CHAPTER X.

THE SPECIAL SENSES.

_The Production of Sensations--Variety of Sensations--General Sensibility--Pain and its Function--Special Sensation, Touch, Taste, Smell, Sight, and Hearing--The Hand, the Organ of Touch--The Sense of Touch--Delicacy of Touch--Sensation of Temperature and Weight--The Tongue the Organ of Taste--The Nerves of Taste--The Sense of Taste and its Relations with the other Senses--The Influence of Education on the Taste--The Nasal Cavities, or the organs of Smell--The Olfactory Nerve--The Uses of the Sense of Smell--The Sense of Sight--Light--The Optic Nerve--The Eyeball and its Coverings--The Function of the Iris--The Sclerotic, Choroid, and Retina--The Tears and their Function--The Movements of the Eyeball--The Function of Accommodation--The Sense of Hearing and Sound--The Ear, or the organ of Hearing--The External, Middle, and Internal Ear._

[Sidenote: 1. True centre of sensation? Place of the mind's impressions? What is it convenient to say? What further is stated?]

1. PRODUCTION OF SENSATIONS.--We have already seen that the true centre of sensation is some organ within the skull, probably among the gray masses at the base of the brain; but the mind never perceives impressions at that point; but, on the contrary, always refers them to the external organs of sensation. Hence, it is convenient to say, that those outer parts possess the property of sensibility. For instance, we say that we hear with the ear, taste with the tongue, and feel with the fingers. That this is not the exact truth is proven by the fact, that whenever the nerve connecting one of these organs with the brain is severed, it at once loses its capacity for sensation.

[Sidenote: 2. Consciousness? During sleep? In profound insensibility?]

2. Consciousness, another faculty of the brain, is necessary to complete a sensation. During sleep, and in other unconscious states, the usual impressions are presented to {178} the ear, the nose, and the skin, but they fail to excite sensations, because the nerve-centres are inactive. In profound insensibility, from chloroform or ether, a limb may be removed without occasioning the least feeling.

[Sidenote: 3. Sensibility in animals? In the earth-worm? In man?]

3. VARIETY OF SENSATIONS.--All animals have some degree of sensibility. It is of course feeble and indistinct in the lower forms of life, but increases in power and variety as we ascend the scale. In the earth-worm, the nervous system is very simple, the sensibility being moderate and alike in all parts: hence, if its body be cut into two pieces, each piece will have the same degree of feeling as before. As we approach man, however, the sensations multiply and become more acute; the organs are more complex, and special parts are endowed with special gifts. These special organs cannot be separated from the rest of the body without the loss of the functions they are designed to exercise.

[Sidenote: 4. The lowest form of sensation? The highest? Sensations, how modified? What further can you state as to habitual impressions?]

4. The lowest form of sensation, that of simple contact, is possessed by the lowest of the animal creation. The highest forms are those by which we are enabled to know the properties of external objects, such as shape, size, sound, and color. A variety of means of communicating with the outer world is the necessary possession of a high intelligence. Sensations are modified by use. They become more acute and powerful by moderate exercise; or, they are dulled by undue excitement. The former is shown by the acute hearing of the Indian, by the sharp sight of the sailor, and by the delicate touch of the blind. The latter is exemplified by the impaired hearing of the boiler-maker, and the depraved taste of him who uses pungent condiments with his food. Again, impressions habitually presented may not be consciously felt; as is the case with the rumbling of carriages in a neighboring {179} street, or the regular ticking of a clock. All sensations become less vivid with the advance of age, especially hearing and vision.

[Sidenote: 5. General sensibility? What have we seen as regards the brain? Of what other structures is the same true?]

5. GENERAL SENSIBILITY.--There is a property possessed by nearly all parts of the human body which we call general sensibility. We have recently seen that the brain is wholly insensitive, and may be cut or pinched without pain. The same is true of the nails, hair, the scarf-skin or external covering of the body, and a few other structures. In these parts no nerves are found. On the other hand, the sensibility of the true skin, and of mucous membranes, as of the eye and nose, is exquisite, these organs having a large supply of sensory nerve-fibres. The bones and tendons have less of these fibres, and are only moderately sensitive.

[Sidenote: 6. The cause of sensibility? Painful part in a surgical operation? Benumbing the surface? How done by ether?]

6. The sensibility of any part of the body, then, depends upon the number of nerves present; and, as a rule, the nervous supply is proportional to the importance of the part, and to its liability to injury. When, therefore, a surgical operation is performed, the most painful part of it is the incision through the skin; the muscles, cartilage, and bone being comparatively without sensation. Hence, if we could benumb the surface, certain of the lesser operations might be undergone without great inconvenience. This is, in fact, very successfully accomplished by means of the cold produced by throwing a spray of ether, or of some other rapidly evaporating liquid, upon the part to be cut.

[Sidenote: 7. Tickling? Internal sensations? The nerves of general sensibility?]

7. Tickling is a modification of general sensibility. At first, it excites a pleasurable sensation, but this soon passes into pain. It is only present in those parts where the sense of touch is feeble. But all impressions are not received from without: there are, also, certain internal {180} sensations, as they are called, which depend upon the condition of the internal organs, such as appetite, hunger, thirst, the sense of satisfaction after taking food, dizziness when looking down from some lofty position, lassitude, drowsiness, fatigue, and other feelings of comfort or discomfort. General sensibility, whether of the internal or external organs of the body, chiefly depends upon the sensory fibres of the spinal nerve. The face, however, is supplied by the sensory cranial nerves. The sympathetic system has a low grade of feeling in health; but disease in the parts served by it arouses an intense degree of pain.

[Sidenote: 8. Connection between pain and sensibility?]

8. THE SENSATION OF PAIN.--What then is _pain_? Is it identical with ordinary sensibility? There seems to be some necessary connection between the two feelings, for they take place through the same channels, and they are alike intense in the same situations. But sensibility habitually contributes to our sources of pleasure, the very opposite of pain; hence, these feelings cannot be identical.

[Sidenote: 9. Explain the difference between pain and sensibility.]

9. Pain must, therefore, be a modification of the general sensibility, which follows an excessive degree of excitement of the nerves; there being a natural limit to the amount of stimulation which they will sustain. So long as this limit is observed, the part excited may be said to be simply sensitive; but when it is exceeded, the impression becomes painful. This difference between sensibility and pain is well shown by the effects of sunlight upon the eye. The indirect illumination of the sun arouses only the former feeling, and is indispensable to our comfort and existence; while the direct ray received into the eye occasions great pain.

[Sidenote: 10. Dread of pain? How may its value be appreciated? Example.]

10. THE USES OF PAIN.--The dread of pain is a valuable monitor to the body. It puts us on our guard in the presence of danger; teaches moderation in the use of our {181} powers; indicates the approach of disease; and calls attention to it when present. The word disease, in fact, according to its original use, had reference simply to the pain, or want of ease, which commonly attends disordered health. When we observe the serious mishaps which occur when sensibility and pain are absent, we cannot fail to appreciate its value. For example, a paralytic in taking a foot-bath, forgets to test its temperature, and putting his limbs into water while it is too hot, is severely scalded without knowing it.

[Sidenote: 11. The case of the traveller? Grain of sand? The sun and child?]

11. A traveller, overcome by cold and fatigue, lies down and falls asleep near a large fire, and when he is aroused in the morning, it is discovered that one of his feet has been insensibly destroyed. A grain of sand, lodging in an insensitive eye, may cause inflammation and even the loss of sight. If intense light were not painful to the eye, many a child would innocently gaze upon the glories of the sun to the ruin of his sight.

[Sidenote: 12. Mission of pain? Painful impressions compared with those of pleasure?]

12. Pain is, indeed, a present evil, but its relations with the future prove its mission merciful. Painful impressions cannot be recollected from past experience; and they cannot be called into existence by the fancy. Considered in the light of results, pain has a use above that of pleasure; for while the immoderate pursuit of the latter leads to harm, the tendency of pain is to restrict the hurtful courses of life, and in this manner to protect the body.

[Sidenote: 13. What does Magendie say of the relation of pain to pleasure?]

13. The relations of pain to pleasure are thus described by the eminent physiologist, Magendie:--"By these sensations Nature induces us to concur in the order which she has established among organized beings. Though it may appear like sophistry to say that pain is the shadow of pleasure, yet it is certain that those who have exhausted the ordinary sources of pleasure have recourse to the {182} causes of pain, and gratify themselves by their effects. Do we not see in all large cities, that men who are debauched and depraved find agreeable sensations, where others experience only intolerable pain?"

[Sidenote: 14. The law of Nature as regards painful sensations among animals?]

14. As to painful sensation among the inferior animals, the plan of Nature seems to be, that the higher the intelligence of the creature, and the more complete its power of defence, the more acute is its sensibility. We infer, therefore, that animals low in the scale of existence, and helpless, are not very liable to suffer pain.

[Sidenote: 15. The sensation of contact and pain? Special sensations of man? How regarded?]

15. SPECIAL SENSATION.--The sensations of simple contact and pain are felt by nearly all parts of the system, whether external or internal, and are the necessary consequence of the general sensibility; but, so far as the objects which surround us are concerned, these impressions are vague and passive in character, and inform the mind of none of the properties or powers of these objects. Besides these feelings, therefore, man is endowed with certain special sensations, which are positive and distinct in character, and which he can call into exercise at will, and employ in the pursuit of knowledge. For reasons relating to the original constitution of the body, these sensations are to be regarded as modifications of the general sensibility already alluded to, constructed with special reference to the different forces of Nature, of which we have any knowledge, such as heat, motion, gravity, sunlight, and the like.

[Sidenote: 16. What are the special senses? Special organs for them?]

