Chapter 10

But a day came when every suspicious idea was exhausted. He asked himself whether the Marquise was not sincere; whether so much suffering could be feigned, and why she should act the part of resignation? She lived in complete seclusion; she drank in silence of a cup of sorrow scarcely to be guessed unless from the accent of some chance exclamation in a voice always well under control. From that moment Charles felt a keen interest in Mme. d’Aiglemont. And yet, though his visits had come to be a recognized thing, and in some sort a necessity to them both, and though the hour was kept free by tacit agreement, Vandenesse still thought that this woman with whom he was in love was more clever than sincere. “Decidedly, she is an uncommonly clever woman,” he used to say to himself as he went away.

When he came into the room, there was the Marquise in her favorite attitude, melancholy expressed in her whole form. She made no movement when he entered, only raised her eyes and looked full at him, but the glance that she gave him was like a smile. Mme. d’Aiglemont’s manner meant confidence and sincere friendship, but of love there was no trace. Charles sat down and found nothing to say. A sensation for which no language exists troubled him.

“What is the matter with you?” she asked in a softened voice.

“Nothing.... Yes; I am thinking of something of which, as yet, you have not thought at all.”

“What is it?”

“Why--the Congress is over.”

“Well,” she said, “and ought you to have been at the Congress?”

A direct answer would have been the most eloquent and delicate declaration of love; but Charles did not make it. Before the candid friendship in Mme. d’Aiglemont’s face all the calculations of vanity, the hopes of love, and the diplomatist’s doubts died away. She did not suspect, or she seemed not to suspect, his love for her; and Charles, in utter confusion turning upon himself, was forced to admit that he had said and done nothing which could warrant such a belief on her part. For M. de Vandenesse that evening, the Marquise was, as she had always been, simple and friendly, sincere in her sorrow, glad to have a friend, proud to find a nature responsive to her own--nothing more. It had not entered her mind that a woman could yield twice; she had known love--love lay bleeding still in the depths of her heart, but she did not imagine that bliss could bring her its rapture twice, for she believed not merely in the intellect, but in the soul; and for her love was no simple attraction; it drew her with all noble attractions.

In a moment Charles became a young man again, enthralled by the splendor of a nature so lofty. He wished for a fuller initiation into the secret history of a life blighted rather by fate than by her own fault. Mme. d’Aiglemont heard him ask the cause of the overwhelming sorrow which had blended all the harmonies of sadness with her beauty; she gave him one glance, but that searching look was like a seal set upon some solemn compact.

“Ask no more such questions of me,” she said. “Four years ago, on this very day, the man who loved me, for whom I would have given up everything, even my own self-respect, died, and died to save my name. That love was still young and pure and full of illusions when it came to an end. Before I gave way to passion--and never was a woman so urged by fate--I had been drawn into the mistake that ruins many a girl’s life, a marriage with a man whose agreeable manners concealed his emptiness. Marriage plucked my hopes away one by one. And now, to-day, I have forfeited happiness through marriage, as well as the happiness styled criminal, and I have known no happiness. Nothing is left to me. If I could not die, at least I ought to be faithful to my memories.”

No tears came with the words. Her eyes fell, and there was a slight twisting of the fingers interclasped, according to her wont. It was simply said, but in her voice there was a note of despair, deep as her love seemed to have been, which left Charles without a hope. The dreadful story of a life told in three sentences, with that twisting of the fingers for all comment, the might of anguish in a fragile woman, the dark depths masked by a fair face, the tears of four years of mourning fascinated Vandenesse; he sat silent and diminished in the presence of her woman’s greatness and nobleness, seeing not the physical beauty so exquisite, so perfectly complete, but the soul so great in its power to feel. He had found, at last, the ideal of his fantastic imaginings, the ideal so vigorously invoked by all who look on life as the raw material of a passion for which many a one seeks ardently, and dies before he has grasped the whole of the dreamed-of treasure.

With those words of hers in his ears, in the presence of her sublime beauty, his own thoughts seemed poor and narrow. Powerless as he felt himself to find words of his own, simple enough and lofty enough to scale the heights of this exaltation, he took refuge in platitudes as to the destiny of women.

“Madame, we must either forget our pain, or hollow out a tomb for ourselves.”

But reason always cuts a poor figure beside sentiment; the one being essentially restricted, like everything that is positive, while the other is infinite. To set to work to reason where you are required to feel, is the mark of a limited nature. Vandenesse therefore held his peace, sat awhile with his eyes fixed upon her, then came away. A prey to novel thoughts which exalted woman for him, he was in something the same position as a painter who has taken the vulgar studio model for a type of womanhood, and suddenly confronts the _Mnemosyne_ of the Musee--that noblest and least appreciated of antique statues.

