Part 5
For another precious material they had not far to go. Turquoise was highly prized. This is a hard, fine-grained blue, bluish green, or green stone, that is found at several localities in New Mexico. It has been mined for a long time near Los Cerillos, and the old diggings and the old stone tools with which they were worked may still be seen. Modern Indians still work the same precious veins, and bits of the rough stone may pass from hand to hand in trade. In drilling the shell and turquoise beads to-day a little drill is used which is called a pump-drill. An upright stick bears a point of hard stone or iron at the bottom. This passes through a hole in a little flat board an inch or so wide and six or eight inches long; strings or thongs pass from the ends of this board to the top of the upright stick. On the upright stick, not far from the lower end, is fastened a thin, wide disk of wood, three inches across. This serves as a fly-wheel to regulate the whirling of the stick. When this little machine is properly adjusted, it is made to whirl by pressing down on the crossbow, and then releasing the pressure, pressing down again, etc. It works very well, and drills the hard turquoise and the softer shell neatly. These beads and ornaments of shell or turquoise are so highly prized that they easily serve the purposes of trade. So much do the Navajo desire the turquoise that they readily exchange for it their beautiful blankets, neat silver-work, or finest ponies.
Blankets have always been greatly prized by all Indians, whether they be made out of skins, bark, or wool. The white man has taken advantage of this fact, and to-day his blankets are to be found everywhere. In some places they have become the real money and have regular set values. In British Columbia, most of the tribes reckon all values in Hudson Bay blankets. These blankets are traded out by the Hudson Bay company and are of various sizes. These sizes are always indicated by some black lines worked into the blanket along the edge. The largest size is called a “four point,” the smallest a “one point” blanket. One size is considered the standard; it is the “two-and-a-half point” size. When any one speaks of “a blanket,” a two-and-a-half point blanket is meant. Skins of different animals are said to be worth so many “blankets.”
The Tlingit and Haida Indians of Alaska and Queen Charlotte Islands used to feel very proud if they were owners of “coppers.” They did not smelt copper, but they used to beat it into various forms. The form most prized, called “a copper,” was of no use, but indicated wealth. “Coppers” were flat sheets of equal thickness throughout except at the edges, which were thicker than the body; there was also upon them a raised pattern something like a T; sometimes also a face was scratched upon their upper part. Such coppers were formerly worth ten slaves each. Lately, however, the whites have taken to making them for trade, and they have become so common that they are much less prized. Still, until quite lately, they were worth from forty to eighty blankets, or from sixty to one hundred and twenty dollars.
WILLIAM HENRY HOLMES.—Geologist, archæologist, artist. At present he is at the head of the anthropological work of the United States National Museum. Has written important works: among them, _Art in Shell of the Ancient Americans_ and _Archæological Studies among the Ancient Cities of Mexico_.
XII. MEDICINE MEN AND SECRET SOCIETIES.
All Indians believe in spirits. Some are good and help men who please them; others are bad and always anxious to do harm. The spirits are all about us. They are in plants, and trees, and rustling leaves; they are in the wind and cloud and rain; they are in the mountain and in the brook. It is spirits that cause trouble, suffering, and death. When a man is ill, some bad spirit has taken away his soul or has entered into him.
It is not strange, then, that the Indians should wish to gain power over these spirits. If a man knows some words, the saying of which will protect him against them, he is fortunate; fortunate is he, too, if he knows some object which, carried, will disarm them, or if he can perform some trick which will put them to flight. Such knowledge is what the Indians mean by “medicine” or “mystery.” Men who spend their lives in trying to gain such knowledge are called medicine men, mystery men, or Shamans.
Rattles and Masks: Alaska. (From Originals in Peabody Museum.)
The Shaman among the tribes of the Northwest Coast is an important person. He decided, when a boy, that he would become a Shaman. He selected some old Shaman for his teacher and learned from him his secrets. By experiments, by dreaming, and by trading with other Shamans he got other secrets. To help him in his dealings with spirits the Shaman makes use of many devices. He sleeps upon a wooden pillow, which is carved with otter heads; these are believed to whisper wisdom to him while he sleeps. Upon his dancing-dress little carved figures, in ivory, are hung, which give him spirit influence, partly by the forms into which they are cut, and partly by the jingling noise they make when he dances. He wears a mask, the animal carvings on which control spirits. He uses a rattle and a tambourine to summon spirits. He has a spirit pole or wand quaintly carved, with which he fences, fighting and warding off spirits which he alone can see. The people sitting by see his brave fighting and hear his shrieks and cries; in this way only they can judge how many and how powerful are the spirits against whom he is fighting, for their good.
Sometimes when dancing the Shaman becomes so excited that he falls in a fit—quivering, gasping, struggling. It is believed, at such times, either that some mighty spirit has taken possession of him, or that his own soul has gone to the land of spirits. Sometimes when he comes to himself he tells of his wonderful journeys and battles.