16. These distinct and active faculties are termed the special senses, and are five in number, viz., Touch, Taste, Smell, Sight, and Hearing. For the exercise of these senses, special organs are furnished, such as the hand, the tongue, the nose, the eye, and the ear. The manner in which the nerves of special sense terminate, varies in the {183} case of each organ, so that each is adapted to one set of sensations alone, and is incapable of perceiving any other. Thus the nerve of hearing is excited by the undulations of sound, and not by those of light, while the reverse is true of the nerve of sight; and the nerve of smell can appreciate neither of them, being capable only of taking cognizance of the odorous properties of bodies.

[Sidenote: 17. What is said in relation to one more than the five senses?]

17. By some writers six senses are accorded to man; the additional one being either the sense of temperature, for as we shall presently see this is not the same as touch; or according to others, the muscular sense by which we are enabled to estimate the weights of bodies. The latter also differs in some respects from the sense of touch.

[Sidenote: 18. The sense of touch, how prevalent? What is said of the hand?]

18. ORGANS OF TOUCH.--The sense of touch is possessed by nearly all portions of the general surface of the body, but it finds its highest development in the hands. The human hand is properly regarded as the model organ of touch. The minute structure of the skin fits it admirably for this form of sensation: the cuticle, or scarf-skin, is fine and flexible, while the cutis, or true skin, contains multitudes of nerve-filaments, arranged in rows of _papillæ_, or cone-like projections, about one-hundredth of an inch in length. It is estimated that there are 20,000 of these papillæ in a square inch of the palmar surface of the hand. Now, although the nerves of the cutis are the instruments by which impressions are received and transmitted to the brain, yet the cuticle is essential to the sensation of touch. This is shown by the fact that whenever the true skin is laid bare, as by a burn or blister, the only feeling that it experiences from contact is one of pain, not that of touch.

[Sidenote: 19. Office of the cuticle? Tips of the fingers? The fingers with thumb?]

19. The office of the cuticle is thus made evident: it is to shield the nerve filaments from direct contact with {184} external objects. At the tips of the fingers, where touch is most delicate, the skin rests upon a cushion of elastic material, and receives firmness and permanence of shape by means of the nail placed upon the less sensitive side. Besides these favorable conditions, the form of the arm is such, and its motions are so easy and varied, that we are able to apply the test of touch in a great number of directions. The slender, tapering fingers, with their pliant joints, together with the strong opposable thumb, enable the hand to mold itself upon and grasp a great variety of objects; so that great as are the delicacy and grace of the hand, it is not wanting in the elements of power.

[Sidenote: 20. What special importance is attributed to the hand?]

20. Its beauty and adaptation to the wants of man have made the hand an attractive theme for philosophers. They do not, however, always agree in their conclusions. One has the opinion that man has acquired his intelligence and achieved his place as "lord of creation," because he has this organ. Buffon, in effect, declares that with fingers twice as numerous and twice as long, we would become proportionally wiser; but Galen long ago took a more reasonable view, when he taught that "man is the wisest of animals, not because he possesses the hand; but because he is the wisest and understands its use, the hand has been given to him; for his mind, not his hand has taught him the arts." Another has well said, that "no one can study carefully the human hand and fail to be convinced of the existence of the Deity."

[Sidenote: 21. The simplicity of touch? What does it teach us?]

21. THE SENSE OF TOUCH.--Touch is the simplest of the senses. It is that which the child first calls into exercise in solving the early problems of existence; and it is that which is in the most constant use throughout life. We are brought by the touch into the most intimate relations with external objects, and by it we learn the greater number, if not the most important, of the properties of {185} these objects; such as size, figure, solidity, motion, and smoothness or roughness of surface.

[Sidenote: 22. Importance of the sense of touch to the development of the other senses?]

22. The sense of touch assists the other senses, especially that of sight, giving foundation and reality to their perceptions. Without it, the impressions received by the eye would be as vague and unreal as the figures that float through our dreams. A boy who had been blind from birth, at the age of twelve years received sight by means of a surgical operation: at first, he was unable to distinguish between a globe and a circular card, of the same color, before he had touched them. After that, he at once recognized the difference in their form. He knew the peculiarities of a dog and a cat by feeling, but not by sight, until one day, happening to take up the cat, he recognized the connection of the two sorts of impressions, those of touch and sight; and then, putting the cat down, he said: "So, puss, I shall know you next time."

[Sidenote: 23. Liability of touch to err? Describe the illustration.]

23. Touch is considered the least liable to error of all the senses; yet, if that part of the skin by which the sense is exercised is removed from its customary position, a false impression may be created in the mind. This is well illustrated by an experiment, which dates from the time of Aristotle. If we cross the middle finger behind the {186} forefinger, and then roll a marble, or some small object, upon the tips of the fingers (see Fig. 45), the impression will be that two marbles are felt. If the fingers, thus transposed, be applied to the end of the tongue, two tongues will be felt. When the nose is accidentally destroyed, the surgeon sometimes performs an operation for the purpose of forming a new one, by transplanting a partially removed piece of the skin of the forehead upon the injured part: then, if the new nose be touched or pinched, the feeling is referred to the forehead. This fact illustrates one important truth, that the nerves will re-unite after they have been cut, and feeling will be restored: if it were otherwise, a succession of slight cuts upon the fingers would seriously impair their tactile sensibility.

[Sidenote: 24. The delicacy of touch? Experiments with a pair of compasses?]

24. THE DELICACY OF TOUCH.--Although the hand is the proper organ of this sense, yet it is exercised by various parts of the body, their degree of sensibility being proportional to the number of papillæ they contain. The varying degrees of tactile delicacy of the different parts of the surface have been measured, in an ingenious manner, by means of a pair of compasses, tipped with small pieces of cork. The two points of the compasses are touched at the same moment to the skin, the eyes being closed, and it is found that, in sensitive parts, the distance between the points may be quite slight, and yet each be plainly felt; while, in less sensitive parts, the points of the compasses are felt as a single point, although they are separated one or two inches.

[Sidenote: 25. Further experiments and results?]

25. At the tips of the fingers, the distance between the points being one-twentieth of an inch, a double impression is felt. The distance must be twice as great, for the palm; four times as great, for the lips; and, on the forehead, it must be twenty times greater. At the middle of the back, where the touch is least acute, the points must be {187} separated more than two inches before they can be separately felt. Therefore, the sense of touch in the fingers is said to be fifty times more delicate than upon the posterior surface of the body.

[Sidenote: 26. Exquisite delicacy of touch? The same among the blind?]

26. Exquisite delicacy of touch is attained by practice. This is shown in many of the lighter and more graceful employments of daily life. Without it, the skill of the painter, sculptor, and musician would be rude indeed. By training, also, the physician acquires the _tactus eruditus_, or discriminating touch; but among the blind, delicacy of touch is most remarkable, and it here finds its highest value; for its possession, in a measure, compensates the loss of sight by enabling them to read, by means of raised letters, to work with certain tools, and even to play upon musical instruments. A person born without sight, and without hearing or voice, may, by the education of the touch, be rescued from apparent imbecility, and be taught not only to read and write, but even to perform household and other useful labors.

[Sidenote: 27. Rival candidates for the sixth sense? Give the two reasons on the subject.]

27. SENSATIONS OF TEMPERATURE AND WEIGHT.--Each of these sensations has been described by the physiologists as a special sense, and they are rival candidates, so to speak, for the position and title of the sixth sense. In the sensation of temperature, or the thermal sense, touch bears a part, but the two feelings appear to be distinct. In proof of this, we observe, firstly, that they are not alike intense in the same situations; as, for example, the skin of the face and elbow, where the sense of touch is feeble, is very sensitive to impressions of heat and cold. Secondly, the ability to recognize temperature may be lost by paralysis, while the sensibility of touch remains unaffected. When the skin comes in contact with a very hot substance, the sensation felt is that of pain, not of touch. In like manner, a {188} very cold substance causes pain, not the feeling of cold. So that a red-hot iron, and solid carbonic acid (the temperature of which is 108° below zero), feel alike; and each, if pressed slightly, will produce a blister.

[Sidenote: 28. The muscular sense? State what is said to illustrate the subject.]

28. The _muscular sense_, by some considered distinct from touch, gives rise to the sensations of weight, and other forms of external resistance. That this feeling exists, is shown by the following simple experiment. If the hand be placed flat upon a table, and a somewhat heavy weight be put into it, touch alone is exercised and a feeling of pressure results; but if the hand be raised, a certain amount of muscular effort must be put forth, and thus the sensation of weight is recognized. Through the muscular sense, precision of effort is rendered possible; for by it we learn to adjust the force exerted to the weight of the object to be lifted, moved, or carried. Without it, all our movements would necessarily become ill-regulated and spasmodic. In cases of disease, where the sensibility of the lower limbs is lost, while power of motion remains, the patient is able to stand erect so long as he can see his limbs; but just as soon as his eyes are closed, he begins to waver, and will fall unless supported.

[Sidenote: 29. The organ of taste? The tongue? Its powers of motion?]

29. THE ORGAN OF TASTE.--The _tongue_ is the special organ of the sense of taste; but the back part of the mouth also possesses this faculty. The tongue is a muscular organ, the muscles composing it being so numerous and interwoven as to give it the freedom and variety of motion which it possesses. It can curve itself upward or downward; it can extend or contract itself; and, with its point, can sweep the cavity of the mouth, in all directions, in the search for scattered particles of food.

[Sidenote: 30. Peculiarities of the tongue? Uses of the papillæ?]

