Part 2

_Yardsley._ I? Not at all, my dear boy--not at all. I'm very, very fond of you, but I thought you'd prefer opera to me. Don't you see? That's where my modesty comes in. You're so fond of a good chat I thought you'd want to go to-night. Wilkins has a box.

_Barlow._ You said seats a little while ago.

_Yardsley._ Of course I did. And why not? There are seats in boxes. Didn't you know that?

_Barlow._ Look here, Yardsley, what's up, anyhow? You've been deuced queer to-day. What are you after?

_Yardsley_ (_tragically_). Shall I confide in you? Can I, with a sense of confidence that you will not betray me?

_Barlow_ (_eagerly_). Yes, Bob. Go on. What is it? I'll never give you away, and I _may_ be able to give you some good advice.

_Yardsley._ I am here to--to--to rob the house! Business has been bad, and one must live.

[_BARLOW looks at him in disgust._

_Yardsley_ (_mockingly_). You have my secret, John Barlow. Remember that it was wrung from me in confidence. You must not betray me. Turn your back while I surreptitiously remove the piano and the gas-fixtures, won't you?

_Barlow_ (_looking at him thoughtfully_). Yardsley, I have done you an injustice.

_Yardsley._ Indeed?

_Barlow._ Yes. Some one claimed, at the club, the other day, that you were the biggest donkey in existence, and I denied it. I was wrong, old man, I was wrong, and I apologize. You are.

_Yardsley._ You are too modest, Jack. You forget--yourself.

_Barlow._ Well, perhaps I do; but I've nothing to conceal, and you have. You've been behaving in a most incomprehensible fashion this afternoon, as if you owned the house.

_Yardsley._ Well, what of it? Do you own it?

_Barlow._ No, I don't, but--

_Yardsley._ But you hope to. Well, I have no such mercenary motive. I'm not after the house.

_Barlow_ (_bristling up_). After the house? Mercenary motive? I demand an explanation of those words. What do you mean?

_Yardsley._ I mean this, Jack Barlow: I mean that I am here for--for my own reasons; but you--you have come here for the purpose of--

[_DOROTHY enters with a tray, upon which are the tea things._

_Barlow_ (_about to retort to YARDSLEY, perceiving DOROTHY_). Ah! Let me assist you.

_Dorothy._ Thank you so much. I really believe I never needed help more. (_She delivers the tray to BARLOW, who sets it on the table. DOROTHY, exhausted, drops into a chair._) Fan me--quick--or I shall faint. I've--I've had an awful time, and I really don't know what to do!

_Barlow_ and _Yardsley_ (_together_). Why, what's the matter?

_Yardsley._ I hope the house isn't on fire?

_Barlow._ Or that you haven't been robbed?

_Dorothy._ No, no; nothing like that. It's--it's about Jennie.

_Yardsley_ (_nervously_). Jennie? Wha--wha--what's the matter with Jennie?

_Dorothy._ I only wish I knew. I--

_Yardsley_ (_aside_). I'm glad you don't.

_Barlow._ What say?

_Yardsley._ I didn't say anything. Why should I say anything? I haven't anything to say. If people who had nothing to say would not insist upon talking, you'd be--

_Dorothy._ I heard the poor girl weeping down-stairs, and when I went to the dumb-waiter to ask her what was the matter, I heard--I heard a man's voice.

_Yardsley._ Man's voice?

_Barlow._ Man's voice is what Miss Andrews said.

_Dorothy._ Yes; it was Hicks, our coachman, and he was dreadfully angry about something.

_Yardsley_ (_sinking into chair_). Good Lord! Hicks! Angry! At--something!

_Dorothy._ He was threatening to kill somebody.

_Yardsley._ This grows worse and worse! Threatening to kill somebody! D-did-did you o-over-overhear huh-huh-whom he was going to kuk-kill?

_Barlow._ What's the matter with you, Yardsley? Are you going to die of fright, or have you suddenly caught a chill?

