All the Way to Fairyland: Fairy Stories

Chapter 4

Chapter 44,367 wordsPublic domain

"We have never seen a poet like you," said the sentinels, doubtfully. "All the poets in the palace have smooth, smiling faces, and fine clothes, and white hands. Her Royal Highness is not accustomed to receiving any one so untidy as yourself."

The Poet looked down at his weather-beaten clothes and his toil-worn hands; and he stared at the reflection of his wrinkled, furrowed face in the moat that surrounded the palace; and he sighed in a disappointed manner.

"I am a Poet," he repeated. "How can a man be a poet if his face is smooth and his hands are white? No man can be a poet if he has not toiled and suffered and wandered over the earth, for the sake of the people who are in it."

Just then he heard a woman's voice speaking from the other side of the gates; and looking through them, he saw a beautiful, pale Princess, standing there all by herself, with a look of interest on her face.

"It is the little blind Princess," thought the Poet, and he bowed straight to the ground though he knew quite well that she could not see him. The sentinels saluted, too, for they were so accustomed to saluting people who never saw them at all that the blindness of the little Princess made no difference to them.

"Tell me," said the Princess, eagerly, "the name of the man with the wonderful voice, who is saying all those beautiful, true things."

"Please your Highness," said the sentinels, "he _says_ he is a Poet."

"Ah," cried the little Princess, joyfully, "at last you have come; I have been waiting for you all my life! At last I have found a real Poet, and the Queen-mother will see now that all those people in there, who say the same things over and over again in their small, thin voices, are not poets at all. Come in, Poet; why do you stay so long outside?"

So the drawbridge was let down, and the sentinels saw what a mistake they had made and did their best to pretend that they had not made it at all; and for the first time in his life the Poet felt that he was not in anybody's way.

"Come with me, Poet," said the little Princess, holding out her small white hand to him. "If you will take my hand, I shall feel quite sure you are there."

So the little blind Princess and the Poet went into the palace, hand in hand.

"I have found a Poet," she announced to the whole court, just as it was sitting down to luncheon.

"What! Another?" groaned the King from the top of the table. "I should have thought five-and-forty were quite enough, considering the demand."

"This is a _real_ Poet," continued the little Princess, still holding the Poet's hand. "I knew him by his wonderful voice. I am so glad he has come; and now, we can send away all the others, who are not poets at all."

Now, this was a little awkward, for the five-and-forty poets were all present; and being mostly the younger sons of kings, who had only taken up poetry as an accomplishment, they were also suitors for the Princess's hand, which made it more awkward still. So the Queen coughed uncomfortably, and all the ladies in waiting blushed uncomfortably, and the five-and-forty poets naturally looked uncomfortable into the bargain. But the little Princess, who could see nothing and never had been able to see anything, neither blushed nor felt uncomfortable.

"Will some one give place to the Poet?" she asked with a smile.

The Queen, who was generally full of resources, felt that it was time to interfere.

"Do not listen to Her Royal Highness," she said, soothingly, to the five-and-forty poets. "She is so terribly truthful that she does not know what she is saying. I have tried in vain to break her of it."

"Don't know where she gets it from," growled the old King, who had a great dislike to scenes at meal times.

The five-and-forty poets recovered their composure, when they heard that the Princess was rather to be pitied than blamed; and the Queen was able to turn to the cause of the disturbance.

"Will you be kind enough to go?" she said to the Poet. "My daughter did not know who you were because, unfortunately, she cannot see. She actually mistook you for a poet!"

"It is the first time," said the Poet, "that any one has made the mistake. However, you are quite right and I had better go. You will not like my poetry; I see five-and-forty gentlemen who can write the poetry that will give you pleasure; mine is written for the people, who have to work that you may be happy. Little lady," he added, turning to the Princess, "I pray you, think no more of me. As for me, I shall love you to the end of my days."

Then he tried to go, but the small, white fingers of the little blind Princess were round his own rough, tanned ones, and he could not move.

"I loved you before you came," she said, smiling. "I have been waiting for you all the time. Why are you in such a hurry to go, if you love me?"

The listeners grew more scandalised every moment. No one had seen such love-making before. To be sure, the five-and-forty poets had written love songs innumerable, but that was not at all the same thing. Every one felt that something ought to be done and nobody quite knew how to do it. Fortunately, the King was hungry.

"I think you had better say the rest in private, when we have had lunch," he said grimly, and the courtiers looked immensely relieved, and a place was found next to the Princess for the Poet; and the Queen and her ladies in waiting proceeded to make conversation, and lunch went on as usual.

"Now," said the King, with a sigh, for meals were of far greater importance to him than poetry, "you shall tell us one of your poems, so that we may know whether you are a poet or not."