30. The upper surface of the tongue is peculiar, being marked by the presence of innumerable _papillæ_, some of {189} which are of microscopic size, resembling those that abound in the fingers, and in other parts of the body that have the sense of touch. Others are much larger, and give to the tongue its roughness of feeling and appearance. Through the medium of these papillæ, the tongue receives impressions of touch and temperature, as well as taste: indeed, its extremity is fully as delicate, in respect to tactile sensations, as the tips of the fingers themselves. It can recognize the two points of the compasses when separated not more than one-twenty-fourth of an inch; the back of it is much less sensitive to touch, while at the same time it is more highly sensitive to impressions of taste.

[Sidenote: 31. Resemblance to the parts of the tongue? Powers and functions of the parts?]

31. Each lateral half of the tongue resembles the other in structure, and each receives the same number of nerves--three. One of these regulates motion, the other two are nerves of special sense. One of the latter supplies the front half of the tongue, and is called the _gustatory_ nerve. This is a branch of the great cranial nerve, called the "fifth pair," which ramifies in all parts of the face. The back of the tongue is endowed with the power of taste through a nerve known as the _glosso-pharyngeal_, because it is distributed both to the tongue and throat. This difference in the nervous supply of the tongue becomes significant, when we learn, as we shall presently, that each part of it perceives a different class of flavors.

[Sidenote: 32. Taste? What are the requisites to taste?]

32. THE SENSE OF TASTE.--Taste is the special sense by means of which we discover the savors, or flavoring properties of the substances, which come in contact with the tongue. Mere contact with the surface of the tongue, however, is not sufficient, but contact with the extremities of the nerves of taste within the papillæ is required. In order that the substance to be tasted may penetrate the {190} cells covering the nerves, it must either be liquid in form, or readily soluble in the watery secretion of the mouth, the saliva. The tongue must be moist also. If the substance be insoluble, as glass or sand, or the tongue dry, the sense of taste is not awakened. In sickness, when the tongue is heavily coated, the taste is very defective, or, as is frequently expressed, "nothing tastes aright."

[Sidenote: 33. Portions of the tongue endowed with taste? Where else does the sense lodge? What is stated in respect to sweet and bitter flavors? Reflex effects mentioned?]

33. All portions of the tongue are not alike endowed with the sense of taste, that function being limited to the posterior third, and to the margin and tip of this organ. The soft palate, also, possesses the sense of taste; hence, an article that has an agreeable flavor may very properly be spoken of as palatable, as is often done. All parts of the tongue do not perceive equally well the same flavors. Thus, the front extremity and margin, which is the portion supplied by the "fifth pair" of nerves, perceives more acutely sweet and sour tastes; but the base of the tongue, supplied by the _glosso-pharyngeal_ nerve, is especially sensitive to salt and bitter substances. The nerve of the front part of the tongue, as before stated, is in active sympathy with those of the face, while the relations of the other nerve are chiefly with the throat and stomach; so that when an intensely sour taste is perceived, the countenance is involuntarily distorted, and is said to wear an acid expression. On the other hand, a very bitter taste affects certain internal organs, and occasions a sensation of nausea, or sickness of the stomach.

[Sidenote: 34. What is stated of the relations of taste with other senses?]

34. RELATIONS OF TASTE WITH OTHER SENSES.--Taste is not a simple sense. Certain other sensations, as those of touch, temperature, smell, and pain, are blended and confused with it; and certain so-called tastes are really sensations of another kind. Thus an astringent taste, like that of alum, is more properly an astringent feeling, and {191} results from an impression made upon the nerves of touch, that ramify in the tongue. In like manner, the qualities known as smooth, oily, watery, and mealy tastes, are dependent upon these same nerves of touch. A burning or pungent taste is a sensation of pain, having its seat in the tongue and throat. A cooling taste, like that of mint, pertains to that modification of touch called the sense of temperature.

[Sidenote: 35. Its dependence on smell? on sight?]

35. Taste is largely dependent upon the sense of smell. A considerable number of substances, like vanilla, coffee, and garlic, which appear to possess a strong and distinct flavor, have in reality a powerful odor, but only a feeble taste. When the sense of smell is interfered with by holding the nose, it becomes difficult to distinguish between substances of this class. The same effect is frequently observed when smell is blunted during an ordinary cold in the head. Sight also contributes to taste. With the eyes closed, food appears comparatively insipid; and a person smoking tobacco in the dark is unable to determine by the taste whether his cigar is lighted or not. Accordingly, it is not a bad plan to close the nose and shut the eyes when about to swallow some disagreeable medicine.

[Sidenote: 36. The chief use of the sense of taste? The position of its organs? The rule as regards wholesome and unwholesome food? Remarks respecting the rule?]

36. INFLUENCE OF EDUCATION ON THE TASTE.--The chief use of the sense of taste appears to be to act as a guide in the selection of proper food. Hence its organs are properly placed at the entrance of the digestive canal. As a general rule, those articles which gratify the taste are wholesome; while the opposite is true of those which impress it disagreeably. This statement is more exact in reference to the early years of life than to later years, when, by reason of mischievous habits, the sense of taste has become dulled or perverted. The desires of a child are simple; he is fully satisfied with plain and wholesome articles of diet, and must usually "learn to like" those {192} which have a strongly marked flavor. Accordingly, it is far easier at this age to encourage the preference for plain food, and thus establish healthful habits, than later in life to uproot habits of indulgence in stimulating substances, after their ill effects begin to manifest themselves.

[Sidenote: 37. Diversity in tastes of men? How shown? The education of the sense of taste?]

37. The tastes of men present the most singular diversities, partly the result of necessity and partly of habit or education. The Esquimaux like the rank smell of whale oil, which is a kind of food admirably suited to the requirements of their icy climate; and travellers who go from our climate to theirs are not slow to develop a liking for the same articles that the natives themselves enjoy. The sense of taste is rendered very acute by education, as is shown in an especial manner by those who become professional "tasters" of tea and wine.

[Sidenote: 38. Location of the sense of smell? The nose? "Roof of the mouth?"]

38. THE SENSE OF SMELL--THE NASAL CAVITIES.--The sense of smell is located in the delicate mucous membrane which lines the interior of the nose. That prominent feature of the face, the nose, which is merely the front boundary of the true nasal organ, is composed partly of bone and partly of cartilage. The upper part of it is united with the skull by means of a few small bones; to which circumstance is due its permanence of shape. The lower portion, or tip of the nose, contains several thin pieces of cartilage, which render it flexible and better able to resist the effects of blows and pressure. Behind the nose we find quite a spacious chamber, separated from the mouth by the hard palate, forming the "roof of the mouth," and by the soft palate (see Fig. 46); and divided into two cavities by a central partition running from before backward.

[Sidenote: 39. Cavities of the nose? Obstruction of the passage of air through them?]

39. These nasal cavities, constituting the true beginning of the air-passages, extend from the nose backward to the {193} upper opening of the throat, and rise as high as the junction of the nose with the forehead. The inner wall of each cavity is straight and smooth; but from the outer wall there jut into each cavity three small scroll-like bones. The structure of these bones is very light, and hence they have been called the "spongy" bones of the nose. In this manner, while the extent of surface is greatly increased by the formation of these winding passages, the cavities are rendered extremely narrow; so much so, in fact, that a moderate swelling of the mucous membrane which lines them, as from a cold, is sufficient to obstruct the passage of air through them.

[Sidenote: 40. The special nerve of smell? Its location?]

40. THE NERVE OF SMELL.--The internal surface of the nasal passages is covered by a delicate and sensitive mucous membrane. Its surface is quite extensive, following as it does, all the inequalities produced by the curved spongy bones of the nose. The upper portion of it alone is the seat of smell, since that part alone receives branches from the "first pair" of cranial nerves, or the olfactory nerve, which is the special nerve of smell (see Fig. 43). In Fig. 46 is shown the distribution of this nerve, in the form of an intricate network upon the two upper spongy bones. The nerve itself (1) does not issue from the skull, but rests upon a thin bone which separates it from the cavity of the nose; and the branches which proceed from it pass through this bone by means of numerous small openings. The {194} engraving represents the outer surface of the right nasal cavity; the three wave-like inequalities, upon which the nervous network is spread out, are due to the spongy bones. The left cavity is supplied in the same manner.

[Sidenote: 41. Branches of the "fifth pair" of nerves? Nasal mucus? Birds?]

41. The nerves which ramify over the lower part of the membrane, and which endow it with sensibility to touch and pain, are branches of the "fifth pair" of nerves. An irritation applied to the parts where this nerve is distributed occasions sneezing, that is, a spasmodic contraction of the diaphragm; the object of which is the expulsion of the irritating cause. The manner in which the olfactory nerve-fibres terminate is peculiar. Unlike the extremities of other nerves, which are covered in by a greater or less thickness of tissue, these come directly to the surface of the mucous membrane, and thus come into very close contact with the odorous particles that are carried along by the respired air. The surface is at all times kept in a moist condition by an abundant flow of nasal mucus; otherwise it would become dry, hard, and insensitive from the continual passage of air to and fro in breathing. Birds, which respire more actively than men, have a special gland, for secreting a lubricating fluid, located in the air-passages of the head.

[Sidenote: 42. Smell? Touch? Taste? Design of smell? Invisible and gaseous particles? The extreme fineness of the particles? Musk? In other cases?]

42. THE USES OF THE SENSE OF SMELL.--Smell is the special sense which enables us to appreciate odors. Touch, as we have seen, is largely concerned with solid bodies; and taste, with fluids, or with solids in solution. Smell, on the other hand, is designed to afford us information in reference to substances in a volatile or gaseous form. Invisible and subtile particles emanate from odorous bodies, and are brought by the respired air in contact with the terminal filaments of the olfactory nerve, upon which an agreeable or disagreeable impression is produced. {195} The fineness of the particles that constitute odors is often so extreme, that they elude all attempts to measure or weigh them. A piece of musk, for instance, may be kept for several years, constantly emitting perfume, without any appreciable loss of weight. In other cases, a loss of substance is perceptible, such as the essential oils, which enter into the composition of the ordinary perfumes.

