A Zola Dictionary; the Characters of the Rougon-Macquart Novels of Emile Zola;

Part 6

Chapter 64,003 wordsPublic domain

BEAUVILLIERS (COMTE CHARLES DE), a man of dissipated habits, who succeeded to the immense fortune of the Beauvilliers, which he completely squandered in a few years. He was killed in an accident of the chase, some said by the vengeance of a keeper. They found later a document signed by him in 1854 undertaking to pay ten thousand francs to a girl named Leonie Cron. L’Argent.

BEAUVILLIERS (COMTESSE DE), an old lady who lived with her daughter Alice in a house in the Rue Saint-Lazare, adjoining the Orviedo mansion. The family had at one time possessed large estates, but these had all gone, and the Comtesse and her daughter had barely sufficient to live upon, though they endeavoured to keep up before their neighbours as much as possible of their ancient state. Having made the acquaintance of Saccard, the Comtesse invested a small sum in the Universal Bank, increasing it from time to time until her whole means were involved. By the failure of the bank she was entirely ruined, and, to complete the catastrophe, Busch, who had become possessor of some papers compromising the honour of her dead husband, took the opportunity of blackmailing her. When she had handed over her jewels to him, she was left penniless. L’Argent.

BEAUVILLIERS (ALICE), daughter of Comtesse de Beauvilliers. The extravagance of her father had dissipated the family estates, and she and her mother were left with barely sufficient to keep up appearances. She was plain-looking, and had reached the age of twenty-five years without any offers of marriage. It was, however, in the hope of providing a suitable dowry for her, that the Comtesse invested her money in the Universal Bank, with disastrous results. Alice, who had few amusements, interested herself in charities, and frequently visited the institutions founded by Princess d’Orviedo. On a visit to _L’Oeuvre du Travail_ she was attacked and robbed of a small sum by Victor Saccard, who was at that time an inmate. Her injuries were severe, and a serious illness followed. The failure of the Universal Bank left her and her mother in poverty. L’Argent.

BEAUVILLIERS (FERDINANDE DE), son of Comte Beauvilliers. He was for a time the cause of anxiety to his mother on account of some youthful extravagances, but early settled down, and having received a commission in the Papal troops, served with distinction. He was delicate, however, and died of fever in Rome. L’Argent.

BECKER, a jeweller in Paris. He supplied a set of sapphires for the mistress of Comte de Muffat. Nana.

BECOT, a grocer in Rue Montorgueil. Having become a widower, he took to dissolute courses, and his shop was gradually swallowed up, with its dried vegetables, jars, and drawers of sweetstuff. Eventually the place was sold up and Becot died of apoplexy soon afterwards. L’Oeuvre.

BECOT (IRMA), daughter of the preceding. After her father’s death she went to live with an aunt, but soon afterwards ran off with a young fellow who lived across the street. She did not remain long with him, but, having a passion for artists, experienced in turn a caprice for Fagerolles, Gagniere, and many others. A young and foolish Marquis furnished a flat for her, and later she occupied a house in Rue de Moscou, the rent of which was twenty thousand francs. In the end she realized her dream of a princely house in the Avenue de Villiers; the site was bought by one lover, the house built by another, and the furniture provided by a third. But fortune did not alter her tastes; behind the backs of her serious lovers she still retained her fancy for Art, in the person of Henri Fagerolles, one of her early admirers. L’Oeuvre.

BEC-SALE, alias BOIT-SANS-SOIF, a rivet-maker employed in the same factory as Goujet. He drank enormous quantities of brandy, and was a boon companion of Coupeau. On the occasion of Gervaise Coupeau’s first visit to the factory to see her son Etienne, Bec-Sale entered into a contest of strength with Goujet in which he was beaten. L’Assommoir.

BECU, gamekeeper and bell-ringer at Rognes, was a man of fifty years of age who had at one time been in the army. He was an intense Bonapartist, and pretended that he had met the Emperor. Himself a confirmed drunkard, he was on friendly terms with Hyacinthe Fouan, whose poaching expeditions he overlooked. La Terre.

BECU (LA), wife of the preceding, was on intimate terms with Hyacinthe Fouan. Her chief amusement was to throw Celine Macqueron and Flore Lengaigne against one another under the pretext of reconciling them. Though she was not devout, she made ardent intercessions to Heaven to reserve for her son a lucky number in the drawing for the conscription, but, after the event, turned her anger against the Deity because her prayers had not been answered. La Terre.