Then the Poet stood up and told them one of his poems. It was about the people who lived on the dark side of the city, and it was very fierce, and bitter, and passionate; and when he had finished telling it, he expected to be thrust out of the palace and banished from the country, for that was what usually happened to him. There was a great silence when he sat down again, and the Poet did not know what to make of it. But the small, white fingers of the little Princess had again stolen round his, and that was at least consoling.

The Queen was the first to break the silence.

"Charming," she said with an effort, "and so new."

"We have heard nothing like it before," said the ladies in waiting. "Are there really such people as that in the world? It might be amusing to meet them, or, at least, to study them."

The King glanced at all the other poets and said nothing at all. And the five-and-forty kings' sons, who, if they were not poets, were at least gentlemen, rose from their seats with one accord.

"Her royal Highness was quite right," they said. "We are not poets at all."

Then they took leave of every one present and filed out of the room and rode away to their respective countries, where, of course, nobody ever suspected them of being poets; and they just remained Princes of the royal blood and nothing else to the end of their days.

"And you, little lady?" said the Poet, anxiously.

"It was wonderful," answered the little blind Princess. "But there was no love in it."

By this time the Queen had ceased to be impressed and had begun to remember that she was a Queen.

"We are quite sure you are a poet," she said in her most queenly manner, "because you have told us something that we did not know before. But we think you are not a fit companion for her royal Highness, and it is therefore time for you to go."

"No, no!" cried the Princess. "You are not to go. You are my Poet, and I want you to stay here always."

Matters were becoming serious, and every one set to work to try to turn the little Princess from her purpose.

"He is shockingly untidy," whispered the ladies in waiting.

"And _so_ ugly," murmured the Queen; "there is nothing distinguished about him at all."

"He will cost the nation something to keep," added the King, without lowering his voice at all.

But the little Princess turned a deaf ear to them all and held out her hand again to the Poet.

"I do not believe a word they say," she cried. "You cannot be ugly, you with a voice like that! If you are ugly, then ugliness is what I have wanted all my life. Ugliness is what I love, and you are to stay here with me."

In the end, it was the Poet himself who came to the rescue.

"I cannot stay with you, little lady," he said gently. "It is true what they say; I am too ugly to be tolerated, and it has been my good fortune that you could not see me. I will go away and put some love into my poetry, and then, perhaps, I shall find some one who will listen to me."

But the poor little Princess burst out sobbing.

"If I could only see," she wept, "I would prove to you that I do not think you ugly. Oh, if I could only see! I have never wanted to see before."

"Little lady," whispered the Poet, bending over her, "_I_ am glad that you cannot see."

And then, he turned and fled out of the palace and out of the city and away from the country that contained the little Princess who had loved him because she was blind. And he wandered from place to place as before; but he told no one that he was a poet, for he had felt ashamed of his poetry ever since the little Princess had said there was no love in it. But there came a day when he could keep silent no longer, so he went among the people once more and told them one of his poems. This time, he had no difficulty in making them understand, for he told them the story of his love for the little blind Princess.

"Why," said the people, when he had finished, "the maid is easily cured, for it is well known among our folk that a kiss on the eyelids when asleep, from a true lover, will open the eyes of any one who has been blind from birth."

Now, when the Poet heard this, he was greatly perplexed. For to open the eyes of his little Princess was to kill her love for him; and yet, he could not forget how she had wept for the want of her sight, and here was the power to give it back to her, and it rested with him alone of all men in the world. So he determined to make her happy at any cost, and he turned his face towards the King's palace once more and arrived there at midday, after travelling for seven days and seven nights without ceasing. But, of course, that was nothing to a poet who was in love.

"Dear me," said the King irritably, when the Poet appeared before him; "I thought you had gone for good. And a pretty time we 've been having of it with the Princess, in consequence! What have you come back for?"

"I have come back to open the Princess's eyes," answered the Poet, boldly.

"It strikes me," grumbled the King, "that you opened everybody's eyes pretty effectually, last time you were here. You certainly can't see the Princess now, for she has gone to sleep in the garden."

"That is exactly what I want," cried the Poet, joyfully. "Let me but kiss her eyelids while she is sleeping, and by the time she awakes I shall have gone for ever."

"The Queen must deal with this," said the King, looking helpless in the face of such a preposterous suggestion. Her Majesty was accordingly sent for, and the Poet explained his mission all over again.

"It is certainly unusual," said the Queen, doubtfully, "not to say out of order. But still, in view of the advantage to be gained, and by considering it in the light of medical treatment--and if you promise to go away directly after, just like a physician, or--or a singing-master,--perhaps something might be arranged."

The end of it was that the Poet was taken into the garden, and there was the little blind Princess sound asleep in her hammock, with a maid of honour fanning her on each side.

"Hush," whispered the Queen. "She must not awake, on _any_ account."

"No," echoed the poor, ugly Poet; "she must not awake--on _my_ account."

