Part 5

Mr. Simmonds thought the drawings the work of Adam Buck, an artist of child life, who has lately been the mode; but London experts differ. No doubt (they say) Buck's influence is apparent, but no more. The only name is that of Alais, the engraver, on the title-page, and I do not find that Alais ever worked for Buck, but there are at South Kensington child scenes by Singleton engraved by him. "The Elegant Girl" may be Singleton's. Equally may the designs be by a foreigner, for there is a distinctly foreign suggestion here and there, notably in the furniture. The plates are not aquatints but were coloured by hand: the extreme scarcity of the volume probably being due to this circumstance, only a small edition having been prepared and that, I should imagine, at a high figure. To-day, of course, the value of the book is vastly higher.

All, or very nearly all, the old-fashioned writers for children had but one purpose animating their breasts; and that purpose was to make children better. I don't say that to-day we try to make them worse; but their naughtiness can amuse us, as apparently it never could our ancestors, and wild flowers can be preferred to the products of the formal parterre. Even Miss Edgeworth came out nominally as "The Parents' Assistant," although her native kindliness and sense of narrative were too much for her; and even she thought of the child too much as plastic material. Children as children excited little interest; but a child as a progressive moral animal, susceptible of moulding, a potential adult and citizen, was worth making books for, if in return it was responsive and mended its ways. There were of course a few books for the young which told an honest story--Charles and Mary Lamb's "Tales from Shakespeare" and "Mrs. Leicester's School" are early and shining examples--but the idea of amusement for amusement's sake was rare. And nonsense for the young, which later was to become a cult, did not exist before Edward Lear. Nothing can, of course, happen out of its time, and therefore the speculation is idle; but none the less it would be entertaining to visualise the effect of "Alice in Wonderland" on the little Fairchilds. What would Mr. Fairchild say to it? The work of a clergyman, too! Would not he return with renewed relish to the congenial task of repeating to his brood Biblical verses illustrating the wickedness of man's heart?

(Incidentally--but this is not the place, for "The Elegant Girl" is waiting--there are some interesting reflections to be recorded on the circumstance that the entertainment of the young has never been in such willing and safe hands as those of the celibates. All the writers I have just glanced at (save Mrs. Sherwood) were unmarried. This need not be taken as any aspersion upon matrimony--there must be marriage and giving in marriage in order that little readers may exist--but it ought to be remembered whenever the single state is under criticism. Think of the injustice of the foreshadowed Bachelor Tax falling upon Lewis Carroll!)

"The Elegant Girl," the date of which is 1813, sets out to improve too, for this is the title: "The Elegant Girl, or Virtuous Principles the True Source of Elegant Manners"; but its lessons are so unprejudiced and persuasive that no one can object. Moreover, a very exceptional artistic talent was employed: the best available rather than the cheapest. With such attractive jam, who could resent the pill? Alone, the pictures do very little in the didactic way, but to the detached artist came an ally in the shape of a gentle--and probably, I think, female--bard. Each of the twelve drawings has a six-lined stanza to drive home the picture and inculcate a maxim of sound and refined behaviour.

In the first plate Laura (the elegant girl is, of course, named Laura) is seen in her little bedroom at her morning prayers, and, thus fortified, she then goes through the day in eleven episodes, all tending, as the Americans say, to uplift. Washed and dressed, she joins, in Plate No. 2, her mother at early lessons in a charming library such as neither Vermeer nor Whistler would have disdained. According to the verses, Laura is careless of "what becomes her best," but to the casual male eye she seems to have chosen her trousers with no little discretion. Having sufficiently "explored the arts and sciences," she is, in Plate No. 3, ready for breakfast, again with her mother. Her father was--where? Possibly he was dead; possibly (the date is 1813) at the wars; probably still in bed. At any rate his daughter passes her day of edification entirely without his assistance.