Among the Haida of the Queen Charlotte Islands, when a sick man is to be cured, three or four Shamans come together at his side. All sing and rattle until they find out where the soul of the sick man is. It may be in the possession of the salmon or the oolachen fish, or it may be held a prisoner by some dead Shaman. They go to the place where it is supposed to be, and by singing and charms succeed in getting it into a carved hollow bone used only for this purpose. Various precious things are then burned and the soul bone held in the smoke. The bone is then laid by the side of the patient’s head that his soul may return.
Many astonishing stories are told of the powers of medicine men. A missionary among the Crees, Edgerton R. Young, told me of a white man who was once out hunting. He came upon an old medicine man, who begged him for game, as he was hungry. The white man made sport of him, saying, “You are a great medicine man; why not get game for yourself?” The old man was enraged. He cried out, “White man, see yonder goose,” and pointed his finger into the air. The goose fell fluttering at their feet, and the old man picked it up and walked away. The white man really thought this thing happened. Perhaps the old medicine man had hypnotized him; if so, the only goose anywhere around was probably the white man.
The eastern Algonkins were fond of medicine or mystery. Two great medicine men would have a contest to see which was more powerful. Many of their stories tell of such contests. Two powers, which they did seem to have, attracted much attention and caused much terror. These were screaming and sinking into the ground. Leland quotes an Indian regarding these: “Two or three weeks after, I was in another place, we spoke of _m’teoulin_ [mystery men]. The white folks ridiculed them. I said there was one in Fredericton, and I said I would bet ten dollars that he would get the better of them. And they bet that no Indian could do more than they could. So the _m’teoulin_ came, and first he screamed so that no one could move. It was dreadful. Then he took seven steps through the ground up to his ankles, just as if it had been light snow. When I asked for the ten dollars, the white men paid.”
Ojibwa medicine men have often been tested by white men who doubted their powers. Thus one old medicine man had two little houses built at some distance apart. He was shut up in one, and the whites built a ring of fire around it. Then, no one could tell how, he appeared unharmed walking out of the _other_ house. These things are no doubt tricks or delusions, but the medicine man’s apparent ability to do them greatly increased his influence among the people.
Much use is made of words as charms and of sacred numbers. Four and seven are sacred numbers among the Cherokees. Once, wishing to see his method of curing disease, I asked the old medicine man to treat my lame arm. He sent out for four kinds of leaves, which were to be fresh and young, and one other sort which was to be dry and dead. The latter had little thorns along its edges. The old man pounded up the four kinds in warm water. He then scratched the arm with the other, nearly drawing blood. The arm was rubbed with the bruised leaves. The medicine man then blew upon my arm seven times. He went through this operation of rubbing and blowing four times, thus combining the numbers four and seven. He repeated charms all the time as he rubbed.
The Shaman does business as an individual. He expects pay from those who employ him. His knowledge and power over spirits is individual and for individuals. Among some tribes we find not single medicine men, but great secret societies which have learned spirit wisdom to use for the benefit of the society, or for the good of the whole tribe. Such secret societies are notable in the Southwest—and elsewhere. They may work to cure disease in individuals; they also work for the whole tribe. Among the Moki Pueblos, the societies of the Snake and of the Antelope carry on the snake dance, that the whole people may have rain for their fields.
XIII. DANCES AND CEREMONIALS.
The dances of Indians are sometimes, like our own, simply social and for pleasure. They are more frequently religious or for some important purpose.
They are always accompanied by music. Indian music is in perfect swing or time. Most Indian musical instruments are simply time beaters. The commonest is the rattle. This varies with place and tribe. Among Northwest Coast tribes it is of wood, elaborately carved, both in form and decoration. A common rattle in that district is cut into the form of a bird—the raven. Some of the old rattles, made and used by Shamans a hundred years ago, are still in existence: they were probably carved with knives and chisels of stone, but they are better done than most of the modern ones, which have been cut out with metal tools. Some of the Plains tribes had leather rattles,—balls of dried skin fastened over the end of a little wooden handle. Many tribes used gourds for rattles. Some of these are round, about the size of an apple; such were pierced and a wooden handle thrust through. Others are flask or bottle shaped; such need no handle beyond the one supplied by nature.
Drums and tambourines of various kinds are used in time beating. The beaters usually take no other part in the dance, but sit by themselves at one side. Frequently each dancer has a rattle. Sometimes a stick notched across with deep notches is used. Across these notches a thin bone, usually a shoulder-blade, is rubbed with a good deal of force. Such rubbed sticks are very good time beaters. They are used by Apaches, Pueblos, and Tonkaways. Among the old Aztecs, they had a similar instrument, but made of a long bone instead of from a stick.
