A Poor Man's House

Chapter 13

Chapter 133,987 wordsPublic domain

It is a sound old piece of psychology which distinguishes a man's bark from his bite. The poor man's bark is appalling; I often used to think there was murder in the air when I heard some quite ordinary discussion; there would have been murder in the air had I myself been worked up to speak so furiously. But, comparatively speaking, he seldom bites; hardly ever without warning; and he can as a rule stay himself in the very act. The educated man, on the other hand, does not bark much; one of the most important parts of his education has been the teaching him not to do so; but when he does bite, it is blindly, and he makes his teeth meet if he can. We hear, of course, much more of the poor man in the police courts, and we imagine (spite of Herbert Spencer's warning) that education is to diminish his crimes. How very simple and fallacious! In the first place, the poor, the uneducated or but slightly educated, greatly out-number the educated. Suppose by means of complete and trustworthy criminal statistics, we could work out the _percentage criminality_ of the different classes. I fancy that the poor man would not then show--even judged by our whimsical legal and moral standards--a greater percentage criminality than the educated. And if in our statistics we could include degrees of provocation to the various crimes, such as hunger, poverty, want of the money to leave exasperating surroundings--it would probably be found that the poor are, if anything, less criminally disposed than other sections of the community; that, though they lack something of the secondary self-restraint which prevents bark and noise, they are, other things being equal, actually stronger in that primary self-restraint, the lack of which leads directly to crime. On _a priori_, historical, grounds one would anticipate such a conclusion.

It is certain that they forgive offence more readily.

I have often wondered how many nice quiet respectable vindictive murders are yearly done by educated men too clever to be found out. The poor man is a fool at 'Murder as a Fine Art.' He hacks and bashes.

6.

Sighting, as we thought, some balks of timber, floating away on the ebb tide over the outside of Broken Rocks, two of us shoved a small boat down the beach. Our flotsam was a trick of the fading light on the sea, just where Broken Rocks raised the swell a little; but in the exquisite, the almost menacing, calm of the evening, we leaned on our oars and watched for a while. To seaward, the horizon was a peculiar lowering purple, as if a semi-opaque sheet of glass were placed there. On land, over the Windgap, the sunset was like many ranks of yellow and shining black banners--hard, brassy. The sea was a misty blue. One by one, according to their prominence, the bushes on the face of the cliffs faded into the general contour. As we landed, a slight lop came over the water from the dark south-east. "Ah!" said Uncle Jake. "We'm going to hae it. South-easter's coming!"

[Sidenote: _CALLED OUT BETIMES_]

There was some discussion as to whether or not we should haul the boats up over the sea-wall. In the end we hauled the smaller ones, leaving the _Cock Robin_ and the drifter upon the beach.

In the very early morning--it was so dark I could not see the outline of the window--I half awoke to an indistinct sensation that the house was rocking and hell unloosed outside. Something solid seemed to be beating the wall. Than I heard Grandfer's voice roaring at the foot of the stairs:--"What is it? Why, tell thic Tony he'd better hurry up else all the boats 'll be washed away. Blowing a hurricane 'tis! Sea's making. Oughtn't to ha' left they boats...."

"Be quiet! yu'll wake all the kids up."

"Blowing a hurricane 'tis! Nort to me if the boats du wash off. Tony'd never wake."

"All right, I'll wake him."

In five minutes we were downstairs, with the fire lighted and the kettle on.

Outside, it was pitch dark. There was nothing there, it seemed, except a savage wind and stinging splotches of rain and the cry of the low tide on the sand. I felt my way up the Gut and out, sliding one foot before the other so as not to fall over the sea-wall. John Widger bumped into me, and together we crept along to the capstan. A white shadow of surf was just visible. We dropped gingerly off the wall to the beach, trusting there was no iron gear there to smash our ankles. Then for an hour we fumbled our way about; pushed, hauled, disentangled, slid and swore; grasping sometimes the right rope and sometimes the wrong one with hands almost too cold and stiff, too painful, to grasp anything at all.