[Sidenote: 43. Aid given by smell? The highest use of the sense? Explain the manner.]

43. Smell, like taste, aids us in the choice of proper food, leading us to reject such articles as have a rank or putrid odor, and which are, as a rule, unfit to be eaten. The highest usefulness of this sense, however, consists in the protection it affords to the organs of respiration. Stationed at the gateways of the air-passages, it examines the current of air as it enters, and warns us of the presence of noxious gases, and of other and generally invisible enemies to health. Not all dangerous vapors are offensive, but almost all offensive vapors are unfit to be breathed. A number of small stiff hairs grow from the margin of the nostrils to prevent the entrance of dust and other atmospheric impurities, which would be alike injurious to the olfactory mucous membrane and to the lungs. The benevolent design of the Maker of our bodies may be observed in all parts of their mechanism; but, probably, in none is it more clearly displayed than in connection with the sense of smell.

[Sidenote: 44. Sense of smell in the inferior animals? How, and in what cases, illustrated?]

44. The sense of smell is developed in a remarkable degree in certain of the inferior animals, and is especially acute in reference to the peculiar emanations that appear to characterize the different animals. The lion and other carnivorous beasts scent their prey from a great distance; and the fox-hound is able to track the fox through thickets and over open country for many miles; while the timid, helpless herbivora, such as the deer and sheep, find in the {196} sense of smell a means of protection against their natural enemies, of whose approach they are in this manner warned. By training this sense in the dog, and making it subservient to his use, man is able to hunt with success certain shy and very fleet animals, which otherwise he could but seldom approach. Among men, individuals differ greatly in respect to the development of this sense; and especially in certain savage tribes it is found to be extremely delicate. Humboldt states that the natives of Peru can, by this sense, distinguish in the dark between persons of different races.

[Sidenote: 45. What is sight? What information does it furnish? Composite visual sensations?]

45. THE SENSE OF SIGHT.--Sight, or Vision, is the special sense by means of which we appreciate the color, form, size, distance, and other physical properties of the objects of external nature. Primarily, this sense furnishes us with information concerning the different shades of color and the different degrees of brightness: these are the simple sensations of sight, such as the yellowness and glitter of a gold coin. In addition to these, there are composite visual sensations, produced by the joint action of the other senses and by the use of the memory and judgment; such as, in the case of the coin, its roundness, solidity, size, its distance and direction from us. So that many of our sensations, commonly considered as due to sight, are in reality the results of intellectual processes which take place instantaneously and unconsciously.

[Sidenote: 46. Comparison between sight and hearing? Relative capacity of deaf and blind?]

46. This faculty not only has value in the practical every-day affairs of life, but it contributes so largely to the culture of the intellect and to our higher forms of pleasure, that some writers are disposed to rate it as the first and most valuable of the senses. Others, however, maintain that the sense of hearing does not yield in importance to that of sight; and they cite in support of their position {197} the fact that the blind are commonly cheerful and gay, while the deaf are inclined to be morose and melancholy. In respect to the relative capacity for receiving education in the deaf and blind, it is found that the former learn more quickly, but their attainments are not profound; while the blind acquire more slowly, but are able to study more thoroughly.

[Sidenote: 47. Sight, unlike the other senses? In the case of the stars?]

47. LIGHT.--THE OPTIC NERVE.--Unlike the senses previously considered--touch, taste, and smell--sight does not bring us into immediate contact with the bodies that are examined; but, by it, we perceive the existence and qualities of objects that are at a greater or less distance from us. In the case of the stars, the distance is incalculable, while the book we read is removed but a few inches. Light is the agent which gives to this sense its wide range. The nature of this mysterious force is not known, and it is not here to be discussed; since its study belongs more properly to the province of natural philosophy.

[Sidenote: 48. The undulatory theory of light? What does the theory suppose?]

48. It is sufficient, in this connection, to state that the theory of light now generally accepted, and which best explains the facts of optics, is that known as the undulatory theory. This theory supposes that there exists an intangible, elastic medium, which fills all space, and penetrates all transparent substances, and which is thrown into exceedingly rapid undulations or waves, by the sun and every other luminous body; the undulations being propagated with extreme rapidity, and moving not less than 186,000 miles in a second.

[Sidenote: 49. The sensation of light? Optic nerve?]

49. These waves are thought to produce in the eye the sensation of light, in the same manner as the sonorous vibrations of the air produce in the ear the sensation of sound. That part of the eye which is sensitive to these waves is the expansion of the _optic nerve_. It is sensitive {198} to no other impression than that of light, and it is the only nerve which is acted upon by this agent. The optic nerve, also called the "second pair" of cranial nerves, is the means of communication between the eye and the brain.

[Sidenote: 50. The two nerves constituting the pair of nerves?]

50. The two nerves constituting the pair, arise from ganglia lying at the base of the cerebrum, one of them on each side; from which points they advance to the eyes, being united together in the middle of their course in the form of the letter X (Fig. 43--2). By this union the two eyes are enabled to act harmoniously, and in some respects to serve as a double organ. And by reason of this same intimate nervous communication, when serious disease affects one eye, the fellow-eye is extremely liable to become the seat of _sympathetic_ inflammation; and this, if neglected, almost certainly results in hopeless blindness.

[Sidenote: 51. Why is the eye called the "window of the soul?" Why, the subject of enthusiastic study?]

51. THE ORGAN OF SIGHT.--THE EYE.--The proximity of the eye to the brain, and the important part it performs in giving expression to the emotions, have given it the name of "the window of the soul." The exceeding beauty of its external parts, and the high value of its function, have long made this organ the subject of enthusiastic study. It is chiefly within the last twenty years, however, that this study has been successful and fruitful of practical results. Several ingenious instruments have been invented for the examination of the eye in health and disease, and new operations have been devised for the relief of blindness and of impaired vision. As a result, it is now a well-marked fact that, in civilized lands, the number of those who suffer from loss of sight is proportionally much less than in countries where science is less known and cultivated.

[Sidenote: 52. The most obvious fact? The consequence? The next thing noticed? Its range of view? Of what does the organ of vision consist?]

52. The most obvious fact in respect to the apparatus of {199} sight is that there are two eyes, which may either act together as one, and be fixed upon one object, or one eye may be used independently of the other. In consequence of this arrangement the loss of one eye does not necessitate blindness, and, in fact, it not infrequently happens that the sight of one eye may be long impaired or lost before the fact is discovered. We next notice that it is placed at the most elevated part of the body, in front, and near the brain. It also commands a wide range of view, being itself moved with great rapidity, and being further aided by the free motion of the head and neck. The organ of vision consists essentially of two parts: the optical instrument itself--the eyeball--and its enveloping parts, or the case in which the instrument is kept free from harm. The latter, which are external, and which we shall first consider, are chiefly the _Orbits_, the _Eyelids_, and the apparatus for the _Tears_.

[Sidenote: 53. The protection of the eyeball against injury? The overhanging brow? The opening for the optic nerve?]

53. THE ORBITS.--The eyeball, which is a delicate organ, is well defended against external injury within the orbits or bony sockets of the head. These are deep conical hollows, bounded in part by the bones of the skull, and in part by those of the nose and cheek. The orbit juts out beyond the most exposed portion of the eyeball, as may be seen by laying a book over the eye, when it will be found that no part of the eyeball, unless it be very prominent, will be touched by the book; so that the only direction in which an injury is liable to be received is immediately in front of the eye. The overhanging brow is itself covered by a layer of thick skin, studded with short, stout hairs, which are so bent as to prevent the perspiration from running into the eye and obscuring vision. Through a hole in the bottom of the orbit, the nerve of sight passes outward from the brain. The orbit also contains a considerable amount of a fatty tissue, upon which, as upon an elastic cushion, the eye rests. {200}

[Sidenote: 54. What are the eyelids? The upper lid? The lower one? The mucous membrane of the eye?]

54. THE EYELIDS.--The eyelids are two movable curtains, or folds, which, when shut, cover the front part of the orbit, and hide the eye from view. The upper lid is the larger, has a curved margin, and moves freely, while the lower lid is comparatively short and straight, and has but a slight degree of motion (Fig. 47). Skin covers the exterior of the lids, while a fine mucous membrane lines their inner surface, and is likewise spread out over the entire front of the eyeball. This membrane, which is called the _Conjunctiva_, is highly sensitive, and thus plays an important part in protecting the eye against the lodgment of sand, ashes, chaff, and other foreign particles that are blown about in the air. This sensitive membrane will not endure the presence of these particles. If any find access, it causes a constant winking, a flow of tears, and other signs of irritation, until it is removed.

[Sidenote: 55. The eyelashes? The little points within the line of the lashes? Of what use are these glands?]

55. The long, silky eyelashes, which garnish the edges of the lids, act like a sieve to prevent the entry of dust and the like; and together with the lids, they regulate the amount of light which is permitted to enter the eye, so that it is shielded from a sudden flood or glare of light. The little points seen in the figure just within the line of the lashes, especially on the lower lid, represent the mouths of numerous little sebaceous glands (Fig. 48, D,D), such as are always {201} found in the neighborhood of hairs. These glands supply a thick, oily material which greases the edges of the lids and prevents their adhering together, and likewise prevents the overflow of the tears upon the cheek.

[Sidenote: 56. The location of the lachrymal gland? The use of the gland?]

