Part 2
MARY. She will _not go_. She is coming with me. (_Puts arm around ALICE_) There's a dear. Won't you come to the lecture given by Dr. Weeks this evening on "What Woman Will Do With the Vote"?
ALICE. I'll tell you what I will do. I shall go to neither place. Come now, you two shake hands and be good friends.
MRS. BAXTER. I will n----
ALICE. For the land's sake, why keep up this pretense any longer? You know right well, Mary, that you are dying to know where Mrs. Baxter bought her new hat. (_MRS. BAXTER and MARY look at one another; both laugh_)
MARY. You are right, Alice. Although we rave and clamor for our rights, we are still _only_ women down deep in our hearts.
MRS. BAXTER. And, although I try to make people think I would not be bothered about Woman's Rights, I am still enough of a woman not to want a man to get anything over on me. Well, come along, Mary; I have a new gown to show you.
MRS. BAXTER. } } Good-bye, Alice dear, wish you luck. MARY. }
[EXIT _MRS. BAXTER and MARY C.D., chatting gaily_
ALICE. Well, those two are beyond me. A few minutes ago they were fighting like two bitter enemies, and now they go off like two of the best friends. Well, strange things do happen. (_Turns to table_) Oh dear, what has happened to my stenographer and--_oh!_--_oh!_--where have my papers and letters disappeared to? (_Spies MISS PRUNE in corner_) So, there you are. Will you kindly tell me the meaning of this? What have you done with my papers?
MISS PRUNE. Burned them.
ALICE. You have what? Do you realize that they were important legal documents? (_Falls in chair; covers face with hand_) Oh dear, oh dear, what shall I do. I guess I might as well give it all up.
MISS PRUNE. Good!
ALICE. Why, what do you mean?
MISS PRUNE. _This._ (_Removes make-up_)
ALICE. _Diana?_
DIANA. At your service, mum.
ALICE. Explain!
DIANA. It is simply this. When I left your office yesterday I was bound to have you come with us by hook or by crook, so, very much depressed in spirits, I walked into the club and who should I meet there but two of my old school-mates. Instantly I thought of this plan, and to bring back school-day memories they promised to help me. My beloved school chums were to apply for the position you had open and I would also. So, my dear, Miss Johnickstoner, the first applicant, happens to be Miss Marie Hopkins, daughter of the mayor of Koscoe, the second applicant, Miss Chickenfencer, was the most dare-devil girl in our school, Miss Rose Fishby, and the third stands before you.
ALICE. Well, of all the nerve! I must say you had little to do to play such a joke on me.
DIANA (_arm around ALICE_). There now, cheer up. You know you are dying to laugh and vow it was a clever way to make you give up this silly fad. Of course, I am sure of your coming now.
ALICE. Indeed. (_Laughs_) Well, I must admit you certainly played the game high. I suppose I simply must give in. But, oh dear, how I shall be laughed at.
DIANA. All you have got to do is to laugh also. You know the old saying, "Laugh and the world laughs with you, weep and you weep alone."
ALICE. But, Mrs. Baxter, what will she say when she finds this out?
DIANA (_laughs_). Oh, some day I shall act for you the part Mrs. Baxter played in this tragedy. My, but her dignity was taken down a bit.
ALICE. I can imagine.
DIANA. The only thing I regret is the impression we gave you of stenographers. I must admit we did exaggerate a little. But, you see, if we acted as real stenographers, you would be so pleased and contented with your lot that you would never consent to give it up.
ALICE (_sighs_). But, oh, I can just picture father and Jack referring to this, in a burst of laughter, as "Alice's Blighted Profession."
(_Both look at one another; laugh_)
CURTAIN
* * * * *
MALE CHARACTERS
=FUN IN A SCHOOL ROOM=
_Farce in One Act. Four Males_
BY HARRY E. SHELLAND
One interior scene. A Dutch dialect teacher and three pupils consisting of a Bowery tough, a Hebrew boy, and a rather good little boy, create much merriment. Plays forty minutes.
PRICE 15 CENTS
* * * * *
=A MANAGER'S TRIALS=
_Farce in One Act. Nine Males_
BY A. L. FISHER
One interior scene. Daniel Slowman's encounters with the various applicants who respond to his advertisement will make a mummy laugh. The piece is rich in opportunities for easy but telling character acting. Plays thirty minutes.