Out of the blackness came another hurricane squall with rain that lashed. The rushing air itself shook. We crouched, all humped up, in the lew of a drifter's bows, whilst the rain water washed around our boots and coat-tails. "This 'll tell 'ee what 'tis like for us chaps," said Tony. "I be only sorry," Uncle Jake added, "for them what's out to sea now in ships wi' rotten gear."

[Sidenote: _A DISCOLOURED FURY_]

As the dawn broke thick, the sea rose still further, until it was a discoloured fury battering the shore. With Uncle Jake I watched some long planks, four inches in thickness and ten broad, swept off the top of the beach. We saw them hurtled over Broken Rocks, now dashed against the cliff, now careering, so to speak, on their hind legs. Such were their mad capers that we laughed aloud. We were far from wishing to save them. We rejoiced with them.

As the day blew on, the wind moderated inshore and the lop gathered itself together into a heavy swell. And after dark, at half tide, Uncle Jake and myself worked hard. We dragged the heavy planks from a surf that seemed ever advancing on us to drive us towards the cliffs, yet never did, and we propped up the planks against cliffs whose crumbling drove us constantly down to the sea. There's a winter's firing there.

We talked--out-howling the noise jerkily--of wrecks and wreckages. Had we had the chance, we might then conceivably have wrecked a ship. For there, on the narrow strip of shingle between the wash of the waves and the unstable cliff, we were primitive men, ready without ruth to wreck for ourselves the contrivances of civilization.

7.

Tony has received one or two presents this autumn, and now the gales have put an end to all kinds of fishing, he is beginning to write his letters of thanks. Or rather, he bothers Mam Widger to write them for him, and when she has said sufficiently often, "G'out yu mump-head! Du it yourself!" he sets to work. After long hesitation, pen in hand, and a laborious commencement, he dashes off a letter, protests that it ought to be burnt, and sends it to post. He acts, indeed, a comic version of the groans and travail about which literary men talk so much.

[Sidenote: _PRESENTS AND TIPS_]

Whether he prefers a present or a tip is doubtful, and depends largely on the amount of money in the house. Presents are more valued; tips more useful. He feels that 'there didn't ought to be no need of tips'; knows obscurely that they are one of the effects, and the causes, of class difference; that they are either a tacit admission that his labour is underpaid, or else such an expression of good-will as a man would not presume to give to 'the likes o' himself,' or else an indirect bribe for some or other undue attention. Usually, however, not wishing to go into the matter so thoroughly--having come in contact with outsiders chiefly when they have been on holiday and least economical--he considers a tip merely as the outflowing of a gen'leman's abundance. "They can afford it, can't 'em? They lives in big houses, an' it helps keeps thees yer little lot fed an' booted."

If, however, he has reason to believe that 'a nice quiet gen'leman' is really hard-up, then he is very sorry, and will reduce the rate of hire by so much as half. In such cases, it is well that the gen'leman should add a small tip, for his niceness' sake. Then is Tony more than paid.

The gentleman, as such, seems to be losing prestige. Gentility is being made to share its glory with education, 'Ignorant' is becoming a worse insult than 'no class.' Grandfer, in argument will think to prove his case by saying: "Why, a gen'leman told us so t'other day on the Front. A gen'leman told me, I tell thee!" Grandfer's sons would like the gen'leman's reasons. In fact the stuff and nonsense that the chatting gen'leman, feeling himself safe from contradiction, will try to teach a so-called ignorant fisherman, is most amazing. If he but knew how shrewdly he is criticised, afterwards....

Education even is esteemed not so much for the knowledge it provides, still less for its wisdom, as for the advantage it gives a man in practical affairs; the additional money it earns him. "No doubt they educated people knows a lot what I don't," says Tony, "an' can du a lot what I can't; but there's lots o' things what I puzzles me old head over, an' them not the smallest, what they ain't no surer of than I be. Ay! an' not so sure, for there's many on 'em half mazed wi' too much o'it."

