Chapter 14

FROM THE 29TH TO THE 35TH SOVEREIGN

The 29th Sovereign, Kimmei A.D. 540-571

" 30th " Bidatsu " 572-585

" 31st " Yomei " 586-587

" 32nd " Sushun " 588-592

" 33rd " Suiko " 593-628

" 34th " Jomei " 629-641

" 35th " Kogyoku " 642-645

THE seven reigns five Emperors and two Empresses commencing with the Emperor Kimmei and ending with the Empress Kogyoku, covered a period of 105 years, from 540 to 645, and are memorable on three accounts: the introduction of Buddhism; the usurpation of the great uji, and the loss of Japan's possessions in Korea.

THE INTRODUCTION OF BUDDHISM

During the reign of the Emperor Ming of the Hou-Han dynasty, in the year AD. 65, a mission was sent from China to procure the Buddhist Sutras as well as some teachers of the Indian faith. More than three centuries elapsed before, in the year 372, the creed obtained a footing in Korea; and not for another century and a half did it find its way (522) to Japan. It encountered no obstacles in Korea. The animistic belief of the early Koreans has never been clearly studied, but whatever its exact nature may have been, it certainly evinced no bigotry in the presence of the foreign faith, for within three years of the arrival of the first image of Sakiya Muni in Koma, two large monasteries had been built, and the King and his Court were all converts.

No such reception awaited Buddhism in Japan when, in 522, a Chinese bonze, Shiba Tachito, arrived, erected a temple on the Sakata plain in Yamato, enshrined an image, of Buddha there, and endeavoured to propagate the faith. At that time, Wu, the first Emperor of the Liang dynasty in China, was employing all his influence to popularize the Indian creed. Tradition says that Shiba Tachito came from Liang, and in all probability he took the overland route via the Korean peninsula, but the facts are obscure. No sensible impression seems to have been produced in Japan by this essay. Buddhism was made known to a few, but the Japanese showed no disposition to worship a foreign god. Twenty-three years later (545), the subject attracted attention again. Song Wang Myong, King of Kudara, menaced by a crushing attack on the part of Koma and Shiragi in co-operation, made an image of the Buddha, sixteen feet high, and petitioned the Court of Yamato in the sense that as all good things were promised in the sequel of such an effort, protection should be extended to him by Japan. Tradition says that although Buddhism had not yet secured a footing in Yamato, this image must be regarded as the pioneer of many similar objects subsequently set up in Japanese temples.

Nevertheless, A.D. 552 is usually spoken of as the date of Buddhism's introduction into Japan. In that year the same King of Kudara presented direct to the Yamato Court a copper image of Buddha plated with gold; several canopies (tengai), and some volumes of the sacred books, by the hands of Tori Shichi (Korean pronunciation, Nori Sachhi) and others. The envoys carried also a memorial which said: "This doctrine is, among all, most excellent. But it is difficult to explain and difficult to understand. Even the Duke Chou and Confucius did not attain to comprehension. It can produce fortune and retribution, immeasurable, illimitable. It can transform a man into a Bodhi. Imagine a treasure capable of satisfying all desires in proportion as it is used. Such a treasure is this wonderful doctrine. Every earnest supplication is fulfilled and nothing is wanting. Moreover, from farthest India to the three Han, all have embraced the doctrine, and there is none that does not receive it with reverence wherever it is preached. Therefore thy servant, Myong, in all sincerity, sends his retainer, Nori Sachhi, to transmit it to the Imperial country, that it may be diffused abroad throughout the home provinces,* so as to fulfil the recorded saying of the Buddha, 'My law shall spread to the East.'"** It is highly probable that in the effort to win the Yamato Court to Buddhism, King Myong was influenced as much by political as by moral motives. He sought to use the foreign faith as a link to bind Japan to his country, so that he might count on his oversea neighbour's powerful aid against the attacks of Koma and Shiragi.

*That is to say, the Kinai, or five provinces, of which Yamato is the centre.

**The memorial is held by some critics to be of doubtful authenticity, though the compilers of the Chronicles may have inserted it in good faith.

A more interesting question, however, is the aspect under which the new faith presented itself to the Japanese when it first arrived among them as a rival of Shinto and Confucianism. There can be no doubt that the form in which it became known at the outset was the Hinayana, or Exoteric, as distinguished from the Mahayana, or Esoteric. But how did the Japanese converts reconcile its acceptance with their allegiance to the traditional faith, Shinto? The clearest available answer to this question is contained in a book called Taishiden Hochu, where, in reply to a query from his father, Yomei, who professed inability to believe foreign doctrines at variance with those handed down from the age of the Kami, Prince Shotoku is recorded to have replied:

"Your Majesty has considered only one aspect of the matter. I am young and ignorant, but I have carefully studied the teachings of Confucius and the doctrine of the Kami. I find that there is a plain distinction. Shinto, since its roots spring from the Kami, came into existence simultaneously with the heaven and the earth, and thus expounds the origin of human beings. Confucianism, being a system of moral principles, is coeval with the people and deals with the middle stage of humanity. Buddhism, the fruit of principles, arose when the human intellect matured. It explains the last stage of man. To like or dislike Buddhism without any reason is simply an individual prejudice. Heaven commands us to obey reason. The individual cannot contend against heaven. Recognizing that impossibility, nevertheless to rely on the individual is not the act of a wise man or an intelligent. Whether the Emperor desire to encourage this creed is a matter within his own will. Should he desire to reject it, let him do so; it will arise one generation later. Should he desire to adopt it, let him do so; it will arise one generation earlier. A generation is as one moment in heaven's eyes. Heaven is eternal. The Emperor's reign is limited to a generation; heaven is boundless and illimitable. How can the Emperor struggle against heaven? How can heaven be concerned about a loss of time?"

The eminent modern Japanese historiographer, Dr. Ariga, is disposed to regard the above as the composition of some one of later date than the illustrious Shotoku, but he considers that it rightly represents the relation assigned to the three doctrines by the Japanese of the sixth and seventh centuries. "Shinto teaches about the origin of the country but does not deal with the present or the future. Confucianism discusses the present and has no concern with the past or the future. Buddhism, alone, preaches about the future. That life ends with the present cannot be believed by all. Many men think of the future, and it was therefore inevitable that many should embrace Buddhism."

But at the moment when the memorial of King Myong was presented to the Emperor Kimmei, the latter was unprepared to make a definite reply. The image, indeed, he found to be full of dignity, but he left his ministers to decide whether it should be worshipped or not. A division of opinion resulted. The o-omi, Iname, of the Soga family, advised that, as Buddhism had won worship from all the nations on the West, Japan should not be singular. But the o-muraji, Okoshi, of the Mononobe-uji, and Kamako, muraji of the Nakatomi-uji, counselled that to bow down to foreign deities would be to incur the anger of the national gods. In a word, the civil officials advocated the adoption of the Indian creed; the military and ecclesiastical officials opposed it. That the head of the Mononobe-uji should have adopted this attitude was natural: it is always the disposition of soldiers to be conservative, and that is notably true of the Japanese soldier (bushi). In the case of the Nakatomi, also, we have to remember that they were, in a sense, the guardians of the Shinto ceremonials: thus, their aversion to the acceptance of a strange faith is explained.

What is to be said, however, of the apparently radical policy of the Soga chief? Why should he have advocated so readily the introduction of a foreign creed? There are two apparent reasons. One is that the Hata and Aya groups of Korean and Chinese artisans were under the control of the Soga-uji, and that the latter were therefore disposed to welcome all innovations coming from the Asiatic continent. The other is that between the o-muraji of the Kami class (Shimbetsu) and the o-omi of the Imperial class (Kwobetsu) there had existed for some time a political rivalry which began to be acute at about the period of the coming of Buddhism, and which was destined to culminate, forty years later, in a great catastrophe. The Emperor himself steered a middle course. He neither opposed nor approved but entrusted the image to the keeping of the Soga noble. Probably his Majesty was not unwilling to submit the experiment to a practical test vicariously, for it is to be noted that, in those days, the influence of the Kami for good or for evil was believed to be freely exercised in human affairs.

