Chapter 16
Upon analysis, his paradox reveals as its chief and most essential element a certain habit of mind which always tends to see and appreciate the reverse of accepted opinions. So much is this the case that it is possible in many instances to anticipate what he will say upon a subject. It is on record that one reader, coming to his chapter on Omar Khayyám, said to himself, "Now he will be saying that Omar is not drunk enough"; and he went on to read, "It is not poetical drinking, which is joyous and instinctive; it is rational drinking, which is as prosaic as an investment, as unsavoury as a dose of camomile." Similarly we are told that Browning is only felt to be obscure because he is too pellucid. Such apparent contradictoriness is everywhere in his work, but along with it goes a curious ingenuity and nimbleness of mind. He cannot think about anything without remembering something else, apparently out of all possible connection with it, and instantly discovering some clever idea, the introduction of which will bring the two together. Christianity "is not a mixture like russet or purple; it is rather like a shot silk, for a shot silk is always at right angles, and is in the pattern of the cross."
In all this there are certain familiar mechanisms which constitute almost a routine of manipulation for the manufacture of paradoxes. One such mechanical process is the play with the derivatives of words. Thus he reminds us that the journalist is, in the literal and derivative sense, a _journalist_, while the missionary is an eternalist. Similarly "lunatic," "evolution," "progress," "reform," are etymologically tortured into the utterance of the most forcible and surprising truths. This curious word-play was a favourite method with Ruskin; and it has the disadvantage in Mr. Chesterton which it had in the earlier critic. It appears too clever to be really sound, although it must be confessed that it frequently has the power of startling us into thoughts that are valuable and suggestive.
Another equally simple process is that of simply reversing sentences and ideas. "A good bush needs no wine." "Shakespeare (in a weak moment, I think) said that all the world is a stage. But Shakespeare acted on the much finer principle that a stage is all the world." Perhaps the most brilliant example that could be quoted is the plea for the combination of gentleness and ferocity in Christian character. When the lion lies down with the lamb, it is constantly assumed that the lion becomes lamblike. "But that is brutal annexation and imperialism on the part of the lamb. That is simply the lamb absorbing the lion, instead of the lion eating the lamb."
By this process it is possible to attain results which are extraordinarily brilliant in themselves and fruitful in suggestion. It is a process not difficult to learn, but the trouble is that you have to live up to it afterwards, and defend many curious propositions which may have been arrived at by its so simple means. Take, for instance, the sentence about the stage being all the world. That is undeniably clever, and it contains an idea. But it is a haphazard idea, arrived at by a short-cut, and not by the high road of reasonable thinking. Sometimes a truth may be reached by such a short-cut, but such paradoxes are occasionally no better than chartered errors.
Yet even when they are that, it may be said in their favour that they startle us into thought. And truly Mr. Chesterton is invaluable as a quickener and stimulator of the minds of his readers. Moreover, by adopting the method of paradox, he has undoubtedly done one remarkable thing. He has proved what an astonishing number of paradoxical surprises there actually are, lying hidden beneath the apparent commonplace of the world. Every really clever paradox astonishes us not merely with the sense of the cleverness of him who utters it, but with the sense of how many strange coincidences exist around us, and how many sentences, when turned outside in, will yield new and startling truths. However much we may suspect that the performance we are watching is too clever to be trustworthy, yet after all the world does appear to lend itself to such treatment.
There is, for example, the paradox of the love of the world--"Somehow one must love the world without being worldly." Again, "Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die." The martyr differs from the suicide in that he cherishes a disdain of death, while the motive of the suicide is a disdain of life. Charity, too, is a paradox, for it means "one of two things--pardoning unpardonable acts, or loving unlovable people." Similarly Christian humility has a background of unheard-of arrogance, and Christian liberty is possible only to the most abject bondsmen in the world.
This long consideration of Mr. Chesterton's use of paradox is more relevant to our present subject than it may seem. For, curiously enough, the habit of paradox has been his way of entrance into faith. At the age of sixteen he was a complete agnostic, and it was the reading of Huxley and Herbert Spencer and Bradlaugh which brought him back to orthodox theology. For, as he read, he found that Christianity was attacked on all sides, and for all manner of contradictory reasons; and this discovery led him to the conviction that Christianity must be a very extraordinary thing, abounding in paradox. But he had already discovered the abundant element of paradox in life; and when he analysed the two sets of paradoxes he found them to be precisely the same. So he became a Christian.
It may seem a curious way to enter the Kingdom of Heaven. Those who are accustomed to regard the strait gate as of Gothic architecture may be shocked to find a man professing to have entered through this Alhambra-like portal. But it is a lesson we all have to learn sooner or later, that there are at least eleven gates besides our own, and that every man has to enter by that which he finds available. Paradox is the only gate by which Mr. Chesterton could get into any place, and the Kingdom of Heaven is no exception to the rule.
