Chapter 24

The expressions of the poet cannot be analyzed; his sentence is one word, whose syllables are words. There are indeed no _words_ quite worthy to be set to his music. But what matter if we do not hear the words always, if we hear the music?

Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.

A poem is one undivided unimpeded expression fallen ripe into literature, and it is undividedly and unimpededly received by those for whom it was matured.

If you can speak what you will never hear, if you can write what you will never read, you have done rare things.

The work we choose should be our own, God lets alone.

The unconsciousness of man is the consciousness of God.

Deep are the foundations of sincerity. Even stone walls have their foundation below the frost.

What is produced by a free stroke charms us, like the forms of lichens and leaves. There is a certain perfection in accident which we never consciously attain. Draw a blunt quill filled with ink over a sheet of paper, and fold the paper before the ink is dry, transversely to this line, and a delicately shaded and regular figure will be produced, in some respects more pleasing than an elaborate drawing.

The talent of composition is very dangerous,—the striking out the heart of life at a blow, as the Indian takes off a scalp. I feel as if my life had grown more outward when I can express it.

On his journey from Brenner to Verona, Goethe writes:

“The Tees flows now more gently, and makes in many places broad sands. On the land, near to the water, upon the hillsides, everything is so closely planted one to another, that you think they must choke one another,—vineyards, maize, mulberry-trees, apples, pears, quinces, and nuts. The dwarf elder throws itself vigorously over the walls. Ivy grows with strong stems up the rocks, and spreads itself wide over them, the lizard glides through the intervals, and everything that wanders to and fro reminds one of the loveliest pictures of art. The women’s tufts of hair bound up, the men’s bare breasts and light jackets, the excellent oxen which they drive home from market, the little asses with their loads,—everything forms a living, animated Heinrich Roos. And now that it is evening, in the mild air a few clouds rest upon the mountains, in the heavens more stand still than move, and immediately after sunset the chirping of crickets begins to grow more loud; then one feels for once at home in the world, and not as concealed or in exile. I am contented as though I had been born and brought up here, and were now returning from a Greenland or whaling voyage. Even the dust of my Fatherland, which is often whirled about the wagon, and which for so long a time I had not seen, is greeted. The clock-and-bell jingling of the crickets is altogether lovely, penetrating, and agreeable. It sounds bravely when roguish boys whistle in emulation of a field of such songstresses. One fancies that they really enhance one another. Also the evening is perfectly mild as the day.”

“If one who dwelt in the south, and came hither from the south, should hear of my rapture hereupon, he would deem me very childish. Alas! what I here express I have long known while I suffered under an unpropitious heaven, and now may I joyful feel this joy as an exception, which we should enjoy everforth as an eternal necessity of our nature.”

Thus we “sayled by thought and pleasaunce,” as Chaucer says, and all things seemed with us to flow; the shore itself, and the distant cliffs, were dissolved by the undiluted air. The hardest material seemed to obey the same law with the most fluid, and so indeed in the long run it does. Trees were but rivers of sap and woody fibre, flowing from the atmosphere, and emptying into the earth by their trunks, as their roots flowed upward to the surface. And in the heavens there were rivers of stars, and milky-ways, already beginning to gleam and ripple over our heads. There were rivers of rock on the surface of the earth, and rivers of ore in its bowels, and our thoughts flowed and circulated, and this portion of time was but the current hour. Let us wander where we will, the universe is built round about us, and we are central still. If we look into the heavens they are concave, and if we were to look into a gulf as bottomless, it would be concave also. The sky is curved downward to the earth in the horizon, because we stand on the plain. I draw down its skirts. The stars so low there seem loath to depart, but by a circuitous path to be remembering me, and returning on their steps.

We had already passed by broad daylight the scene of our encampment at Coos Falls, and at length we pitched our camp on the west bank, in the northern part of Merrimack, nearly opposite to the large island on which we had spent the noon in our way up the river.

There we went to bed that summer evening, on a sloping shelf in the bank, a couple of rods from our boat, which was drawn up on the sand, and just behind a thin fringe of oaks which bordered the river; without having disturbed any inhabitants but the spiders in the grass, which came out by the light of our lamp, and crawled over our buffaloes. When we looked out from under the tent, the trees were seen dimly through the mist, and a cool dew hung upon the grass, which seemed to rejoice in the night, and with the damp air we inhaled a solid fragrance. Having eaten our supper of hot cocoa and bread and watermelon, we soon grew weary of conversing, and writing in our journals, and, putting out the lantern which hung from the tent-pole, fell asleep.

Unfortunately, many things have been omitted which should have been recorded in our journal; for though we made it a rule to set down all our experiences therein, yet such a resolution is very hard to keep, for the important experience rarely allows us to remember such obligations, and so indifferent things get recorded, while that is frequently neglected. It is not easy to write in a journal what interests us at any time, because to write it is not what interests us.

