A Sportsman's Sketches Works of Ivan Turgenev, Volume I

Chapter 14

Chapter 144,212 wordsPublic domain

I walked in the direction of the copse, turned to the right, kept on, kept right on as the old man had advised me, and at last got to a large village with a stone church in the new style, _i.e._ with columns, and a spacious manor-house, also with columns. While still some way off I noticed through the fine network of falling rain a cottage with a deal roof, and two chimneys, higher than the others, in all probability the dwelling of the village elder; and towards it I bent my steps in the hope of finding, in this cottage, a samovar, tea, sugar, and some not absolutely sour cream. Escorted by my half-frozen dog, I went up the steps into the outer room, opened the door, and instead of the usual appurtenances of a cottage, I saw several tables, heaped up with papers, two red cupboards, bespattered inkstands, pewter boxes of blotting sand weighing half a hundred-weight, long penholders, and so on. At one of the tables was sitting a young man of twenty with a swollen, sickly face, diminutive eyes, a greasy-looking forehead, and long straggling locks of hair. He was dressed, as one would expect, in a grey nankin coat, shiny with wear at the waist and the collar.

'What do you want?' he asked me, flinging his head up like a horse taken unexpectedly by the nose.

'Does the bailiff live here... or--'

'This is the principal office of the manor,' he interrupted. 'I'm the clerk on duty.... Didn't you see the sign-board? That's what it was put up for.'

'Where could I dry my clothes here? Is there a samovar anywhere in the village?'

'Samovars, of course,' replied the young man in the grey coat with dignity; 'go to Father Timofey's, or to the servants' cottage, or else to Nazar Tarasitch, or to Agrafena, the poultry-woman.'

'Who are you talking to, you blockhead? Can't you let me sleep, dummy!' shouted a voice from the next room.

'Here's a gentleman's come in to ask where he can dry himself.'

'What sort of a gentleman?'

'I don't know. With a dog and a gun.'

A bedstead creaked in the next room. The door opened, and there came in a stout, short man of fifty, with a bull neck, goggle-eyes, extraordinarily round cheeks, and his whole face positively shining with sleekness.

'What is it you wish?' he asked me.

'To dry my things.'

'There's no place here.'

'I didn't know this was the counting-house; I am willing, though, to pay...'

'Well, perhaps it could be managed here,' rejoined the fat man; 'won't you come inside here?' (He led me into another room, but not the one he had come from.) 'Would this do for you?'

'Very well.... And could I have tea and milk?'

'Certainly, at once. If you'll meantime take off your things and rest, the tea shall be got ready this minute.'

'Whose property is this?'

'Madame Losnyakov's, Elena Nikolaevna.'

He went out I looked round: against the partition separating my room from the office stood a huge leather sofa; two high-backed chairs, also covered in leather, were placed on both sides of the solitary window which looked out on the village street. On the walls, covered with a green paper with pink patterns on it, hung three immense oil paintings. One depicted a setter-dog with a blue collar, bearing the inscription: 'This is my consolation'; at the dog's feet flowed a river; on the opposite bank of the river a hare of quite disproportionate size with ears cocked up was sitting under a pine tree. In another picture two old men were eating a melon; behind the melon was visible in the distance a Greek temple with the inscription: 'The Temple of Satisfaction.' The third picture represented the half-nude figure of a woman in a recumbent position, much fore-shortened, with red knees and very big heels. My dog had, with superhuman efforts, crouched under the sofa, and apparently found a great deal of dust there, as he kept sneezing violently. I went to the window. Boards had been laid across the street in a slanting direction from the manor-house to the counting-house--a very useful precaution, as, thanks to our rich black soil and the persistent rain, the mud was terrible. In the grounds of the manor-house, which stood with its back to the street, there was the constant going and coming there always is about manor-houses: maids in faded chintz gowns flitted to and fro; house-serfs sauntered through the mud, stood still and scratched their spines meditatively; the constable's horse, tied up to a post, lashed his tail lazily, and with his nose high up, gnawed at the hedge; hens were clucking; sickly turkeys kept up an incessant gobble-gobble. On the steps of a dark crumbling out-house, probably the bath-house, sat a stalwart lad with a guitar, singing with some spirit the well-known ballad:

'I'm leaving this enchanting spot To go into the desert.'

The fat man came into the room.

'They're bringing you in your tea,' he told me, with an affable smile.

The young man in the grey coat, the clerk on duty, laid on the old card-table a samovar, a teapot, a tumbler on a broken saucer, a jug of cream, and a bunch of Bolhovo biscuit rings. The fat man went out.