Indians prepare for dances with much care. The hair is combed and arranged. The face and body are painted. A special dance dress is frequently worn. This dress is often of ancient form and decoration. Sometimes all this preparation is just to make the dancers look pretty; more frequently, however, the dress and decoration have some meaning, and often they mimic some creature or copy the dress worn by some great person of their legends. Thus in the buffalo and the bear dances, skins of buffalo, with the head, skin, and horns attached, or the skins of bears, were put on, to make the dancers look like these animals.
The meaning and uses of dances differ greatly. The war dance, in which the men are painted as if for war and have about them everything that can make them think of war, is intended to influence them for battle. The music, songs, movements, prayers, and offerings all relate to the coming conflict. The scalp dance is in celebration of victory. The buffalo dance is magical and is to compel the coming of herds of that animal. At some dances the story told by the tribe in regard to the creation of the world and how man learned things is all acted out; the dancers are dressed to represent the spirits, or beings who made, helped, or taught the tribe, and the dance is a real drama. Among the Pueblos and some other southwestern tribes, many dances are prayers for rain; the songs sung and the movements made all have reference to the rain so much desired.
In one of these dances the drummers make curious, beckoning gestures to bring up the rain clouds. In some the dancers carry sticks curiously jointed together so as to open and shut in zigzag movements, which are meant to look like lightning and are believed to bring it; other dancers imitate the thunder. Sometimes the dancers and others are drenched with water thrown upon them, in order that the town and its fields may be drenched with rain.
Many dances are only a part of some great religious ceremonial. Thus the sun dance follows several days of fasting and prayer, and the snake dance is but a small part of a nine days’ ceremonial. Indian religion abounds in such long ceremonials with a vast number of minute details. The songs, prayers, and significant actions used in some of them must number many hundreds.
In order that the desired result of ceremonials should be secured, it was necessary that the persons performing it should be pure. There were many ways to purify or cleanse oneself. Sometimes a sweat bath was taken, after which the body was rubbed with sweet-smelling plants. The person might sit in smoke that came from burning some sacred herb or wood. He might fast for several days. He might refuse to touch or come into contact with his friends, or with the objects he was in the habit of using. Many times it was thought necessary that the objects which he was to use in the ceremony must be new, or must be purified by being held in sacred smoke.
In ceremonies, much attention is paid to sacred numbers. The number most often sacred is four. Four men are often concerned in one act; four drums may be used; the men may fast four days; an action may be repeated four times. If a thing is done sixteen times, four times four, it might be still better. In the snake-dance ceremonial there are sixteen sacred songs, which are sung at one sitting.
Seven is a sacred number among the Cherokees; it is less important than four, but the two may be combined, and twenty-eight often occurs. Thus the scratcher used upon the ball-players has seven teeth and is drawn four times, making twenty-eight scratches.
Connected with the sacred number four, the Indians give much importance to the cardinal points—north, west, south, and east. They always pay attention to these when they dance and pray. Some tribes recognize more than four world’s points, adding the up and the down, or the above and the below, making six in all. A few think of the place where they themselves are, and speak of seven points; so the Zuñi have the north, west, south, east, above, below, and the center. When they prepared their medicine lodge for the sun dance, the Mandans put one of their curious, turtle-shaped, skin water-drums at each of the four world quarters. Usually in ceremonials, Indians pray to each of these quarters, and make an offering toward it.
One of the commonest offerings made in ceremonials is the smoke of tobacco. Gods and spirits are believed to be fond of it. In smoking to their honor, a puff is blown in turn to each of the four points, and then perhaps up, and possibly down. In the Pueblos, every religious act is accompanied by the scattering of sacred meal. This sacred meal is a mixture of corn meal and pounded sea-shells. It is sprinkled everywhere to secure kindly spirit influence. A pinch of it is thrown to the north, west, south, east, up and down. Frank Cushing once took a party of Zuñi Indians to the Atlantic Ocean to get sea-water for certain ceremonials. On the way, the Indians saw many novel and strange things which they did not understand. When they saw such, they sprinkled sacred meal to render them harmless and kindly.
Prayer sticks are much used among the Pueblos. They are bits of stick to which feathers are attached. They are set up wherever it is desired to have the good will of spirit powers. For several days before the Moki snake dance, messengers are sent out with prayer sticks to be set up near springs and sacred places. Such prayer sticks are put up near fields where corn is planted, or buried in the earth in corrals where ponies or _burros_ are kept. Other offerings are made at especially sacred spots. In mountain caves there are often masses of prayer sticks, miniature bows and arrows, and other tiny things meant as gifts to the gods.