_Dorothy._ Oh, I hope not! Don't die here, anyhow, Mr. Yardsley. If you must die, please go home and die. I couldn't stand another shock to-day. Why, really, I was nearly frightened to death. I don't know now but what I ought to send for the police, Hicks was so violent.

_Barlow._ Perhaps she and Hicks have had a lovers' quarrel.

_Yardsley._ Very likely; very likely, indeed. I think that is no doubt the explanation of the whole trouble. Lovers will quarrel. They were engaged, you know.

_Dorothy_ (_surprised_). No, I didn't know it. Were they? Who told you?

_Yardsley_ (_discovering his mistake_). Why--er--wasn't it you said so, Miss Dorothy? Or you, Barlow?

_Barlow._ I have not the honor of the young woman's confidence, and so could not have given you the information.

_Dorothy._ I didn't know it, so how could I have told you?

_Yardsley_ (_desperately_). Then I must have dreamed it. I do have the queerest dreams sometimes, but there's nothing strange about this one, anyhow. Parlor-maids frequently do--er--become engaged to coachmen and butlers and that sort of thing. It isn't a rare occurrence at all. If I'd said she was engaged to Billie Wilkins, or to--to Barlow here--

_Barlow._ Or to yourself.

_Yardsley._ Sir? What do you mean to insinuate? That I am engaged to Jennie?

_Barlow._ I never said so.

_Dorothy._ Oh, dear, let us have the tea. You quarrelsome men are just wearing me out. Mr. Barlow, do you want cream in yours?

_Barlow._ If you please; and one lump of sugar. (_DOROTHY pours it out._) Thanks.

_Dorothy._ Mr. Yardsley?

_Yardsley._ Just a little, Miss Andrews. No cream, and no sugar.

[_DOROTHY prepares a cup for YARDSLEY. He is about to take it when--_

_Dorothy._ Well, I declare! _It's nothing but hot water! I forgot the tea entirely!_

_Barlow_ (_with a laugh_). Oh, never mind. Hot water is good for dyspepsia.

[_With a significant look at YARDSLEY._

_Yardsley._ It depends on how you get it, Mr. Barlow. I've known men who've got dyspepsia from living in hot water too much.

[_As YARDSLEY speaks the portiere is violently clutched from without, and JENNIE'S head is thrust into the room. No one observes her._

_Barlow._ Well, my cup is very satisfactory to me, Miss Dorothy. Fact is, I've always been fond of cambric tea, and this is just right.

_Yardsley_ (_patronizingly_). It _is_ good for children.

_Jennie_ (_trying to attract YARDSLEY'S attention_). Pst!

_Yardsley._ My mamma lets me have it Sunday nights.

_Dorothy._ Ha, ha, ha!

_Barlow._ Another joke? Good. Let me enjoy it, too. Hee, hee!

_Jennie._ Pst!

[_BARLOW looks around; JENNIE hastily withdraws her head._

_Barlow._ I didn't know you had steam heat in this house.

_Dorothy._ We haven't. What put such an idea as that into your head?

_Barlow._ Why, I thought I heard the hissing of steam, the click of a radiator, or something of that sort back by the door.

_Yardsley._ Maybe the house is haunted.

_Dorothy._ I fancy it was your imagination; or perhaps it was the wind blowing through the hall. The pantry window is open.

_Barlow._ I guess maybe that's it. How fine it must be in the country now!

[_JENNIE pokes her head in through the portieres again, and follows it with her arm and hand, in which is a feather-duster, which she waves wildly in an endeavor to attract YARDSLEY'S attention._

_Dorothy._ Divine. I should so love to be out of town still. It seems to me people always make a great mistake returning to the city so early in the fall. The country is really at its best at this time of year.

[_YARDSLEY turns half around, and is about to speak, when he catches sight of the now almost hysterical JENNIE and her feather-duster._

_Barlow._ Yes; I think so too. I was at Lenox last week, and the foliage was gorgeous.

_Yardsley_ (_feeling that he must say something_). Yes. I suppose all the feathers on the maple-trees are turning red by this time.

_Dorothy._ Feathers, Mr. Yardsley?