BECU (DELPHIN), son of the preceding, was a strong lad who, on leaving school, went to work as a farm labourer. He was much averse to leaving home, and, having drawn an unlucky number for the conscription, he chopped off with a cleaver the first finger of his right hand, in order that he might be unfit for service. La Terre.

BECU (MICHEL), uncle of Delphin. He died at Orleans. La Terre.

BEDORE, a hosier in Rue Gaillon, whose business was ruined by the extension of “The Ladies’ Paradise.” Au Bonheur des Dames.

BEJUIN (LEON), a Member of the Corps Legislatif, and a supporter of Eugene Rougon. He was proprietor of the Saint-Florent Cut-Glass Works. “A very worthy fellow, votes straight, never speaks, is very patient and waits contentedly till you think of him, but he is always on the spot to take care that you don’t forget him.” He received the Cross of the Legion of Honour after Rougon’s return to office, and an appointment as Inspector. Son Excellence Eugene Rougon.

BEJUIN (MADAME), wife of the preceding. Son Excellence Eugene Rougon.

BELLOMBRE, a neighbour of Doctor Pascal at La Souleiade. He was a retired Professor, sixty-six years of age, who lived in his little house with no other company than his gardener, a man as old and crabbed as himself. His interests were solely centred in himself, and his egotism was a constant subject of irritation with Doctor Pascal. Le Docteur Pascal.

BELLOQUE (LE PERE), the first art-master of Claude Lantier. A retired infantry captain, with one arm, he had for a quarter of a century taught drawing to the youths of Plassans, in one of the galleries of the museum. L’Oeuvre.

BENARD, one of the tenants of the house in which Madame Coupeau carried on her laundry business. Benard and his wife were of intemperate habits, and few days passed without their fighting with one another. L’Assommoir.

BERAUD DU CHATEL (M.) was the last representative of an old middle-class family. A staunch Republican, he had grown old in the Magistracy, which he resigned at the time of the _Coup d’Etat_. Since then he lived in retirement in his house on the Ile Saint-Louis with his sister Madame Aubertot and his young daughter Christine. His elder daughter Renee, who was educated at a convent, was married to Aristide Saccard, and the circumstances which led to her marriage came as a severe blow to the stern old man. Though on nominally friendly terms with his daughter after her marriage, he never visited her, but when she died he paid her debts. La Curee.

BERAUD DU CHATEL (CHRISTINE), the second daughter of M. Beraud du Chatel, and sister of Madame Renee Saccard. La Curee.

BERAUD DU CHATEL (RENEE). See Madame Renee Rougon, alias Saccard.

BERGASSE, a second-hand dealer in Plassans. He supplied the old furniture bought by Madame Faujas. La Conquete de Plassans.

BERGERET (MADAME), concierge of the house at Plassy occupied by Helene Grandjean. Une Page d’Amour.

BERLINGOT, a horse which belonged to M. Mechain and gained the Prix d’Ispahan. Nana.

BERLOQUE, alias CHICOT, a miner who was killed by a landslip in the pit at Voreux. Germinal.

BERNHEIM (LES FRERES), proprietors of the glass-works of Saint-Joseph where Josserand was employed as cashier. Pot-Bouille.

BERTHIER (MADAME), was a friend of Madame Deberle, and took part in the amateur theatricals arranged by that lady. Une Page d’Amour.

BERTHIER, authorized clerk to Mazaud, the stockbroker. L’Argent.

BERTHOU, the celebrated painter of _Nero in the Arena_. Claude Lantier took lessons from him for six months, but their ideas were not in sympathy, and repeatedly the master told Claude that he would never do anything good. L’Oeuvre.

BERTRAND, a large dog which belonged to Sandoz. It barked furiously at visitors, until it recognized a friend of its master, whom it would greet with joyous welcome. L’Oeuvre.

BESNUS (CLARISSE), an actress at the Theatre des Varietes, where she played the part of Iris in the _Blonde Venus_, and Geraldine in the _Petite Duchesse_. She was mistress of Hector de la Faloise for a time. Nana.

BESSIERE, station-master at Barentin. He saw the Roubauds in the Havre express on the evening of the murder of President Grandmorin, and his evidence confirmed their alibi. La Bete Humaine.

