Chapter 7

As we thus rested in the shade, or rowed leisurely along, we had recourse, from time to time, to the Gazetteer, which was our Navigator, and from its bald natural facts extracted the pleasure of poetry. Beaver River comes in a little lower down, draining the meadows of Pelham, Windham, and Londonderry. The Scotch-Irish settlers of the latter town, according to this authority, were the first to introduce the potato into New England, as well as the manufacture of linen cloth.

Everything that is printed and bound in a book contains some echo at least of the best that is in literature. Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface, nor concluded in the appendix. Even Virgil’s poetry serves a very different use to me to-day from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world. It is pleasant to meet with such still lines as,

“Jam læto turgent in palmite gemmæ”; Now the buds swell on the joyful stem.

or

“Strata jacent passim sua quæque sub arbore poma”; The apples lie scattered everywhere, each under its tree.

In an ancient and dead language, any recognition of living nature attracts us. These are such sentences as were written while grass grew and water ran. It is no small recommendation when a book will stand the test of mere unobstructed sunshine and daylight.

What would we not give for some great poem to read now, which would be in harmony with the scenery,—for if men read aright, methinks they would never read anything but poems. No history nor philosophy can supply their place.

The wisest definition of poetry the poet will instantly prove false by setting aside its requisitions. We can, therefore, publish only our advertisement of it.

There is no doubt that the loftiest written wisdom is either rhymed, or in some way musically measured,—is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line.

Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds. What else have the Hindoos, the Persians, the Babylonians, the Egyptians done, that can be told? It is the simplest relation of phenomena, and describes the commonest sensations with more truth than science does, and the latter at a distance slowly mimics its style and methods. The poet sings how the blood flows in his veins. He performs his functions, and is so well that he needs such stimulus to sing only as plants to put forth leaves and blossoms. He would strive in vain to modulate the remote and transient music which he sometimes hears, since his song is a vital function like breathing, and an integral result like weight. It is not the overflowing of life but its subsidence rather, and is drawn from under the feet of the poet. It is enough if Homer but say the sun sets. He is as serene as nature, and we can hardly detect the enthusiasm of the bard. It is as if nature spoke. He presents to us the simplest pictures of human life, so the child itself can understand them, and the man must not think twice to appreciate his naturalness. Each reader discovers for himself that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes. His more memorable passages are as naturally bright as gleams of sunshine in misty weather. Nature furnishes him not only with words, but with stereotyped lines and sentences from her mint.

“As from the clouds appears the full moon, All shining, and then again it goes behind the shadowy clouds, So Hector, at one time appeared among the foremost, And at another in the rear, commanding; and all with brass He shone, like to the lightning of ægis-bearing Zeus.”

He conveys the least information, even the hour of the day, with such magnificence and vast expense of natural imagery, as if it were a message from the gods.

“While it was dawn, and sacred day was advancing, For that space the weapons of both flew fast, and the people fell; But when now the woodcutter was preparing his morning meal, In the recesses of the mountain, and had wearied his hands With cutting lofty trees, and satiety came to his mind, And the desire of sweet food took possession of his thoughts; Then the Danaans, by their valor, broke the phalanxes, Shouting to their companions from rank to rank.”

When the army of the Trojans passed the night under arms, keeping watch lest the enemy should re-embark under cover of the dark,

“They, thinking great things, upon the neutral ground of war Sat all the night; and many fires burned for them. As when in the heavens the stars round the bright moon Appear beautiful, and the air is without wind; And all the heights, and the extreme summits, And the wooded sides of the mountains appear; and from the heavens an infinite ether is diffused, And all the stars are seen, and the shepherd rejoices in his heart; So between the ships and the streams of Xanthus Appeared the fires of the Trojans before Ilium. A thousand fires burned on the plain, and by each Sat fifty, in the light of the blazing fire; And horses eating white barley and corn, Standing by the chariots, awaited fair-throned Aurora.”

The “white-armed goddess Juno,” sent by the Father of gods and men for Iris and Apollo,

“Went down the Idæan mountains to far Olympus, As when the mind of a man, who has come over much earth, Sallies forth, and he reflects with rapid thoughts, There was I, and there, and remembers many things; So swiftly the august Juno hastening flew through the air, And came to high Olympus.”