56. THE LACHRYMAL FLUID, OR THE TEARS.--Just within the outer part of the bony arch of the brow, where the bone may be felt to be sharper than in other positions, is lodged a little organ called the lachrymal gland, the situation of which is indicated in Fig. 47, 1. This is the gland whence flows the watery secretion, commonly called the _tears_, which is designed to perform an exceedingly important duty in lubricating the lids, and in keeping the exposed surface of the eyeball moist and transparent. For, without this or some similar liquid, the front of the eye would speedily become dry and lustreless, like that of a fish which has been removed from the water: the simple exposure of the eye to the air would then suffice to destroy vision.

[Sidenote: 57. When does the secretion of the tears occur? The secretion not used for the eye? Location of the nasal duct? Its use? The overflow of tears in old people?]

57. This secretion of the tears takes place at all times, during the night as well as the day; but it is seldom noticed, except when under the influence of some strong mental emotion, whether of sorrow or happiness, it is poured forth in excess, so as to overflow the lids. Strong light or a rapid breeze will, among many other causes, excite the flow of the tears. That portion of this secretion which is not used in moistening the eye is carried off into the nose by a canal situated near the inner angle of the eye, called the _nasal duct_. This duct is shown in Fig. 47, 2, and is connected with each lid by delicate tubes, which are indicated by dotted lines in the figure; the asterisk marks the little opening in the lower lid, by which the tears enter the nasal duct. By gently turning the inner part of that lid downward, and looking in a mirror, {202} this small "lachrymal point" may be seen in your own eye. In old people, these points become everted, and do not conduct the tears to the nasal cavity, so that they are inconvenienced by an overflow of tears upon the face.

[Sidenote: 58. The watery fluid passing over the eyeball? Design of the arrangement? Winking?]

58. Thus we observe that the gland which forms the tears is placed at the outer part of the eye, while their means of exit is at the inner angle of the eye; which fact renders it necessary that this watery fluid shall pass over the surface of the eyeball before it can escape. This arrangement cannot be accidental, but evinces design, for it thus secures the perfect lubrication of the surface of the eye, and cleanses it from the smaller particles of dust {203} which may enter it, in spite of the vigilance of the lids and lashes. The act of winking, which is generally unconsciously performed, and which takes place six or more times in a minute, assists this passage of the tears across the eye, and is especially frequent when the secretion is most abundant.

[Sidenote: 59. Describe the shape of the eyeball. Its structure.]

59. THE EYEBALL.--The remarkable optical instrument called the eyeball, or the globe of the eye, upon which sight depends, is, as the name indicates, spherical in shape. It is not a perfect sphere, since the front part projects somewhat beyond the rest, and at the posterior part the optic nerve (Fig. 48, N) is united to it, resembling the junction of the stem with a fruit. In its long diameter, that is, the horizontal or from side to side, it measures a little more than an inch; in other directions it is rather less than an inch. In structure, the ball of the eye is firm, and its tense round contour may in part be felt by pressing the fingers over the closed lids.

[Sidenote: 60. Of what is the eyeball composed? State how.]

60. The eyeball is composed chiefly of three internal, transparent media, called _humors_; and three investing coats, or _tunics_. The former are the _aqueous humor_, Fig. 48, A, the _crystalline lens_ L, and the _vitreous humor_ V. Of these the lens alone is solid. The three coats of the eyeball are called the _sclerotic_ S, the _choroid_ CH, and the _retina_ R. This arrangement exists in respect to five-sixths of the globe of the eye, but in the anterior one-sixth, these coats are replaced by the _cornea_ C, which is thin and transparent, so that the rays of light pass freely through it, as through a clear window-pane.

[Sidenote: 61. The shape of the cornea? Its structure? The "white of the eye?"]

61. In shape, the cornea is circular and prominent, resembling a miniature watch-glass, about 1/25 of an inch thick. In structure, it resembles horn (as the name signifies), or the nail of the finger, and is destitute of {204} blood-vessels. The _Sclerotic_ (from _scleros_, hard) is composed of dense, white fibrous tissue, and gives to the eyeball its firmness of figure and its white color; in front, it constitutes the part commonly called "the white of the eye." It is one of the strongest tissues in the body; it possesses very few vessels, and is not very sensitive. It affords protection to the extremely delicate interior parts of the eye; and the little muscles which effect its movements are inserted into the sclerotic a short distance behind the cornea (see Fig. 48, Y, Z). It is perforated posteriorly to admit the optic nerve.

[Sidenote: 62. The second or middle coat of the eyeball? Its dark color?]

62. The _Choroid_ is the second or middle coat of the eyeball, and lies closely attached to the inner surface of the sclerotic. Unlike the latter tunic, its structure is soft and tender, it is dark in color, and possesses a great abundance of blood-vessels. Its dark color is due to a layer of dark brown or chocolate-colored cells spread out over its inner surface. This dark layer serves to absorb the rays of light after they have traversed the transparent structures in front of it; if the rays were reflected from side to side within the eye, instead of being thus absorbed, confused vision would result from the multitude of images which would be impressed upon the optic nerve.

[Sidenote: 63. Similar mechanism in microscopes? The albinos? White rabbits?]

63. This mechanism has been unconsciously imitated by the opticians, who, when they make a microscope or telescope, take care that the interior of its tube shall be coated with a thick layer of black paint or lamp-black; for without it, a clear delineation of the object to be viewed is impossible. The albinos, in whom these dark cells of the choroid are wanting, have imperfect vision, especially in the daytime and in strong lights. The dark cells are also wanting in white rabbits, and other animals that have red or pink eyes; their vision appears to be imperfect in the presence of a bright light. {205}

[Sidenote: 64. What is the iris? Its construction? How is the size of the pupil regulated?]

64. THE IRIS.--Continuous with the choroid, in the front part of the globe of the eye, is a thin, circular curtain, which occasions the brown, blue, or gray color of the eye in different individuals. On account of the varieties of its color, this membrane has received the name _Iris_, which is the Greek word for "rainbow" (see Fig. 48, I). A front view of it is shown in Fig. 47. The iris is pierced in its centre by a round opening, called the _pupil_ (P), which is constantly varying in size. In olden times it was spoken of as the "apple of the eye." The hinder surface of the iris, except in albinos, has a layer of dark coloring matter resembling that of the choroid. The iris is a muscular organ, and contains two distinct sets of fibres; one of which is circular, while the other radiates outward from the pupil. The action of these sets of fibres regulates the size of the pupil; for when the circular set acts, the pupil contracts, and when the other set acts, the opening expands. Their action is involuntary, and depends on the reflex system of nerves, which causes the contraction of the pupil when a strong light falls upon the eye, and its expansion when the illumination is feeble.

[Sidenote: 65. The admission of light to the eye? The action of the iris under different circumstances? The lustre of the eye, how affected in youth and old age?]

65. The iris, accordingly, serves a very useful purpose in regulating the admission of light to the eye. It, however, does not act instantaneously; and hence, when we pass quickly from a dark room into the bright sunlight, the vision is at first confused by the glare of light, but as soon as the pupil contracts, the ability to see becomes perfect. On the other hand, when we enter a dark apartment, such as a cellar, for a short time we can see nothing clearly; but as soon as the pupil expands and admits more light, we are enabled to distinguish the surrounding objects. Animals of the cat species, and others which prowl around after nightfall, are enabled to see in the dark by {206} having the iris very dilatable. The size of the pupil affects the lustre of the eye. When it is large, as it usually is during youth, the eye appears clear and brilliant; while in old age the pupil is small and the eye is dull. The brilliancy of the eye is in part, at least, dependent upon the reflection of light from the front surface of the crystalline lens.

[Sidenote: 66. Means used to increase the beauty of the eye? The injurious consequences?]

66. Certain poisonous vegetables have the property of causing the pupil to dilate, and have been used in small doses to increase the beauty of the eye. One of these drugs has been so largely used by the ladies for this purpose, that it has received the name _belladonna_, from the Italian words meaning "beautiful lady." This hazardous practice has resulted more than once in the death of the person desiring thus to increase her personal attraction. The common English name for belladonna is "deadly nightshade." (In the diagram on page 214 the shape and relations of the iris are more accurately shown than in the figure referred to above.)

[Sidenote: 67. What part does the retina constitute? How formed? Its texture? Color? Sensitiveness?]

67. THE RETINA constitutes the third and inner coat of the globe of the eye. This, the important part of the eye that is sensitive to light, is a kind of nervous membrane, formed by the expansion of the ultimate filaments of the optic nerve. Its texture is soft, smooth, and very thin; it is translucent and of an opaline, or grayish-white color. It is sensitive to light alone; and if any form of mechanical irritation be applied to it, the sensations of touch and pain are not experienced, but flashes of fire, sparks, and other luminous appearances are perceived. Thus an electric shock given to the eye-ball occasions a flash of light; and a sudden fall, or a blow upon the eye, is often apparently accompanied by the vision of "stars."

[Sidenote: 68. Specific energy of the optic nerve? Trial in Germany?]

68. These phenomena are due to what is termed the {207} "specific energy" of the optic nerve, which nerve, in common with the other nerves of special sense, obeys a general law of nature, which requires that, whenever one of these nerves is stimulated, it shall respond with the sensation peculiar to itself. These flashes of retinal light have no power to illuminate external objects, although the opposite of this statement has been maintained. On the occasion of a remarkable trial in Germany, it was claimed by a person who had been severely assaulted on a very dark night, that the flashes of light caused by repeated blows upon the head enabled him to see with sufficient distinctness to recognize his assailant. But the evidence of scientific men entirely refuted this claim, by pronouncing that the eye, under the circumstances named, was incapacitated for vision. Too intense light occasions a feeling of pain, but it is of a peculiar kind, and is termed "dazzling."