BEULIN-D’ORCHERE (M.) was a member of a legal family. After being public prosecutor at Orleans and advocate-general at Rouen, he came to Paris as counsellor at the Appeal Court, of which he afterwards became president. His sister Veronique married Eugene Rougon. He was appointed first president of the Court of Paris after Rougon’s return to office. Son Excellence Eugene Rougon.

BEULIN-D’ORCHERE (VERONIQUE), a quiet, subdued woman about thirty-six years of age, who lived with her brother and seldom went out except to attend Low Mass at Saint-Sulpice. She married Eugene Rougon, to whom she brought a considerable fortune. Son Excellence Eugene Rougon.

BIBI-LA-GRILLADE, the sobriquet of one of Coupeau’s fellow-workmen, with whom he was on intimate terms. He was one of the party at Coupeau’s wedding with Gervaise Macquart. L’Assommoir.

BIJARD, a drunken locksmith, who killed his wife by systematic ill-usage. On the rare occasions when he worked, he always had a bottle of alcohol beside him, from which he took large draughts every half-hour. After the death of his wife, he transferred his cruelty to his little daughter Lalie, who did not long survive. L’Assommoir.

BIJARD (MADAME) lived with her husband and their children in the same tenement as the Coupeaus and Lorilleux. She was a hard-working woman who did washing for Gervaise Coupeau’s laundry, but her husband, a drunken brute, abused her to such an extent that she ultimately died of injuries received at his hands, or, more accurately, feet. The poor woman, in order to save her husband from the scaffold, said before she died that she had hurt herself by falling on the edge of a tub. L’Assommoir.

BIJARD (LALIE), daughter of the preceding, a child of eight when her mother died, had acted as the little mother of the family. “Without a word said, quite of her own accord, she took the dead woman’s place, to such an extent that her foolish brute of a father, to make the likeness complete, battered about the daughter now as he had battered the mother before. When he came in drunk, he felt the need of a woman to attack. He did not even notice what a tiny little thing Lalie was; he hit her as he would have hit a grown woman. He beat her shamelessly, he kicked her for a yes or no; and she took it all with a resigned look in her beautiful eyes, without a murmur. Then when her father was tired of kicking her from corner to corner of the room, she waited until she had the strength to pick herself up, and then went back to her work. It was part of her daily task to be beaten.” As the result of this infamous treatment the child died, but again the man unfortunately escaped punishment. L’Assommoir.

BIJARD (HENRIETTE), second daughter of Bijard. She was five years old at the time of her mother’s death. L’Assommoir.

BIJARD (JULES), third child of Bijard. When his mother died he was three years old. L’Assommoir.

BIJOU, the pet dog of Nana. He excited the jealousy of Comte de Muffat. Nana.

BILLECOQ (HERMINIE), a protegee of Madame Correur, who induced Eugene Rougon to provide a dowry, in order that she might marry an officer who had compromised her. The officer did not, however, fulfill his promise, but went off with the dowry, of which he had obtained possession. Son Excellence Eugene Rougon.

BLACHET, a deputy. He desired leave of absence. Son Excellence Eugene Rougon.

BLAISOT, a banker at Paris. L’Argent.

BLANCHETTE, a cow which belonged to Lise and Francoise Fouan. La Terre.

BLERIOT (M. DE), prefect of the department in which Plassans is situated. He accompanied Colonel Masson and the troops which crushed the Republican rising in 1851. La Fortune des Rougon.

BLEUZE, a rope-walk at Montsou which was ruined by the miners’ strike. Germinal.

BLOND (MARIA), a young girl of fifteen who had grown up on the pavements of Paris. She frequented the restaurant kept by Laure Piedefer. Nana.

BOCHE (M.) the concierge of the large tenement-house in which resided the Coupeaus, Lorilleux, and others. He and his wife were friendly with the various tenants in turn, sometimes siding with one and sometimes with another in the quarrels which so frequently arose. In the presence of the landlord, of whom they were afraid, they assumed an air of great importance, and affected not to know the tenants. They were present at Gervaise Coupeau’s birthday party. L’Assommoir.

BOCHE (MADAME), wife of the preceding. L’Assommoir.

Nana informed Satin that Madame Boche is dead. Nana.

BOCHE (PAULINE), daughter of the preceding, was a girl of about the same age as Nana Coupeau, whose companion she was in all kinds of mischief. L’Assommoir.

BOCQUET (MADAME), mother of Clarisse. Pot-Bouille.