His scenery is always true, and not invented. He does not leap in imagination from Asia to Greece, through mid air,

ἐπειὴ μάλα πολλὰ μεταξύ Ὄυρεά τε σκιοέντα, θαλάσσα τε ἠχήεσσα. for there are very many Shady mountains and resounding seas between.

If his messengers repair but to the tent of Achilles, we do not wonder how they got there, but accompany them step by step along the shore of the resounding sea. Nestor’s account of the march of the Pylians against the Epeians is extremely lifelike:—

“Then rose up to them sweet-worded Nestor, the shrill orator of the Pylians, And words sweeter than honey flowed from his tongue.”

This time, however, he addresses Patroclus alone: “A certain river, Minyas by name, leaps seaward near to Arene, where we Pylians wait the dawn, both horse and foot. Thence with all haste we sped us on the morrow ere ’t was noonday, accoutred for the fight, even to Alpheus’s sacred source,” &c. We fancy that we hear the subdued murmuring of the Minyas discharging its waters into the main the livelong night, and the hollow sound of the waves breaking on the shore,—until at length we are cheered at the close of a toilsome march by the gurgling fountains of Alpheus.

There are few books which are fit to be remembered in our wisest hours, but the Iliad is brightest in the serenest days, and embodies still all the sunlight that fell on Asia Minor. No modern joy or ecstasy of ours can lower its height or dim its lustre, but there it lies in the east of literature, as it were the earliest and latest production of the mind. The ruins of Egypt oppress and stifle us with their dust, foulness preserved in cassia and pitch, and swathed in linen; the death of that which never lived. But the rays of Greek poetry struggle down to us, and mingle with the sunbeams of the recent day. The statue of Memnon is cast down, but the shaft of the Iliad still meets the sun in his rising.

“Homer is gone; and where is Jove? and where The rival cities seven? His song outlives Time, tower, and god,—all that then was, save Heaven.”

So too, no doubt, Homer had his Homer, and Orpheus his Orpheus, in the dim antiquity which preceded them. The mythological system of the ancients, and it is still the mythology of the moderns, the poem of mankind, interwoven so wonderfully with their astronomy, and matching in grandeur and harmony the architecture of the heavens themselves, seems to point to a time when a mightier genius inhabited the earth. But, after all, man is the great poet, and not Homer nor Shakespeare; and our language itself, and the common arts of life, are his work. Poetry is so universally true and independent of experience, that it does not need any particular biography to illustrate it, but we refer it sooner or later to some Orpheus or Linus, and after ages to the genius of humanity and the gods themselves.

It would be worth the while to select our reading, for books are the society we keep; to read only the serenely true; never statistics, nor fiction, nor news, nor reports, nor periodicals, but only great poems, and when they failed, read them again, or perchance write more. Instead of other sacrifice, we might offer up our perfect (τελεία) thoughts to the gods daily, in hymns or psalms. For we should be at the helm at least once a day. The whole of the day should not be daytime; there should be one hour, if no more, which the day did not bring forth. Scholars are wont to sell their birthright for a mess of learning. But is it necessary to know what the speculator prints, or the thoughtless study, or the idle read, the literature of the Russians and the Chinese, or even French philosophy and much of German criticism. Read the best books first, or you may not have a chance to read them at all. “There are the worshippers with offerings, and the worshippers with mortifications; and again the worshippers with enthusiastic devotion; so there are those the wisdom of whose reading is their worship, men of subdued passions and severe manners;—This world is not for him who doth not worship; and where, O Arjoon, is there another?” Certainly, we do not need to be soothed and entertained always like children. He who resorts to the easy novel, because he is languid, does no better than if he took a nap. The front aspect of great thoughts can only be enjoyed by those who stand on the side whence they arrive. Books, not which afford us a cowering enjoyment, but in which each thought is of unusual daring; such as an idle man cannot read, and a timid one would not be entertained by, which even make us dangerous to existing institutions,—such call I good books.

All that are printed and bound are not books; they do not necessarily belong to letters, but are oftener to be ranked with the other luxuries and appendages of civilized life. Base wares are palmed off under a thousand disguises. “The way to trade,” as a pedler once told me, “is to _put it right through_,” no matter what it is, anything that is agreed on.