This last consideration does not seem to have influenced Soga no Iname at all. He must have been singularly free from the superstitions of his age, for he not only received the image with pleasure but also enshrined it with all solemnity in his Mukuhara residence, which he converted wholly into a temple.

Very shortly afterwards, however, the country was visited by a pestilence, and the calamity being regarded as an expression of the Kami's resentment, the o-muraji of the Mononobe and the muraji of the Nakatomi urged the Emperor to cast out the emblems of a foreign faith. Accordingly, the statue of the Buddha was thrown into the Naniwa canal and the temple was burned to the ground. Necessarily these events sharply accentuated the enmity between the Soga and the Mononobe. Twenty-five years passed, however, without any attempt to restore the worship of the Buddha. Iname, the o-omi of the Soga, died; Okoshi, the o-muraji of the Mononobe, died, and they were succeeded in these high offices by their sons, Umako and Moriya, respectively.

When the Emperor Bidatsu ascended the throne in A.D. 572, the political stage was practically occupied by these two ministers only; they had no competitors of equal rank. In 577, the King of Kudara made a second attempt to introduce Buddhism into Japan. He sent to the Yamato Court two hundred volumes of sacred books; an ascetic; a yogi (meditative monk); a nun; a reciter of mantras (magic spells); a maker of images, and a temple architect. If any excitement was caused by this event, the annals say nothing of the fact. It is briefly related that ultimately a temple was built for the new-comers in Naniwa (modern Osaka). Two years later, Shiragi also sent a Buddhist eidolon, and in 584--just sixty-two years after the coming of Shiba Tachito from Liang and thirty-two years after Soga no Iname's attempt to popularize the Indian faith--two Japanese high officials returned from Korea, carrying with them a bronze image of Buddha and a stone image of Miroku.* These two images were handed over, at his request, to the o-omi, Umako, who had inherited his father's ideas about Buddhism. He invited Shiba Tachito, then a village mayor, to accompany one Hida on a search throughout the provinces for Buddhist devotees. They found a man called Eben, a Korean who had originally been a priest, and he, having resumed the stole, consecrated the twelve-year-old daughter of Shiba Tachito, together with two other girls, as nuns. The o-omi now built a temple, where the image of Miroku was enshrined, and a pagoda on the top of whose central pillar was deposited a Buddhist relic which had shown miraculous powers.

*The Sanskrit Maitreya, the expected Messiah of the Buddhist.

Thus, once more the creed of Sakiya Muni seemed to have found a footing in Japan. But again the old superstitions prevailed. The plague of small-pox broke out once more. This fell disease had been carried from Cochin China by the troops of General Ma Yuan during the Han dynasty, and it reached Japan almost simultaneously with the importation of Buddhism. The physicians of the East had no skill in treating it, and its ravages were terrible, those that escaped with their lives having generally to lament the loss of their eyes. So soon as the malady made its second appearance in the immediate sequel of the new honours paid to Buddhism, men began to cry out that the Kami were punishing the nation's apostacy, and the o-muraji, Moriya, urged the Emperor (Bidatsu) to authorize the suppression of the alien religion. Bidatsu, who at heart had always been hostile to the innovation, consented readily, and the o-muraji, taking upon himself the duty of directing the work of iconoclasm, caused the pagoda and the temple to be razed and burned, threw the image into the canal, and flogged the nuns. But the pestilence was not stayed. Its ravages grew more unsparing. The Emperor himself, as well as the o-omi, Umako, were attacked, and now the popular outcry took another tone: men ascribed the plague to the wrath of Buddha. Umako, in turn, pleaded with the Emperor, and was permitted to rebuild the temple and reinstate the nuns, on condition that no efforts were made to proselytize.

Thus Buddhism recovered its footing, but the enmity between the o-muraji and the o-omi grew more implacable than ever. They insulted each other, even at the obsequies of the sovereign, and an occasion alone was needed to convert their anger into an appeal to arms.

DISPUTES ABOUT THE ACCESSION

When the Emperor Bidatsu died (A.D. 585) no nomination of a Prince Imperial had taken place, and the feud known to exist between the o-omi and the o-muraji increased the danger of the situation. The following genealogical table will serve to elucidate the relation in which the Soga-uji stood to the Imperial Family, as well as the relation between the members of the latter:

\ | Prince Shotoku****** / Emperor Yomei** > (married to a daughter / \ | (originally Prince Oe)| of Soga no Umako) |Princess Kitashi| | / |(consort of >< Empress Suiko***** |Emperor Kimmei* | | (originally consort | / | of Emperor Bidatsu*** Soga | \ no < Iname | \ / |Oane-kimi | | Prince Anahobe******* |(consort of >< |Emperor Kimmei) | | Emperor Sushun**** | / \ | |Omako-Emishi-Iruka \

*The Emperor Kimmei was the elder brother-in-law of Soga no Umako. **The Emperor Yomei was the nephew of Soga no Umako. ***The Emperor Bidatsu was a nephew of Umako. ****The Emperor Sushun was a nephew of Umako. *****The Empress Suiko was a niece of Umako. ******Prince Shotoku was son-in-law of Umako. *******Prince Anahobe was a nephew of Umako.

It is thus seen that the great uji of Soga was closely related to all the Imperial personages who figured prominently on the stage at this period of Japanese history.

THE EMPEROR YOMEI

The Emperor Yomei was the fourth son of the Emperor Kimmei and a nephew of the o-omi, Umako. The Chronicles say that he "believed in the law of Buddha and reverenced Shinto" which term now makes its first appearance on the page of Japanese history, the Kami alone having been spoken of hitherto. Yomei's accession was opposed by his younger brother, Prince Anahobe (vide above genealogical table), who had the support of the o-muraji, Moriya; but the Soga influence was exerted in Yomei's behalf. Anahobe did not suffer his discomfiture patiently. He attempted to procure admission to the mourning chamber of the deceased Emperor for some unexplained purpose, and being resisted by Miwa Sako, who commanded the palace guards, he laid a formal complaint before the o-omi and the o-muraji. In the sequel Sako was killed by the troops of the o-muraji, though he merited rather the latter's protection as a brave soldier who had merely done his duty, who opposed Buddhism, and who enjoyed the confidence of the Empress Dowager. To Umako, predicting that this deed of undeserved violence would prove the beginning of serious trouble, Moriya insultingly retorted that small-minded men did not understand such matters. Moriya's mind was of the rough military type. He did not fathom the subtle unscrupulous intellect of an adversary like Umako, and was destined to learn the truth by a bitter process.

SHOTOKU TAISHI

Umayado, eldest son of the Emperor Yomei, is one of the most distinguished figures in the annals of Japan. He has been well called "the Constantine of Buddhism." In proof of his extraordinary sagacity, the Chronicles relate that in a lawsuit he could hear the evidence of ten men without confusing them. From his earliest youth he evinced a remarkable disposition for study. A learned man was invited from China to teach him the classics, and priests were brought from Koma to expound the doctrine of Buddhism, in which faith he ultimately became a profound believer. In fact, to his influence, more than to any other single factor, may be ascribed the final adoption of the Indian creed by Japan. He never actually ascended the throne, but as regent under the Empress Suiko he wielded Imperial authority. In history he is known as Shotoku Taishi (Prince Shotoku).

FINAL STRUGGLE BETWEEN THE MONONOBE AND THE SOGA

In the second year of his reign, the Emperor Yomei was seized with the malady which had killed his father. In his extremity he desired to be received into the Buddhist faith to which he had always inclined, and he ordered the leading officials to consider the matter. A council was held. Moriya, o-muraji of the Mononobe, and Katsumi, muraji of the Nakatomi, objected resolutely. They asked why the Kami of the country should be abandoned in a moment of crisis. But Umako, o-omi of the Soga, said: "It is our duty to obey the Imperial commands and to give relief to his Majesty. Who will dare to suggest contumely?" Buddhist priests were then summoned to the palace. It was a moment of extreme tension. Prince Umayado (Shotoku) grasped the hands of the o-omi and exclaimed, "If the minister had not believed in Buddhism, who would have ventured to give such counsel?" Umako's answer is said to have been: "Your Imperial Highness will work for the propagation of the faith. I, a humble subject, will maintain it to the death." Moriya, the o-muraji, made no attempt to hide his resentment, but recognizing that his adherents in the palace were comparatively few, he withdrew to a safe place and there concentrated his forces, endeavouring, at the same time, to enlist by magic rites the assistance of the Kami against the disciples of the foreign faith. Meanwhile the Emperor's malady ended fatally. His reign had lasted only one year. At the point of death he was comforted by an assurance that the son of Shiba Tachito would renounce the world to revere his Majesty's memory and would make an image of the Buddha sixteen feet high.