Breakfast affords the opportunity of a lesson in practical philanthropy, for chance sends a beggar to the window, and Laura craves, and is granted, permission to give him food and drink. In Plate No. 4 she has a music lesson--a lesson that "is not thrown away," for

By Science taught with taste to play, She'll charm erewhile the listening throng And sing with modest grace her song.

In Plate No. 5, having slipped a red smock over her dress, but still retaining the captivating trousers, Laura practises painting. In No. 6, substituting a purple smock for the red one, she teaches the little villagers their A.B.C.--a form of altruistic employment which those

can best approve Who virtue and religion love.

In Plate No. 7, Laura, in yellow, acquires the rudiments of obedience and refrains from eating forbidden fruit. In Plate No. 8, in green, she carries food to an aged dame. In Plate No. 9, in blue, she brings a cup of broth to her mother, who, "languid and pale," reclines, like Madame Recamier, on an exceedingly uncomfortable couch. It is thus that Laura,

in early days, Maternal tenderness repays.

The chief difficulty of any series of this kind is, artists tell me, to preserve the likenesses throughout. In the case of "The Elegant Girl" it has been fairly successfully overcome, but Laura, who at her orisons looks years older than when becomingly trousered, is never again so charming a child as in the library before breakfast; while, in the Plate which we have now reached, her mother's severe Greek profile, so noticeable at that frugal meal, has completely vanished. But, take it all round, the series is maintained with credibility and a sprightly realism.

In Plate No. 10 the mother is sufficiently recovered to play the harp while Laura bounds light on agile feet. In No. 11 Laura visits the impoverished sick, and, by reading the "sacred page,"

Dries up the widow's scalding tears, Exalts her hopes and calms her fears.

And finally, in crimson, she is presented by her mother with the guerdon of her day's good conduct, which consists of several boxes of odds and ends labelled "Gifts for the Poor," including a large number of top hats--

Gifts for the Poor her own Reward, For Laura felt and understood The Luxury of doing Good.

Such is the pretty, unobtrusive didactic scheme of "The Elegant Girl." That it is now all out of date I am only too well aware; but it would do no great harm if a reprint of the book found its way into a few modern homes.

THOUGHTS AT THE FERRY

My acquaintance among ferrymen is not extensive, but I cannot remember any that were cheerful. Perhaps there are none. The one over there at this moment, on the other side, for whom we are waiting and who is being so deliberate--he certainly has no air of gaiety.

There is a wealth of reasons for this lack of mirth. To begin with, a boat on a river is normally a vehicle of pleasure; but the ferryman's boat is a drudge. Then, the ordinary course of a boat on a river is up or down, between banks that can provide excitement, and around bends, each one of which may reveal adventure; but the ferryman's boat must constantly cross from side to side, always from the same spot to the same spot and back again, which is subversive of joy. All that the ferryman knows of the true purposes of a river he gains from observation of others, who gaily pass him, pulling with the stream or against it, and singing, perhaps, as they row. Did a ferryman ever sing? There was, when I was a boy, a pretty song about Twickenham Ferry, but my recollections of it are that it was the passenger who sang: not, I fancy, in the boat, but before he entered it. If my memory is right, the fact is significant. In the company of such taciturnity and gloom who could carol?

The ferryman, again, must never leave his post. All the world may go wayfaring, but not he. To cross a river is in itself nothing; but to come, from somewhere unknown, to the bank of the river, cross it, and pass on to unknown bournes on the other side--that is an enterprise, and that is what every one but the ferryman is doing. I have written elsewhere--it is a recurring theme of sympathy--of the servants of the traveller who live by helping him on his eventful way but never participate in any wanderings--railway porters, for example--and the ferryman is perhaps chief, because so much of the very matter of romance--a running stream--comes into his daily routine. There he is, in the open air, with the breeze to fan and lure him, and the racing clouds to lift his thoughts, and the exciting sound of water in his ears: all the enticements to rove, but he must not be a rover. For the rest of us (as it must seem to him), exploration; for himself, the narrow confines of the known!