Whenever we awoke in the night, still eking out our dreams with half-awakened thoughts, it was not till after an interval, when the wind breathed harder than usual, flapping the curtains of the tent, and causing its cords to vibrate, that we remembered that we lay on the bank of the Merrimack, and not in our chamber at home. With our heads so low in the grass, we heard the river whirling and sucking, and lapsing downward, kissing the shore as it went, sometimes rippling louder than usual, and again its mighty current making only a slight limpid, trickling sound, as if our water-pail had sprung a leak, and the water were flowing into the grass by our side. The wind, rustling the oaks and hazels, impressed us like a wakeful and inconsiderate person up at midnight, moving about, and putting things to rights, occasionally stirring up whole drawers full of leaves at a puff. There seemed to be a great haste and preparation throughout Nature, as for a distinguished visitor; all her aisles had to be swept in the night, by a thousand hand-maidens, and a thousand pots to be boiled for the next day’s feasting;—such a whispering bustle, as if ten thousand fairies made their fingers fly, silently sewing at the new carpet with which the earth was to be clothed, and the new drapery which was to adorn the trees. And then the wind would lull and die away, and we like it fell asleep again.

FRIDAY

“The Boteman strayt Held on his course with stayed stedfastnesse, Ne ever shroncke, ne ever sought to bayt His tryed armes for toylesome wearinesse; But with his oares did sweepe the watry wildernesse.”

SPENSER.

“Summer’s robe grows Dusky, and like an oft-dyed garment shows.”

DONNE.

As we lay awake long before daybreak, listening to the rippling of the river, and the rustling of the leaves, in suspense whether the wind blew up or down the stream, was favorable or unfavorable to our voyage, we already suspected that there was a change in the weather, from a freshness as of autumn in these sounds. The wind in the woods sounded like an incessant waterfall dashing and roaring amid rocks, and we even felt encouraged by the unusual activity of the elements. He who hears the rippling of rivers in these degenerate days will not utterly despair. That night was the turning-point in the season. We had gone to bed in summer, and we awoke in autumn; for summer passes into autumn in some unimaginable point of time, like the turning of a leaf.

We found our boat in the dawn just as we had left it, and as if waiting for us, there on the shore, in autumn, all cool and dripping with dew, and our tracks still fresh in the wet sand around it, the fairies all gone or concealed. Before five o’clock we pushed it into the fog, and, leaping in, at one shove were out of sight of the shores, and began to sweep downward with the rushing river, keeping a sharp lookout for rocks. We could see only the yellow gurgling water, and a solid bank of fog on every side, forming a small yard around us. We soon passed the mouth of the Souhegan, and the village of Merrimack, and as the mist gradually rolled away, and we were relieved from the trouble of watching for rocks, we saw by the flitting clouds, by the first russet tinge on the hills, by the rushing river, the cottages on shore, and the shore itself, so coolly fresh and shining with dew, and later in the day, by the hue of the grape-vine, the goldfinch on the willow, the flickers flying in flocks, and when we passed near enough to the shore, as we fancied, by the faces of men, that the Fall had commenced. The cottages looked more snug and comfortable, and their inhabitants were seen only for a moment, and then went quietly in and shut the door, retreating inward to the haunts of summer.

“And now the cold autumnal dews are seen To cobweb ev’ry green; And by the low-shorn rowens doth appear The fast-declining year.”

We heard the sigh of the first autumnal wind, and even the water had acquired a grayer hue. The sumach, grape, and maple were already changed, and the milkweed had turned to a deep rich yellow. In all woods the leaves were fast ripening for their fall; for their full veins and lively gloss mark the ripe leaf, and not the sered one of the poets; and we knew that the maples, stripped of their leaves among the earliest, would soon stand like a wreath of smoke along the edge of the meadow. Already the cattle were heard to low wildly in the pastures and along the highways, restlessly running to and fro, as if in apprehension of the withering of the grass and of the approach of winter. Our thoughts, too, began to rustle.