Buddhism had now gained a firm footing at the Yamato Court, but its opponents were still active. Their leader, the o-muraji, thought that his best chance of success was to contrive the accession of Prince Anahobe, whose attempt to take precedence of his elder brother, the Emperor Yomei, has been already noted. The conspiracy was discovered, and the Soga forces, acting under the nominal authority of the deceased Emperor's consort, Umako's niece, moved against Anahobe and Moriya, who had not been able to combine their strength. The destruction of Prince Anahobe was easily effected, but the work of dealing with the o-muraji taxed the resources of the Soga to the utmost. Moriya himself ascended a tree and by skill of archery held his assailants long at bay. Archery had been practised assiduously by the Yamato warrior from time immemorial, and arrows possessing remarkable power of penetration had been devised. During the reign of Nintoku, when envoys from Koma presented to the Court iron shields and iron targets, a Japanese archer, Tatebito, was able to pierce them; and in the time of Yuryaku, a rebel named Iratsuko shot a shaft which, passing through his adversary's shield and twofold armour, entered the flesh of his body to the depth of an inch. There was an archery hall within the enclosure of the palace; whenever envoys or functionaries from foreign countries visited Yamato they were invited to shoot there; frequent trials of skill took place, and when oversea sovereigns applied for military aid, it was not unusual to send some bundles of arrows in lieu of soldiers.

Thus, the general of the Mononobe, perched among the branches of a tree, with an unlimited supply of shafts and with highly trained skill as a bowman, was a formidable adversary. Moriya and his large following of born soldiers drove back the Soga forces three times. Success seemed to be in sight for the champion of the Kami. At this desperate stage Prince Shotoku--then a lad of sixteen--fastened to his helmet images of the "Four Guardian Kings of Heaven"* and vowed to build a temple in their honour if victory was vouchsafed to his arms. At the same time, the o-omi, Umako, took oath to dedicate temples and propagate Buddhism. The combat had now assumed a distinctly religious character. Shotoku and Umako advanced again to the attack; Moriya was shot down; his family and followers fled, were put to the sword or sent into slavery, and all his property was confiscated.

*The "Four Guardian Kings" (Shi-Tenno) are the warriors who guard the world against the attacks of demons.

An incident of this campaign illustrates the character of the Japanese soldier as revealed in the pages of subsequent history: a character whose prominent traits were dauntless courage and romantic sympathy. Yorozu, a dependent of the o-muraji, was reduced to the last straits after a desperate fight. The Chronicles say: "Then he took the sword which he wore, cut his bow into three pieces, and bending his sword, flung it into the river. With a dagger which he had besides, he stabbed himself in the throat and died. The governor of Kawachi having reported the circumstances of Yorozu's death to the Court, the latter gave an order by a stamp* that his body should be cut into eight pieces and distributed among the eight provinces."** In accordance with this order the governor was about to dismember the corpse when thunder pealed and a great rain fell. "Now there was a white dog which had been kept by Yorozu. Looking up and looking down, it went round, howling beside the body, and at last, taking up the head in its mouth, it placed it on an ancient mound, lay down close by, and starved to death. When this was reported to the Court, the latter, moved by profound pity, issued an order that the dog's conduct should be handed down to after ages, and that the kindred of Yorozu should be allowed to construct a tomb and bury his remains."

*A stamp in red or black on the palm of the hand.

**This custom of dismembering and distributing the remains was practised in Korea until the time, at the close of the nineteenth century, when the peninsula came under Japanese protection. It was never customary in Japan.

BUILDING OF TEMPLES

After order had been restored, Prince Shotoku fulfilled his vow by building in the province of Settsu a temple dedicated to the Four Guardian Kings of Heaven (Shitenno-ji), and by way of endowment there were handed over to it one-half of the servants of the o-muraji, together with his house and a quantity of other property. The o-omi, Umako, also erected a temple called Hoko-ji in Asuka near Kara. It has been shown above that Soga no Iname converted one of his houses into a temple to receive the Buddhist image sent by Myong in 552, and that his son, Umako, erected a temple on the east of his residence to enshrine a stone image of Miroku, in 584. But these two edifices partook largely of the nature of private worship. The first public temples for the service of Buddhism were Shotoku's Shitenno-ji and Umako's Hoko-ji erected in 587.

AMOUNT OF THE O-MURAJI'S PROPERTY

In the Annals of Prince Shotoku (Taishi-deri) it is recorded that the parts of the o-muraji's estate with which the temple of the Four Kings was endowed were 273 members of his family and household; his three houses and movable property, together with his domain measuring 186,890 shiro, and consisting of two areas of 128,640 shiro and 58,250 shiro in Kawachi and Settsu, respectively. The shiro is variously reckoned at from 5% to 7.12 tsubo (1 tsubo = 36 square feet). Taking the shiro as 6 tsubo, the above three areas total 1000 acres approximately. That this represented a part only of the o-muraji's property is held by historians, who point to the fact that the o-omi's wife, a younger sister of the o-muraji, incited her husband to destroy Moriya for the sake of getting possession of his wealth.

THE EMPEROR SUSHUN

The deaths of Prince Anahobe and Moriya left the Government completely in the hands of Soga no Umako. There was no o-muraji; the o-omi was supreme. At his instance the crown was placed upon the head of his youngest nephew, Sushun. But Sushun entertained no friendship for Umako nor any feeling of gratitude for the latter's action in contriving his succession to the throne. Active, daring, and astute, he judged the o-omi to be swayed solely by personal ambition, and he placed no faith in the sincerity of the great official's Buddhist propaganda. Meanwhile, the fortunes of the new faith prospered. When the dying Emperor, Yomei, asked to be qualified for Nirvana, priests were summoned from Kudara. They came in 588, the first year of Sushun's reign, carrying relics (sarira), and they were accompanied by ascetics, temple-architects, metal-founders, potters, and a pictorial artist.

The Indian creed now began to present itself to the Japanese people, not merely as a vehicle for securing insensibility to suffering in this life and happiness in the next, but also as a great protagonist of refined progress, gorgeous in paraphernalia, impressive in rites, eminently practical in teachings, and substituting a vivid rainbow of positive hope for the negative pallor of Shinto. Men began to adopt the stole; women to take the veil, and people to visit the hills in search of timbers suited for the frames of massive temples. Soga no Umako, the ostensible leader of this great movement, grew more and more arrogant and arbitrary. The youthful Emperor unbosomed himself to Prince Shotoku, avowing his aversion to the o-omi and his uncontrollable desire to be freed from the incubus of such a minister. Shotoku counselled patience, but Sushun's impetuosity could not brook delay, nor did he reflect that he was surrounded by partisans of the Soga.

A Court lady betrayed his designs to the o-omi, and the latter decided that the Emperor must be destroyed. An assassin was found in the person of Koma, a naturalized Chinese, suzerain of the Aya uji, and, being introduced into the palace by the o-omi under pretence of offering textile fabrics from the eastern provinces, he killed the Emperor. So omnipotent was the Soga chief that his murderous envoy was not even questioned. He received open thanks from his employer and might have risen to high office had he not debauched a daughter of the o-omi. Then Umako caused him to be hung from a tree and made a target of his body, charging him with having taken the Emperor's life. "I knew only that there was an o-omi," retorted the man. "I did not know there was an Emperor." Many others shared Koma's comparative ignorance when the Soga were in power. At the Emperor Yomei's death, only one person honoured his memory by entering the Buddhist priesthood. When Soga no Umako died, a thousand men received the tonsure. The unfortunate Sushun was interred on the day of his murder, an extreme indignity, yet no one ventured to protest; and even Prince Shotoku, while predicting that the assassin would ultimately suffer retribution, justified the assassination on the ground that previous misdeeds had deserved it.