[Sidenote: 69. Sensitiveness of all parts of the retina? Experiment to prove the existence of the "blind spot."]

69. All parts of the retina are not equally sensitive, and singularly enough, the point of entry of the nerve of sight, in the back part of the eyeball, is entirely insensible to light, and is called the "blind spot." The existence of this point may be proven by a simple experiment. Hold the accompanying figure, on page 207, directly in front of and parallel with the eyes. Close the left eye, and fix the sight steadily on the left-hand circle; then, by gradually varying the distance of the figure from the eye, at a certain distance (about six inches), the right-hand circle will disappear, {208} but nearer or further than that, it will be plainly seen. The other eye may be also tried, with a similar result: if the gaze be directed to the right-hand circle, the left one will seem to disappear. The experiment may be repeated by using two black buttons on the marble top of a bureau, or on some other white surface. The blind spot does not practically interfere with vision, since the eye is seldom fixed immovably on an object, and the insensitive parts of the two eyes can never be directed upon the same object at the same time.

[Sidenote: 70. Duration of impressions upon the retina? How illustrated?]

70. Impressions made upon the retina are not at once lost, but persist a measurable length of time, and then gradually fade away. Thus, a bright light or color, gazed at intently, cannot be immediately dismissed from sight by closing or turning away the eyes. A stick lighted at one end, if whirled around rapidly in the dark, presents the appearance of an unbroken luminous ring; and the spokes of a rapidly revolving carriage-wheel seem to be merged into a plane surface. If an object move too rapidly to produce this sort of lasting impression, it is invisible, as in the case of a cannon-ball passing through the air in front of us.

[Sidenote: 71. What further illustration? Winking, why it is not noticed. Ease with which the retina is fatigued or deprived of sensibility? How shown?]

71. If a card, painted with two primary colors--as red and yellow--be made to rotate swiftly, the eye perceives neither of them distinctly; but the card appears painted with their secondary color--orange. The average duration of retinal images is estimated at one-eighth of a second; and it is because they thus endure, that the act of winking, which takes place so frequently, but so quickly, is not noticed and does not interrupt the vision. The retina is easily fatigued or deprived of its sensibility. After looking steadfastly at a bright light, or at a white object on a black ground, a dark spot, corresponding in shape to the bright object, {209} presents itself in whatever direction we look. This spot passes away as the retina resumes its activity.

[Sidenote: 72. How further shown? How is the result accounted for? "Color-blindness?"]

72. If a bright color be gazed at intently, and the eyes then be turned to a white surface, a spot will appear; but its color will be the complement of that of the object. Fix the eye upon a red wafer upon a white ground, and on removing the wafer a greenish spot of the same shape takes its place. This result happens because a certain portion of the retina has exhausted its power to perceive the red ray, and perceives only its complementary ray, which is green. The color thus substituted by the exhausted retina is called a physiological or accidental color. In some persons the retina is incapable of distinguishing different colors, when they are said to be affected with "color-blindness." Thus, red and green may appear alike, and then a cherry-tree, full of ripe fruit, will seem of the same color in every part. Railroad accidents have occurred because the engineer of the train, who was color-blind, has mistaken the color of a signal.

[Sidenote: 73. The location of the crystalline lens? How supported? Its color and texture? Shape? Size?]

73. THE CRYSTALLINE LENS.--Across the front of the eye, just behind the iris, is situated the _Crystalline lens_, enclosed within its own capsule. It is supported in its place partly by a delicate circular ligament, and partly by the pressure of adjacent structures. It is colorless and perfectly transparent, and has a firm but elastic texture. In shape it is doubly convex, and may be rudely compared to a small lemon-drop. The front face of the lens is flatter than the other, and is in contact with the iris near its pupillary margin, as is represented in the diagram on page 214. It is only one-fourth of an inch thick.

[Sidenote: 74. Cataract? Aqueous humor? Vitreous humor?]

74. When this little body becomes opaque, and no longer affords free passage to the rays of light, as often happens {210} with the advance of age, an affection termed "cataract" is produced. Between the crystalline lens and the cornea is a small space which contains the _aqueous humor_ (see Fig. 48, A). This humor consists of five or six drops of a clear, colorless liquid very much like water, as its name implies. That part of the globe of the eye lying behind the lens is occupied by the _vitreous humor_, so called from its fancied resemblance to melted glass (Fig. 48, V). This humor is a transparent, jelly-like mass, enclosed within an exceedingly thin membrane. It lies very closely applied to the retina, or nervous membrane of the eye, and constitutes fully two-thirds of the bulk of the eyeball.

[Sidenote: 75. What is a lens and its focus? The miniature image, how produced?]

75. THE USES OF THE CRYSTALLINE LENS.--A convex lens has the property of converging the rays of light which pass through it; and the point at which it causes them to meet is termed its focus. If a lens of this description, such as a magnifying or burning-glass, be held in front of an open window, in such a position as to allow its focus to fall upon a piece of paper, it will be found to depict upon the paper a miniature image of the scene outside of the window. It will be further noticed that the image is inverted, or upside down, and that the paper {211} at the place upon which the image is thrown is much brighter than any other part.

[Sidenote: 76. How are figures painted upon the retina? How proved?]

76. Now all the transparent structures of the eye, but especially the crystalline lens, operate upon its posterior part, or retina, as the convex lens acts upon the paper; that is, they paint upon the retina a bright inverted miniature of the objects that appear in front of the eye (Fig. 50). That this actually takes place may be proved by experiment. If the eyeball of a white rabbit, the walls of which are transparent, be examined while a lighted candle is held before the cornea, an image of the candle-flame may be seen upon the retina.

[Sidenote: 77. What can be said in respect to the form and structure of the crystalline lens?]

77. The form and structure of the crystalline lens endow it with a remarkable degree of refractive power, and enable it to converge all the rays of light that enter it through the pupil, to a focus exactly at the surface of the retina. When this lens is removed from the eye, as is frequently done for the cure of cataract, it is found that the rays of light then have their focus three-eighths of an inch behind the retina; that the image is four times larger than in the healthy eye, that it is less brilliant, and that its outline is very indistinct. From this we learn that one of the uses of the crystalline lens is to make the retinal image bright and sharply-defined, at the same time that it reduces its size. Indeed, the small size of the image is a great advantage, as it enables the limited surface of the retina to receive, at a glance, impressions from a considerable field of vision.

[Sidenote: 78. How is the inverted image upon the retina presented in its true position to the mind?]

78. As the image upon the retina is inverted, how does the mind perceive the object in its true, erect position? Many explanations have been advanced, but the simplest and most satisfactory appears to be found in the fact that {212} the retina observes no difference, so to speak, between the right and left or the upper and lower positions of objects. In fact, the mind is never conscious of the formation of a retinal image, and until instructed, has no knowledge that it exists. Consequently, our knowledge of the relative location of external objects must be obtained from some other source than the retina. The probable source of this knowledge is the habitual comparison of those objects with the position of our own bodies: thus, to see an elevated object, we know we must raise the head and eyes; and to see one at our right hand, we must turn the head and eyes to the right.

[Sidenote: 79. The uniform perfection of the eye? Examples? The most common imperfection?]

79. LONG-SIGHT OR HYPEROPIA, AND SHORT-SIGHT OR MYOPIA.--The eye is not in all cases perfectly formed. For example, persons may from birth have the cornea too prominent or too flat, or the lens may be too thick or too thin. In either of these conditions sight will be more or less defective from the first, and the defect will not tend to disappear as life advances. The most common imperfection, however, is in the shape of the globe; which may be short (Fig. 51, H), as compared with the natural eye, N, or it may be too long, M.

[Sidenote: 80. How is "long-sight" explained? "Short-sight?"]

80. When the globe is short, objects can only be clearly {213} seen that are at a distance, and the condition of the vision is known as "long-sight," or hyperopia. It will be observed, by reference to Fig. 51, that the focus of the rays of light would fall behind the retina of this eye. When the globe is too long, objects can only be clearly seen that are very near to the eye; and the condition resulting from this defect is termed "short-sight," or myopia. The focus of the rays of light is, in this case, formed in the interior of the eye in front of the retina.

[Sidenote: 81. Long-sight, how common? With what must it not be confounded? Kind of glasses for short-sight? Why? Squint?]

81. Long-sight, or hyperopia, is common among schoolchildren, nearly as much so as short-sight, and must not be confounded with the defect known as the "far sight" of old people; although in both affections the sight is improved by the use of convex glasses. Children not infrequently discover that they see much better when they chance to put on the spectacles of old persons. For the relief of short-sight, concave glasses should be employed; as they so scatter the rays of light as to bring the focus to the retina, and thus cause the vision of remote objects to become at once distinct. That form of "squint," in which the eyes are turned inward, is generally dependent upon long-sight, while that rarer form, when they turn outward, is due to short-sight.

[Sidenote: 82. What is stated in connection with the opera-glass? Experiment with pencil and distant object?]

82. THE FUNCTION OF ACCOMMODATION.--If, after looking through an opera-glass at a very distant object, it is desired to view another nearer at hand, it will be found impossible to obtain a clear vision of the second object unless the adjustment of the instrument is altered; which is effected by means of the screw. If an object, like the end of a pencil, be held near the eye, in a line with another object at the other side of the room, or out of the window, and the eye be fixed first upon one and then upon the other, it will be found that when the pencil is clearly seen, the {214} further object is indistinct; and when the latter is seen clearly, the pencil appears indistinct; and that it is impossible to see both clearly at the same time. Accordingly, the eye must have the capacity of adjusting itself to distances, which is in some manner comparable to the action of the screw of the opera-glass.