BOCQUET (CLARISSE), a woman on whom Duveyrier squandered large sums of money. She ultimately gained such complete influence over him, and made him so unhappy, that he attempted to commit suicide. Pot-Bouille.

BODIN (DOCTOR) was the regular medical attendant of Madame Helene Grandjean and her daughter Jeanne. A sudden illness of Jeanne made it necessary to call in Doctor Deberle, who subsequently met the older man in consultation from time to time. Une Page d’Amour.

BOHAIN (MARQUIS DE), an elderly nobleman whose presence and manners were of a kind to adorn a board of directors, and whose illustrious name was of value on a prospectus. He was in consequence always in demand by new companies. Since he began living by speculation, he and his wife had been legally separated, so far as estate went, and he lived with her only as a lodger, with nothing of his own except his clothes. “On two occasions already he had refused to pay up what he owed; he pocketed as long as he won, but as soon as he lost he did not pay.” At the request of Saccard, the Marquis became a director of the Universal Bank. When the great gamble in the shares of the bank began, the Marquis followed his usual plan; having played through Mazaud for a rise, he refused to pay his losses, though he had gained two million francs through Jacoby, through whom he had played for a fall. L’Argent.

BONGRAND, a great artist, painter of the _Village Wedding_. He was a stout man, forty-five years old, with an expressive face and long grey hair; recently he had become a member of the Institute and an officer of the Legion of Honour. The grandson of a farmer in the Beauce country, the son of a man risen to the middle classes, with peasant blood in his veins, owing his culture to a mother of very artistic tastes, he was rich, had no need to sell his pictures, and retained many tastes and opinions of Bohemian life. His masterpiece, the _Village Wedding_, had brought about a revolution in art only parallel with Courbet, and he was acknowledged as Master by all the artists of the young school. The picture remained, however, his greatest work, though he objected to have it so designated, in the fear that it might be thought his powers were failing. A later picture called the _Village Funeral_ was intended to surpass it, but failed to arrest attention, and was indeed only an echo of the earlier work. He was one of the few mourners at the funeral of Claude Lantier. L’Oeuvre.

BONHOMME, the horse which for a quarter of a century had carried Doctor Pascal on his visits to his patients. Latterly the old Bonhomme became blind, and was no longer being driven, but being much loved by his master, was tenderly cared for until his death. Le Docteur Pascal.

BONNAUD, formerly head of the counting-house of a railway company. Pot-Bouille.

BONNEHON (MADAME), sister of President Grandmorin. She was married to a wealthy manufacturer, who left her a widow at the age of thirty. In the mansion-house of Doinville, which belonged to her, she led a pleasant life, not without occasional affairs of the heart, but so correct in every way that she remained a leader of society in Rouen. She was a handsome woman, and in spite of her fifty years still retained much of her former charm. Among her friends she included Chaumette and Desbazeilles, both officials of the court at Rouen. Madame Bonnehon had a good opinion of the Roubauds, and did not approve of the position taken up by her niece Berthe regarding the legacy left to them by President Grandmorin. For the honour of her family she desired that the inquiry as to the murder of the President should not be continued. La Bete Humaine.

BONNEMORT, the sobriquet of Vincent Maheu. His family had been miners for generations, and he himself had worked in the pit since he was eight years old. After forty-five years of work underground he was given a post as fireman, and for five years worked each night at the Voreux pit for a wage of forty sous. He suffered greatly from rheumatism, which eventually turned into a form of dropsy, while his mind became affected to some extent by the sufferings occasioned by the great strike which took place at Voreux and other neighbouring pits. After the terrible scenes at Montsou, he could only sit in his chair before the fireless grate, with fixed and unseeing eyes, but in a sudden accession of madness he found strength to strangle Cecile Gregoire, who chanced to be left alone with him for a few moments. Germinal.

BONNET. See De Mareuil.

BORDENAVE, manager of the Theatre des Varietes. He was a coarse man, with cynical views as to the stage, and cared nothing as to the means by which a popular success might be secured. Though he was well aware that Nana could neither sing nor act, he saw that her beauty was of a type likely to attract the Parisian public, and accordingly gave her the chief part in the _Blonde Venus_. It was he who showed H.R.H. The Prince of Scots the honours of “behind the scenes.” Nana.

BORGNE-DE-JOUY, one of the band of brigands which was led by Beau-Francois. He betrayed his companions. La Terre.