Shotoku's conduct on this occasion has inspired much censure and surprise when contrasted with his conspicuous respect for virtue in all other cases. But the history of the time requires intelligent expansion. Cursory reading suggests that Umako's resolve to kill Sushun was taken suddenly in consequence of discovering the latter's angry mood. The truth seems to be that Sushun was doomed from the moment of his accession. His elder brother had perished at the hands of Umako's troops, and if he himself did not meet the same fate, absence of plausible pretext alone saved him. To suffer him to reign, harbouring, as he must have harboured, bitter resentment against his brother's slayer, would have been a weakness inconsistent with Umako's character. Sushun was placed on the throne as a concession to appearance, but, at the same time, he was surrounded with creatures of the o-omi, so that the latter had constant cognizance of the sovereign's every word and act.

When the o-omi judged the time fitting, he proposed to the Emperor that an expedition should be despatched to recover Mimana, which had been lost to Japan some time previously. An army of twenty thousand men, commanded by a majority of the omi and muraji, was sent to Tsukushi, and all potential opponents of the Soga chief having been thus removed, he proceeded to carry out his design against the Emperor's life. The very indignity done to Sushun's remains testifies the thoroughness of the Soga plot. It has been shown that in early days the erection of a tomb for an Imperial personage was a heavy task, involving much time and labour. Pending the completion of the work, the corpse was put into a coffin and guarded day and night, for which purpose a separate palace was* erected. When the sepulchre had been fully prepared, the remains were transferred thither with elaborate ceremonials,** and the tomb was thenceforth under the care of guardians (rioko).

*Called Araki-no-miya, or the "rough palace." The interval during which time the coffin remained there was termed kari-mo-gari, or "temporary mourning."

**Known as kakushi-matsuri, or the "rite of hiding." It would seem that the term of one year's mourning prescribed in the case of a parent had its origin in the above arrangement.

All these observances were dispensed with in the case of the Emperor Sushun. His remains did not receive even the measure of respect that would have been paid to the corpse of the commonest among his subjects. Nothing could indicate more vividly the omnipotence of the o-omi; everything had been prepared so that his partisans could bury the body almost before it was cold. Had Prince Shotoku protested, he would have been guilty of the futility described by a Chinese proverb as "spitting at the sky." Besides, Shotoku and Umako were allies otherwise. The Soga minister, in his struggle with the military party, had needed the assistance of Shotoku, and had secured it by community of allegiance to Buddhism. The prince, in his projected struggle against the uji system, needed the assistance of Buddhist disciples in general, and in his effort to reach the throne, needed the assistance of Umako in particular. In short, he was building the edifice of a great reform, and to have pitted himself, at the age of nineteen, against the mature strength of the o-omi would have been to perish on the threshold of his purpose.

THE EMPRESS SUIKO

By the contrivance of Umako, the consort of the Emperor Bidatsu was now placed on the throne, Prince Shotoku being nominated Prince Imperial and regent. The Soga-uji held absolute power in every department of State affairs.

THE CONSTITUTION OF SHOTOKU

One of the most remarkable documents in Japanese annals is the Jushichi Kempo, or Seventeen-Article Constitution, compiled by Shotoku Taishi in A.D. 604. It is commonly spoken of as the first written law of Japan. But it is not a body of laws in the proper sense of the term. There are no penal provisions, nor is there any evidence of promulgation with Imperial sanction. The seventeen articles are simply moral maxims, based on the teachings of Buddhism and Confucianism, and appealing to the sanctions of conscience. Prince Shotoku, in his capacity of regent, compiled them and issued them to officials in the guise of "instructions."

I. Harmony is to be valued, and the avoidance of wanton opposition honoured. All men are swayed by class feeling and few are intelligent. Hence some disobey their lords and fathers or maintain feuds with neighbouring villages. But when the high are harmonious and the low friendly, and when there is concord in the discussion of affairs, right views spontaneously find acceptance. What is there that cannot be then accomplished?

II. Reverence sincerely the Three Treasures--Buddha, the Law, and the Priesthood--for these are the final refuge of the Four Generated Beings* and the supreme objects of faith in all countries. What man in what age can fail to revere this law? Few are utterly bad: they may be taught to follow it. But if they turn not to the Three Treasures, wherewithal shall their crookedness be made straight?

*Beings produced in transmigration by the four processes of being born from eggs, from a womb, from fermentation, or from metamorphosis.

III. When you receive the Imperial Commands fail not to obey scrupulously. The lord is Heaven; the vassal, Earth. Heaven overspreads; Earth upbears. When this is so, the four seasons follow their due course, and the powers of Nature develop their efficiency. If the Earth attempt to overspread, Heaven falls in ruin. Hence when the lord speaks, the vassal hearkens; when the superior acts, the inferior yields compliance. When, therefore, you receive an Imperial Command, fail not to carry it out scrupulously. If there be want or care in this respect, a catastrophe naturally ensues.

IV. Ministers and functionaries should make decorous behavior their guiding principle, for decorous behavior is the main factor in governing the people. If superiors do not behave with decorum, inferiors are disorderly; if inferiors are wanting in proper behaviour, offences are inevitable. Thus it is that when lord and vassal behave with propriety, the distinctions of rank are not confused; and when the people behave with propriety, the government of the State proceeds of itself.

V. Refraining from gluttony and abandoning covetous desires, deal impartially with the suits brought before you. Of complaints preferred by the people there are a thousand in one day: how many, then, will there be in a series of years? Should he that decides suits at law make gain his ordinary motive and hear causes with a view to receiving bribes, then will the suits of the rich man be like a stone flung into water,* while the plaints of the poor will resemble water cast on a stone. In such circumstances, the poor man will not know whither to betake himself, and the duty of a minister will not be discharged.

*That is to say, they will encounter no opposition.

VI. Chastise that which is evil and encourage that which is good. This was the excellent rule of antiquity. Conceal not, therefore, the good qualities of others, and fail not to correct that which is wrong when you see it. Flatterers and deceivers are a sharp weapon for the overthrow of the State, and a pointed sword for the destruction of the people. Sycophants are also fond, when they meet, of dilating to their superiors on the errors of their inferiors; to their inferiors, they censure the faults of their superiors. Men of this kind are all wanting in fidelity to their lord, and in benevolence towards the people. From such an origin great civil disturbances arise.

VII. Let every man have his own charge, and let not the spheres of duty be confused. When wise men are entrusted with office, the sound of praise arises. If unprincipled men hold office, disasters and tumults are multiplied. In this world, few are born with knowledge: wisdom is the product of earnest meditation. In all things, whether great or small, find the right man, and they will surely be well managed: on all occasions, be they urgent or the reverse, meet with but a wise man and they will of themselves be amenable. In this way will the State be eternal and the Temples of the Earth and of Grain* will be free from danger. Therefore did the wise sovereigns of antiquity seek the man to fill the office, and not the office for the sake of the man.

*A Chinese expression for the Imperial house.

VIII. Let the ministers and functionaries attend the Court early in the morning, and retire late. The business of the State does not admit of remissness, and the whole day is hardly enough for its accomplishment. If, therefore, the attendance at Court is late, emergencies cannot be met: if officials retire soon, the work cannot be completed.

IX. Good faith is the foundation of right. In everything let there be good faith, for in it there surely consists the good and the bad, success and failure. If the lord and the vassal observe good faith one with another, what is there which cannot be accomplished? If the lord and the vassal do not observe good faith towards one another, everything without exception ends in failure.

X. Let us cease from wrath, and refrain from angry looks. Nor let us be resentful when others differ from us. For all men have hearts, and each heart has its own leanings. Their right is our wrong, and our right is their wrong. We are not unquestionably sages nor are they unquestionably fools. Both of us are simply ordinary men. How can anyone lay down a rule by which to distinguish right from wrong? For we are all, one with another, wise and foolish like a ring which has no end. Therefore, although others give way to anger, let us, on the contrary, dread our own faults, and though we alone may be in the right, let us follow the multitude and act like them.