“You grov’ling worldlings, you whose wisdom trades Where light ne’er shot his golden ray.”

By dint of able writing and pen-craft, books are cunningly compiled, and have their run and success even among the learned, as if they were the result of a new man’s thinking, and their birth were attended with some natural throes. But in a little while their covers fall off, for no binding will avail, and it appears that they are not Books or Bibles at all. There are new and patented inventions in this shape, purporting to be for the elevation of the race, which many a pure scholar and genius who has learned to read is for a moment deceived by, and finds himself reading a horse-rake, or spinning-jenny, or wooden nutmeg, or oak-leaf cigar, or steam-power press, or kitchen range, perchance, when he was seeking serene and biblical truths.

“Merchants, arise, And mingle conscience with your merchandise.”

Paper is cheap, and authors need not now erase one book before they write another. Instead of cultivating the earth for wheat and potatoes, they cultivate literature, and fill a place in the Republic of Letters. Or they would fain write for fame merely, as others actually raise crops of grain to be distilled into brandy. Books are for the most part wilfully and hastily written, as parts of a system, to supply a want real or imagined. Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.

“To Athens gowned he goes, and from that school Returns unsped, a more instructed fool.”

They teach the elements really of ignorance, not of knowledge, for, to speak deliberately and in view of the highest truths, it is not easy to distinguish elementary knowledge. There is a chasm between knowledge and ignorance which the arches of science can never span. A book should contain pure discoveries, glimpses of _terra firma_, though by shipwrecked mariners, and not the art of navigation by those who have never been out of sight of land. _They_ must not yield wheat and potatoes, but must themselves be the unconstrained and natural harvest of their author’s lives.

“What I have learned is mine; I’ve had my thought, And me the Muses noble truths have taught.”

We do not learn much from learned books, but from true, sincere, human books, from frank and honest biographies. The life of a good man will hardly improve us more than the life of a freebooter, for the inevitable laws appear as plainly in the infringement as in the observance, and our lives are sustained by a nearly equal expense of virtue of some kind. The decaying tree, while yet it lives, demands sun, wind, and rain no less than the green one. It secretes sap and performs the functions of health. If we choose, we may study the alburnum only. The gnarled stump has as tender a bud as the sapling.

At least let us have healthy books, a stout horse-rake or a kitchen range which is not cracked. Let not the poet shed tears only for the public weal. He should be as vigorous as a sugar-maple, with sap enough to maintain his own verdure, beside what runs into the troughs, and not like a vine, which being cut in the spring bears no fruit, but bleeds to death in the endeavor to heal its wounds. The poet is he that hath fat enough, like bears and marmots, to suck his claws all winter. He hibernates in this world, and feeds on his own marrow. We love to think in winter, as we walk over the snowy pastures, of those happy dreamers that lie under the sod, of dormice and all that race of dormant creatures, which have such a superfluity of life enveloped in thick folds of fur, impervious to cold. Alas, the poet too is, in one sense, a sort of dormouse gone into winter quarters of deep and serene thoughts, insensible to surrounding circumstances; his words are the relation of his oldest and finest memory, a wisdom drawn from the remotest experience. Other men lead a starved existence, meanwhile, like hawks, that would fain keep on the wing, and trust to pick up a sparrow now and then.

There are already essays and poems, the growth of this land, which are not in vain, all which, however, we could conveniently have stowed in the till of our chest. If the gods permitted their own inspiration to be breathed in vain, these might be overlooked in the crowd, but the accents of truth are as sure to be heard at last on earth as in heaven. They already seem ancient, and in some measure have lost the traces of their modern birth. Here are they who

—“ask for that which is our whole life’s light, For the perpetual, true and clear insight.”

I remember a few sentences which spring like the sward in its native pasture, where its roots were never disturbed, and not as if spread over a sandy embankment; answering to the poet’s prayer,

“Let us set so just A rate on knowledge, that the world may trust The poet’s sentence, and not still aver Each art is to itself a flatterer.”

But, above all, in our native port, did we not frequent the peaceful games of the Lyceum, from which a new era will be dated to New England, as from the games of Greece. For if Herodotus carried his history to Olympia to read, after the cestus and the race, have we not heard such histories recited there, which since our countrymen have read, as made Greece sometimes to be forgotten?—Philosophy, too, has there her grove and portico, not wholly unfrequented in these days.