BOSC, an old actor at the Theatre des Varietes, where he played the part of Jupiter in the _Blonde Venus_, and the Duc de Beaurivage in the _Petite Duchesse_. He had a good-natured but somewhat drunken appearance. He treated women with disdain, and the idea that any man should trouble himself about them raised in him the only indignation of which he was capable. Nana.

BOUCHARD (M.), head-clerk in the office of the Minister of Interior. His house was the first thrown open to Eugene Rougon on his arrival in Paris. Later on, Bouchard inherited his father’s property, and at fifty-four years of age married Adele Desvignes. He was appointed head of a department after Rougon’s return to office. Son Excellence Eugene Rougon.

BOUCHARD (MADAME), wife of the preceding, was the daughter of a respectable family at Rambouillet. M. Bouchard “had been anxious to marry a young lady from the provinces, because he made a point of having a steady wife. However, the fair and adorable little Adele, with her innocent blue eyes, had in less than four years proved to be a great deal more than a mere flirt.” Son Excellence Eugene Rougon.

BOULAND(MADAME), the nurse who attended Madame Lazare Chanteau. La Joie de Vivre.

BOUM, a horse which belonged to M. Gasc and ran in the Grand Prix de Paris. Nana.

BOURDELAIS, an upper clerk in the office of the Minister of Finance. Au Bonheur des Dames.

BOURDELAIS (MADAME) was a short, fair woman of thirty, with a delicate nose and sparkling eyes, who had married a chief clerk in the Treasury. She was an old schoolfellow of Madame Desforges. Belonging to a good middle-class family, she managed her household and three children with an excellent knowledge of practical life. Au Bonheur des Dames.

BOURDEU (M.), formerly Prefect of the Drome, but turned out of office by the Revolution of 1848. Politically he was a Legitimist, and he was a friend of M. Rastoil, at whose house his party was in the habit of meeting. At one time he was suggested as a likely candidate for the representation of Plassans, but he retired after Delangre had been brought forward through the machinations of Abbe Faujas. Madame de Condamin promised him, however, that through her influence he would be rewarded with a prefecture. La Conquete de Plassans.

BOURDONCLE, the son of a poor farmer near Limoges, started at “The Ladies’ Paradise” at the same time as Octave Mouret. He was very active and intelligent, but he lacked that touch of genius possessed by his companion, before whom he had bowed from the first. Acting on Mouret’s advice, he put all his savings into the business, and, after passing through the various grades, he became in time one of the six persons who assisted Mouret to govern “The Ladies’ Paradise,” exercising a general control of the whole staff. Au Bonheur des Dames.

BOURGAIN-DESFEUILLES (GENERAL). During the war of 1870 he was at the head of a brigade of infantry, of which the 106th regiment of the line, commanded by Colonel de Vineuil, formed part. Like so many other officers he proved himself incompetent, and after the capitulation he, alone among the generals, took advantage of the pretext of illness to sign an undertaking to the Germans not to take any further part in the war. La Debacle.

BOURGUIGNON, a master zinc-worker from whom Coupeau got employment. L’Assommoir.

BOUROCHE (SURGEON-MAJOR), of the 106th regiment of the line, commanded by Colonel Vineuil. During the battle of Sedan he installed an ambulance in a factory belonging to Jules Delaherche, where he was soon overwhelmed with work. With untiring energy he performed one operation after another until the place became like a slaughter-house. Behind a clump of trees were thrown the bodies of the dead, and the limbs amputated from the living. Depressed for a moment by the vastness of his task, Bouroche nearly lost heart, exclaiming, “What is the use?” but his instincts of discipline recalled him to work, and he continued to operate even after the supply of chloroform was exhausted. During the insurrection at Paris he served with the army of Versailles, but consented to treat one of his old soldiers, Maurice Levasseur, who had been mortally wounded in the ranks of the Commune. La Debacle.

BOURRAS, an old man who sold umbrellas and walking-sticks in a tumble-down house which adjoined “The Ladies’ Paradise.” His business was ruined by the growth of that concern, and he expressed bitter hatred towards Octave Mouret, its proprietor. Denise Baudu rented a room from him after her dismissal from “The Ladies’ Paradise,” and he showed much kindness to her and Pepe, her young brother. He refused several offers by Mouret, who wished to purchase his lease in order to extend his own shop, and ultimately, having become bankrupt, was forced to leave without a penny. Au Bonheur des Dames.