Philosophy

Aesthetical Essays of Friedrich Schiller

By your permission I lay before you, in a series of letters, the results of my researches upon beauty and art. I am keenly sensible of the importance as well as of the charm and dignity of this undertaking. I shall treat a subject which is closely connected with the better por...

Chapters

1. Chapter 1

By your permission I lay before you, in a series of letters, the results of my researches upon beauty and art. I am keenly sensible of the importance as well as of the charm and...

2. Chapter 2

But I might perhaps make a better use of the opening you afford me if I were to direct your mind to a loftier theme than that of art. It would appear to be unseasonable to go in...

3. Chapter 3

Man is not better treated by nature in his first start than her other works are; so long as he is unable to act for himself as an independent intelligence she acts for him. But...

4. Chapter 4

Thus much is certain. It is only when a third character, as previously suggested, has preponderance that a revolution in a state according to moral principles can be free from i...

5. Chapter 5

It is true that the consideration of opinion is fallen; caprice is unnerved, and, although still armed with power, receives no longer any respect. Man has awakened from his long...

6. Chapter 6

Have I gone too far in this portraiture of our times? I do not anticipate this stricture, but rather another--that I have proved too much by it. You will tell me that the pictur...

7. Chapter 7

Can this effect of harmony be attained by the state? That is not possible, for the state, as at present constituted, has given occasion to evil, and the state as conceived in th...

8. Chapter 8

Must philosophy therefore retire from this field, disappointed in its hopes? Whilst in all other directions the dominion of forms is extended, must this the most precious of all...

9. Chapter 9

But perhaps there is a vicious circle in our previous reasoning! Theoretical culture must it seems bring along with it practical culture, and yet the latter must be the conditio...

10. Chapter 10

Convinced by my preceding letters, you agree with me on this point, that man can depart from his destination by two opposite roads, that our epoch is actually moving on these tw...

11. Chapter 11

If abstraction rises to as great an elevation as possible, it arrives at two primary ideas, before which it is obliged to stop and to recognize its limits. It distinguishes in m...

12. Chapter 12

This twofold labor or task, which consists in making the necessary pass into reality in us and in making out of us reality subject to the law of necessity, is urged upon us as a...

13. Chapter 13

On a first survey, nothing appears more opposed than these two impulsions; one having for its object change, the other immutability, and yet it is these two notions that exhaust...

14. Chapter 14

We have been brought to the idea of such a correlation between the two impulsions that the action of the one establishes and limits at the same time the action of the other, and...

15. Chapter 15

I approach continually nearer to the end to which I lead you, by a path offering few attractions. Be pleased to follow me a few steps further, and a large horizon will open up t...

16. Chapter 16

From the antagonism of the two impulsions, and from the association of two opposite principles, we have seen beauty to result, of which the highest ideal must therefore be sough...

17. Chapter 17

While we were only engaged in deducing the universal idea of beauty from the conception of human nature in general, we had only to consider in the latter the limits established...

18. Chapter 18

From this statement it would appear to follow that between matter and form, between passivity and activity, there must be a middle state, and that beauty plants us in this state...

19. Chapter 19

Two principal and different states of passive and active capacity of being determined [Bestimmbarkeit] can be distinguished in man; in like manner two states of passive and acti...

20. Chapter 20

That freedom is an active and not a passive principle results from its very conception; but that liberty itself should be an effect of nature (taking this word in its widest sen...

21. Chapter 21

I have remarked in the beginning of the foregoing letter that there is a twofold condition of determinableness and a twofold condition of determination. And now I can clear up t...

22. Chapter 22

Accordingly, if the aesthetic disposition of the mind must be looked upon in one respect as nothing--that is, when we confine our view to separate and determined operations--it...

23. Chapter 23

The transition from the passivity of sensuousness to the activity of thought and of will can be effected only by the intermediary state of aesthetic liberty; and though in itsel...

24. Chapter 24

Accordingly three different moments or stages of development can be distinguished, which the individual man, as well as the whole race, must of necessity traverse in a determina...

25. Chapter 25

Whilst man, in his first physical condition, is only passively affected by the world of sense, he is still entirely identified with it; and for this reason the external world, a...

26. Chapter 26

I have shown in the previous letters that it is only the aesthetic disposition of the soul that gives birth to liberty, it cannot therefore be derived from liberty nor have a mo...

27. Chapter 27

Do not fear for reality and truth. Even if the elevated idea of aesthetic appearance become general, it would not become so, as long as man remains so little cultivated as to ab...