8.

[Sidenote: _BESSIE_]

Bessie has finally left school. The excitement, the chatter, the sudden air of superiority over the other children, the critical glance round the room when she returns home.... She has learnt next to nothing of school-work--which matters little, since she is strong, hopeful, and has a genuine wish to do her best. What does matter is, that she is careless, inclined to be slatternly, and has no idea of precision either in speech or work. (Few girls have.) This is in part, no doubt, mere whelpishness to be grown out of presently. She picks up some piece of gossip. "Mother! Mrs Long's been taken to hospital. Her's going to die, I 'spect."

"No her an't gone to hospital nuther. Dr Bayliss says as her's got to go if she ain't better to-morrow. Isn't that what you've a-heard now?"

"Yes--but I thought her'd most likely be gone 'fore this," says Bessie without, apparently, the least sense of shame, or even of inexactitude.

The other day she reached down a cup to get herself a drink of water. Then she took some pains to see if the cup still _looked_ clean, and finding it did, she replaced it among the other clean ones on the dresser.

Her mother sent her out to the larder for some more bread. Bessie brought in a new loaf.

"That ain't it," said Mrs Widger. "There's a stale one there."

"No, there ain't."

"Yes, there is."

"I've looked, an't I?"

"Yu go an' look again, my lady."

"Well, 'tis dark, an' I an't got no light to see with."

Protesting vehemently, Bessie found the stale loaf. Were I her mistress, she would irritate me into a very bad temper, and then, by her muddle-headed willingness, would make me sorry. She is untrained. School has in no way disciplined her mind. From early childhood, of course, she has had to do many odd jobs for her mother, but a woman with the whole burden of a house on her shoulders, who has never found the two ends more than just meet, cannot spare time or thought to train her girls systematically. It is so much easier to do the whole of the work herself. Bessie's usefulness, such as it is, speaks a deal for her disposition. After all, how many women in any station of life, have precision and forethought enough to lay a fire so that it will burn up at once? Bessie is only thirteen. It is, indeed, her ability for her age that tempts one to judge her by a standard which elsewhere--except among women discussing their servants--would only be applied to a girl of twenty.

Suppose fathers judged their daughters as mothers judge their servants....

[Sidenote: _GOING INTO SERVICE_]

For the present, Bessie is in daily service at a lodging-house. For a 'gen'leman's residence,' which would be better for her, she is over-young and would, besides, need an outfit of dresses, caps and aprons which she is not yet old enough to take care of, nor will be until she is ready to fall in love. She can go to Mrs Butler's in a torn dress and dirty pinafore. She is not expected to appear before the visitors; only to do the dirty, rough, and heavy work behind the scenes. It was a condition of her leaving school so young, that she should go into service and sleep there. Very naturally, Mrs Widger and Mrs Butler soon arranged that the 'education lady,' when she came to inspect, should be shown Bessie's bedroom at the lodging-house--and that Bessie should sleep at home. It was better for all three; for Mrs Butler who is short of room, for Mrs Widger who wants Bessie's help, and for Bessie who still requires her mother's authority and oversight. Educationalists don't seem to understand.

In return for two shillings a week and her food, Bessie is supposed to work twelve hours a day, from eight till eight. All she does might possibly be crammed into three hours a day; that is all she is paid for. She brings home her supper in a piece of newspaper. One evening she brought some chicken bones which had been in turn the foundation of roast chicken, cold chicken, stewed chicken, and soup. Bessie rather enjoyed them. Another evening, she unwrapped a whole cake. It fell on the floor, whack! neither bouncing, nor breaking. It was full of dough. A basin of soup-dregs which she brought home two days ago was found to contain a length of stewed string. Stewed to rags, it was, like badly boiled meat. Bessie says that Mrs Butler did miss a bell-rope.

