Category: History - American

American Masters of Sculpture Being Brief Appreciations of Some American Sculptors and of Some Phases of Sculpture in America

The year 1876, the date of the Centennial Exhibition, is a landmark in the progress of American sculpture as it is in that of American painting. Not to be fixed too definitely, and yet serving approximately as a starting-point of new conditions which have transformed what had...

Chapters

8. Part 8

We may trace it also in his feeling for the monumental rather than for the picturesque; for those qualities in sculpture which belong to it preëminently, as opposed to those whi...

3. Part 3

Then may we not see in “Pan” an embodiment of his experiences of passionate youth? Truly it is also the reincarnation of the spirit of the old golden legend of the world, before...

2. Part 2

of--perhaps it would be truer to say that they have been adapted to--an imagination, which reverences the character in man and can picture and suggest the individual in relation...

6. Part 6

The delicately refined sentiment of Herbert Adams, product of a naturally sweet and modest temperament, has discovered its fittest expression in flowers and in the flower-like f...

9. Part 9

Ten years previously the latter had arrived in New York, an expert die-sinker and engraver; now he had just returned from studying under Roty in Paris. The story of his progress...

11. Part 11

Isidore Konti’s groups at the Buffalo Exposition proved him to be a decorative artist of unusual versatility. He does not show the same varied familiarity with ornamental forms...

4. Part 4

The equestrian statue of General Thomas at Washington, District of Columbia, is a spirited and arresting composition. The rider presents a portrait study of considerable power,...

7. Part 7

From these two statues one may get a very fair impression of the sculptor’s natural bent as influenced by Munich training. Its prime feature is a vigorous realism that makes str...

5. Part 5

At the age of seventeen he had the good fortune to be received into the studio of Saint-Gaudens as an apprentice-pupil, where he worked for some four years, meanwhile attending...

10. Part 10

In this brief survey of the decorative sculpture of the Library of Congress it has been possible to touch only upon some of the most conspicuous features, but much else that is...

1. Part 1

The year 1876, the date of the Centennial Exhibition, is a landmark in the progress of American sculpture as it is in that of American painting. Not to be fixed too definitely,...

12. Part 12

In contrast with the mysticism and subtlety of imagination, more or less displayed in the work we have been considering, is that form of imagination which turns to earth and to...