[Sidenote: 83. Function of accommodation? In what does it consist? How is the function explained?]

83. This, which has been called the function of accommodation, is one of the most admirable of all the powers of the eye, and is exercised by the crystalline lens. It consists essentially in a change in the curvature of the front surface of the lens, partly through its own elasticity, and partly through the action of the ciliary muscle. When the eye is at rest, that is, when accommodated for a distant object, the lens is flatter and its curvature diminished (see Fig. 52); but when strongly accommodated for near vision the lens becomes thicker, its curvature increases, and the image on the retina is made more sharp and distinct. Since a strong light is not required in viewing near objects, the pupil contracts, as is shown in the left-hand half of the diagram. {215}

[Sidenote: 84. Change of sight with the approach of old age? Explain the change?]

84. OLD-SIGHT, OR PRESBYOPIA.--But this marvellously beautiful mechanism becomes worn with use; or, more strictly speaking, the lens, like other structures of the body, becomes harder with the approach of old age. The material composing the lens becomes less elastic, the power to increase its curvature is gradually lost, and as a consequence, the person is obliged to hold the book further away when reading, and to seek a stronger light. In a word, the function of accommodation begins to fail, and is about the first evidence that marks the decline of life. By looking at the last preceding diagram, and remembering that the increased curvature of the lens cannot take place, it will be at once understood why old-sight is benefitted in near vision by the convex lens, such as the spectacles of old people contain. It acts as a substitute for the deficiency of the crystalline lens.

[Sidenote: 85. Hearing or audition? What is sound? How propagated commonly? Stone thrown in water?]

85. THE SENSE OF HEARING.--SOUND.--Hearing, or audition, is the special sense by means of which we are made acquainted with _sound_. What is sound? It is an impression made upon the organs of hearing, by the vibrations of elastic bodies. This impression is commonly propagated by means of the air, which is thrown into delicate undulations, in all directions from the vibrating substance. When a stone is thrown into smooth water, a wave of circular form is set in motion, from the point where the stone struck, which constantly increases in size and diminishes in force, as it advances.

[Sidenote: 86. Sound-wave in the atmosphere? Its shape? Rate of motion? Sound, in water, air, and solid bodies?]

86. Somewhat resembling this, is the undulation, or sound-wave, which is imparted by a sonorous vibration to the surrounding atmosphere. Its shape, however, is spherical, rather than circular, since it radiates upward, downward, and obliquely as well as horizontally, like the wave {216} in water. The rate of motion of this spherical wave of air is about 1050 feet per second, or one mile in five seconds. In water, sound travels four times as fast as in air, and still more rapidly through solid bodies; along an iron rod, its velocity is equal to two miles per second.

[Sidenote: 87. The earth as a conductor of sound? To what has the western Indian been taught? Solid substances as conductors? As regards sound, in what respect is air necessary? Sound in a vacuum?]

87. The earth, likewise, is a good conductor of sound. It is said that the Indian of our western prairies can, by listening at the surface of the ground, hear the advance of a troop of cavalry, while they are still out of sight, and can even discriminate between their tread and that of a herd of buffaloes. Solid substances also convey sounds with greater power than air. If the ear be pressed against one end of a long beam, the scratching of a pin at the other extremity may be distinctly heard, which will not be at all audible when the ear is removed from the beam. Although air is not the best medium for conveying sound, it is necessary for its production. Sound cannot be produced in a vacuum, as is shown by ringing a bell in the exhausted receiver of an air-pump, for it is then entirely inaudible. But let the air be readmitted gradually, then the tones become more and more distinct, and when the receiver is again full of air, they will be as clear as usual.

88. All sonorous bodies do not vibrate with the same degree of rapidity, and upon this fact depends the _pitch_ of the sounds that they respectively produce. The more frequent the number of vibrations within a given time, the higher will be the pitch; and the fewer their number, the lower or graver will it be. Now, the rate of the successive vibrations of different notes has been measured, and it has thus been found that if they are less than sixteen in a second, no sound is audible; while if they exceed 60,000 per second the sound is very faint, and is painful to the {217} ear. The extreme limit of the capacity of the human ear may be considered as included between these points; but the sounds which we ordinarily hear are embraced between 100 and 3,000 vibrations per second.

89. The _ear_, which is the proper organ of hearing, is the most complicated of all the structures that are employed in the reception of external impressions. The parts of which it is composed are numerous, and some of them are extremely small and delicate. Nearly all these parts are located in an irregularly shaped cavity hollowed out in the temporal, or "temple," bone of each side of the head. That part of the bone in which the auditory cavity is placed has the densest structure of all bones of the body, and has therefore been called the "petrous," or rocky part of the temporal bone. In studying the ear, it is necessary to consider it as divided into three portions, which are called, from their relative positions, the _external_ ear, the _middle_ ear, and the _internal_ ear. (In the diagram, Fig. 53, A, the first is not shaded, the second is lightly shaded, and the last has a dark background.)

[Sidenote: 90. Of what does the external portion of the organ of hearing consist? Describe the portal of that organ known as the ear. Its use?]

90. THE EXTERNAL EAR.--The external portion of the organ of hearing, designated in Fig. 53, A, includes, first, that outer part (_a_), which is commonly spoken of as "the ear," but which in fact is only the portal of that organ; and, secondly, the _auditory canal_ (_b_). The former consists of a flat flexible piece of cartilage, projecting slightly from the side of the head, attached to it by ligaments, and supplied with a few weak muscles. Its surface is uneven, and curiously curved, and from its resemblance to a shell, it has been called the _concha_. It probably serves to collect sounds, and to give them an inward direction; although its removal is said not to impair the acuteness of hearing more than a few days. {218}

[Sidenote: 91. The ear in the animals of delicate hearing? Rabbit? Fishes?]

91. In those animals whose hearing is more delicate than that of man, the corresponding organ is of greater importance, it being larger and supplied with muscles of greater power, so that it serves as a natural kind of ear-trumpet, which is easily movable in the direction of any sound that attracts the attention of the animal. Bold, predaceous animals generally have the concavity of this organ directed forward, while in timorous animals, like the rabbit, it is directed backward. Fishes have no outer ear, but sounds are transmitted directly through the solid bones of the head, to the internal organ of hearing.

[Sidenote: 92. What is the auditory canal? Describe it.]

92. The _auditory canal_ (Fig. 53, A, _b_), which is continuous with the outer opening of the ear, is a blind passage, an inch and a quarter in length, its inner extremity being bounded by a closely-fitting, circular membrane. This canal is of oval form, is directed forward and inward, {219} and is slightly curved; so that the inner end is ordinarily concealed from view. The pouch of the skin which lines this passage is smooth and thin, especially at the lower end, where it covers the membrane just mentioned.

[Sidenote: 93. How is it guarded and protected? Ear-wax?]

93. As in the case of the nostrils, a number of small, stiff hairs garnish the margin of the auditory canal, and guard it, to some extent, against the entrance of insects and other foreign objects. The skin, too, covering its outer half, is furnished with a belt of little glands which secrete a yellow, viscid, and bitter substance, called "ear-wax," which is especially obnoxious to small insects. As the outer layer of this wax-like material loses its useful properties, it becomes dry, and falls out of the ear in the form of minute, thin scales, a fresh supply being furnished from the little glands beneath. In its form, the auditory canal resembles the tube of an ear-trumpet, and serves to convey the waves of sound to the middle portion of the ear.

[Sidenote: 94. What is the middle ear? Why called tympanum?]

94. THE MIDDLE EAR, OR TYMPANUM.--The middle ear is a small cavity, or chamber, of irregular shape, about one-fourth of an inch across from side to side, and half an inch long (see Fig. 53, A, _d_). From the peculiar arrangement of its various parts it has very properly been called the _tympanum_, or the "drum of the ear." The middle ear, like the external canal, contains air.

[Sidenote: 95. What is the membrana tympani? Describe it.]

95. The circular membrane, already mentioned as closing the auditory canal, is the partition which separates the middle from the external ear, and is called the _membrana tympani_ (_c_), and may be considered as the outer head of the drum of the ear. It is sometimes itself spoken of as the "drum," but this is incorrect; since a drum is not a membrane, but is the hollow space across which the membrane is stretched. This membranous drum-head is very tense and elastic, and so thin as to be almost transparent; {220} its margin is fastened into a circular groove in the adjacent bone. Each wave of sound that impinges against this delicate membrane causes it to vibrate, and it, in turn, excites movements in the parts beyond.

[Sidenote: 96. What are the ossicles? Their number and names? Their arrangement?]

96. Within the tympanum is arranged a chain of remarkable "little bones," or _ossicles_. They are chiefly three in number, and from their peculiar shapes bear the following names: _malleus_, or the mallet; _incus_, or the anvil; and _stapes_, or the stirrup. A fourth, the smallest bone in the body, in early life intervenes between the incus and stapes, but at a later period it becomes a part of the incus. It is called the _orbicular_ bone. Small as are these ossicles--and they, together, weigh only a few grains--they have their little muscles, cartilages, and blood-vessels, as perfectly arranged as the larger bones of the body. One end of the chain of ossicles, the mallet, is attached to the membrane of the tympanum, or outer drum-head, while the other end, the stirrup, is firmly joined by its foot-piece to a membrane in the opposite side of the cavity. The chain, accordingly, hangs suspended across the drum between the two membranes; and when the outer one vibrates under the influence of the sound-wave, the chain swings inward and transmits the vibration to the entrance of the inner ear.

[Sidenote: 97. The Eustachian tube? Describe it, and state its use.]