And it is a peculiarity of ferrymen that when you want them they are (like this reluctant fellow) always on the other side. Not from any natural desire to annoy, but through a whim of the gods; yet to have to come over empty, how it must add fuel to their misanthropic fire! If every journey were with a fare the ferryman might be a shade more cheerful, even though the payment is so trifling. Was there ever a rich ferryman? Has a whimsical millionaire ever played at being a ferryman? Has a Carnegie ever left a ferryman a legacy?

And then the brevity of their companionships! Not that most ferrymen seem to desire human intercourse; but perhaps they did once, before the monotony of their task soured them. Down to the boat come the strangers from the great world--young or old, forbidding or beautiful, ardent or pensive--and howsoever the ferryman would like to hold them and talk with them, no sooner does the boat touch the farther bank than they are off again! Does not that make for a certain moroseness?

And what was the ferryman before he was a ferryman? For seldom, I should guess, is his an hereditary post. Some kind of failure normally precedes; and there again is cause for reticence.

Such friends as ferrymen possess are usually dumb animals. I have known more than one who carried his dog with him; and once, on the Wye, I met one whose companion was a goose. No matter how often the crossing had to be made, the goose made it too. I used the ferry several times, and we were never without this escort; and the ferryman (who, I am bound to remark, humiliating though it be, propelled his boat from side to side, not with honest oars, but by means of a rope) emerged sufficiently from his apathy to praise the bird's fidelity. "Here," thought I, "is surely the material for a pertinent apologue. 'The Ferryman and the Goose': the very title is AEsopian. Or--to be more satirical--the title might be 'The Ferryman and the Swan,' the point being that he thought it was a swan, but in reality it was only a goose." But I had no further inspiration. And yet, by a practised homilist, a good deal could be done with it with which to score off poor human nature. "Ah! my friends"--surely it is fittest for the pulpit, after all--"ah! my friends may not each of us be as much in error as that poor deluded ferryman? Let us search our hearts and answer truthfully the questions: Do we know our friends as we ought? Does not their flattery perhaps blind us to their mediocrity? In short, are they swans or geese?"

Ferrymen----

But here is our man at last! On close inspection how dismal he looks!

A LITTLE CHILD

The decision that the governess-cart must be given up meant that a new owner for Polly must be found.

Polly is a roan pony; very round in the barrel, and particularly so of late, when there has been no food but meadow-grass. She had been with us (this is my neighbour's story, as told to me during the War: a very charming neighbour who keeps her temper at croquet)--Polly had been with us so long as to become, as ponies peculiarly can, a member of the family, so that to part with her savoured of treachery. Necessity, however, knows no law and sanctifies no memory, and the distasteful preparations were therefore begun. The first was the framing of the advertisement; which is not the simple matter that it might appear to be, because so much depends upon the choice of adjective: the selected word must both allure and (in our case) keep within the bounds of truth. What are the qualities most valued in a pony, we had to ask ourselves. Celerity? Polly was fixed in her determination not to exceed the speed limit, at any rate on outward journeys. Willingness? Polly could be desperately stubborn. Strength? Yes, she was strong. Youth? Well, she came to us ten years ago and she was no foal then. After much serious deliberation, compared with which Versailles Conferences are mere exchanges of persiflage, it was decided to describe Polly either as "strong useful pony" or "useful strong pony." Further deliberations fixed the phrase as "Pony, strong, useful," and the advertisement was despatched to the local rag, as our very worthy county chronicle is too often called.

Next came the question of what price was to be asked. Here expert opinion was resorted to, in the shape of Mr. Edmead, the butcher. No one knows more about ponies than butchers do, and Mr. Edmead is exceptionally wise.

"Taking everything into consideration," he said, "I think that twenty-five pounds would be a fair price."