Charles de Vandenesse was deeply in love. He loved Mme. d’Aiglemont with the loyalty of youth, with the fervor that communicates such ineffable charm to a first passion, with a simplicity of heart of which a man only recovers some fragments when he loves again at a later day. Delicious first passion of youth, almost always deliciously savored by the woman who calls it forth; for at the golden prime of thirty, from the poetic summit of a woman’s life, she can look out over the whole course of love--backwards into the past, forwards into the future--and, knowing all the price to be paid for love, enjoys her bliss with the dread of losing it ever present with her. Her soul is still fair with her waning youth, and passion daily gathers strength from the dismaying prospect of the coming days.

“This is love,” Vandenesse said to himself this time as he left the Marquise, “and for my misfortune I love a woman wedded to her memories. It is hard work to struggle against a dead rival, never present to make blunders and fall out of favor, nothing of him left but his better qualities. What is it but a sort of high treason against the Ideal to attempt to break the charm of memory, to destroy the hopes that survive a lost lover, precisely because he only awakened longings, and all that is loveliest and most enchanting in love?”

These sober reflections, due to the discouragement and dread of failure with which love begins in earnest, were the last expiring effort of diplomatic reasoning. Thenceforward he knew no afterthoughts, he was the plaything of his love, and lost himself in the nothings of that strange inexplicable happiness which is full fed by a chance word, by silence, or a vague hope. He tried to love Platonically, came daily to breathe the air that she breathed, became almost a part of her house, and went everywhere with her, slave as he was of a tyrannous passion compounded of egoism and devotion of the completest. Love has its own instinct, finding the way to the heart, as the feeblest insect finds the way to its flower, with a will which nothing can dismay or turn aside. If feeling is sincere, its destiny is not doubtful. Let a woman begin to think that her life depends on the sincerity or fervor or earnestness which her lover shall put into his longings, and is there not sufficient in the thought to put her through all the tortures of dread? It is impossible for a woman, be she wife or mother, to be secure from a young man’s love. One thing it is within her power to do--to refuse to see him as soon as she learns a secret which she never fails to guess. But this is too decided a step to take at an age when marriage has become a prosaic and tiresome yoke, and conjugal affection is something less than tepid (if indeed her husband has not already begun to neglect her). Is a woman plain? she is flattered by a love which gives her fairness. Is she young and charming? She is only to be won by a fascination as great as her own power to charm, that is to say, a fascination well-nigh irresistible. Is she virtuous? There is a love sublime in its earthliness which leads her to find something like absolution in the very greatness of the surrender and glory in a hard struggle. Everything is a snare. No lesson, therefore, is too severe where the temptation is so strong. The seclusion in which the Greeks and Orientals kept and keep their women, an example more and more followed in modern England, is the only safeguard of domestic morality; but under this system there is an end of all the charm of social intercourse; and society, and good breeding, and refinement of manners become impossible. The nations must take their choice.

So a few months went by, and Mme. d’Aiglemont discovered that her life was closely bound with this young man’s life, without overmuch confusion in her surprise, and felt with something almost like pleasure that she shared his tastes and his thoughts. Had she adopted Vandenesse’s ideas? Or was it Vandenesse who had made her lightest whims his own? She was not careful to inquire. She had been swept out already into the current of passion, and yet this adorable woman told herself with the confident reiteration of misgiving;

“Ah! no. I will be faithful to him who died for me.”

Pascal said that “the doubt of God implies belief in God.” And similarly it may be said that a woman only parleys when she has surrendered. A day came when the Marquise admitted to herself that she was loved, and with that admission came a time of wavering among countless conflicting thoughts and feelings. The superstitions of experience spoke their language. Should she be happy? Was it possible that she should find happiness outside the limits of the laws which society rightly or wrongly has set up for humanity to live by? Hitherto her cup of life had been full of bitterness. Was there any happy issue possible for the ties which united two human beings held apart by social conventions? And might not happiness be bought too dear? Still, this so ardently desired happiness, for which it is so natural to seek, might perhaps be found after all. Curiosity is always retained on the lover’s side in the suit. The secret tribunal was still sitting when Vandenesse appeared, and his presence put the metaphysical spectre, reason, to flight.

If such are the successive transformations through which a sentiment, transient though it be, passes in a young man and a woman of thirty, there comes a moment of time when the shades of difference blend into each other, when all reasonings end in a single and final reflection which is lost and absorbed in the desire which it confirms. Then the longer the resistance, the mightier the voice of love. And here endeth this lesson, or rather this study made from the _écorché_, to borrow a most graphic term from the studio, for in this history it is not so much intended to portray love as to lay bare its mechanism and its dangers. From this moment every day adds color to these dry bones, clothes them again with living flesh and blood and the charm of youth, and puts vitality into their movements; till they glow once more with the beauty, the persuasive grace of sentiment, the loveliness of life.