Then he bent over her, for the second time in his life, and touched her eyelids with his lips. The Princess went on dreaming happily, but the Poet turned and fled out of the city.

"At least," he said, "she shall never know how ugly I am."

That day, every Prince who was in the palace put on his best court suit, in order to charm the Princess. But the Princess refused to be charmed. She looked at them all, with large, frightened eyes, and sent them away, one by one, as they came to offer her their congratulations.

"Why do you congratulate me on being able to see you?" she asked them. "Are you so beautiful, then?"

"Oh, _no_," they said in a chorus. "Do not imagine such a thing for a moment."

"Then why should I be glad because I can see you?" persisted the Princess; and they went away much perplexed.

"Tell me what is beautiful," said the little Princess to her mother. "All my life I have longed to look on beauty, and now it is all so confusing that I cannot tell one thing from another. Is there anything beautiful here?"

"To be sure there is," replied the Queen. "This room is very beautiful to begin with, and the nation is still being taxed to pay for it."

"This room?" said the Princess in astonishment. "How can anything be beautiful that keeps out the sun and the air? Tell me something else that is beautiful."

"The dresses of the ladies in waiting are very beautiful," said the Queen. "And the ladies in waiting themselves might be called beautiful by some, though that of course is a matter of opinion."

"They all look alike to me," sighed the little Princess. "Is there nothing else here that is beautiful?"

"Certainly," answered the Queen, pointing out the wealthiest and most eligible Prince in the room. "That is the handsomest man you could ever want to see."

"That?" said the Princess, disconsolately. "After all, one is best without eyes! Can you not show me some ugliness for a change? Perhaps it may be ugliness that I want to see so badly."

"There is nothing ugly in the palace," replied the Queen. "When you get used to everything you will be able to see how beautiful it all is."

But the Princess sighed and came down from her golden throne and wandered out into the garden. She walked uncertainly, for now that she was no longer blind she did not know where she was going. And there, under the trees where she had been sleeping a few hours back, stood a man with his face buried in his hands.

"Little lady," he stammered, "I tried to keep away, but--"

Then the little Princess gave a shout of joy and pulled away his hands and looked into his face for a full minute without speaking. She put her small, white fingers into every one of his wrinkles, and she touched every one of his ugly scars, and she drew a deep breath of satisfaction.

"Just fancy," laughed the little Princess to the Poet; "they have been trying to persuade me in there that all those Princes and people are--_beautiful_!"

The Wonderful Toymaker

Princess Petulant sat on the nursery floor and cried. She was only eight years old, but she had lived quite long enough to grow extremely discontented; and the royal household was made very uncomfortable in consequence.

"I want a new toy," sobbed the little Princess. "Do you expect me to go on playing with the same toys for ever? I might just as well not be a Princess at all!"

The whole country was searched in vain for a toy that would be likely to please the Princess; but, as she already possessed every kind of toy that has ever been heard of, nobody succeeded in finding her a new one. So the little Princess went on crying bitterly, and the royal nurses shook their heads and sighed. Then the King called a council in despair.

"It is very absurd," grumbled his Majesty, "that my daughter cannot be kept amused. What is the use of an expensive government and a well-dressed court, if there are not enough toys for her to play with? Can no one invent a new toy for the Princess Petulant?"

He looked sternly at all his councillors as he spoke; but his councillors were so horrified at being expected to invent something straight out of their heads that no one said anything at all until the Prime Minister summoned up courage to speak.

"Perhaps, if we were to send for Martin," he suggested, "her royal Highness might consent to be comforted."

"Who is Martin?" demanded the King.

"He is my son," said the Prime Minister, apologetically; "and he spends his days either dreaming by himself or playing with the Princess Petulant. He will never be Prime Minister," he added sadly, "but he might think of a way to amuse the Princess."

So the King dismissed the council with much relief and sent for Martin to come and play with his daughter. Martin walked straight up to the royal nursery and found the spoilt little Princess still crying on the floor. So down on the floor sat Martin too; and he looked at her very solemnly out of his round, serious eyes, and he asked her why she was crying.

"I want a new toy," she pouted. "I am tired of all my old toys. Don't you think you can find me a new toy to play with, Martin?"

"If I do," said Martin, "will you promise not to be cross when I run faster than you do?"

The Princess nodded.

"And will you promise not to mind when I don't want to play any more?"

The Princess nodded again.

"And will you promise not to call me sulky when I don't feel inclined to talk?" continued Martin.

"Yes, yes!" cried Princess Petulant. "You won't be long before you find it, will you, Martin?"

"In four weeks from now," said the Prime Minister's son, "you will have me with you again."

"And I shall have my new toy," said the Princess Petulant, sighing contentedly.