9

There was a rush and a banging up the passage. The kitchen door burst violently open. A girl (though she wore long skirts her figure was unformed and her waist had a stiff youthful curve) ran quickly into the room.

Her eager bright-coloured young face--that also not yet fully formed--was overshadowed by a flapping decorated hat obviously constructed less for a woman's head--less still for a maiden's--than for a cash draper's window. Her chest was plastered with a motley collection of cheap jewellery and lace. Her boots had not been cleaned.

She dropped her cardboard boxes on the floor. Regardless of her womanly attire, like nothing so much as a hasty child, she flung her arms round Tony's neck.

"Hallo, Dad! How be 'ee? Eh? How's everybody? Lord, I'm hungry. Look what I got for 'ee. An't forgot nobody this time, though 'tisn't everybody as remembers me. Look, Dad!"

"What is it?" asked Tony, looking blankly, as if he could hardly realise so much clatter.

"Lookse, Dad! What do 'ee think o'it?"

A box was torn open. From it came a couple of glass ornaments, and various sorts of 'coloured rock' and sticky toffee for the children.

[Sidenote: _BACK FROM SERVICE_]

It was Tony's eldest daughter, Jenny, come home from service. She walked round the room picking up things to examine, things to eat, things that she claimed were hers, and things that she desired given her. She talked without, so far as I could see, any connection between the sentences. Mouthfuls of food reduced her babbling shriek to a burr-burr.

"Be 'ee glad to see your daughter, Dad?"

"Iss...." said Tony, looking at her very fondly, but still puzzled.

"Don't believe yu be. Why didn't 'ee write then if yu loves me so?"

"Thic's Mam 'Idger's job."

"G'out!" said Mrs Widger,--"Jenny, you an't see'd our addition, have 'ee."

I held out my hand. Jenny blushed; then she said: "Good evening, sir"; then she giggled; and finally she turned her back on me. It took a minute or two for her happy carelessness to return.

Domestic servants on holiday, more than any other class of people, strain one's tact and rouse one's ingrained snobbery. They tend to be over-respectful--the sort of respectfulness that presupposes reward,--and to brandish _sirs_, or to be shy and silly, or else to treat one with a more airy familiarity than the acquaintanceship warrants. In the matter of manners, they sit between two chairs, the class they serve has one code; the class they spring from has another, equally good perhaps, certainly in some respects more delicate, but different. In imitating the one code, unsuccessfully, they lose their hold on the other. Their very speech--a mixture of dialect and standard English with false intonations--betrays them. They are like a man living abroad, who has lost grip on his native customs, and has acquired ill the customs of his adopted country. It is not their fault. Circumstances sin against them.

Mrs Widger tells me that, when she left her mother's for service, she felt nothing so keenly as the loneliness, the isolation, of being in a house where no one could be in any full sense of the word her confidant, where she was at the beck and call of strangers from the time she got up till the time she went to bed, where her irregular hours of leisure were passed quite alone in a kitchen. It seems, as might be anticipated, that _mental_ comfort or discomfort is at the bottom of the servant question, and that class differences, class misunderstandings, are ultimately the cause of it. Often enough the mistress wishes to be kind, but she fails to understand that what she values most differs from what is most valued by her servants. Often enough the servants wish to do their best, but little irritations, unsalved by sympathy and not to be discussed on terms of equality, lead to sulky, don't-care moods which exasperate the mistress into positive, instead of negative, unkindness. So a vicious circle is formed. The covert enmity between one woman and another simply calls for give and take where both are of the same class, but when one of them is, for payment and all day, at the disposal of the other.... How many homes there are where the menfolk can get anything done willingly, and the mistress nothing whatever! The girls go out so early. They miss the rough and tumble of their homes. They have their own little ambitions, hardly comprehensible to anyone else. Whether or no they desire to be satisfactory, they do want their own little flutters.