_Barlow._ Feathers?

_Yardsley_ (_with a furtive glance at JENNIE_). Ha, ha! What an absurd slip! Did I say feathers? I meant--I meant leaves, of course. All the leaves on the dusters are turning.

_Barlow._ I don't believe you know what you do mean. Who ever heard of leaves on dusters? What are dusters? Do you know, Miss Dorothy?

[_As he turns to MISS ANDREWS, YARDSLEY tries to wave JENNIE away. She beckons with her arms more wildly than ever, and YARDSLEY silently speaks the words_, "Go away."

_Dorothy._ I'm sure I don't know of any tree by that name, but then I'm not a--not a what?

_Yardsley_ (_with a forced laugh_). Treeologist.

_Dorothy._ What are dusters, Mr. Yardsley?

_Barlow._ Yes, old man, tell us. I'm anxious to find out myself.

_Yardsley_ (_aside_). So am I. What the deuce are dusters, for this occasion only? (_Aloud._) What? Never heard of dusters? Ho! Why, dear me, where have you been all your lives? (_Aside._) Must gain time to think up what dusters are. (_Aloud._) Why, they're as old as the hills.

_Barlow._ That may be, but I can't say I think your description is at all definite.

_Dorothy._ Do they look like maples?

_Yardsley_ (_with an angry wave of his arms towards JENNIE_). Something--in fact, very much. They're exactly like them. You can hardly tell them from oaks.

_Barlow._ Oaks?

_Yardsley._ I said oaks. Oaks! O-A-K-S!

_Barlow._ But oaks aren't like maples.

_Yardsley._ Well, who said they were? We were talking about oaks--and--erand dusters. We--er--we used to have a row of them in front of our old house at--(_Aside._) Now where the deuce did we have the old house? Never had one, but we must for the sake of the present situation. (_Aloud._) Up at--at--Bryn-Mawr--or at--Troy, or some such place, and--at--they kept the--the dust of the highway from getting into the house. (_With a sigh of relief._) And so, you see, they were called dusters. Thought every one knew that.

[_As YARDSLEY finishes, JENNIE loses her balance and falls headlong into the room._

_Dorothy_ (_starting up hastily_). Why, Jennie!

_Yardsley_ (_staggering into chair_). That settles it. It's all up with me.

[_JENNIE sobs, and, rising, rushes to YARDSLEY'S side._

_Jennie._ Save yourself; he's going to kill you!

_Dorothy._ Jennie! What is the meaning of this? Mr. Yardsley--can--can you shed any light on this mystery?

_Yardsley_ (_pulling himself together with a great effort_). I? I assure you I can't, Miss Andrews. How could I? All I know is that somebody is--is going to kill me, though for what I haven't the slightest idea.

_Jennie_ (_indignantly_). Eh? What? Why, Mr. Yardsley--Bob!

_Barlow._ Bob?

_Dorothy._ Jennie! Bob?

_Yardsley._ Don't you call me Bob.

_Jennie._ It's Hicks.

[_Bursts out crying._

_Barlow._ Hicks?

_Dorothy._ Jennie, Hicks isn't Bob. His name is George.

_Yardsley_ (_in a despairing rage_). Hicks be--

_Dorothy._ Mr. Yardsley!

_Yardsley_ (_pulling himself together again_). Bobbed. Hicks be Bobbed. That's what I was going to say.

_Dorothy._ What on earth does this all mean? I must have an explanation, Jennie. What have you to say for yourself?

_Jennie._ Why, I--

_Yardsley._ I tell you it isn't true. She's made it up out of whole cloth.

_Barlow._ What isn't true? She hasn't said anything yet.

_Yardsley_ (_desperately_). I refer to what she's going to say. I'm a--a--I'm a mind-reader, and I see it all as plain as day.

_Dorothy._ I can best judge of the truth of Jennie's words when she has spoken them, Mr. Yardsley. Jennie, you may explain, if you can. What do you mean by Hicks killing Mr. Yardsley, and why do you presume to call Mr. Yardsley by his first name?