His account of this entrance is characteristic. It is given in the first chapter of his _Orthodoxy_. There was an English yachtsman who set out upon a voyage, miscalculated his course, and discovered what he thought to be a new island in the South Seas. It transpired afterwards that he had run up his flag on the pavilion of Brighton, and that he had discovered England. That yachtsman is Mr. Chesterton himself. Sailing the great sea of moral and spiritual speculation, he discovered a land of facts and convictions to which his own experience had guided him. On that strange land he ran up his flag, only to make the further and more astonishing discovery that it was the Christian faith at which he had arrived. Nietzsche had preached to him, as to Mr. Bernard Shaw, his great precept, "Follow your own will." But when Mr. Chesterton obeyed he arrived, not at Superman, but at the ordinary old-fashioned morality. That, he found, is what we like best in our deepest hearts, and desire most. So he too "discovered England."
He begins, like Margaret Fuller, with the fundamental principle of accepting the universe. The thing we know best and most directly is human nature in all its breadth. It is indeed the one thing immediately known and knowable. Like R.L. Stevenson, he perceives how tragically and comically astonishing a phenomenon is man. "What a monstrous spectre is this man," says Stevenson, "the disease of the agglutinated dust, lifting alternate feet or lying drugged with slumber; killing, feeding, growing, bringing forth small copies of himself; grown upon with hair like grass, fitted with eyes that move and glitter in his face; a thing to set children screaming;--and yet looked at nearlier, known as his fellows know him, how surprising are his attributes!" In like manner Mr. Chesterton discovers man--that appalling mass of paradox and contradiction--and it is the supreme discovery in any spiritual search.
Having discovered the fundamental fact of human nature, he at once gives in his allegiance to it. "Our attitude towards life can be better expressed in terms of a kind of military loyalty than in terms of criticism and approval. My acceptance of the universe is not optimism, it is more like patriotism. It is a matter of primary loyalty. The world is not a lodging-house at Brighton, which we are to leave because it is miserable. It is the fortress of our family, with the flag flying on the turret, and the more miserable it is, the less we should leave it."
There is a splendid courage and heartiness in his complete acceptance of life and the universe. In a time when clever people are so busy criticising life that they are in danger of forgetting that they have to live it, so busy selecting such parts of it as suit their taste that they ignore the fact that the other parts are there, he ignores nothing and wisely accepts instead of criticising. Mr. Bernard Shaw, as we have seen, will consent to tolerate the universe _minus_ the three loyalties to the family, the nation, and God. Mr. Chesterton has no respect whatever for any such mutilated scheme of human life. His view of the institution of the family is full of wholesome common sense. He perceives the immense difficulties that beset all family life, and he accepts them with immediate and unflinching loyalty, as essential parts of our human task. His views on patriotism belong to the region of politics and do not concern us here. In regard to religion, he finds the modern school amalgamating everything in characterless masses of generalities. They deny the reality of sin, and in matters of faith generally they have put every question out of focus until the whole picture is blurred and vague. He attacks this way of dealing with religion in one of his most amusing essays, "The Orthodox Barber." The barber has been sarcastic about the new shaving--presumably in reference to M. Gillett's excellent invention. "'It seems you can shave yourself with anything--with a stick or a stone or a pole or a poker' (here I began for the first time to detect a sarcastic intonation) 'or a shovel or a----' Here he hesitated for a word, and I, although I knew nothing about the matter, helped him out with suggestions in the same rhetorical vein. 'Or a button-hook,' I said, 'or a blunderbuss or a battering-ram or a piston-rod----' He resumed, refreshed with this assistance, 'Or a curtain-rod or a candlestick or a----' 'Cow-catcher,' I suggested eagerly, and we continued in this ecstatic duet for some time. Then I asked him what it was all about, and he told me. He explained the thing eloquently and at length. 'The funny part of it is,' he said, 'that the thing isn't new at all. It's been talked about ever since I was a boy, and long before.'" Mr. Chesterton rejoins in a long and eloquent and most amusing sermon, the following extracts from which are not without far-reaching significance.
"'What you say reminds me in some dark and dreamy fashion of something else. I recall it especially when you tell me, with such evident experience and sincerity, that the new shaving is not really new. My friend, the human race is always trying this dodge of making everything entirely easy; but the difficulty which it shifts off one thing it shifts on to another.... It would be nice if we could be shaved without troubling anybody. It would be nicer still if we could go unshaved without annoying anybody--
"'But, O wise friend, chief Barber of the Strand, Brother, nor you nor I have made the world.
