A Woman at Bay; Or, A Fiend in Skirts

Chapter 25

Chapter 252,409 wordsPublic domain

THE MAN IN THE BED.

The detective knew in that instant that he could no longer hope to save his prisoner; that is, to escape with her, and that the chances were about a thousand to one against his own escape.

That Mike Grinnel was thoroughly incensed, and that he was determined that the detective should never get out of that place alive, was apparent in the cold glitter of his eyes, as he looked at Nick across the barrel of his revolver.

And Nick knew how Grinnel had succeeded in heading him off. He could see in his mind just what the surprise was in the saloon when the lights were again turned on and it was discovered that one of the strangers who had come there with Curly had disappeared, and had taken Black Madge with him.

Grinnel, knew, of course, that there was only one way out of that place, which was through the private door back of the bar into the little room which he used as an office, and thence through that other door behind the safe, through the narrow corridor, down the stairs into the cellar, and then up again into the back end of the Chinese laundry.

And Grinnel had lost no time in summoning to his aid three of his most trusted adherents, and hastening with them to the laundry, where he was ready to head off the detective's retreat.

It had not been difficult for them to get there and be ready for him before he could reach the place with his burden; for he had used up a great deal of time in searching out the secret door behind the safe, and in finding his way through the cellar.

And, moreover, Mike Grinnel was a man of expedient. Having arranged this method of escape for himself, if the necessity of it should arise, he had also prepared the laundry with lights to turn on or to extinguish as he might desire; and, therefore, having reached the laundry and prepared himself and his followers for the coming of the detective, they had only to wait silently in the darkness until they heard him approaching, when Mike switched on the lights.

It was a moment fraught with peril, and with unnumbered possibilities. At such times there is always an instant of inaction; an instant when neither party concerned knows quite what to do.

But the detective, as it happened--with the possible exception of Mike Grinnel himself--was the first to recover.

The detective was carrying Madge in his arms; and now, at the risk of injuring her, realizing that it was the only way by which any possibility of escape could be offered to himself, he raised her over his head at the very instant that the turning on of the lights revealed his enemies, and threw her with all his strength at Mike Grinnel's burly figure.

Of course, not one of the crooks dared to use his weapon, lest Black Madge herself be shot, and it was upon this idea that the detective acted as much as any other.

Nor did it occur to Mike Grinnel that this other, whom he had seemed to have now guessed must be Nick Carter, would resort to any such measure as he had, and, therefore, he was not prepared.

The body of Madge, flying the short distance across the room, struck Grinnel squarely on the chest, and thus forced him backward against two of the men who were with him; and so in that instant four people all together were huddled in a heap upon the floor, and only one of Nick's visible enemies remained standing.

And the instant that Nick threw Madge at them, he leaped forward and seized the switch, which was almost at Grinnel's shoulder, where he had been standing; and, with a twist of his wrist, he turned off the lights as suddenly as they had been turned on.

At the same instant he had taken into consideration the position of the one man of the enemy who was left erect, and no sooner had he turned the switch than he leaped forward toward the spot where he knew that man to be standing.

Nicely calculating the distance, he struck out a savage blow with his right hand, and he heard this last one of his enemies go down in a heap upon the floor.

And then the detective leaped over him toward the door which he had seen during that brief interval of illumination, passed through it, and pushed it shut behind him.

He knew now that he was in the front room of the laundry. He knew that there should be tables and benches there, and it was only the work of an instant for him to reach out and feel around until he seized upon one, and then, exerting his great strength, he pulled it over in front of and against the door he had closed.

A faint light shone into that room from the street, and Nick instantly leaped for the front door of the shop, reaching it only to find that it had been locked when the others entered.

But the door was of glass, and, hesitating not an instant, he seized a chair and hurled it into the street, thus making a hole through which he had no difficulty in passing.

The next instant he was outside, and for the moment, at least, safe. But the detective knew that he was by no means free from pursuit as yet, although he had no intention of fleeing very far; and, as he was about to turn away, he remembered that he had left Chick inside the saloon surrounded by rascals of every kind.

It was not in the nature of Nick Carter to desert any one under such circumstances, much less his favorite, Chick.

While he hesitated, he heard a noise behind him in the laundry that was made by Grinnel and his three followers, attempting to escape from the predicament into which he had thrown them.

He remembered then that Grinnel and his men must have come out of the dive by the front door or by the hall-door entrance, in order to have reached the laundry when they did, and he figured in that instant that it was more than likely that in doing so they had not thought to fasten the door behind them, or had purposely, perhaps, left it unlocked in order that they might be able to return with all the more speed to the safety and seclusion of the dive.

He heard them pounding against the door against which he had pulled the heavy bench, and he knew that at least three or four minutes must elapse before they could make their escape; and in that moment he decided to return to the saloon at whatever cost, if it were possible for him to get there.

A few quick bounds brought him to the front door of the dive--that door which swung so ceaselessly to and fro during the legal hours of its business. He knew, although he tried it softly, that it was securely locked against him, and he passed on to the hall door of the house, which was just beyond it. This, as he had guessed might be the case, was not fastened, and he pushed it open and passed beyond it.

