Category: History - American

American painting and its tradition

The painters about whom these chapters are written helped to make up the period in American painting dating, generally, from about 1878 to, say, 1915. That period has practically closed in the sense that a newer generation with different aims and aspirations has come forward,...

Chapters

1. Part 1

The painters about whom these chapters are written helped to make up the period in American painting dating, generally, from about 1878 to, say, 1915. That period has practicall...

2. Part 2

This is not merely figure of speech, but statement of fact. None of the American painters spoken of in these pages, with the exception of La Farge, came from what might be calle...

3. Part 3

That last statement of his about the civilized landscape is well worth noting, because that was the landscape he painted. His subjects are related to human life, and some of our...

4. Part 4

The West not only maimed him physically but apparently taught him nothing artistically. The deserts that he crossed with their red porphyry mountains, dull-yellow sands, and gas...

5. Part 5

The climax of his early work--that is, before 1876--seems to have been reached in such pictures as the “Lake Sandford.” It was shown at the Centennial Exhibition at Philadelphia...

6. Part 6

The father was evidently pleased with the son’s after-efforts, for at nineteen the youth was apprenticed to a Boston lithographer by the name of Bufford. He started at work with...

7. Part 7

He wrote that perhaps on one of his bad days, for he did take up the brush again, but with no great spirit or effectiveness. In 1908 he was seriously ill and quite helpless, but...

8. Part 8

The material for the “Paradise Valley” was found along the Rhode Island coast near Newport. It is a bare, almost treeless, scene, looking down toward the sea, and is cut up some...

9. Part 9

After considering La Farge, it is difficult to think of Whistler other than in terms of contrast. They were of the same time, their tastes were not dissimilar, and many features...

10. Part 10

In spite of abuse Whistler continued producing portraits--one of Leyland in evening dress standing at full length, an “arrangement in black”; one of Mrs. Leyland, never entirely...

11. Part 11

The deriding of Whistler was not indulged in by press and public alone. The painter people--the inspired ones, who by reason of their calling are the only ones competent to judg...

12. Part 12

Honors, prizes, and medals were coming to him, his teaching was very successful, he had a large following, and was thought the most considerable of our art leaders; but beneath...

13. Part 13

Alexander learned to paint in practically the same roundabout way as Chase. He was born in Alleghany City in 1856, and as a child was reared by his grandparents, his father and...

14. Part 14

Perhaps this very quality of refinement, so acceptable in his easel pictures, was something of a defect in his mural decorations. The greatly enlarged wall space of a public bui...

15. Part 15

In the production of the portrait accurate observation is more than half the battle. If a painter sees and knows his subject thoroughly, he will have little trouble in telling w...