Each of the cardinal points may have a color that is proper to it. The use of sacred colors for the cardinal points is found among the Pueblos, Navajo, many Siouan tribes, the Pani, and others. It was the custom also among the old Aztecs in Mexico. A curious example of the use of these colors is found in the sand altars of the Pueblos and Navajo. They are made in many ceremonials. They are made of different colored sands produced by pounding up rocks. The sand altars are rectangular in form, and are made on the floor. A layer of one color of sand may be spread out for a foundation; upon it may be put a sheet of sand of a different color and of smaller size, so that the margin of the first serves as a border of the second; additional layers may be added, each bordering the one that follows it. Finally, upon the topmost layer, curious and interesting designs may be made. One sand altar in the Moki snake dance had an outer broad border of brownish yellow sand; then followed broad borders of white and black; upon this black border were four snakes in red, green, yellow, and blue, one on each side of the square; then came narrower borders of white, red, green, yellow, one within the other; within these was a central square of green, upon which was a yellow mountain lion.
You see that Indian ceremonials are often very complex, with many dances, decorations, purifyings, prayers, gifts, and altars.
XIV. BURIAL AND GRAVES.
Almost all savage and barbarous peoples look upon death as due to bad spirits, to witchcraft, or to violence. They cannot realize that men should die of old age. Disease is generally thought to be due to bad spirits or to the influence of some medicine man.
After a man dies there are many ways of treating the body. Usually the face is painted almost as if the person were preparing for a feast or a dance. The Otoes and many other tribes dress out the body in its choicest clothing and finest ornaments.
Probably burial in the ground is the commonest way of disposing of the dead body. The exact method varies. The grave may be deep, or it may be so shallow as hardly to be a grave at all. The body may be laid in extended to its full length, or it may be bent and folded together into the smallest possible space, and tied securely in this way. Great attention is frequently given to the direction toward which the face or the body is turned. Among some tribes it makes no difference whether the earth touches the body; in others the greatest care is taken to prevent this.
The Sacs and Foxes in Iowa have their graveyards on the side of a hill, high above the surrounding country. The graves are shallow; the body, wrapped in blankets, is laid out at full length; little, if any, earth is thrown directly upon the body, but a little arched covering made of poles laid side by side, lengthwise of the body, is built over it, and a little earth may be thrown upon it. A pole is set at the head of the grave to the top of which is hung a bit of rag or a little cloth, the flapping of which, perhaps, keeps off bad spirits. Various objects are laid upon the grave: for men, bottles, and perhaps knives; for women, buckets and pans, such as are used in their daily work; for little children, the baby-boards on which they used to lie, and the little toys of which they were fond.
Sometimes grave-boxes were made of slabs of stone. Such are known in various parts of the United States, but are most common in Tennessee, where ancient cemeteries, with hundreds of such graves, are known. (See XV. Mounds and their Builders.) Sometimes the bodies of those lately dead were buried in these, but sometimes there were placed in them the dry bones of people long dead, who had been buried elsewhere, or whose bodies had been exposed for a time on scaffolds or in dead-houses. Among several northeastern tribes it was the custom to place the bodies for some time in dead-houses, or temporary graves, and at certain times to collect together all the bones, and bury them at once in some great trench or hole.
Most tribes buried objects with the dead. With a man were buried his bow and arrows, war-club, and choicest treasures. The woman was accompanied by her ornaments, tools, and utensils. Even the child had with it its little toys and cradle, as we have seen in connection with the Sacs and Foxes. The Indians believed that people have souls which live somewhere after the men die. These souls hereafter delight to do the same things the men did here. There they hunt, and fish, and war, work and play, eat and drink. So weapons and tools, food and drink, were placed with the body in the grave.
They knew perfectly well that the _things_ do not go away; they believed, however, that things have souls, as men do, and that it is the soul of the things that goes with the soul of the man into the land of spirits. Among tribes that are great horsemen, like the Comanches, a man’s ponies are killed at his death. His favorite horse, decked out in all his trappings, is killed at the grave, so that the master may go properly mounted. When a little child among the Sacs and Foxes dies, a little dog is killed at the grave to accompany the child soul, and help the poor little one to find its way to the spirit world. Such destruction or burial of property may be very nice for the dead man’s soul, but it is not nice for the man’s survivors, who are sometimes quite beggared by it.
Sometimes the objects put into or upon a grave are broken, pierced, or bent. The purpose in thus making the objects “dead” has sometimes been said to be to set free the soul of the object; far more frequently, it is likely that it is to prevent bad persons robbing the grave for its treasures.
Cremation or burning the dead body was found among a number of Indian tribes, particularly upon the Pacific Coast. The Senel in California and some Oregon tribes are among these. So are the Tlingit of Alaska and their near neighbors and kin, the Haida of Queen Charlotte Islands. Among the last two tribes all but the Shamans were usually burned. The Shamans were buried in boxes raised on tall posts. After a Tlingit or Haida body was burned the ashes were usually gathered and placed in a little box-like cavity excavated in an upright post near its base; at the top of this post was a cross-board on which was carved or painted the _totem_ or crest of the dead man.