As I pass along the streets of our village of Concord on the day of our annual Cattle-Show, when it usually happens that the leaves of the elms and buttonwoods begin first to strew the ground under the breath of the October wind, the lively spirits in their sap seem to mount as high as any plough-boy’s let loose that day; and they lead my thoughts away to the rustling woods, where the trees are preparing for their winter campaign. This autumnal festival, when men are gathered in crowds in the streets as regularly and by as natural a law as the leaves cluster and rustle by the wayside, is naturally associated in my mind with the fall of the year. The low of cattle in the streets sounds like a hoarse symphony or running bass to the rustling of the leaves. The wind goes hurrying down the country, gleaning every loose straw that is left in the fields, while every farmer lad too appears to scud before it,—having donned his best pea-jacket and pepper-and-salt waistcoat, his unbent trousers, outstanding rigging of duck or kerseymere or corduroy, and his furry hat withal,—to country fairs and cattle-shows, to that Rome among the villages where the treasures of the year are gathered. All the land over they go leaping the fences with their tough, idle palms, which have never learned to hang by their sides, amid the low of calves and the bleating of sheep,—Amos, Abner, Elnathan, Elbridge,—

“From steep pine-bearing mountains to the plain.”

I love these sons of earth every mother’s son of them, with their great hearty hearts rushing tumultuously in herds from spectacle to spectacle, as if fearful lest there should not be time between sun and sun to see them all, and the sun does not wait more than in haying-time.

“Wise Nature’s darlings, they live in the world Perplexing not themselves how it is hurled.”

Running hither and thither with appetite for the coarse pastimes of the day, now with boisterous speed at the heels of the inspired negro from whose larynx the melodies of all Congo and Guinea Coast have broke loose into our streets; now to see the procession of a hundred yoke of oxen, all as august and grave as Osiris, or the droves of neat cattle and milch cows as unspotted as Isis or Io. Such as had no love for Nature

“at all, Came lovers home from this great festival.”

They may bring their fattest cattle and richest fruits to the fair, but they are all eclipsed by the show of men. These are stirring autumn days, when men sweep by in crowds, amid the rustle of leaves, like migrating finches; this is the true harvest of the year, when the air is but the breath of men, and the rustling of leaves is as the trampling of the crowd. We read now-a-days of the ancient festivals, games, and processions of the Greeks and Etruscans, with a little incredulity, or at least with little sympathy; but how natural and irrepressible in every people is some hearty and palpable greeting of Nature. The Corybantes, the Bacchantes, the rude primitive tragedians with their procession and goat-song, and the whole paraphernalia of the Panathenæa, which appear so antiquated and peculiar, have their parallel now. The husbandman is always a better Greek than the scholar is prepared to appreciate, and the old custom still survives, while antiquarians and scholars grow gray in commemorating it. The farmers crowd to the fair to-day in obedience to the same ancient law, which Solon or Lycurgus did not enact, as naturally as bees swarm and follow their queen.

It is worth the while to see the country’s people, how they pour into the town, the sober farmer folk, now all agog, their very shirt and coat-collars pointing forward,—collars so broad as if they had put their shirts on wrong end upward, for the fashions always tend to superfluity,—and with an unusual springiness in their gait, jabbering earnestly to one another. The more supple vagabond, too, is sure to appear on the least rumor of such a gathering, and the next day to disappear, and go into his hole like the seventeen-year locust, in an ever-shabby coat, though finer than the farmer’s best, yet never dressed; come to see the sport, and have a hand in what is going,—to know “what’s the row,” if there is any; to be where some men are drunk, some horses race, some cockerels fight; anxious to be shaking props under a table, and above all to see the “striped pig.” He especially is the creature of the occasion. He empties both his pockets and his character into the stream, and swims in such a day. He dearly loves the social slush. There is no reserve of soberness in him.

I love to see the herd of men feeding heartily on coarse and succulent pleasures, as cattle on the husks and stalks of vegetables. Though there are many crooked and crabbled specimens of humanity among them, run all to thorn and rind, and crowded out of shape by adverse circumstances, like the third chestnut in the burr, so that you wonder to see some heads wear a whole hat, yet fear not that the race will fail or waver in them; like the crabs which grow in hedges, they furnish the stocks of sweet and thrifty fruits still. Thus is nature recruited from age to age, while the fair and palatable varieties die out, and have their period. This is that mankind. How cheap must be the material of which so many men are made.

The wind blew steadily down the stream, so that we kept our sails set, and lost not a moment of the forenoon by delays, but from early morning until noon were continually dropping downward. With our hands on the steering-paddle, which was thrust deep into the river, or bending to the oar, which indeed we rarely relinquished, we felt each palpitation in the veins of our steed, and each impulse of the wings which drew us above. The current of our thoughts made as sudden bends as the river, which was continually opening new prospects to the east or south, but we are aware that rivers flow most rapidly and shallowest at these points. The steadfast shores never once turned aside for us, but still trended as they were made; why then should we always turn aside for them?

A man cannot wheedle nor overawe his Genius. It requires to be conciliated by nobler conduct than the world demands or can appreciate. These winged thoughts are like birds, and will not be handled; even hens will not let you touch them like quadrupeds. Nothing was ever so unfamiliar and startling to a man as his own thoughts.