We clung to each other for support. Twenty-five pounds! And we had given only nine pounds all those years ago. Why had we not made pony-breeding a hobby? The War, Mr. Edmead went on to explain, had rendered ponies more valuable. Yes, taking everything into consideration, twenty-five pounds was a fair price. We ought to get that. In fact, if he had been in need of a pony he would have given that himself; but just then he was well supplied, and Polly was, he feared, not quite fast enough for him. Good morning.

Men who want to buy a pony have a strong resemblance to each other. They are clean-shaven and wear hard round hats, and the collars of their overcoats are carelessly treated so that they are half up and half down. They carry sticks. Also, although they want a pony, they don't want one at quite such a figure. All the men who came to see Polly were furthermore alike in agreeing that she was no doubt a useful strong pony, even a strong useful pony, but she was not for them. Day after day Polly was examined. They opened her mouth and shook their heads, they felt her knees and her hocks, they looked at her with narrow eyes from near by and from far, they rattled their sticks in their hard hats, they gave her sudden cuts and prods. But they didn't buy.

We began to get desperate. Much as we esteemed Polly, now that she was to be sold we wanted to be rid of her. Things should be done quickly. And then came a market gardener, a large, rubicund, genial man named Fox. And Polly was again led forth and again subjected to every test known to pony-buyers. All was going well, and would have gone well, but for Vivian.

Who, you ask, is Vivian? We should be better prepared for the irruption of new characters. True, but this is not my story, but my nice neighbour's.

Vivian is a small boy who had known Polly all his life, and who by some mischance wandered out from his lessons in the morning-room at the precise moment when Mr. Fox, who obviously was attracted by Polly, was making up his mind to pay the full money. Vivian, I should explain, is one of those ingratiating little boys who look upon the world as a sphere existing solely to provide them with friends, and who attach themselves with the strongest bands to open-air manual labourers. No sooner did Vivian see Mr. Fox's benevolent features than he added him to his collection.

"Run away, Vivian," I said. "It's not play-time yet, and we're busy."

"Are you going to buy Polly?" Vivian asked Mr. Fox by way of a suitable rejoinder to my command.

"I was thinking about it," said Mr. Fox, adding to me, "How old do you call her, ma'am? She looks to me about twelve."

The figure was so low that I nodded assent, but Vivian spoilt it by exclaiming, "Oh, mother, and Mr. Brooks says she's seventeen if she's a day, and I'm sure she's a day."

Mr. Fox became thoughtful. "Mr. Brooks said that, did he?" he remarked.

I felt that I couldn't tell Vivian again to go in, because it would look as though I feared his frankness; which, to be candid, I did. All I could do was to hope for the best.

"She's quiet enough; used to traffic and all that?" Mr. Fox asked.

Then Vivian began to laugh. This trick of laughter over retrospection--chewing the cud of old jokes--we have always rather admired in him; his chuckles are very engaging; but now I trembled, and not without reason.

"Don't you remember, mother," he began, "that day when she was frightened by the traction engine and ran into the grocer's shop?"

Mr. Fox, in whose large hand my son's minute one was now reposing, looked grave.

"That's against her in my business," he said.

"Oh, but," I explained, "that was a very long time ago. She's quite steady now. Don't you remember, Vivian, it was on your fifth birthday?"

"No," said Vivian, "that was on my seventh birthday--something funny always happens on my birthdays," he explained to Mr. Fox--"it was on my fifth birthday that Polly fell down."

"She's been down, has she?" said Mr. Fox ominously.

The rest of it is too tragic. I had no intention of concealing anything; Mr. Edmead knew the pony's whole history when he valued her; but Vivian's presence made me nervous, painfully self-conscious; I felt my face burning and knew that I must suggest duplicity.

Mr. Fox, I will admit, played the game. He asked Vivian no questions; indeed he talked of other things than defective ponies; but I could see his mind working; I could see pound after pound dropping away from the grand total.

Well, that's the story. Mr. Fox led Polly away some ten minutes later, leaving in her stead a cheque. But it was not for twenty-five pounds--Vivian saw to that.