PRICE 15 CENTS
* * * * *
=MEDICA=
_Farce in One Act. Seven Males_
BY W. K. ENGLE
One interior scene. Runs with a snap from beginning to end--there isn't a slow part in it. It is sure to please. It will bring down the house wherever played. Plays thirty-five minutes.
PRICE 15 CENTS
* * * * *
=SNOBSON'S STAG-PARTY=
_Farce in One Act. Twelve Males_
BY LEVIN C. TEES
One interior scene. The cast includes a Coon, Dutchman, Irishman, Dago, Cockney, Irishwoman and ward politician. The piece will fetch roars of laughter and can be made the medium of all kinds of "specialties." Plays "straight," one hour.
PRICE 15 CENTS
* * * * *
=THE LITTLE RED MARE=
_Farce in One Act. Three Males_
BY O. E. YOUNG
One interior scene. By a series of comical episodes the farmer's daughter is mistaken for his red mare and the audience is kept in roars of laughter over the muddle, till it is finally cleared up. Plays thirty-five minutes.
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* * * * *
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_Burlesque in One Act. Eight Males_
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One exterior scene. Costumes grotesque and fantastic. An amusing burlesque for boys, easily produced, full of bright situations, and sure to make a hit. The play may be staged very simply, or made as elaborate as the producer sees fit. Besides the eight speaking parts, the company of officers, suite of the King and Queen, etc., may utilize any number of persons. Plays one hour. By the introduction of specialties the time may be considerably lengthened.
PRICE 15 CENTS
* * * * *
FEMALE CHARACTERS
=CRANFORD DAMES=
_Play in One Act. Eight or Fourteen Females_
BY ALICE BYINGTON
Two interior scenes. Costumes of sixty years ago. A clever adaptation of Mrs. Gaskell's "Cranford," which is perhaps one of the finest pieces of humoristic writing within the range of English fiction. Plays one and a half hours.
PRICE 15 CENTS
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=MURDER WILL OUT=
_Farce in One Act. Six Females_
BY L. M. ELWYN
One interior scene. A breezy and effective farce in which half a dozen bright girls can delight an audience with half an hour of innocent fun. Grandmother Stiles and her demure but frolicsome granddaughter are excellent characters; Dinah, the colored cook, is amusing, and Bridget O'Flaherty is a funny Irish girl--her quarrel with Dinah being exceedingly laughable. Plays thirty minutes.
PRICE 15 CENTS
* * * * *
=GERTRUDE MASON, M.D.; OR, THE LADY DOCTOR=
_Farce in One Act. Seven Females_
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Plain interior scene. An exceedingly bright piece for young ladies, in which young Dr. Gertrude, already a victim of circumstances, is made the victim of a practical joke. Plays thirty minutes.
PRICE 15 CENTS
* * * * *
=MAIDENS ALL FORLORN=
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Scene, a parlor in a seaside cottage. Three young girls, chafing under the monotony of a man-forsaken resort, write Teddy to come and visit them. Teddy cannot come but answers that his friend, Dr. Jocelyn Denby, will come and help while away the time. Great preparations are made for his reception, including much interest by a maiden Aunt. Each prepares a present to bestow on the Doctor and feigns an ailment to interest him. The Doctor arrives--a woman. Plays one hour.
PRICE 15 CENTS
* * * * *
=PLACE AUX DAMES; OR, THE LADIES SPEAK AT LAST=
_Shakespearian sketch in One Act. Four Females_
One plain interior scene. Four of Shakespeare's heroines, Portia, Juliet, Ophelia and Lady Macbeth, find themselves at a watercure where they discuss their husbands. A clever burlesque, long a favorite and now published for the first time at a popular price. Plays forty-five minutes.
PRICE 15 CENTS
* * * * *
=THE ROMANCE OF PHYLLIS=
_Comedy in Three Acts. Four Females_
BY EVELYN SIMMS
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PRICE 15 CENTS
* * * * *
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End of Project Gutenberg's Alice's Blighted Profession, by Helen C. Clifford