'What is he?' I asked the clerk; 'the steward?'

'No, sir; he was the chief cashier, but now he has been promoted to be head-clerk.'

'Haven't you got a steward, then?'

'No, sir. There's an agent, Mihal Vikulov, but no steward.'

'Is there a manager, then?'

'Yes; a German, Lindamandol, Karlo Karlitch; only he does not manage the estate.'

'Who does manage it, then?'

'Our mistress herself.'

'You don't say so. And are there many of you in the office?'

The young man reflected.

'There are six of us.'

'Who are they?' I inquired.

'Well, first there's Vassily Nikolaevitch, the head cashier; then Piotr, one clerk; Piotr's brother, Ivan, another clerk; the other Ivan, a clerk; Konstantin Narkizer, another clerk; and me here--there's a lot of us, you can't count all of them.'

'I suppose your mistress has a great many serfs in her house?'

'No, not to say a great many.'

'How many, then?'

'I dare say it runs up to about a hundred and fifty.'

We were both silent for a little.

'I suppose you write a good hand, eh?' I began again.

The young man grinned from ear to ear, went into the office and brought in a sheet covered with writing.

'This is my writing,' he announced, still with the same smile on his face.

I looked at it; on the square sheet of greyish paper there was written, in a good bold hand, the following document:--

ORDER

From the Chief Office of the Manor of Ananyevo to the Agent, Mihal Vikulov.

No. 209.

'Whereas some person unknown entered the garden at Ananyevo last night in an intoxicated condition, and with unseemly songs waked the French governess, Madame EngĂȘne, and disturbed her; and whether the watchmen saw anything, and who were on watch in the garden and permitted such disorderliness: as regards all the above-written matters, your orders are to investigate in detail, and report immediately to the Office.'

'_Head-Clerk_, NIKOLAI HVOSTOV.'

A huge heraldic seal was attached to the order, with the inscription: 'Seal of the chief office of the manor of Ananyevo'; and below stood the signature: 'To be executed exactly, Elena Losnyakov.'

'Your lady signed it herself, eh?' I queried.

'To be sure; she always signs herself. Without that the order would be of no effect.'

'Well, and now shall you send this order to the agent?'

'No, sir. He'll come himself and read it. That's to say, it'll be read to him; you see, he's no scholar.' (The clerk on duty was silent again for a while.) 'But what do you say?' he added, simpering; 'is it well written?'

'Very well written.'

'It wasn't composed, I must confess, by me. Konstantin is the great one for that.'

'What?... Do you mean the orders have first to be composed among you?'

'Why, how else could we do? Couldn't write them off straight without making a fair copy.'

'And what salary do you get?' I inquired.

'Thirty-five roubles, and five roubles for boots.'

'And are you satisfied?'

'Of course I am satisfied. It's not everyone can get into an office like ours. It was God's will, in my case, to be sure; I'd an uncle who was in service as a butler.'

'And you're well-off?'

'Yes, sir. Though, to tell the truth,' he went on, with a sigh, 'a place at a merchant's, for instance, is better for the likes of us. At a merchant's they're very well off. Yesterday evening a merchant came to us from Venev, and his man got talking to me.... Yes, that's a good place, no doubt about it; a very good place.'

'Why? Do the merchants pay more wages?'

'Lord preserve us! Why, a merchant would soon give you the sack if you asked him for wages. No, at a merchant's you must live on trust and on fear. He'll give you food, and drink, and clothes, and all. If you give him satisfaction, he'll do more.... Talk of wages, indeed! You don't need them.... And a merchant, too, lives in plain Russian style, like ourselves; you go with him on a journey--he has tea, and you have it; what he eats, you eat. A merchant ... one can put up with; a merchant's a very different thing from what a gentleman is; a merchant's not whimsical; if he's out of temper, he'll give you a blow, and there it ends. He doesn't nag nor sneer.... But with a gentleman it's a woeful business! Nothing's as he likes it--this is not right, and that he can't fancy. You hand him a glass of water or something to eat: "Ugh, the water stinks! positively stinks!" You take it out, stay a minute outside the door, and bring it back: "Come, now, that's good; this doesn't stink now." And as for the ladies, I tell you, the ladies are something beyond everything!... and the young ladies above all!...'

'Fedyushka!' came the fat man's voice from the office.

The clerk went out quickly. I drank a glass of tea, lay down on the sofa, and fell asleep. I slept for two hours.