10

[Sidenote: _LITTLE SERVANT GIRLS_]

Poor brave small servant girls, earning your living while you are yet but children! I see your faces at the doors, rosy from the country or yellowish-white from anaemia and strong tea; see how your young breasts hardly fill out your clinging bodices, all askew, and how your hips are not yet grown to support your skirts properly--draggle-tails! I see you taking the morning's milk from the hearty milkman, or going an errand in your apron and a coat too small for you, or in your mistress's or mother's cast-off jacket, out at the seams, puffy-sleeved, years behind the fashion and awry at the shoulders because it is too big. I see your floppety hat which you cannot pin down tightly to your hair, because there isn't enough of it;--your courageous attempts to be prettier than you are, or else your carelessness from overmuch drudgery; your coquettish and ugly gestures mixed.

I picture your life. Are you thinking of your work, or are you dreaming of the finery you will buy with your month's wages; the ribbons, the lace, or the lovely grown-up hat? Are you thinking of what he said, and she said, and you said, you answered, you did? Are you dreaming of _your_ young man? Are you building queer castles in the air? Are you lonely in your dingy kitchen? Have you time and leisure to be lonely?

I follow you into your kitchen, with its faint odour of burnt grease (your carelessness) and of cockroaches, and its whiffs from the scullery sink, and a love-story that scents your life, hidden away in a drawer. I hear your mistress's bell jingle under the stairs. You must go to bed, and sleep, and be up early, before it is either light or warm, to work for her; you must be kept in good condition like a cart horse or a donkey; you must earn, earn well, your so many silver pounds a year.

In mind, I follow you also into your little bedroom under the roof, with its cracked water-jug that matches neither the basin or the soap-dish, and its boards with a ragged scrap of carpet on them, and your tin box in the corner; and the light of the moon or street lamp coming in at the window and casting shadows on the sloping whitewashed ceiling; and your guttered candle. What will you try on to-night? A hat, or a dress, or the two-and-eleven-three-farthing blouse? Shift the candle. Show yourself to the looking-glass. A poke here and a pull there--and now put everything away carefully in the box under the bed, and go to sleep.

Though I say that I follow you up to your attic, and watch you and see you go to sleep, you need not blush or giggle or snap. I would not do you any harm; your eyes would plague me. And besides, I do not entirely fancy you. You are not fresh. You are boxed up too much. But I trust that some lusty careless fellow, regardless of consequences, looking not too far ahead, and following the will of his race--I trust that he will get hold of you and whirl you heavenwards, and will fill your being full to the brim; and will kiss you and surround you with himself, and will make you forget yourself and your mistress and all the world, the leaves and birds of the Lover's Lane, the shadowy cattle munching in the field and the footsteps approaching.

I wish you luck--that your young man may stick to you. It is after all a glimpse of God I wish you, perhaps your only one.

You've got a longish time before you.

11

[Sidenote: _MRS YARTY_]

Mrs Yarty, up Back Lane, is reduced to that last extremity of poor women: she is cleaning her cottage and preparing as well as she can 'to go up over' on credit, without either doctor or midwife--unless she becomes so ill that someone sends for the parish doctor. She will not wish that done, and probably when her time comes, some neighbour will look in to see if she is going on as well as can be expected. Were Yarty and his wife sufficiently servile to attend church or chapel, prayer-meetings or revivals, all sorts of amateur parsons, male and female, would flock round; but in any case, Mrs Yarty has no time for such goings-on, and if Yarty found anyone sniffing about his house, he would certainly tell them that it _was_ his house.

A while ago one of the 'district ladies' came here, to Tony's. We were a little short with her, and as a last resource, she remarked superciliously, in a tone of pleasant surprise: "You are really _very_ clean here." 'Twas an untruth. We are not _very_ clean: we are as cleanly as is practicable. I should have liked to show her the door. "'Tis only the way of 'em!" said Mrs Widger. "They'm stupid, but they means all right."

[Sidenote: _THE YARTY CHILDREN_]