97. The musical instrument, the drum, is not complete if the air within be perfectly confined: we therefore find in all instruments of this kind a small opening in the side, through which air may pass freely. By this means the pressure of the air upon the vellum which forms the head of the drum is made equal upon all sides, and the resonance of the drum remains unaffected by the varying density of the atmosphere. It will, therefore, emit its proper sound, whether it be struck in the rarified air of the mountain-top, or in the condensed air of a mine. The tympanum, {221} or drum of the ear, in like manner has an opening by means of which it communicates freely with the external air. This opening is a narrow canal, about an inch and a half long, called the _Eustachian tube_, after the name of its discoverer, Eustachius.

[Sidenote: 98. What can you state of the action of the Eustachian tube?]

98. The course of this passage is indicated in Fig. 54, I, directed downward and inward: its other extremity opens into the upper part of the throat. The passage itself is ordinarily closed, but whenever the act of swallowing or gaping takes place, the orifice in the throat is stretched open, and the air of the cavity of the tympanum may then be renewed. Air may at will be made to enter through this tube, by closing the mouth and nose, and then trying {222} to force air through the latter. When this is done, a distinct crackle or clicking sound is perceived, due to the movement of the membranes, and of the little bones of the ear.

[Sidenote: 99. What other purpose does the Eustachian tube serve? How is this shown? "Throat-deafness?" Primary use of the Eustachian tube?]

99. The Eustachian tube serves, also, as an escape-pipe for the fluids which form within the middle ear; and hence, when its lining membrane becomes thickened, in consequence of a cold, or sore throat, and the passage is thus more or less choked up, the fluids are unable to escape as usual, and therefore accumulate within the ear. When this takes place, the vibrations of the membrane are interfered with; the sounds heard appear muffled and indistinct; and a temporary difficulty of hearing, which is known as "throat-deafness," is the result. This result resembles the effect produced by interrupting the vibrations of a sonorous body, such as all are familiar with; if the finger be placed upon a piano-string or bell when it is struck, the proper sound is no longer fully and clearly emitted. But the primary use of this tube is to afford a free communication between the middle ear and the external atmosphere, and thus secure an equal pressure upon both sides of the membrane of the drum of the ear, however the density of the atmosphere may vary. If, from undue tension of the membranes, pain is experienced in the ears, when ascending into a rare atmosphere, as in a balloon, or descending into a dense one, as in a diving-bell, it may be relieved by repeating the act of swallowing, from time to time, in order that the inner and outer pressure may thus be promptly equalized.

[Sidenote: 100. The essential part of the organ of hearing? Its location? Formation?]

100. THE INTERNAL EAR, OR LABYRINTH.--The most essential part of the organ of hearing is the distribution of the _auditory nerve_. This is found within the cavity of the internal ear, which, from its exceedingly tortuous shape, {223} has been termed the _labyrinth_ (see Fig. 53, C). This cavity is hollowed out in dense bone, and consists of three parts; the _vestibule_ (_a_), or ante-chamber, which is connected with the other two; the _cochlea_ (_b_), or snail's shell; and the three _semicircular canals_ (_c_). The manner in which the nerve of hearing is distributed is remarkable, and is peculiar to this nerve. In the vestibule and the canals its fibres are spread out over the inner surface, not of the bony cavity but of a membranous bag, which conforms to and partially fills that cavity; and which floats in it, being both filled and surrounded with a clear, limpid fluid.

[Sidenote: 101. Where is the "ear-sand" found? Give the theory as to its use.]

101. A singular addition to the mechanism of hearing is observed within this membranous bag of the labyrinth. This consists of two small oval ear-stones, and a quantity of fine powder of a calcareous nature, which is called "ear-sand." When examined under the microscope, these sandy particles are seen to lie scattered upon and among the delicate filaments of the auditory nerve; and it is probable, that as the tremulous sound-wave traverses the fluid of the vestibule, the sand rises and falls upon the nerve filaments, and thus intensifies the sonorous impression.

[Sidenote: 102. In the cochlea or snail's shell? "Key-board" in the internal ear? The vestibules? Semicircular canals?]

102. In the cochlea, or snail's shell, which contains the fluid, but no membrane, the nerve ramifies upon a spiral shelf, which, like the cochlea itself, takes two and a half turns, growing continuously smaller as it winds upward. As many as three thousand nerve fibres of different lengths have been counted therein; which, it has been thought, form the grand, yet minutely small key-board, upon which strike all the musical tones that are destined to be conveyed to the brain. The vestibule, it is also supposed, takes cognizance of noise as distinguished from musical sounds; while the office of the semicircular canals is, in part at least, to prevent internal echoes, or reverberations. {224}

[Sidenote: 103. With what does the vestibule communicate? What is the theory by which sound is conducted to the brain?]

103. The vestibule communicates with the chain of bones of the middle ear by means of a small opening, called the "oval window," or _fenestra ovalis_. Across this window is stretched the membrane, which has already been alluded to as being joined to the stirrup-bone of the middle ear. Through this window, then, the sound-wave, which traverses the external and middle ear, arrives at last at the labyrinth. The limpid fluid which the latter contains, and which bathes the terminal fibres of the nerve of hearing, is thus agitated, the nerve-fibres are excited, and a sonorous impression is conducted to the brain, or, as we say, a sound is heard.

[Sidenote: 104. The formation of the organ of hearing with a view to its protection?]

104. PROTECTION OF THE SENSE OF HEARING.--From what has been seen of the complicated parts which compose the organ of hearing, it is evident that while many of them possess an exquisite delicacy of structure, Nature has well and amply provided for their protection. We have observed the concealed situation of the most important parts of the mechanism of the ear, the length of its cavity, its partitions, the hardness of its walls, and its communication with the atmosphere; all these provisions rendering unnecessary any supervision or care on our part in reference to the interior of the ear. But in respect to its external parts, which are under our control and within the reach of harm, it is otherwise. We may both observe the dangers which threaten them, and learn the means necessary to protect them.

[Sidenote: 105. Danger to which the hearing may be subjected? Advice?]

105. One source of danger to the hearing consists in lowering the temperature of the ear, especially by the introduction of cold water into the auditory canal. Every one is familiar with the unpleasant sensation of distension and the confusion of sounds which accompany the filling of the ear with water when bathing: the weight of the {225} water within it really distends the membrane, and the cold chills the adjacent sensitive parts. It is not surprising, therefore, that the frequent introduction of cold water and its continued presence in the ear enfeeble the sense of hearing. Care should be taken to remove water from the ear after bathing, by holding the head on one side, and, at the same time, slightly expanding the outer orifice, so that the fluid may run out. For a like reason, the hair about the ears should not be allowed to remain wet, but should be thoroughly dried as soon as possible.

[Sidenote: 106. The general rule as to the use of water for the ear?]

106. It may be stated as a general rule, to which there are but few exceptions, that no cold liquid should ever be allowed to enter the ear. When a wash or injection is rendered necessary, it should always be warmed before use. The introduction of cold air is likewise hurtful, especially when it pours through a crevice directly into the ear, as it may often do through the broken or partially closed window of a car. The avoidance of this evil gives rise to another almost as great; namely, the introduction of cotton or other soft substances into the ear to prevent it from "catching cold." This kind of protection tends to make the part unnaturally susceptible to changes of temperature, and its security seems to demand the continued presence of the "warm" covering. As a consequence of its presence, sounds are not naturally conveyed, and the sensitiveness of the nerve of hearing is gradually impaired.

[Sidenote: 107. Chief source of injury to the ear? Directions for removing foreign objects from the ear? Of a live insect?]

107. The chief source of injury, however, to the ear is from the introduction of solid substances into the auditory canal, with the design of removing insects or other foreign objects that have found their way into the ear; or with the design of scraping out the ear-wax. For displacing a foreign object, it is usually sufficient to syringe the ear gently with warm water, the head being so held that the {226} fluid easily escapes. If a live insect has gained entrance to the ear, it may first be suffocated by pouring a little oil upon it, and afterward removed by syringing the ear as just mentioned.

108. The removal of ear-wax is generally unnecessary; for, as we have before seen, Nature provides that the excess of it shall become dry, and then spontaneously fall out in the form of fine scales. The danger from the introduction of solid implements into the outer ear is chiefly found in the fact that the membrane which lies at the bottom of it is very fragile, and that any injury of it is liable to be permanent, and to permanently impair the hearing of the injured ear.

QUESTIONS FOR TOPICAL REVIEW.

_Give as full statements as you can on the following subjects_:

1. Production of sensation 177, 178 2. Variety of sensations 178, 179 3. General sensibility 179, 180 4. The sensation of pain 180 5. The uses of pain 180, 181, 182 6. Special sensation 182, 183 7. Organs of touch 183, 184 8. The sense of touch 184, 185, 186 9. The delicacy of touch 186, 187 10. Sensations of temperature and weight 187, 188 11. The organ of taste 188, 189 12. The sense of taste 189, 190 13. Relations of taste, etc. 190, 191 14. Influence of education, etc. 191, 192 15. The sense of smell 192, 193 16. The nerve of smell 193, 194 17. Uses of the sense of smell 194, 195 18. The sense of sight 196, 197 19. Light, and the optic nerve 197, 198 20. The organ of sight 198, 199 21. The orbits 199 22. The eyelids 200, 201 23. The lachrymal fluid 201, 202, 203 24. The eyeball 203, 204 25. The iris 205, 206 26. The retina 206, 207, 208, 209 27. The crystalline lens 209, 210 28. Uses of the lens 210, 211, 212 29. Long and short sight 212, 213 30. Function of accommodation 213, 214 31. Old sight, or presbyopia 215 32. Hearing and sound 215, 216, 217 33. The external ear 217, 218, 219 34. The middle ear 219-222 35. The internal ear 222, 223, 224 36. Protection of the sense of hearing 224, 225, 226

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