XI. Give clear appreciation to merit and demerit, and deal out to each its sure reward or punishment. In these days, reward does not attend upon merit, nor punishment upon crime. Ye high functionaries who have charge of public affairs, let it be your task to make clear rewards and punishments.

XII. Let not the provincial authorities or the kuni no miyatsuko levy exactions on the people. In a country there are not two lords; the people have not two masters. The sovereign is the master of the people of the whole country. The officials to whom he gives charge are all his vassals. How can they, as well as the Government, presume to levy taxes on the people?

XIII. Let all persons entrusted with office attend equally to their functions. Owing to illness or despatch on missions their work may sometimes be neglected. But whenever they are able to attend to business, let them be as accommodating as though they had cognizance of it from before, and let them not hinder public affairs on the score of not having had to do with them.

XIV. Ministers and functionaries, be not envious. If we envy others, they, in turn, will envy us. The evils of envy know no limit. If others excel us in intelligence, it gives us no pleasure; if they surpass us in ability, we are envious. Therefore it is not until after the lapse of five hundred years that we at last meet with a wise man, and even in a thousand years we hardly obtain one sage. But if wise men and sages be not found, how shall the country be governed?

XV. To turn away from that which is private and to set one's face towards that which is public this is the path of a minister. If a man is influenced by private motives, he will assuredly feel resentment; if he is influenced by resentment, he will assuredly fail to act harmoniously with others; if he fails to act harmoniously with others, he will assuredly sacrifice the public interest to his private feelings. When resentment arises, it interferes with order and is subversive of law. Therefore, in the first clause it was said that superiors and inferiors should agree together. The purport is the same as this.

XVI. Let the employment of the people in forced labour be at seasonable times. This is an ancient and excellent rule. Let them be employed, therefore, in the winter months when they have leisure. But from spring to autumn, when they are engaged in agriculture or with the mulberry trees, the people should not be employed. For if they do not attend to agriculture, what will they have to eat? If they do not attend to the mulberry trees, what will they do for clothing?

XVII. Decisions on important matters should not be rendered by one person alone: they should be discussed by many. But small matters being of less consequence, need not be consulted about by a number of people. It is only in the discussion of weighty affairs, when there is an apprehension of miscarriage, that matters should be arranged in concert with others so as to arrive at the right conclusion.*

*The above is taken almost verbatim from Aston's translation of the Nihongi.

For a document compiled at the beginning of the seventh century these seventeen ethical precepts merit much approbation. With the exception of the doctrine of expediency, enunciated at the close of the tenth article, the code of Shotoku might be taken for guide by any community in any age. But the prince as a moral reformer* cannot be credited with originality; his merit consists in having studied Confucianism and Buddhism intelligently. The political purport of his code is more remarkable. In the whole seventeen articles there is nothing to inculcate worship of the Kami or observance of Shinto rites. Again, whereas, according to the Japanese creed, the sovereign power is derived from the Imperial ancestor, the latter is nowhere alluded to. The seventh article makes the eternity of the State and the security of the Imperial house depend upon wise administration by well-selected officials, but says nothing of hereditary rights. How is such a vital omission to be interpreted, except on the supposition that Shotoku, who had witnessed the worst abuses incidental to the hereditary system of the uji, intended by this code to enter a solemn protest against that system?

*It is a curious fact that tradition represents this prince as having been born at the door of a stable. Hence his original name, Umayado (Stable-door).

Further, the importance attached to the people* is a very prominent feature of the code. Thus, in Article IV, it is stated that "when the people behave with propriety the government of the State proceeds of itself;" Article V speaks of "complaints preferred by the people;" Article VI refers to "the overthrow of the State" and "the destruction of the people;" Article VII emphasises "the eternity of the State;" that "the sovereign is the master of the people of the whole country;" that "the officials to whom he gives charge are all his vassals," and that these officials, whether miyatsuko or provincial authorities, must not "presume, as well as the Government, to levy taxes on the people." All those expressions amount to a distinct condemnation of the uji system, under which the only people directly subject to the sovereign were those of the minashiro, and those who had been naturalized or otherwise specially assigned, all the rest being practically the property of the uji, and the only lands paying direct taxes to the Throne were the domains of the miyake.

*The word used is hyakusho, which ultimately came to be applied to farmers only.

Forty-two years later (A.D. 646), the abolition of private property in persons and lands was destined to become the policy of the State, but its foundations seem to have been laid in Shotoku's time. It would be an error to suppose that the neglect of Shinto suggested by the above code was by any means a distinct feature of the era, or even a practice of the prince himself. Thus, an Imperial edict, published in the year 607, enjoined that there must be no remissness in the worship of the Kami, and that they should be sincerely reverenced by all officials, In the sequel of this edict Prince Shotoku himself, the o-omi, and a number of functionaries worshipped the Kami of heaven and of earth. In fact, Shotoku, for all his enthusiasm in the cause of Buddhism, seems to have shrunk from anything like bigoted exclusiveness. He is quoted* as saying: "The management of State affairs cannot be achieved unless it is based on knowledge, and the sources of knowledge are Confucianism, Buddhism, and Shinto."** He who inclines to one of these three, must study the other two also; for what one knows seems reasonable, but that of which one is ignorant appears unreasonable. Therefore an administrator of public affairs should make himself acquainted with all three and should not affect one only, for such partiality signifies maladministration.

*In the Sankyo-ron.

**The order of this enumeration is significant.

DEATH OF SHOTOKU TAISHI

Prince Shotoku died in the year 621. The Records do not relate anything of his illness: they say merely that he foresaw the day and hour of his own death, and they say also that when the Buddhist priest, Hyecha of Koma, who had instructed the prince in the "inner doctrine," learned of his decease, he also announced his determination to die on the same day of the same month in the following year so as "to meet the prince in the Pure Land and, together with him, pass through the metempsychosis of all living creatures."

The last months of Shotoku's life were devoted to compiling, in concert with the o-omi Umako, "a history of the Emperors; a history of the country, and the original record of the omi, the muraji, the tomo no miyatsuko, the kuni no miyatsuko, the 180 be, and the free subjects." This, the first Japanese historical work, was completed in the year 620. It was known afterwards as the Kujihongi, and twenty-five years later (645) when--as will presently be seen--the execution of the Soga chief took place, the book was partially consumed by fire. Yet that it had not suffered beyond the possibility of reconstruction, and that it survived in the Ko-jiki was never doubted until the days (1730-1801) of "the prince of Japanese literati," Motoori Norinaga. The question of authenticity is still unsettled.

Shotoku's name is further connected with calendar making, though no particulars of his work in that line are on record. Japanese historians speak of him as the father of his country's civilization. They say that he breathed life into the nation; that he raised the status of the Empire; that he laid the foundations of Japanese learning; that he fixed the laws of decorum; that he imparted a new character to foreign relations, and that he was an incarnation of the Buddha, specially sent to convert Japan. The Chronicles say that at his death nobles and commoners alike, "the old, as if they had lost a dear child, the young, as if they had lost a beloved parent, filled the ways with the sound of their lamenting."

THE SPREAD OF BUDDHISM AND THE CONTROL OF ITS PRIESTS

The roots of Japanese Buddhism were watered with blood, as have been the roots of so many religions in so many countries. From the day of the destruction of the military party under the o-muraji Moriya, the foreign faith flourished. Then--as has been shown--were built the first two great temples, and then, for the first time, a Buddhist place of worship was endowed* with rich estates and an ample number of serfs to till them. Thenceforth the annals abound with references to the advent of Buddhist priests from Korea, bearing relics or images. The omi and the muraji vied with each other in erecting shrines, and in 605, we find the Empress Suiko commanding all high dignitaries of State to make 16-foot images of copper** and of embroidery. Buddhist festivals were instituted in 606, and their magnificence, as compared with the extreme simplicity of the Shinto rites, must have deeply impressed the people. In a few decades Buddhism became a great social power, and since its priests and nuns were outside the sphere of ordinary administration, the question of their control soon presented itself. It became pressing in 623 when a priest killed his grandfather with an axe. The Empress Suiko, who was then on the throne, would have subjected the whole body of priests and nuns to judicial examination, a terrible ordeal in those days of torture; but at the instance of a Korean priest, officials corresponding to bishops (sojo), high priests (sozu) and abbots (hotto) were appointed from the ranks of Buddhism, and the duty of prescribing law and order was entrusted to them. This involved registration of all the priesthood, and it was thus found (623) that the temples numbered 46; the priests 816, and the nuns 569.

