v. 29, and the date, 1848, written in ink on the lower corner, dim with
dust stains and faded with the processes of time.
Still her father had not spoken, but, sitting down on a chest, he had bent over the box, and had drawn from it one after the other the buried books, with a hand as gentle as if he were touching the tokens of a dead love. Anna had stood aside, silent and abashed, a strange tightening sensation in her throat. Her father seemed to have forgotten her. At last he had reached the old commonplace book underneath all. The flush on his face had deepened, and Anna had thought there were tears in his eyes as he glanced rapidly over its yellowed pages, with the verses in fine, stiff writing and faded ink. Then he had closed the book with a long sigh, had laid it carefully back in its place, and rising, had walked up and down in the low garret for many minutes in some evident agitation.
A sense of guilt and apprehension had fallen upon Anna in her perplexity, but when, in the end, he had come and stood beside her, there was a great gentleness on his face.
“And so you love those books, my child?” he had asked her briefly.
“Yes, father.”
“I understand. I loved them, but I gave them up—twenty years ago, almost. They became a snare.” He had been, then, silent a moment, while a peculiar conflict of thought was reflected in his face. “Yes,” he continued, as if convinced of something called in doubt, “they became a snare—to me—but for you I cannot decide. It may not be for you to drink of my cup. Who knows?” and with that he had turned and left her, and left the garret, the trunk forgotten; and Anna had laid the books back, soberly and with a great heartache, almost as if she were laying dust dear and sacred in its coffin.
The matter had never been alluded to again between the father and daughter, but Anna knew that she was free to read, and so read on. And still her unalloyed happiness in her hidden treasure was gone. A question, a suspicion, a disturbing doubt, was now attached to it. It was not wrong to read this poetry, but plainly there was a more excellent way, a higher ground which her father had reached, and which, with her inborn passion for perfection, she, too, must some day attain. Slowly and silently this conviction matured within her.
And so to-night, on the eve of her day of supreme consecration, Anna, in her turn, had buried out of her sight, as her father had before her, the poetry into which she had been pouring her young awakening life, silently and secretly, but with a fervour which the reader of many books can never know. They had spoken to her in mighty voices, these great spirits, so free, joyous, and mysterious in their power; but they were not the voice _of God_, and therefore she must listen to them no more. This had been a tree of life to her, but its fruit was forbidden. The axe must thenceforth be laid unflinchingly at the root of the tree. Such was the initial impulse, single, stern, and absolute, of Anna’s awakening religious nature.
Theologians in the sixties did not talk of the immanence of God.