The moral? The moral is: when your husband is in Mesopotamia and the time comes to sell the pony, lock your cherubic son in the nursery.

A DEVONSHIRE INN

To enter a strange town on foot and unencumbered--leaving one's bag at the station or sending it on in advance--is a prudent course, for it liberates the traveller to select his inn at his ease. A man carrying luggage is not free; the bag in a way pledges him, at any rate proclaims the fact that he is a traveller and will probably need a bed, and makes it the more difficult for him to extricate himself from the hostel that within doors has failed to come up to the promise of the exterior--as too often is the hostel's habit.

All unburdened, then, I entered Kingsbridge at lunch-time at the top of its steep main street, and as I walked down it I cast my glances this side and that to see which inn seemed most promising. The woman who, at Yealmpton, had given me some bread and cheese, had named the "Anchor" as the best. A man who had beaten me at billiards at Devonport had mentioned another; and, left to myself, I found myself more taken by the facade of a third.

I did, however, nothing rash; I looked carefully at all, and then I entered the one with the agreeable facade and asked for lunch.

Never have I done a wiser thing.

It is odd how trifling are the determining factors in some of the most momentous decisions that face us in life. Here was I alone, and tired, and in a strange part of the country, with the necessity before me of finding "a home from home" for three or four days, and yet, even without entering any of the other inns, I agreed to stay in this one. And why? Well, a little because the landlord (a big, strong, leisurely man with a white beard and a massive head), who himself did the waiting, was pleasant and attentive, and a little because his daughter, who had charge of the bar, was attentive and pleasant. But the real reason was pickled onions. Such was the excellence of these divine roots that I let everything else go. Nights might be bad, but lunches and dinners would be good: for were there not these onions, pickled according to a recipe of the host's mother, now with God, in her day famous for the best ways of preserving and curing and, indeed, of doing everything that a good housewife should? The enthusiasm displayed by this patriarchal Boniface for his mother was perfectly charming, its novelty being part of its charm. Very big landlords with white beards and footfalls that shake the house do not, as a rule, talk about their mothers at all. Should they, through strange martial vicissitudes, come, as this one had done, to wait at table, they wait and go. But this one hovered, and talked reverently of his mother's household genius, giving me the while such delicious proofs of it that I could not have torn myself away.

To those exquisite esculents I shall be eternally grateful, for they brought me into knowledge of one of the most interesting of inns. It is a survival; indeed, to my great satisfaction, the word "posting" occurred in my bill, for a journey by wagonette to a distant village was thus ennobled. The stables are immense, and contained one horse. The coach-house is immense, and contained seventeen carriages of various kinds, from omnibus to dogcart, but chiefly broughams, all in a state of mouldiness. Coming by degrees to be recognised as a member of the little family which, by ceaseless activity, ran this unwieldy place--father, daughter, a superb cook, a maid-servant, and an ostler--I was free to wander as I would, and exploring the various floors and passages I came upon a billiard table whose cushions belonged to the Stone Age, and an assembly-room with a musicians' gallery. In the kitchen I watched at her mysteries the admirable lady who cooked and carried on the noble traditions of the landlord's mother as set forth in a manuscript book in her own hand. In the bar parlour I watched the landlord, according to the new regulations, water down his spirits, and heard instalments of his long life, spent wholly, in this "house" and that, in ministering to the wants of his fellow-creatures--tired, or hungry, or thirsty, but chiefly thirsty. Then later in the evening the little cosy room would fill, and I would quietly take my place as one of the best listeners that its habitues had ever talked to. Listening is an old accomplishment of mine, and here, amid the friendliest of strangers, I gave it full play; and you would be surprised to know how much I know of Kingsbridge life. Probably their surprise would be even greater.

And still I have not really begun to describe this most alluring inn. In the cellar, for example, there was some '47 port....

ON SHOPS AND STALLS