*The endowment of religious edifices was not new in Japan. A conspicuous instance was in A.D. 487, when rice-fields were dedicated to the Moon god and to the ancestor of the Sun goddess.

**The metal employed was of gold and copper; in the proportion of one part of the former to 430 of the latter. It is related that when these images were completed, the temple door proved too low to admit them, and the artisan--Tori the Saddle-maker--whose ingenuity overcame the difficulty without pulling down the door, received large honour and reward.

INTERCOURSE WITH CHINA

That not a few Chinese migrated to Japan in remote times is clear. The Records show that in the year A.D. 540, during the reign of Kimmei, immigrants from Tsin and Han were assembled and registered, when their number was found to be 7053 households. The terms "Tsin" and "Han" refer to Chinese dynasties of those names, whose sway covered the period between 255 B.C. and A.D. 419. Hence the expression is too vague to suggest any definite idea of the advent of those settlers; but the story of some, who came through Korea, has already been traced. It was in A.D. 552, during the reign of this same Kimmei, that Buddhism may be said to have found a home in Japan. China was then under the sceptre of the Liang dynasty, whose first sovereign, Wu, had been such an enthusiastic Buddhist that he abandoned the throne for a monastery.. Yet China took no direct part in introducing the Indian faith to Japan, nor does it appear that from the fourth century A.D. down to the days of Shotoku Taishi, Japan thought seriously of having recourse to China as the fountain-head of the arts, the crafts, the literature, and the moral codes which she borrowed during the period from Korea.

Something of this want of enterprise may have been attributable to the unsettled state of China's domestic politics; something to the well-nigh perpetual troubles between Japan and Korea--troubles which not only taxed Japan's resources but also blocked the sole route by which China was then accessible, namely, the route through Korea. But when the Sui dynasty (A.D. 589-619) came to the Chinese throne, its founder, the Emperor Wen, on the one hand, devoted himself to encouraging literature and commerce; and on the other, threw Korea and Japan into a ferment by invading the former country at the head of a huge army.* This happened when Shotoku Taishi was in his sixteenth year, and though the great expedition proved abortive for aggressive purposes, it brought China into vivid prominence, and when news reached Japan of extensions of the Middle Kingdom's territories under Wen's successor, the Japanese Crown Prince determined to open direct intercourse with the Sui Court; not only for literary and religious purposes, but also to study the form of civilization which the whole Orient then revered. This resolve found practical expression in the year 607, when the omi Imoko was sent as envoy to the Sui Court, a Chinese of the Saddlers' Corporation, by name Fukuri, being attached to him in the capacity of interpreter. China received these men hospitably and sent an envoy of her own, with a suite of twelve persons, to the Yamato sovereign in the following year.

*Reputed to have mustered 300,000 strong.

The annals contain an instructive description of the ceremony connected with the reception of this envoy in Japan. He was met in Tsukushi (Kyushu) by commissioners of welcome, and was conducted thence by sea to Naniwa (now Osaka), where, at the mouth of the river, thirty "gaily-decked" boats awaited him, and he and his suite were conducted to a residence newly built for the occasion. Six weeks later they entered the capital, after a message of welcome had been delivered to them by a muraji. Seventy-five fully caparisoned horses were placed at their disposal, and after a further rest of nine days, the envoy's official audience took place. He did not see the Empress' face. Her Majesty was secluded in the hall of audience to which only the principal ministers were admitted. Hence the ceremony may be said to have taken place in the court-yard. There the gifts brought by the envoy were ranged, and the envoy himself, introduced by two high officials, advanced to the front of the court, made obeisance twice, and, kneeling, declared the purport of his mission. The despatch carried by him ran as follows:

The Emperor greets the sovereign of Wa.* Your envoy and his suite have arrived and have given us full information. We, by the grace of heaven, rule over the universe. It is Our desire to diffuse abroad our civilizing influence so as to cover all living things, and Our sentiment of loving nurture knows no distinction of distance. Now We learn that Your Majesty, dwelling separately beyond the sea, bestows the blessings of peace on Your subjects; that there is tranquillity within Your borders, and that the customs and manners are mild. With the most profound loyalty You have sent Us tribute from afar, and We are delighted at this admirable token of Your sincerity. Our health is as usual, notwithstanding the increasing heat of the weather. Therefore We have sent Pei Shieh-ching, Official Entertainer of the Department charged with the Ceremonial for the Reception of Foreign Ambassadors, and his suite, to notify to you the preceding. We also transmit to you the products of which a list is given separately.**

*It has already been stated that Japan was generally known in China and Korea by the term "Wa," which, being written with an ideograph signifying "dwarf" or "subservient," was disliked by the Japanese. The envoy sent from Yamato in 607 was instructed to ask for the substitution of Nippon (Place of Sunrise), but the Sui sovereign declined to make the change and Japan did not receive the designation "Nippon" in China until the period Wu Teh (A.D. 618-626) of the Tang dynasty. It is not certain at what time exactly the Japanese themselves adopted this nomenclature, but it certainly was before the seventh century.

**Translated by Aston in the Nihongi.

When the reading of the document was concluded, a high noble stepped forward, took it from the envoy's hands and advanced with it towards the audience-hall, from which another noble came out to meet him, received the letter, deposited it on a table before the chief entrance, and then reported the facts to the Empress. This ended the ceremony. The haughty condescension of the Chinese despatch does not appear to have offended the Japanese, nor did they cavil at the omission of one important ideograph from the title applied to their Empress. China's greatness seems to have been fully recognized. When, a month later, the envoy took his departure, the same Imoko was deputed to accompany him, bearing a despatch* in which, to China's simple "greeting," Japan returned a "respectful address;" to China's expression of ineffable superiority Japan replied that the coming of the embassy had "dissolved her long-harboured cares;" and to China's grandiloquent prolixity Japan made answer with half a dozen brief lines. Imoko was now accompanied by eight students four of literature and four of religion. Thus was established, and for long afterwards maintained, a bridge over which the literature, arts, ethics, and philosophies of China were copiously imported into Japan.

*In this despatch Japan called herself "the place where the sun comes forth," and designated China as "the place where the sun sets." The idea, doubtless, was merely to distinguish between east and west, but the Sui sovereign resented the diction of this "barbarian letter."

RANKS

It will be recognized by considering the uji system that while many titles existed in Japan, there was practically no promotion. A man might be raised to uji rank. Several instances of that kind have been noted, especially in the case of foreign artists or artisans migrating to the island from Korea or China. But nothing higher was within reach, and for the hereditary Kami of an uji no reward offered except a gift of land, whatever services he might render to the State. Such a system could not but tend to perfunctoriness in the discharge of duty. Perception of this defect induced the regent, Shotoku, to import from China (A.D. 603) the method of official promotion in vogue under the Sui dynasty and to employ caps as insignia of rank.* Twelve of such grades were instituted, and the terminology applied to them was based on the names of six moral qualities--virtue, benevolence, propriety, faith, justice, and knowledge--each comprising two degrees, "greater" and "lesser." The caps were made of sarcenet, a distinctive colour for each grade, the cap being gathered upon the crown in the shape of a bag with a border attached. The three highest ranks of all were not included in this category.

*In China to-day the distinguishing mark is a button of varying material fastened on the top of the cap.