When I woke, I meant to get up, but I was overcome by laziness; I closed my eyes, but did not fall asleep again. On the other side of the partition, in the office, they were talking in subdued voices. Unconsciously I began to listen.

'Quite so, quite so, Nikolai Eremyitch,' one voice was saying; 'quite so. One can't but take that into account; yes, certainly!... Hm!' (The speaker coughed.)

'You may believe me, Gavrila Antonitch,' replied the fat man's voice: 'don't I know how things are done here? Judge for yourself.'

'Who does, if you don't, Nikolai Eremyitch? you're, one may say, the first person here. Well, then, how's it to be?' pursued the voice I did not recognise; 'what decision are we to come to, Nikolai Eremyitch? Allow me to put the question.'

'What decision, Gavrila Antonitch? The thing depends, so to say, on you; you don't seem over anxious.'

'Upon my word, Nikolai Eremyitch, what do you mean? Our business is trading, buying; it's our business to buy. That's what we live by, Nikolai Eremyitch, one may say.'

'Eight roubles a measure,' said the fat man emphatically.

A sigh was audible.

'Nikolai Eremyitch, sir, you ask a heavy price.' 'Impossible, Gavrila Antonitch, to do otherwise; I speak as before God Almighty; impossible.'

Silence followed.

I got up softly and looked through a crack in the partition. The fat man was sitting with his back to me. Facing him sat a merchant, a man about forty, lean and pale, who looked as if he had been rubbed with oil. He was incessantly fingering his beard, and very rapidly blinking and twitching his lips.

'Wonderful the young green crops this year, one may say,' he began again; 'I've been going about everywhere admiring them. All the way from Voronezh they've come up wonderfully, first-class, one may say.'

'The crops are pretty fair, certainly,' answered the head-clerk; 'but you know the saying, Gavrila Antonitch, autumn bids fair, but spring may be foul.'

'That's so, indeed, Nikolai Eremyitch; all is in God's hands; it's the absolute truth what you've just remarked, sir.... But perhaps your visitor's awake now.'

The fat man turned round ... listened....

'No, he's asleep. He may, though....'

He went to the door.

'No, he's asleep,' he repeated and went back to his place.

'Well, so what are we to say, Nikolai Eremyitch?' the merchant began again; 'we must bring our little business to a conclusion.... Let it be so, Nikolai Eremyitch, let it be so,' he went on, blinking incessantly; 'two grey notes and a white for your favour, and there' (he nodded in the direction of the house), 'six and a half. Done, eh?'

'Four grey notes,' answered the clerk.

'Come, three, then.'

'Four greys, and no white.'

'Three, Nikolai Eremyitch.'

'Three and a half, and not a farthing less.'

'Three, Nikolai Eremyitch.'

'You're not talking sense, Gavrila Antonitch.'

'My, what a pig-headed fellow!' muttered the merchant. 'Then I'd better arrange it with the lady herself.'

'That's as you like,' answered the fat man; 'far better, I should say. Why should you worry yourself, after all?... Much better, indeed!'

'Well, well! Nikolai Eremyitch. I lost my temper for a minute! That was nothing but talk.'

'No, really, why?...'

'Nonsense, I tell you.... I tell you I was joking. Well, take your three and a half; there's no doing anything with you.'

'I ought to have got four, but I was in too great a hurry--like an ass!' muttered the fat man.

'Then up there at the house, six and a half, Nikolai Eremyitch; the corn will be sold for six and a half?'

'Six and a half, as we said already.'

'Well, your hand on that then, Nikolai Eremyitch' (the merchant clapped his outstretched fingers into the clerk's palm). 'And good-bye, in God's name!' (The merchant got up.) 'So then, Nikolai Eremyitch, sir, I'll go now to your lady, and bid them send up my name, and so I'll say to her, "Nikolai Eremyitch," I'll say, "has made a bargain with me for six and a half."'

'That's what you must say, Gavrila Antonitch.'

'And now, allow me.'

The merchant handed the manager a small roll of notes, bowed, shook his head, picked up his hat with two fingers, shrugged his shoulders, and, with a sort of undulating motion, went out, his boots creaking after the approved fashion. Nikolai Eremyitch went to the wall, and, as far as I could make out, began sorting the notes handed him by the merchant. A red head, adorned with thick whiskers, was thrust in at the door.

'Well?' asked the head; 'all as it should be?'

'Yes.'

'How much?'

The fat man made an angry gesture with his hand, and pointed to my room.