_Yardsley_ (_aside_). Heigho! My goose is cooked.

_Barlow._ I fancy you wish you had taken that walk I suggested now.

_Yardsley._ You always were a good deal of a fancier.

_Jennie._ I hardly knows how to begin, Miss Dorothy. I--I'm so flabbergasted by all that's happened this afternoon, mum, that I can't get my thoughts straight, mum.

_Dorothy._ Never mind getting your thoughts straight, Jennie. I do not want fiction. I want the truth.

_Jennie._ Well, mum, when a fine gentleman like Mr. Yardsley asks--

_Yardsley._ I tell you it isn't so.

_Jennie._ Indeed he did, mum.

_Dorothy_ (_impatiently_). Did what?

_Jennie._ Axed me to marry him, mum.

_Dorothy._ Mr. Yardsley--asked--you--to--to marry him?

[_BARLOW whistles._

_Jennie_ (_bursting into tears again_). Yes, mum, he did, mum, right here in this room. He got down on his knees to me on that Proossian rug before the sofa, mum. I was standin' behind the sofa, havin' just come in to tell him as how you'd be down shortly. He was standin' before the lookin'-glass lookin' at himself, an' when I come in he turns around and goes down on his knees and says such an importunity may not occur again, mum; I've loved you very long; and then he recited some pottery, mum, and said would I be his wife.

_Yardsley_ (_desperately_). Let me explain.

_Dorothy._ Wait; Mr. Yardsley; your turn will come in a moment.

_Barlow._ Yes, it'll be here, my boy; don't fret about that. Take all the time you need to make it a good one. Gad! if this doesn't strain your imagination, nothing will.

_Dorothy._ Go on, Jennie. Then what happened?

_Yardsley_ (_with an injured expression_). Do you expect me to stand here, Miss Andrews, and hear this girl's horrible story?

_Barlow._ Then you know the story, do you, Yardsley? It's horrible, and you are innocent. My! you are a mind-reader with a vengeance.

_Dorothy._ Don't mind what these gentlemen say, Jennie, but go on.

[_YARDSLEY sinks into the arm-chair. BARLOW chuckles; MISS ANDREWS glances indignantly at him._

_Dorothy._ Pardon me, Mr. Barlow. If there is any humor in the situation, I fail to see it.

_Barlow_ (_seeing his error_). Nor, indeed, do I. I was not--ah--laughing from mirth. That chuckle was hysterics, Miss Dorothy, I assure you. There are some laughs that can hardly be differentiated from sobs.

_Jennie._ I was all took in a heap, mum, to think of a fine gentleman like Mr. Yardsley proposing to me, mum, and I says the same. Says I, "Oh, Mr. Yardsley, this is so suddent like," whereat he looks up with a countenance so full o' pain that I hadn't the heart to refuse him; so, fergettin' Hicks for the moment, I says, kind o' soft like, certingly, sir. It ain't for the likes o' me to say no to the likes o' him.

_Yardsley._ Then you said you were engaged to Hicks. You know you did, Jennie.

_Barlow._ Ah! Then you admit the proposal?

_Yardsley._ Oh, Lord! Worse and worse! I--

_Dorothy._ Jennie has not finished her story.

_Jennie._ I did say as how I was engaged to Hicks, but I thought he would let me off; and Mr. Yardsley looked glad when I said that, and said he'd make it all right with Hicks.

_Yardsley._ What? I? Jennie O'Brien, or whatever your horrible name is, do you mean to say that I said I'd make it all right with Hicks?

_Jennie._ Not in them words, Mr. Yardsley; but you did say as how you'd see him yourself and give him a present. You did indeed, Mr. Yardsley, as you was a-standin' on that there Proossian rug.

_Dorothy._ Did you, Mr. Yardsley?

[_YARDSLEY buries his face in his hands and groans._

_Barlow._ Not so ready with your explanations now, eh?

_Dorothy._ Mr. Barlow, really I must ask you not to interfere. Did you say that, Mr. Yardsley?