THE EMPEROR JOMEI AND THE EMPRESS KOGYOKU

In the year 626, the omnipotent Soga chief, the o-omi Umako, died. His brief eulogy in the Chronicles is that he had "a talent for military tactics," was "gifted with eloquence," and deeply reverenced "the Three Precious Things" (Buddha, Dharma, and Samgha). In the court-yard of his residence a pond was dug with a miniature island in the centre, and so much attention did this innovation attract that the great minister was popularly called Shima (island) no o-omi. His office of o-omi was conferred on his son, Emishi, who behaved with even greater arrogance and arbitrariness than his father had shown. The Empress Suiko died in 628, and the question of the accession at once became acute. Two princes were eligible; Tamura, grandson of the Emperor Bidatsu, and Yamashiro, son of Shotoku Taishi. Prince Yamashiro was a calm, virtuous, and faithful man. He stated explicitly that the Empress, on the eve of her demise, had nominated him to be her successor. But Prince Tamura had the support of the o-omi, Emishi, whose daughter he admired. No one ventured to oppose the will of the Soga chieftain except Sakaibe no Marise, and he with his son were ruthlessly slain by the orders of the o-omi.

Prince Tamura then (629) ascended the throne--he is known in history as Jomei--but Soga no Emishi virtually ruled the empire. Jomei died in 641, after a reign of twelve years, and by the contrivance of Emishi the sceptre was placed in the hands of an Empress, Kogyoku, a great-granddaughter of the Emperor Bidatsu, the claims of the son of Shotoku Taishi being again ignored. One of the first acts of the new sovereign was to raise Emishi to the rank held by his father, the rank of o-omi, and there then came into prominence Emishi's son, Iruka, who soon wielded power greater than even that possessed by his father. Iruka's administration, however, does not appear to have been altogether unwholesome. The Chronicles say that "thieves and robbers were in dread of him, and that things dropped on the highway were not picked up." But Emishi rendered himself conspicuous chiefly by aping Imperial state. He erected an ancestral temple; organized performances of a Chinese dance (yatsura) which was essentially an Imperial pageant; levied imposts on the people at large for the construction of tombs--one for himself, another for his son, Iruka--which were openly designated misasagi (Imperial sepulchres); called his private residence mikado (sacred gate); conferred on his children the title of miko (august child), and exacted forced labour from all the people of the Kamutsumiya estate, which belonged to the Shotoku family.

This last outrage provoked a remonstrance from Shotoku Taishi's daughter, and she was thenceforth reckoned among the enemies of the Soga. One year later (643), this feud ended in bloodshed. Emishi's usurpation of Imperial authority was carried so far that he did not hesitate to confer the rank of o-omi on his son, Iruka, and upon the latter's younger brother also. Iruka now conceived the design of placing upon the throne Prince Furubito, a son of the Emperor Jomei. It will be remembered that the Soga chief, Emishi, had lent his omnipotent influence to secure the sceptre for Jomei, because of the latter's affection for Emishi's daughter. This lady, having become one of Jomei's consorts, had borne to him Prince Furubito, who was consequently Iruka's uncle. Iruka determined that the prince should succeed the Empress Kogyoku. To that end it was necessary to remove the Shotoku family, against which, as shown above, the Soga had also a special grudge. Not even the form of devising a protest was observed. Orders were simply issued to a military force that the Shotoku house should be extirpated. Its representative was Prince Yamashiro, the same who had effaced himself so magnanimously at the time of Jomei's accession. He behaved with ever greater nobility on this occasion. Having by a ruse escaped from the Soga troops, he was urged by his followers to flee to the eastern provinces, and there raising an army, to march back to the attack of the Soga.

There is reason to think that this policy would have succeeded. But the prince replied: "I do not wish it to be said by after generations that, for my sake, anyone has mourned the loss of a father or a mother. Is it only when one has conquered in battle that one is to be called a hero? Is he not also a hero who has made firm his country at the expense of his own life?" He then returned to the temple at Ikaruga, which his father had built, and being presently besieged there by the Soga forces, he and the members of his family, twenty-three in all, committed suicide. This tragedy shocked even Emishi. He warned Iruka against the peril of such extreme measures.

ENGRAVING: FUJIWARA KAMATAKI

There now appears a statesman destined to leave his name indelibly written on the pages of Japanese history, Kamatari, muraji of the Nakatomi-uji. The Nakatomi's functions were specially connected with Shinto rites, and Kamatari must be supposed to have entertained little good-will towards the Soga, who were the leaders of the Buddhist faction, and whose feud with the military party sixty-seven years previously had involved the violent death of Katsumi, then (587) muraji of the Nakatomi. Moreover, Kamatari makes his first appearance in the annals as chief Shinto official. Nevertheless, it is not apparent that religious zeal or personal resentment was primarily responsible for Kamatari's determination to compass the ruin of the Soga. Essentially an upright man and a loyal subject, he seems to have been inspired by a frank resolve to protect the Throne against schemes of lawless ambitions, unconscious that his own family, the Fujiwara, were destined to repeat on a still larger scale the same abuses.

The succession may be said to have had three aspirants at that time: first, Prince Karu, younger brother of the Empress Kogyoku; secondly, Prince Naka, her son, and thirdly, Prince Furubito, uncle of Soga no Iruka. The last was, of course, excluded from Kamatari's calculations, and as between the first two he judged it wiser that Prince Karu should have precedence in the succession, Prince Naka not being old enough. The conspiracy that ensued presents no specially remarkable feature. Kamatari and Prince Naka became acquainted through an incident at the game of football, when the prince, having accidently kicked off his shoe, Kamatari picked it up and restored it to him on bended knee. The two men, in order to find secret opportunities for maturing their plans, became fellow students of the doctrines of Chow and Confucius under the priest Shoan, who had been among the eight students that accompanied the Sui envoy on his return to China in the year 608.

Intimate relations were cemented with a section of the Soga through Kurayamada, whose daughter Prince Naka married, and trustworthy followers having been attached to the prince, the conspirators watched for an occasion. It was not easy to find one. The Soga mansion, on the eastern slope of Mount Unebi, was a species of fortress, surrounded by a moat and provided with an armoury having ample supply of bows and arrows. Emishi, the o-omi, always had a guard of fifty soldiers when he went abroad, and Iruka, his son, wore a sword "day and night." Nothing offered except to convert the palace itself into a place of execution. On the twelfth day of the sixth month, 645, the Empress held a Court in the great hall of audience to receive memorials and tribute from the three kingdoms of Korea. All present, except her Majesty and Iruka, were privy to the plot. Iruka having been beguiled into laying aside his sword, the reading of the memorials was commenced by Kurayamada, and Prince Naka ordered the twelve gates to be closed simultaneously. At that signal, two swordsmen should have advanced and fallen upon Iruka; but they showed themselves so timorous that Prince Naka himself had to lead them to the attack. Iruka, severely wounded, struggled to the throne and implored for succour and justice; but when her Majesty in terror asked what was meant, Prince Naka charged Iruka with attempting to usurp the sovereignty. The Empress, seeing that her own son led the assassins, withdrew at once, and the work of slaughtering Iruka was completed, his corpse being thrown into the court-yard, where it lay covered with straw matting.

Prince Naka and Karaatari had not been so incautious as to take a wide circle of persons into their confidence. But they were immediately joined by practically all the nobility and high officials, and the o-omi's troops having dispersed without striking a blow, Emishi and his people were all executed. The Empress Kogyoku at once abdicated in favour of her brother, Prince Kara, her son, Prince Naka, being nominated Prince Imperial. Her Majesty had worn the purple for only three years. All this was in accord with Kamatari's carefully devised plans. They were epoch making.

RELATIONS WITH KOREA DURING THE SEVEN REIGNS FROM KIMMEI TO KOGYOKU (A.D. 540-645)

The story of Japan's relations with Korea throughout the period of over a century, from the accession of Kimmei (540) to the abdication of Kogyoku (645), is a series of monotonously similar chapters, the result for Japan being that she finally lost her position at Mimana. There was almost perpetual fighting between the petty kingdoms which struggled for mastery in the peninsula, and Kudara, always nominally friendly to Japan, never hesitated to seek the latter's assistance against Shiragi and Koma. To these appeals the Yamato Court lent a not-unready ear, partly because they pleased the nation's vanity, but mainly because Kudara craftily suggested danger to Mimana unless Japan asserted herself with arms. But when it came to actually rendering material aid, Japan did nothing commensurate with her gracious demeanour. She seems to have been getting weary of expensive interference, and possibly it may also have occurred to her that no very profound sympathy was merited by a sovereign who, like the King of Kudara, preferred to rely on armed aid from abroad rather than risk the loss of his principality to his own countrymen.