To the rarest genius it is the most expensive to succumb and conform to the ways of the world. Genius is the worst of lumber, if the poet would float upon the breeze of popularity. The bird of paradise is obliged constantly to fly against the wind, lest its gay trappings, pressing close to its body, impede its free movements.

He is the best sailor who can steer within the fewest points of the wind, and extract a motive power out of the greatest obstacles. Most begin to veer and tack as soon as the wind changes from aft, and as within the tropics it does not blow from all points of the compass, there are some harbors which they can never reach.

The poet is no tender slip of fairy stock, who requires peculiar institutions and edicts for his defence, but the toughest son of earth and of Heaven, and by his greater strength and endurance his fainting companions will recognize the God in him. It is the worshippers of beauty, after all, who have done the real pioneer work of the world.

The poet will prevail to be popular in spite of his faults, and in spite of his beauties too. He will hit the nail on the head, and we shall not know the shape of his hammer. He makes us free of his hearth and heart, which is greater than to offer one the freedom of a city.

Great men, unknown to their generation, have their fame among the great who have preceded them, and all true worldly fame subsides from their high estimate beyond the stars.

Orpheus does not hear the strains which issue from his lyre, but only those which are breathed into it; for the original strain precedes the sound, by as much as the echo follows after. The rest is the perquisite of the rocks and trees and beasts.

When I stand in a library where is all the recorded wit of the world, but none of the recording, a mere accumulated, and not truly cumulative treasure, where immortal works stand side by side with anthologies which did not survive their month, and cobweb and mildew have already spread from these to the binding of those; and happily I am reminded of what poetry is,—I perceive that Shakespeare and Milton did not foresee into what company they were to fall. Alas! that so soon the work of a true poet should be swept into such a dust-hole!

The poet will write for his peers alone. He will remember only that he saw truth and beauty from his position, and expect the time when a vision as broad shall overlook the same field as freely.

We are often prompted to speak our thoughts to our neighbors, or the single travellers whom we meet on the road, but poetry is a communication from our home and solitude addressed to all Intelligence. It never whispers in a private ear. Knowing this, we may understand those sonnets said to be addressed to particular persons, or “To a Mistress’s Eyebrow.” Let none feel flattered by them. For poetry write love, and it will be equally true.

No doubt it is an important difference between men of genius or poets, and men not of genius, that the latter are unable to grasp and confront the thought which visits them. But it is because it is too faint for expression, or even conscious impression. What merely quickens or retards the blood in their veins and fills their afternoons with pleasure they know not whence, conveys a distinct assurance to the finer organization of the poet.

We talk of genius as if it were a mere knack, and the poet could only express what other men conceived. But in comparison with his task, the poet is the least talented of any; the writer of prose has more skill. See what talent the smith has. His material is pliant in his hands. When the poet is most inspired, is stimulated by an _aura_ which never even colors the afternoons of common men, then his talent is all gone, and he is no longer a poet. The gods do not grant him any skill more than another. They never put their gifts into his hands, but they encompass and sustain him with their breath.

To say that God has given a man many and great talents, frequently means that he has brought his heavens down within reach of his hands.

When the poetic frenzy seizes us, we run and scratch with our pen, intent only on worms, calling our mates around us, like the cock, and delighting in the dust we make, but do not detect where the jewel lies, which, perhaps, we have in the mean time cast to a distance, or quite covered up again.

The poet’s body even is not fed like other men’s, but he sometimes tastes the genuine nectar and ambrosia of the gods, and lives a divine life. By the healthful and invigorating thrills of inspiration his life is preserved to a serene old age.

Some poems are for holidays only. They are polished and sweet, but it is the sweetness of sugar, and not such as toil gives to sour bread. The breath with which the poet utters his verse must be that by which he lives.

Great prose, of equal elevation, commands our respect more than great verse, since it implies a more permanent and level height, a life more pervaded with the grandeur of the thought. The poet often only makes an irruption, like a Parthian, and is off again, shooting while he retreats; but the prose writer has conquered like a Roman, and settled colonies.

The true poem is not that which the public read. There is always a poem not printed on paper, coincident with the production of this, stereotyped in the poet’s life. It is _what he has become through his work_. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery.

My life has been the poem I would have writ, But I could not both live and utter it.

THE POET’S DELAY.

In vain I see the morning rise, In vain observe the western blaze, Who idly look to other skies, Expecting life by other ways.

Amidst such boundless wealth without, I only still am poor within, The birds have sung their summer out, But still my spring does not begin.

Shall I then wait the autumn wind, Compelled to seek a milder day, And leave no curious nest behind, No woods still echoing to my lay?

This raw and gusty day, and the creaking of the oaks and pines on shore, reminded us of more northern climes than Greece, and more wintry seas than the Ægean.