_Yardsley._ I did, but--

_Dorothy_ (_frigidly_). Go on, Jennie.

_Jennie._ Just then the front-door bell rings and Mr. Barlow comes, and there wasn't no more importunity for me to speak; but when I got down-stairs into the kitchen, mum, Mr. Hicks he comes in, an' (_sobs_)--an' I breaks with him.

_Yardsley._ You've broken with Hicks for me?

_Jennie._ Yes, I have--but I wouldn't never have done it if I'd known--boo-hoo--as how you'd behave this way an' deny ever havin' said a word. I--I--I l-lo-love Mr. Hicks, an' I--I hate you--and I wish I'd let him come up and kill you, as he said he would.

_Dorothy._ Jennie! Jennie! be calm! Where is Hicks now?

_Yardsley._ That's so. Where is Hicks? I want to see him.

_Jennie._ Never fear for that. You'll see him. He's layin' for you outside. An' that, Miss Dorothy, is why I was a-wavin' at him an' sayin' "pst" to him. I wanted to warn him, mum, of his danger, mum, because Hicks is very vi'lent, and he told me in so many words as how he was a-goin' to _do--him--up_.

_Barlow._ You'd better inform Mr. Hicks, Jennie, that Mr. Yardsley is already done up.

_Yardsley._ Do me up, eh? Well, I like that. I'm not afraid of any coachman in creation as long as he's off the box. I'll go see him at once.

_Dorothy._ No--no--no. Don't, Mr. Yardsley; don't, I beg of you. I don't want to have any scene between you.

_Yardsley_ (_heroically_). What if he succeeds? I don't care. As Barlow says, I'm done up as it is. I don't want to live after this. What's the use. Everything's lost.

_Barlow_ (_dryly_). Jennie hasn't thrown you over yet.

_Jennie_ (_sniffing airily_). Yes, she has, too. I wouldn't marry him now for all the world--an'--an' I've lost--lost Hicks. (_Weeps._) Him as was so brave, an' looks so fine in livery!

_Yardsley._ If you'd only give me a chance to say something--

_Barlow._ Appears to me you've said too much already.

_Dorothy_ (_coldly_). I--I don't agree with Mr. Barlow. You--you haven't said enough, Mr. Yardsley. If you have any explanation to make, I'll listen.

_Yardsley_ (_looks up gratefully. Suddenly his face brightens. Aside_). Gad! The very thing! I'll tell the exact truth, and if Dorothy has half the sense I think she has, I'll get in my proposal right under Barlow's very nose. (_Aloud._) My--my explanation, Miss Andrews, is very simple. I--ah--I cannot deny having spoken every word that Jennie has charged to my account. I did get down on my knees on the rug. I did say "divine creature." I did not put it strong enough. I should have said "divinest of _all_ creatures."

_Dorothy_ (_in remonstrance_). Mr. Yardsley!

_Barlow_ (_aside_). Magnificent bluff! But why? (_Rubs his forehead in a puzzled way._) What the deuce is he driving at?

_Yardsley._ Kindly let me finish. I did say "I love you." I should have said "I adore you; I worship you." I did say, "Will you be my wife?" and I was going to add, "for if you will not, then is light turned into darkness for me, and life, which your 'yes' will render radiantly beautiful, will become dull, colorless, and not worth the living." That is what I was going to say, Miss Andrews--Miss Dorothy--when--when Jennie interrupted me and spoke the word I most wish to hear--spoke the word "yes"; but it was not her yes that I wished. My words of love were not for her.

_Barlow_ (_perceiving his drift_) Ho! Absurd! Nonsense! Most unreasonable! You were calling the sofa the divinest of all creatures, I suppose, or perhaps asking the--the piano to put on its shoes and--elope with you. Preposterous!

_Dorothy_ (_softly_). Go on, Mr. Yardsley.

_Yardsley._ I--I spoke a little while ago about sand--courage--when it comes to one's asking the woman he loves the greatest of all questions. I was boastful. I pretended that I had that courage; but--well, I am not as brave as I seem. I had come, Miss Dorothy, to say to you the words that fell on Jennie's ears, and--and I began to get nervous--stage-fright, I suppose it was--and I was foolish enough to rehearse what I had to say--to you, and to you alone.

