ancient symbol of the human race of which there is any record. Professor Wilson's work gives some four hundred illustrations of this curious sign as found in the Aztec mounds of Mexico, the pyramids of Egypt, the ruins of Troy, and the ancient lore of India and China. One might almost say there is a curious affinity between the Greek cross and Swastika! If, however, we require that the four pieces shall be produced by only two clips of the scissors (assuming the puzzle is in paper form), then we must cut as in Fig. 10 to form Fig. 11, the first clip of the scissors being from a to b. Of course folding the paper, or holding the pieces together after the first cut, would not in this case be allowed. But there is an infinite number of different ways of making the cuts to solve the puzzle in four pieces. To this point I propose to return.
It will be seen that every one of these puzzles has its reverse puzzle--to cut a square into pieces to form a Greek cross. But as a square has not so many angles as the cross, it is not always equally easy to discover the true directions of the cuts. Yet in the case of the examples given, I will leave the reader to determine their direction for himself, as they are rather obvious from the diagrams.
Cut a square into five pieces that will form two separate Greek crosses of _different sizes_. This is quite an easy puzzle. As will be seen in Fig. 12, we have only to divide our square into 25 little squares and then cut as shown. The cross A is cut out entire, and the pieces B, C, D, and E form the larger cross in Fig. 13. The reader may here like to cut the single piece, B, into four pieces all similar in shape to itself, and form a cross with them in the manner shown in Fig. 13. I hardly need give the solution.
Cut a square into five pieces that will form two separate Greek crosses of exactly the _same size_. This is more difficult. We make the cuts as in Fig. 14, where the cross A comes out entire and the other four pieces form the cross in Fig. 15. The direction of the cuts is pretty obvious. It will be seen that the sides of the square in Fig. 14 are marked off into six equal parts. The sides of the cross are found by ruling lines from certain of these points to others.
I will now explain, as I promised, why a Greek cross may be cut into four pieces in an infinite number of different ways to make a square. Draw a cross, as in Fig. 16. Then draw on transparent paper the square shown in Fig. 17, taking care that the distance c to d is exactly the same as the distance a to b in the cross. Now place the transparent paper over the cross and slide it about into different positions, only be very careful always to keep the square at the same angle to the cross as shown, where a b is parallel to c d. If you place the point c exactly over a the lines will indicate the solution (Figs. 10 and 11). If you place c in the very centre of the dotted square, it will give the solution in Figs. 8 and 9. You will now see that by sliding the square about so that the point c is always within the dotted square you may get as many different solutions as you like; because, since an infinite number of different points may theoretically be placed within this square, there must be an infinite number of different solutions. But the point c need not necessarily be placed within the dotted square. It may be placed, for example, at point e to give a solution in four pieces. Here the joins at a and f may be as slender as you like. Yet if you once get over the edge at a or f you no longer have a solution in four pieces. This proof will be found both entertaining and instructive. If you do not happen to have any transparent paper at hand, any thin paper will of course do if you hold the two sheets against a pane of glass in the window.
It may have been noticed from the solutions of the puzzles that I have given that the side of the square formed from the cross is always equal to the distance a to b in Fig. 16. This must necessarily be so, and I will presently try to make the point quite clear.
We will now go one step further. I have already said that the ideal solution to a cutting-out puzzle is always that which requires the fewest possible pieces. We have just seen that two crosses of the same size may be cut out of a square in five pieces. The reader who succeeded in solving this perhaps asked himself: "Can it be done in fewer pieces?" This is just the sort of question that the true puzzle lover is always asking, and it is the right attitude for him to adopt. The answer to the question is that the puzzle may be solved in four pieces--the fewest possible. This, then, is a new puzzle. Cut a square into four pieces that will form two Greek crosses of the same size.
The solution is very beautiful. If you divide by points the sides of the square into three equal parts, the directions of the lines in Fig. 18 will be quite obvious. If you cut along these lines, the pieces A and B will form the cross in Fig. 19 and the pieces C and D the similar cross in Fig. 20. In this square we have another form of Swastika.
The reader will here appreciate the truth of my remark to the effect that it is easier to find the directions of the cuts when transforming a cross to a square than when converting a square into a cross. Thus, in Figs. 6, 8, and 10 the directions of the cuts are more obvious than in Fig. 14, where we had first to divide the sides of the square into six equal parts, and in Fig. 18, where we divide them into three equal parts. Then, supposing you were required to cut two equal Greek crosses, each into two pieces, to form a square, a glance at Figs. 19 and 20 will show how absurdly more easy this is than the reverse puzzle of cutting the square to make two crosses.