Lately the victor, whom all Pindars praised, has won another palm, contending with

“Olympian bards who sung Divine ideas below, Which always find us young, And always keep us so.”

What earth or sea, mountain or stream, or Muses’ spring or grove, is safe from his all-searching ardent eye, who drives off Phœbus’ beaten track, visits unwonted zones, makes the gelid Hyperboreans glow, and the old polar serpent writhe, and many a Nile flow back and hide his head!

That Phaeton of our day, Who’d make another milky way, And burn the world up with his ray;

By us an undisputed seer,— Who’d drive his flaming car so near Unto our shuddering mortal sphere,

Disgracing all our slender worth, And scorching up the living earth, To prove his heavenly birth.

The silver spokes, the golden tire, Are glowing with unwonted fire, And ever nigher roll and nigher;

The pins and axle melted are, The silver radii fly afar, Ah, he will spoil his Father’s car!

Who let him have the steeds he cannot steer? Henceforth the sun will not shine for a year; And we shall Ethiops all appear.

From _his_

“lips of cunning fell The thrilling Delphic oracle.”

And yet, sometimes,

We should not mind if on our ear there fell Some less of cunning, more of oracle.

It is Apollo shining in your face. O rare Contemporary, let us have far-off heats. Give us the subtler, the heavenlier though fleeting beauty, which passes through and through, and dwells not in the verse; even pure water, which but reflects those tints which wine wears in its grain. Let epic trade-winds blow, and cease this waltz of inspirations. Let us oftener feel even the gentle southwest wind upon our cheeks blowing from the Indian’s heaven. What though we lose a thousand meteors from the sky, if skyey depths, if star-dust and undissolvable nebulæ remain? What though we lose a thousand wise responses of the oracle, if we may have instead some natural acres of Ionian earth?

Though we know well,

“That’t is not in the power of kings [or presidents] to raise A spirit for verse that is not born thereto, Nor are they born in every prince’s days”;

yet spite of all they sang in praise of their “Eliza’s reign,” we have evidence that poets may be born and sing in _our_ day, in the presidency of James K. Polk,

“And that the utmost powers of English rhyme,” _Were not_ “within _her_ peaceful reign confined.”

The prophecy of the poet Daniel is already how much more than fulfilled!

“And who in time knows whither we may vent The treasure of our tongue? To what strange shores This gain of our best glory shall be sent, T’ enrich unknowing nations with our stores? What worlds in th’ yet unformed occident, May come refined with the accents that are ours.”

Enough has been said in these days of the charm of fluent writing. We hear it complained of some works of genius, that they have fine thoughts, but are irregular and have no flow. But even the mountain peaks in the horizon are, to the eye of science, parts of one range. We should consider that the flow of thought is more like a tidal wave than a prone river, and is the result of a celestial influence, not of any declivity in its channel. The river flows because it runs down hill, and flows the faster the faster it descends. The reader who expects to float down stream for the whole voyage, may well complain of nauseating swells and choppings of the sea when his frail shore-craft gets amidst the billows of the ocean stream, which flows as much to sun and moon as lesser streams to it. But if we would appreciate the flow that is in these books, we must expect to feel it rise from the page like an exhalation, and wash away our critical brains like burr millstones, flowing to higher levels above and behind ourselves. There is many a book which ripples on like a freshet, and flows as glibly as a mill-stream sucking under a causeway; and when their authors are in the full tide of their discourse, Pythagoras and Plato and Jamblichus halt beside them. Their long, stringy, slimy sentences are of that consistency that they naturally flow and run together. They read as if written for military men, for men of business, there is such a despatch in them. Compared with these, the grave thinkers and philosophers seem not to have got their swaddling-clothes off; they are slower than a Roman army in its march, the rear camping to-night where the van camped last night. The wise Jamblichus eddies and gleams like a watery slough.

“How many thousands never heard the name Of Sidney, or of Spenser, or their books? And yet brave fellows, and presume of fame, And seem to bear down all the world with looks.”

The ready writer seizes the pen, and shouts, Forward! Alamo and Fanning! and after rolls the tide of war. The very walls and fences seem to travel. But the most rapid trot is no flow after all; and thither, reader, you and I, at least, will not follow.