Whoever made it, who is wiser, and we hope better than we, made it under strange limitations, and with painful conditions of pleasure.... But every now and then men jump up with the new something or other and say that everything can be had without sacrifice, that bad is good if you are only enlightened, and that there is no real difference between being shaved and not being shaved. The difference, they say, is only a difference of degree; everything is evolutionary and relative. Shavedness is immanent in man.... I have been profoundly interested in what you have told me about the New Shaving. Have you ever heard of a thing called the New Theology?' He smiled and said that he had not."
In contrast with all this, it is Mr. Chesterton's conviction that the facts must be unflinchingly and in their entirety accepted. With characteristic courage he goes straight to the root of the matter and begins with the fact of sin. "If it be true (as it certainly is) that a man can feel exquisite happiness in skinning a cat, then the religious philosopher can only draw one of two deductions. He must either deny the existence of God, as all atheists do; or he must deny the present union between God and man, as all Christians do. The new theologians seem to think it a highly rationalistic solution to deny the cat." It is as if he said, Here you have direct and unmistakable experience. A man knows his sin as he knows himself. He may explain it in either one way or another way. He may interpret the universe accordingly in terms either of heaven or of hell. But the one unreasonable and impossible thing to do is to deny the experience itself.
It is thus that he treats the question of faith all along the line. If you are going to be a Christian, or even fairly to judge Christianity, you must accept the whole of Christ's teaching, with all its contradictions, paradoxes, and the rest. Some men select his charity, others his social teaching, others his moral relentlessness, and so on, and reject all else. Each one of these aspects of the Christian faith is doubtless very interesting, but none of them by itself is an adequate representation of Christ. "They have torn the soul of Christ into silly strips, labelled egoism and altruism, and they are equally puzzled by His insane magnificence and His insane meekness. They have parted His garments among them, and for His vesture they have cast lots; though the coat was without seam, woven from the top throughout."
The characteristic word for Mr. Chesterton and his attitude to life is _vitality_. He has been seeking for human nature, and he has found it at last in Christian idealism. But having found it, he will allow no compromise in its acceptance. It is life he wants, in such wholeness as to embrace every element of human nature. And he finds that Christianity has quickened and intensified life all along the line. It is the great source of vitality, come that men might have life and that they might have it more abundantly. He finds an essential joy and riot in creation, a "tense and secret festivity." And Christianity corresponds to that riot. "The more I considered Christianity, the more I found that while it had established a rule and order, the chief aim of that order was to give room for good things to run wild." It has let loose the wandering, masterless, dangerous virtues, and has insisted that not one or another of them shall run wild, but all of them together. The ideal of wholeness which Matthew Arnold so eloquently advocated, is not a dead mass of theories, but a world of living things. Christ will put a check on none of the really genuine elements in human nature. In Him there is no compromise. His love and His wrath are both burning. All the separate elements of human nature are in full flame, and it is the only ultimate way of peace and safety. The various colours of life must not be mixed but kept distinct. The red and white of passion and purity must not be blended into the insipid pink of a compromising and consistent respectability. They must be kept strong and separate, as in the blazing Cross of St. George on its shield of white.
Chaucer's "Daisy" is one of the greatest conceptions in all poetry. It has stood for centuries as the emblem of pure and priceless womanhood, with its petals of snowy white and its heart of gold. Mr. Chesterton once made a discovery that sent him wild with joy--
"Then waxed I like the wind because of this, And ran like gospel and apocalypse From door to door, with wild, anarchic lips, Crying the very blasphemy of bliss."
The discovery was that "the Daisy has a ring of red." Purity is not the enemy of passion; nor must passion and purity be so toned down and blent with one another, as to give a neutral result. Both must remain, and both in full brilliance, the virgin white and the passionate blood-red ring.
In the present age of reason, the cry is all for tolerance, and for redefinition which will remove sharp contrasts and prove that everything means the same as everything else. In such an age a doctrine like this seems to have a certain barbaric splendour about it, as of a crusader risen from the dead. But Mr. Chesterton is not afraid of the consequences of his opinions. If rationalism opposes his presentation of Christianity, he will ride full tilt against reason. In recent years, from the time of Newman until now, there has been a recurring habit of discounting reason in favour of some other way of approach to truth and life. Certainly Mr. Chesterton's attack on reason is as interesting as any that have gone before it, and it is even more direct. Even on such a question as the problem of poverty he frankly prefers imagination to study. In art he demands instinctiveness, and has a profound suspicion of anybody who is conscious of possessing the artistic temperament. As a guide to truth he always would follow poetry in preference to logic. He is never tired of attacking rationality, and for him anything which is rationalised is destroyed in the process.