_Barlow._ Let me speak, Miss Andrews. I--

_Yardsley._ You haven't anything to do with the subject in hand, my dear Barlow, not a thing.

_Dorothy._ Jennie--what--what have you to say?

_Jennie._ Me? Oh, mum, I hardly knows what to say! This is suddenter than the other; but, Miss Dorothy, I'd believe him, I would, because--I--I think he's tellin' the truth, after all, for the reason that--oh dear--for--

_Dorothy._ Don't be frightened, Jennie. For what reason?

_Jennie._ Well, mum, for the reason that when I said "yes," mum, he didn't act like all the other gentlemen I've said yes to, and--and k-kuk-kiss me.

_Yardsley._ That's it! that's it! Do you suppose that if I'd been after Jennie's yes, and got it, I'd have let a door-bell and a sofa stand between me and--the sealing of the proposal?

_Barlow_ (_aside_). Oh, what nonsense this all is! I've got to get ahead of this fellow in some way. (_Aloud._) Well, where do I come in? I came here, Miss Andrews, to tell you--

_Yardsley_ (_interposing_). You come in where you came in before--just a little late--after the proposal, as it were.

_Dorothy_ (_her face clearing and wreathing with smiles_). What a comedy of errors it has all been! I--I believe you, Mr. Yardsley.

_Yardsley._ Thank Heaven! And--ah--you aren't going to say anything more, D--Dorothy?

_Dorothy._ I'm afraid--

_Yardsley._ Are you going to make me go through that proposal all over again, now that I've got myself into so much trouble saying it the first time--Dorothy?

_Dorothy._ No, no. You needn't--you needn't speak of it again.

_Barlow_ (_aside_). Good! That's _his conge_.

_Yardsley._ And--then if I--if I needn't say it again? What then? Can't I have--my answer now? Oh, Miss Andrews--

_Dorothy_ (_with downcast eyes, softly_). What did Jennie say?

_Yardsley_ (_in ecstasy_). Do you mean it?

_Barlow._ I fancy--I fancy I'd better go now, Miss--er--Miss Andrews. I--I--have an appointment with Mr. Wilkins, and--er--I observe that it is getting rather late.

_Yardsley._ Don't go yet, Jack. I'm not so anxious to be rid of you now.

_Barlow._ I must go--really.

_Yardsley._ But I want you to make me one promise before you go.

_Dorothy._ He'll make it, I'm sure, if I ask him. Mr. Yardsley and I want you--want you to be our best man.

_Yardsley._ That's it, precisely. Eh, Jack?

_Barlow._ Well, yes. I'll be--second-best man. The events of the afternoon have shown my capacity for that.

_Yardsley._ Ah!

_Barlow._ And I'll show my sincerity by wearing Bob's hat and coat into the street now and letting the fury of Hicks fall upon me.

_Jennie._ If you please, Miss Dorothy--I--I think I can attend to Mr. Hicks.

_Dorothy._ Very well. I think that would be better. You may go, Jennie.

[_JENNIE departs._

_Barlow._ Well, good-day. I--I've had a very pleasant afternoon, Miss--Andrews. Thanks for the--the cambric tea.

_Dorothy._ Good-bye, and don't forget.

_Barlow._ I'm afraid--I won't. Good-bye, Bob. I congratulate you from my heart. I was in hopes that I should have the pleasure of having you for a best man at _my_ wedding, but--er--there's many a slip, you know, and I wish you joy.

[_YARDSLEY shakes him by the hand, and BARLOW goes out. As he disappears through the portieres YARDSLEY follows, and, holding the curtain aside, looks after him until the front-door is heard closing. Then he turns about. DOROTHY looks demurely around at him, and as he starts to go to her side the curtain falls._

THE END

TRANSCRIBER'S NOTES:

Text in italics is indicated by underscores: _italics_.