'Ah, all right!' responded the head, and vanished.

The fat man went up to the table, sat down, opened a book, took out a reckoning frame, and began shifting the beads to and fro as he counted, using not the forefinger but the third finger of his right hand, which has a much more showy effect.

The clerk on duty came in.

'What is it?'

'Sidor is here from Goloplek.'

'Oh! ask him in. Wait a bit, wait a bit.... First go and look whether the strange gentleman's still asleep, or whether he has waked up.'

The clerk on duty came cautiously into my room. I laid my head on my game-bag, which served me as a pillow, and closed my eyes.

'He's asleep,' whispered the clerk on duty, returning to the counting-house.

The fat man muttered something.

'Well, send Sidor in,' he said at last.

I got up again. A peasant of about thirty, of huge stature, came in--a red-cheeked, vigorous-looking fellow, with brown hair, and a short curly beard. He crossed himself, praying to the holy image, bowed to the head-clerk, held his hat before him in both hands, and stood erect.

'Good day, Sidor,' said the fat man, tapping with the reckoning beads.

'Good-day to you, Nikolai Eremyitch.'

'Well, what are the roads like?'

'Pretty fair, Nikolai Eremyitch. A bit muddy.' (The peasant spoke slowly and not loud.)

'Wife quite well?'

'She's all right!'

The peasant gave a sigh and shifted one leg forward. Nikolai Eremyitch put his pen behind his ear, and blew his nose.

'Well, what have you come about?' he proceeded to inquire, putting his check handkerchief into his pocket.

'Why, they do say, Nikolai Eremyitch, they're asking for carpenters from us.'

'Well, aren't there any among you, hey?'

'To be sure there are, Nikolai Eremyitch; our place is right in the woods; our earnings are all from the wood, to be sure. But it's the busy time, Nikolai Eremyitch. Where's the time to come from?'

'The time to come from! Busy time! I dare say, you're so eager to work for outsiders, and don't care to work for your mistress.... It's all the same!'

'The work's all the same, certainly, Nikolai Eremyitch ... but....'

'Well?'

'The pay's ... very....'

'What next! You've been spoiled; that's what it is. Get along with you!'

'And what's more, Nikolai Eremyitch, there'll be only a week's work, but they'll keep us hanging on a month. One time there's not material enough, and another time they'll send us into the garden to weed the path.'

'What of it? Our lady herself is pleased to give the order, so it's useless you and me talking about it.'

Sidor was silent; he began shifting from one leg to the other.

Nikolai Eremyitch put his head on one side, and began busily playing with the reckoning beads.

'Our ... peasants ... Nikolai Eremyitch....' Sidor began at last, hesitating over each word; 'sent word to your honour ... there is ... see here....' (He thrust his big hand into the bosom of his coat, and began to pull out a folded linen kerchief with a red border.)

'What are you thinking of? Goodness, idiot, are you out of your senses?' the fat man interposed hurriedly. 'Go on; go to my cottage,' he continued, almost shoving the bewildered peasant out; 'ask for my wife there ... she'll give you some tea; I'll be round directly; go on. For goodness' sake, I tell you, go on.'

Sidor went away.

'Ugh!... what a bear!' the head clerk muttered after him, shaking his head, and set to work again on his reckoning frame.

Suddenly shouts of 'Kuprya! Kuprya! there's no knocking down Kuprya!' were heard in the street and on the steps, and a little later there came into the counting-house a small man of sickly appearance, with an extraordinarily long nose and large staring eyes, who carried himself with a great air of superiority. He was dressed in a ragged little old surtout, with a plush collar and diminutive buttons. He carried a bundle of firewood on his shoulder. Five house-serfs were crowding round him, all shouting, 'Kuprya! there's no suppressing Kuprya! Kuprya's been turned stoker; Kuprya's turned a stoker!' But the man in the coat with the plush collar did not pay the slightest attention to the uproar made by his companions, and was not in the least out of countenance. With measured steps he went up to the stove, flung down his load, straightened himself, took out of his tail-pocket a snuff-box, and with round eyes began helping himself to a pinch of dry trefoil mixed with ashes. At the entrance of this noisy party the fat man had at first knitted his brows and risen from his seat, but, seeing what it was, he smiled, and only told them not to shout. 'There's a sportsman,' said he, 'asleep in the next room.' 'What sort of sportsman?' two of them asked with one voice.

'A gentleman.'

'Ah!'