In one of his most provokingly unanswerable sallies, he insists that the true home of reason is the madhouse. "The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason." When we say that a man is mad, we do not mean that he is unable to conduct a logical argument. On the contrary, any one who knows madmen knows that they are usually most acute and ingeniously consistent in argument. They isolate some one fixed idea, and round that they build up a world that is fiercely and tremendously complete. Every detail fits in, and the world in which they live is not, as is commonly supposed, a world of disconnected and fantastic imaginations, but one of iron-bound and remorseless logic. No task is more humiliating, nor more likely to shake one's sense of security in fundamental convictions, than that of arguing out a thesis with a lunatic.
Further, beneath this rationality there is in the madman a profound belief in himself. Most of us regard with respect those who trust their own judgment more than we find ourselves able to trust ours. But not the most confident of them all can equal the unswerving confidence of a madman. Sane people never wholly believe in themselves. They are liable to be influenced by the opinion of others, and are willing to yield to the consensus of opinion of past or present thinkers. The lunatic cares nothing for the views of others. He believes in himself against the world, with a terrific grip of conviction and a faith that nothing can shake.
Mr. Chesterton applies his attack upon rationality to many subjects, with singular ingenuity. In the question of marriage and divorce, for instance, the modern school which would break loose from the ancient bonds can present their case with an apparently unassailable show of rationality. But his reply to them and to all other rationalists is that life is not rational and consistent but paradoxical and contradictory. To make life rational you have to leave out so many elements as to make it shrink from a big world to a little one, which may be complete, but can never be much of a world. Its conception of God may be a complete conception, but its God is not much of a God. But the world of human nature is a vast world, and the God of Christianity is an Infinite God. The huge mysteries of life and death, of love and sacrifice, of the wine of Cana and the Cross of Calvary--these outwit all logic and pass all understanding. So for sane men there comes in a higher authority. You may call it common sense, or mysticism, or faith, as you please. It is the extra element by virtue of which all sane thinking and all religious life are rendered possible. It is the secret spring of vitality alike in human nature and in Christian faith.
At this point it may be permissible to question Mr. Chesterton's use of words in one important point. He appears to fall into the old error of confounding reason with reasoning. Reason is one thing and argument another. It may be impossible to express either human nature or religious faith in a series of syllogistic arguments, and yet both may be reasonable in a higher sense. Reason includes those extra elements to which Mr. Chesterton trusts. It is the synthesis of our whole powers of finding truth. Many things which cannot be proved by reasoning may yet be given in reason--involved in any reasonable view of things as a whole. Thus faith includes reason--it _is_ reason on a larger scale--and it is the only reasonable course for a man to take in a world of mysterious experience. If the matter were stated in that way, Mr. Chesterton would probably assent to it. Put crudely, the fashion of pitting faith against reason and discarding reason in favour of faith, is simply sawing off the branch on which you are sitting. The result is that you must fall to the ground at the feet of the sceptic, who asks, "How can you believe that which you have confessed there is no reason to believe?" We have abundant reason for our belief, and that reason includes those higher intuitions, that practical common sense, and that view of things as a whole, which the argument of the mere logician necessarily ignores.
With this reservation,[6] Mr. Chesterton's position in regard to faith is absolutely unassailable. He is the most vital of our modern idealists, and his peculiar way of thinking himself into his idealism has given to the term a richer and more spacious meaning, which combines excellently the Greek and the Hebrew elements. His great ideal is that of manhood. Be a man, he cries aloud, not an artist, not a reasoner, not any other kind or detail of humanity, but be a man. But then that means, Be a creature whose life swings far out beyond this world and its affairs--swings dangerously between heaven and hell. Eternity is in the heart of every man. The fashionable modern gospel of Pragmatism is telling us to-day that we should not vex ourselves about the ultimate truth of theories, but inquire only as to their value for life here and now, and the practical needs which they serve. But the most practical of all man's needs is his need of some contact with a higher world than that of sense. "To say that a man is an idealist is merely to say that he is a man." In the scale of differences between important and unimportant earthly things, it is the spiritual and not the material that counts. "An ignorance of the other world is boasted by many men of science; but in this matter their defect arises, not from ignorance of the other world, but from ignorance of this world." "The moment any matter has passed through the human mind it is finally and for ever spoilt for all purposes of science. It has become a thing incurably mysterious and infinite; this mortal has put on immortality."
Here we begin to see the immense value of paradox in the matter of faith. Mr. Chesterton is an optimist, not because he fits into this world, but because he does not fit into it. Pagan optimism is content with the world, and subsists entirely in virtue of its power to fit into it and find it sufficient. This is that optimism of which Browning speaks with scorn--
"Tame in earth's paddock as her prize,"
and which he repudiates in the famous lines,