Charles found Mme. d’Aiglemont absorbed in thought, and to his “What is it?” spoken in thrilling tones grown persuasive with the heart’s soft magic, she was careful not to reply. The delicious question bore witness to the perfect unity of their spirits; and the Marquise felt, with a woman’s wonderful intuition, that to give any expression to the sorrow in her heart would be to make an advance. If, even now, each one of those words was fraught with significance for them both, in what fathomless depths might she not plunge at the first step? She read herself with a clear and lucid glance. She was silent, and Vandenesse followed her example.

“I am not feeling well,” she said at last, taking alarm at the pause fraught with such great moment for them both, when the language of the eyes completely filled the blank left by the helplessness of speech.

“Madame,” said Charles, and his voice was tender but unsteady with strong feeling, “soul and body are both dependent on each other. If you were happy, you would be young and fresh. Why do you refuse to ask of love all that love has taken from you? You think that your life is over when it is only just beginning. Trust yourself to a friend’s care. It is so sweet to be loved.”

“I am old already,” she said; “there is no reason why I should not continue to suffer as in the past. And ‘one must love,’ do you say? Well, I must not, and I cannot. Your friendship has put some sweetness into my life, but beside you I care for no one, no one could efface my memories. A friend I accept; I should fly from a lover. Besides, would it be a very generous thing to do, to exchange a withered heart for a young heart; to smile upon illusions which now I cannot share, to cause happiness in which I should either have no belief, or tremble to lose? I should perhaps respond to his devotion with egoism, should weigh and deliberate while he felt; my memory would resent the poignancy of his happiness. No, if you love once, that love is never replaced, you see. Indeed, who would have my heart at this price?”

There was a tinge of heartless coquetry in the words, the last effort of discretion.

“If he loses courage, well and good, I shall live alone and faithful.” The thought came from the very depths of the woman, for her it was the too slender willow twig caught in vain by a swimmer swept out by the current.

Vandenesse’s involuntary shudder at her dictum plead more eloquently for him than all his past assiduity. Nothing moves a woman so much as the discovery of a gracious delicacy in us, such a refinement of sentiment as her own, for a woman the grace and delicacy are sure tokens of truth. Charles’ start revealed the sincerity of his love. Mme. d’Aiglemont learned the strength of his affection from the intensity of his pain.

“Perhaps you are right,” he said coldly. “New love, new vexation of spirit.”

Then he changed the subject, and spoke of indifferent matters; but he was visibly moved, and he concentrated his gaze on Mme. d’Aiglemont as if he were seeing her for the last time.

“Adieu, madame,” he said, with emotion in his voice.

“_Au revoir_,” said she, with that subtle coquetry, the secret of a very few among women.

He made no answer and went.

When Charles was no longer there, when his empty chair spoke for him, regrets flocked in upon her, and she found fault with herself. Passion makes an immense advance as soon as a woman persuades herself that she has failed somewhat in generosity or hurt a noble nature. In love there is never any need to be on our guard against the worst in us; that is a safeguard; a woman only surrenders at the summons of a virtue. “The floor of hell is paved with good intentions,”--it is no preacher’s paradox.

Vandenesse stopped away for several days. Every evening at the accustomed hour the Marquise sat expectant in remorseful impatience. She could not write--that would be a declaration, and, moreover, her instinct told her that he would come back. On the sixth day he was announced, and never had she heard the name with such delight. Her joy frightened her.

“You have punished me well,” she said, addressing him.

Vandenesse gazed at her in astonishment.

“Punished?” he echoed. “And for what?” He understood her quite well, but he meant to be avenged for all that he had suffered as soon as she suspected it.

“Why have you not come to see me?” she demanded with a smile.

“Then you have seen no visitors?” asked he, parrying the question.

“Yes. M. de Ronquerolles and M. de Marsay and young d’Escrignon came and stayed for nearly two hours, the first two yesterday, the last this morning. And besides, I have had a call, I believe, from Mme. Firmiani and from your sister, Mme. de Listomère.”

Here was a new infliction, torture which none can comprehend unless they know love as a fierce and all-invading tyrant whose mildest symptom is a monstrous jealousy, a perpetual desire to snatch away the beloved from every other influence.

“What!” thought he to himself, “she has seen visitors, she has been with happy creatures, and talking to them, while I was unhappy and all alone.”