'Let them make a row,' said the man with the plush collar, waving his arms; 'what do I care, so long as they don't touch me? They've turned me into a stoker....'

'A stoker! a stoker!' the others put in gleefully.

'It's the mistress's orders,' he went on, with a shrug of his shoulders; 'but just you wait a bit ... they'll turn you into swineherds yet. But I've been a tailor, and a good tailor too, learnt my trade in the best house in Moscow, and worked for generals ... and nobody can take that from me. And what have you to boast of?... What? you're a pack of idlers, not worth your salt; that's what you are! Turn me off! I shan't die of hunger; I shall be all right; give me a passport. I'd send a good rent home, and satisfy the masters. But what would you do? You'd die off like flies, that's what you'd do!'

'That's a nice lie!' interposed a pock-marked lad with white eyelashes, a red cravat, and ragged elbows. 'You went off with a passport sharp enough, but never a halfpenny of rent did the masters see from you, and you never earned a farthing for yourself, you just managed to crawl home again and you've never had a new rag on you since.'

'Ah, well, what could one do! Konstantin Narkizitch,' responded Kuprya; 'a man falls in love--a man's ruined and done for! You go through what I have, Konstantin Narkizitch, before you blame me!'

'And you picked out a nice one to fall in love with!--a regular fright.'

'No, you must not say that, Konstantin Narkizitch.'

'Who's going to believe that? I've seen her, you know; I saw her with my own eyes last year in Moscow.'

'Last year she had gone off a little certainly,' observed Kuprya.

'No, gentlemen, I tell you what,' a tall, thin man, with a face spotted with pimples, a valet probably, from his frizzed and pomatumed head, remarked in a careless and disdainful voice; 'let Kuprya Afanasyitch sing us his song. Come on, now; begin, Kuprya Afanasyitch.

'Yes! yes!' put in the others. 'Hoorah for Alexandra! That's one for Kuprya; 'pon my soul ... Sing away, Kuprya!... You're a regular brick, Alexandra!' (Serfs often use feminine terminations in referring to a man as an expression of endearment.) 'Sing away!'

'This is not the place to sing,' Kuprya replied firmly; 'this is the manor counting-house.'

'And what's that to do with you? you've got your eye on a place as clerk, eh?' answered Konstantin with a coarse laugh. 'That's what it is!'

'Everything rests with the mistress,' observed the poor wretch.

'There, that's what he's got his eye on! a fellow like him! oo! oo! a!'

And they all roared; some rolled about with merriment. Louder than all laughed a lad of fifteen, probably the son of an aristocrat among the house-serfs; he wore a waistcoat with bronze buttons, and a cravat of lilac colour, and had already had time to fill out his waistcoat.

'Come tell us, confess now, Kuprya,' Nikolai Eremyitch began complacently, obviously tickled and diverted himself; 'is it bad being stoker? Is it an easy job, eh?'

'Nikolai Eremyitch,' began Kuprya, 'you're head-clerk among us now, certainly; there's no disputing that, no; but you know you have been in disgrace yourself, and you too have lived in a peasant's hut.'

'You'd better look out and not forget yourself in my place,' the fat man interrupted emphatically; 'people joke with a fool like you; you ought, you fool, to have sense, and be grateful to them for taking notice of a fool like you.'

'It was a slip of the tongue, Nikolai Eremyitch; I beg your pardon....'

'Yes, indeed, a slip of the tongue.'

The door opened and a little page ran in.

'Nikolai Eremyitch, mistress wants you.'

'Who's with the mistress?' he asked the page.

'Aksinya Nikitishna, and a merchant from Venev.'

'I'll be there this minute. And you, mates,' he continued in a persuasive voice, 'better move off out of here with the newly-appointed stoker; if the German pops in, he'll make a complaint for certain.'

The fat man smoothed his hair, coughed into his hand, which was almost completely hidden in his coat-sleeve, buttoned himself, and set off with rapid strides to see the lady of the manor. In a little while the whole party trailed out after him, together with Kuprya. My old friend, the clerk-on duty, was left alone. He set to work mending the pens, and dropped asleep in his chair. A few flies promptly seized the opportunity and settled on his mouth. A mosquito alighted on his forehead, and, stretching its legs out with a regular motion, slowly buried its sting into his flabby flesh. The same red head with whiskers showed itself again at the door, looked in, looked again, and then came into the office, together with the rather ugly body belonging to it.

'Fedyushka! eh, Fedyushka! always asleep,' said the head.

The clerk on duty opened his eyes and got up from his seat.