A Manual of the Historical Development of Art Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation

CHAPTER V.

Chapter 598 wordsPublic domain

INDIA, PERSIA, ASSYRIA, AND BABYLON.

The Aryans on this and the other side of the Himâlâyan Mountains--Science and art the offsprings of religion-- Endeavours to express abstract phenomena in concrete signs--The symbolic, dialectic, and mythological periods-- The Indian trinity--The principal divinities of India, and their analogy with the Egyptian, Persian, and Greek gods-- Indian epic poetry--The rock-hewn temples and Buddha-- Stucco ornamentation--Causes of the gorgeousness of Indian art--Persia and the Persians--Their five cosmical elements--Historical development--The Zend-Avesta-- Persepolis and its oldest monuments--Zoroaster--The Persian trinity--Light and darkness--Why no temples were constructed--The Babylonians and Ninivites--Their principles of ornamentation--Their wall decorations 60