He buried his annoyance forthwith, and consigned love to the depths of his heart, like a coffin to the sea. His thoughts were of the kind that never find expression in words; they pass through the mind swiftly as a deadly acid, that poisons as it evaporates and vanishes. His brow, however, was over-clouded; and Mme. d’Aiglemont, guided by her woman’s instinct, shared his sadness without understanding it. She had hurt him, unwittingly, as Vandenesse knew. He talked over his position with her, as if his jealousy were one of those hypothetical cases which lovers love to discuss. Then the Marquise understood it all. She was so deeply moved, that she could not keep back the tears--and so these lovers entered the heaven of love.

Heaven and Hell are two great imaginative conceptions formulating our ideas of Joy and Sorrow--those two poles about which human existence revolves. Is not heaven a figure of speech covering now and for evermore an infinite of human feeling impossible to express save in its accidents--since that Joy is one? And what is Hell but the symbol of our infinite power to suffer tortures so diverse that of our pain it is possible to fashion works of art, for no two human sorrows are alike?

One evening the two lovers sat alone and side by side, silently watching one of the fairest transformations of the sky, a cloudless heaven taking hues of pale gold and purple from the last rays of the sunset. With the slow fading of the daylight, sweet thoughts seem to awaken, and soft stirrings of passion, and a mysterious sense of trouble in the midst of calm. Nature sets before us vague images of bliss, bidding us enjoy the happiness within our reach, or lament it when it has fled. In those moments fraught with enchantment, when the tender light in the canopy of the sky blends in harmony with the spells working within, it is difficult to resist the heart’s desires grown so magically potent. Cares are blunted, joy becomes ecstasy; pain, intolerable anguish. The pomp of sunset gives the signal for confessions and draws them forth. Silence grows more dangerous than speech for it gives to eyes all the power of the infinite of the heavens reflected in them. And for speech, the least word has irresistible might. Is not the light infused into the voice and purple into the glances? Is not heaven within us, or do we feel that we are in the heavens?

Vandenesse and Julie--for so she had allowed herself to be called for the past few days by him whom she loved to speak of as Charles--Vandenesse and Julie were talking together, but they had drifted very far from their original subject; and if their spoken words had grown meaningless they listened in delight to the unspoken thoughts that lurked in the sounds. Her hand lay in his. She had abandoned it to him without a thought that she had granted a proof of love.

Together they leaned forward to look out upon a majestic cloud country, full of snows and glaciers and fantastic mountain peaks with gray stains of shadow on their sides, a picture composed of sharp contrasts between fiery red and the shadows of darkness, filling the skies with a fleeting vision of glory which cannot be reproduced--magnificent swaddling-bands of sunrise, bright shrouds of the dying sun. As they leaned Julie’s hair brushed lightly against Vandenesse’s cheek. She felt that light contact, and shuddered violently, and he even more, for imperceptibly they both had reached one of those inexplicable crises when quiet has wrought upon the senses until every faculty of perception is so keen that the slightest shock fills the heart lost in melancholy with sadness that overflows in tears; or raises joy to ecstasy in a heart that is lost in the vertigo of love. Almost involuntarily Julie pressed her lover’s hand. That wooing pressure gave courage to his timidity. All the joy of the present, all the hopes of the future were blended in the emotion of a first caress, the bashful trembling kiss that Mme. d’Aiglemont received upon her cheek. The slighter the concession, the more dangerous and insinuating it was. For their double misfortune it was only too sincere a revelation. Two noble natures had met and blended, drawn each to each by every law of natural attraction, held apart by every ordinance.

General d’Aiglemont came in at that very moment.

“The Ministry has gone out,” he said. “Your uncle will be in the new cabinet. So you stand an uncommonly good chance of an embassy, Vandenesse.”

Charles and Julie looked at each other and flushed red. That blush was one more tie to unite them; there was one thought and one remorse in either mind; between two lovers guilty of a kiss there is a bond quite as strong and terrible as the bond between two robbers who have murdered a man. Something had to be said by way of reply.

“I do not care to leave Paris now,” Charles said.

“We know why,” said the General, with the knowing air of a man who discovers a secret. “You do not like to leave your uncle, because you do not wish to lose your chance of succeeding to the title.”

The Marquise took refuge in her room, and in her mind passed a pitiless verdict upon her husband.

“His stupidity is really beyond anything!”

IV. THE FINGER OF GOD

Between the Barrière d’Italie and the Barrière de la Santé, along the boulevard which leads to the Jardin des Plantes, you have a view of Paris fit to send an artist or the tourist, the most _blase_ in matters of landscape, into ecstasies. Reach the slightly higher ground where the line of boulevard, shaded by tall, thick-spreading trees, curves with the grace of some green and silent forest avenue, and you see spread out at your feet a deep valley populous with factories looking almost countrified among green trees and the brown streams of the Bièvre or the Gobelins.