Now, Martin was one of the few children who can see the fairies. He knew how to coax the flower fairies to speak to him, and how to find the wood fairies when they hid among the ferns, and how to laugh back when the wymps made fun of him; and, above all, he knew how to find his way to Bobolink, the Purple Enchanter, who knows everything. And he found his way to Bobolink, on the evening of that very same day.

Bobolink, the Purple Enchanter, sat on his amethyst throne in the middle of a grove of deadly nightshade. He was the ugliest enchanter any one has ever seen; and on each side of him sat an enormous purple toad with an ugly purple smile on his face. Even the sun's rays shone purple in the home of the Purple Enchanter; and Martin stared at him for a whole minute without speaking. For, although Martin was two years older than the little Princess Petulant, he was not a very big boy for all that; and there was something that made him feel a little queer in the purple face, and the purple hands, and the purple expression of Bobolink.

"Why don't you say something?" growled Bobolink, in just the kind of voice one would expect such a very ugly person to have. "What are you thinking about, eh? If it's anything about me, you 'd better say so at once!"

"Well," said Martin, as bravely as he could, "I was thinking that it must be very odd to be so purple as you are. Of course," he added politely, "I don't suppose you can help it exactly, because even the sun is purple here, and perhaps you have got sunpurpled instead of sunburned."

"May I ask," said Bobolink, rolling his purple eyes about, "if you came all this way on purpose to make remarks about me?"

"No, I did n't," explained Martin, hurriedly. "I came to ask you the way to the Wonderful Toymaker, who makes all the toys for Fairyland. I am going to fetch a new toy for the Princess Petulant."

"And how do you think you are going to get it?" asked Bobolink, with a chuckle.

"That is exactly what I want you to tell me," said Martin, boldly.

Now, Bobolink, the Purple Enchanter, was used to being visited by people who wanted to get something out of him, because, as I said before, Bobolink knows everything. But he had never come across any one who did not begin by flattering him; and he took a fancy to Martin from the moment he told him he was sunpurpled. So he smiled as well as he could,--which was not very well, for he had never done such a thing before and his jaws were extremely stiff,--and for the moment he hardly looked ugly at all.

"I like you," he said, nodding at the small figure of the Prime Minister's son; "and I am going to help you. Of course, I know quite well where the Wonderful Toymaker lives; but I have promised the pine dwarfs not to tell, because it is the only secret they possess, and it would break their hearts if any one were to hear it from me instead of from them. You see, when a person knows everything he must keep some of it to himself, or else there would be nothing left for anybody else to say, and then there would be no more conversation. That is the worst of knowing everything. But I can show you the way to the pine dwarfs; and if you keep perfectly quiet and speak in a whisper to them, they'll tell you all you want to know."

"Why must I keep perfectly quiet and speak in a whisper?" asked Martin.

Bobolink scowled, and became as ugly as ever again.

"Now you want to know too much, and that is n't fair," he complained. "I 'll tell you the way to the pine dwarfs, and you must find out the rest for yourself. Go straight ahead and take the hundred and first turning to the right, and the fifty-second turning to the left, then turn round seventeen times; and if that is n't good enough for you I 'll never help you again. Now, off you go!"

Martin saw that he was no longer wanted and set off as fast as he could. It took him a whole week to reach the hundred and first turning on the right; and it was the most anxious week he had ever spent, for he had to keep counting the turnings all the time and was dreadfully afraid of losing count altogether. And the fifty-second turning on the left was almost as bad, for his way took him through a large town, and he dare not stay to speak to any one for fear of overlooking one of the little streets. He left the town behind him at last; and after walking for two days longer, he reached the fifty-second turning on his left, and it led him to the middle of a vast sandy plain.

"How queer!" thought Martin. "Not a single tree to be seen! Surely the pine dwarfs don't live in a place like this? Perhaps old Bobolink has only hoaxed me after all."

However, he turned round seventeen times just to see what would happen; and the first thing that happened was that he became remarkably giddy and had to sit down on the ground to recover himself. When he did recover he found he was in a beautiful thick pine wood, with the sunshine coming through the branches, and flickering here and there over the ground, and painting the great big pine trunks bright red. Over it all hung the most delicious silence, only broken by the soft passage of the wind through the pine leaves. Martin had almost forgotten the warning Bobolink had given him, but, even if he had quite forgotten it, nothing would have induced him to speak loudly in such a stillness as that.

"Are you there, little pine dwarfs?" he whispered, as he looked up through the pine trees at the blue sky on the other side. No sooner had his whisper travelled up through the hushed air than all the branches seemed to be filled with life and movement; and what Martin had believed to be brown pine cones suddenly moved, and ran about among the trees, and slid down the long red trunks. And then he saw they were dear little brown dwarfs, who surrounded him by hundreds and thousands, and travelled up and down his boots, and stared at him with looks full of curiosity.