He found himself in a hallway in black darkness, and while he paused for a moment to listen, not a sound of any kind came to his ears, a fact which led him to determine that either Chick had already been done for by the frequenters of the dive, or else that he had been made a prisoner, and was lying somewhere, bound and gagged, awaiting the return of Grinnel.

Nick now crept along the hall until his hand came in contact with a balustrade; and here he paused, uncertain whether to proceed through the hall to the rear of the building, which he knew should give an entrance to the saloon, or to ascend the stairs and temporarily hide himself in the neighborhood of the house. Everything considered, this latter course was distinctly the best one, since, doubtless, it would never occur to Mike Grinnel or to any of those who were concerned with him in this incident, that Nick Carter would have the temerity to return to the same house from which he had just escaped.

Therefore, if safety were the only incentive for Nick Carter, to act upon this was the very best course he could have adopted. But Nick was ever one who considered his own safety last. His whole impulse now was to do the best that could be done to get Chick out of the predicament into which he had been thrust; and he considered that to be the very method he had adopted.

Nick knew the characteristics of the people against whom he was pitted well enough to understand that the moment they realized that he had escaped them they would simply return to the saloon of the dive to discuss it--and doubtless, also, to call to severe account those who were responsible for the affair.

Such a discussion would not take place until two things had happened--until they were satisfied utterly that Nick Carter had escaped them, and also that they had Chick so thoroughly in their power that he could not hope to escape.

And so the detective ascended the stairs softly, and as silently as a shadow. He had no means of knowing, of course, the character of the rooms on those floors, or their location; but, nevertheless, the circumstances were such that he had to take desperate chances, and therefore when he reached the landing he felt with his hands silently along the wall until he came to a door, which he felt slowly down until he touched the knob. This he turned, trying to open the door which resisted him, showing that it was locked.

There is a way to force a door--that is, an ordinary door--and at the same time make very little noise. It is done--if the door opens inward--by seizing the knob firmly with both hands, having turned it, and then by bracing the body with one knee pressed firmly against the door directly under the knob. In this position, if it is assumed by a strong man, every effort may be centred upon one sudden impulse forward, which, while there is no visible or perceptible impact, will place all of the muscular force and weight of the man directly upon the point where the latch or lock of the door is located; and it is a very substantial lock which will not give way under this sort of pressure when it is correctly applied. Nor is there any perceptible noise, more than that of the tearing out of the slot which holds the bolt of the lock.

When this door gave way before the detective it admitted him to a square room at the rear of the house--a room in which a lamp, turned low, was burning; and as he closed the door behind him and pulled a chair in front of it to hold it shut, he saw a figure of a man, who had been sleeping fully clothed on a bed in one corner of the room, start to an upright posture, staring and apparently alarmed.

"Who----" the man started to exclaim, but the detective interrupted him with a sharp command.

"Shut up," he ordered, "if you let out a peep you will be the worse for it."

Without a word, the man sank back upon the pillow, apparently not in the least alarmed now, and evidently believing that the person who had entered his room was only another like himself, who, having gotten into some sort of trouble, was fleeing from his pursuers; and by all precedents, if the man was pursued to that room, it would be infinitely better for its permanent occupant to appear to be still sleeping soundly, than to have any of the aspect of a confederate, and so he closed his eyes again as if he were still alone.

Nick waited a moment at the door, listening for sounds outside, and while he stood there he heard the hall door from the street open, and presently close again, and he could distinguish the tramping of feet along the hall as several persons passed to the rear of the house, evidently on their way to the saloon again.

As soon as these noises had ceased, he knew that he was for the moment at least safe from pursuit. He piled other things against the door, and then deliberately crossed the room to the lamp and turned it up, after which he strode over to the bedside.

"Now, my friend," he said to its occupant, "I'll have to ask you to wake up for about three minutes."

"All right," was the simple response. "What do you want? Who are you, anyway? And what in blazes do you mean by bursting into my room in this way?"

"First," said Nick, "I want to know who you are, and whether you belong here or not?"

"Oh, you make me tired," grunted the man on the bed. "I'm Phil, the head day bartender downstairs."

"All right, Phil," said Nick, smiling. "Get up on your feet, where I can look at you, and where you can answer a few questions for me."

"Oh, what's eating you?" growled the bartender. "I ain't been to bed more than an hour. Let me sleep."

Instead of replying, the detective reached out his hand, and, seizing Phil by the shoulder, jerked him from the bed to the floor, stood him on his feet, and then seated him forcibly upon one of the wooden chairs near at hand--so forcibly that his jaws snapped together like the cracking of a nut.

"Now, will you be good?" asked Nick, smiling grimly.

"Yes, curse you," was the surly reply. "What do you want?"

"I want to talk to you."

"Well, talk on, can't you? I'm listening. Who are you, anyhow?"

"I'll tell you who I am," answered the detective, "and after I have done so, perhaps you will consent to listen to me. I am Nick Carter, the detective, and I want to make a little bit of use of you right now, Philip."