At all events, in answer to often iterated entreaties from Kudara, the Yamato Court did not make any practical response until the year 551, when it sent five thousand koku of barley-seed (?), followed, two years later, by two horses, two ships, fifty bows with arrows, and--a promise. Kudara was then ruled by a very enterprising prince (Yo-chang). Resolving to strike separately at his enemies, Koma and Shiragi, he threw himself with all his forces against Koma and gained a signal victory (553). Then, at length, Japan was induced to assist. An omi was despatched (554) to the peninsula with a thousand soldiers, as many horses and forty ships. Shiragi became at once the objective of the united forces of Kudara and Japan. A disastrous defeat resulted for the assailants. The Kudara army suffered almost complete extermination, losing nearly thirty thousand men, and history is silent as to the fate of the omi's contingent. Nevertheless the fear of Japanese vengeance induced Shiragi to hold its hand, and, in the year 561, an attempt was made twice to renew friendly relations with the Yamato Court by means of tribute-bearing envoys. Japan did not repel these overtures, but she treated the envoy of the victorious Shiragi with less respect than that extended to the envoy of the vanquished Kudara.

In the spring of the following year (562), Shiragi invaded Mimana, destroyed the Japanese station there and overran the whole region (ten provinces). No warning had reached Japan. She was taken entirely unawares, and she regarded it as an act of treachery on Shiragi's part to have transformed itself suddenly from a tribute-bearing friend into an active enemy. Strangely enough, the King of Shiragi does not appear to have considered that his act precluded a continuance of friendly relations with the Yamato Court. Six months after his invasion of Mimana he renewed the despatch of envoys to Japan, and it was not until their arrival in Yamato that they learned Japan's mood. Much to the credit of the Yamato Court, it did not wreak vengeance on these untimely envoys, but immediately afterwards an armed expedition was despatched to call Shiragi to account. The forces were divided into two corps, one being ordered to march under Ki no Omaro northwest from Mimana and effect a junction with Kudara; the other, under Kawabe no Nie, was to move eastward against Shiragi. This scheme became known to the Shiragi generals owing to the seizure of a despatch intended for Kudara. They attempted to intercept Omaro's corps, but were signally defeated.

The movement under Kawabe no Nie fared differently. Japanese annals attempt to palliate his discomfiture by a story about the abuse of a flag of truce, but the fact seems to have been that Kawabe no Nie was an incompetent and pusillanimous captain. He and his men were all killed or taken prisoners, the only redeeming feature being the intrepidity of a Japanese officer, Tsugi no Ikina, who, with his wife and son, endured to be tortured and killed rather than utter an insult against their country.

It is difficult to interpret the sequence of events after this catastrophe. Japan immediately despatched a strong army--from thirty to forty thousand men--but instead of directing it against Shiragi, sent it to the attack of Koma, under advice of the King of Kudara. Possibly the idea may have been to crush Koma, and having thus isolated Shiragi, to deal with the latter subsequently. If so, the plan never matured. Koma, indeed, suffered a signal defeat at the hands of the Japanese, Satehiko, muraji of the Otomo, but Shiragi remained unmolested, and nothing accrued to Japan except some attractive spoils--curtains of seven-fold woof, an iron house, two suits of armour, two gold-mounted swords, three copper belts with chasings, two variously coloured flags, and two beautiful women. Even as to the ultimate movements of Satehiko and his army the annals are silent.

Things remained thus for nine years. Tribute-bearing envoys arrived at intervals from Koma, but with Shiragi there was no communication. At last, in 571, an official was sent to demand from Shiragi an explanation of the reasons for the destruction of Mimana. The intention may have been to follow up this formality with the despatch of an effective force, but within a month the Emperor Kimmei died. On his death-bed he is said to have taken the Prince Imperial--Bidatsu--by the hand and said: "That which comes after devolves on thee. Thou must make war on Shiragi and establish Mimana as a feudal dependency, renewing a relationship like that of husband and wife, just as it was in former days. If this be done, in my grave I shall rest content."

Twelve years passed before Bidatsu took any step to comply with this dying injunction. During that long interval there were repeated envoys from Koma, now a comparatively feeble principality, and Shiragi made three unsuccessful overtures to renew amicable relations. At length, in 583, the Emperor announced his intention of carrying out the last testament of his predecessor. To that end his Majesty desired to consult with a Japanese, Nichira, who had served for many years at the Kudara Court and was thoroughly familiar with the conditions existing in Korea. Nichira came to Japan, but the annals indicate that his counsels were directed wholly against Kudara, which was ostensibly on the friendliest terms with Japan, and not at all against Shiragi, whose punishment was alone in question. Besides, instead of advising an appeal to arms, he urged the necessity of developing Japan's material resources, so that her neighbours might learn to count her formidable and her people might acquire ardour in her cause. Whether the wisdom of this advice appealed to Bidatsu, or whether the disputes consequent upon the introduction of Buddhism paralyzed his capacity for oversea enterprise, he made no further attempt to resolve the Korean problem.

In the year 591, the ill-fated Emperor Sushun conceived the idea of sending a large army to re-establish his country's prestige in the peninsula, but his own assassination intervened, and for the space of nine years the subject was not publicly revived. Then, in 600, the Empress Suiko being on the throne, a unique opportunity presented itself. War broke out between Shiragi and Mimana. The Yamato Court at once despatched a force of ten thousand men to Mimana's aid, and Shiragi, having suffered a signal defeat, made act of abject submission, restoring to Mimana six of its original provinces and promising solemnly to abstain from future hostilities. The Japanese committed the error of crediting Shiragi's sincerity. They withdrew their forces, but no sooner had their ships passed below the horizon than Shiragi once more invaded Mimana. It seemed at this juncture as though the stars in their courses fought against Japan. Something, indeed, must be ascribed to her own methods of warfare which appear to have been overmerciful for the age. Thus, with the bitter experience of Shiragi's treachery fresh in her recollection, she did not execute a Shiragi spy seized in Tsushima, but merely banished him to the province of Kozuke. Still, she must be said to have been the victim of special ill-fortune when an army of twenty-five thousand men, assembled in Tsukushi for the invasion of Shiragi, was twice prevented from sailing by unforseeable causes, one being the death of Prince Kume, its commander-in-chief; the other, the death of the consort of his successor, Prince Taema.*

*Early Japanese history furnishes several examples showing that wives often accompanied their husbands on campaigns.

These things happened in the year 603, and for the next five years all relations with Korea seem to have been severed. Then (608) a brief paragraph in the Chronicles records that "many persons from Shiragi came to settle in Japan." It is certainly eloquent of the Yamato Court's magnanimity that it should have welcomed immigrants from a country with which it was virtually at war. Two years later (610), Shiragi and Mimana, acting in concert, sent envoys who were received with all the pomp and ceremony prescribed by Shotoku Taishi's code of decorum. Apparently this embassy was allowed to serve as a renewal of friendly relations, but it is not on record that the subject of former dispute was alluded to in any way, nor was the old-time habit of annual tribute-bearing envoys revived. Visitors from Korea were, indeed, few and far-between, as when, in 616, Shiragi sent a golden image of Buddha, two feet high, whose effulgence worked wonders; or in 618, when an envoy from Korea conveyed the important tidings that the invasion of the peninsula by the Sui sovereign, Yang, at the head of three hundred thousand men, had been beaten back. This envoy carried to Yamato presents in the form of two captive Chinese, a camel, and a number of flutes, cross-bows, and catapults (of which instruments of war mention is thus made for the first time in Japanese history).

The Yamato Court had evidently now abandoned all idea of punishing Shiragi or restoring the station at Mimana; while Shiragi, on her side, was inclined to maintain friendly relations though she did not seek frequent intercourse. After an interval of five years' aloofness, she presented (621) a memorial on an unrecorded subject, and in the following year, she presented, once more, a gold image of Buddha, a gold pagoda, and a number of baptismal flags.* But Shiragi was nothing if not treacherous, and, even while making these valuable presents to the Yamato Court, and while despatching envoys in company with those from Mimana, she was planning another invasion of the latter. It took place that very year (622). When the news reached Japan, the Empress Suiko would have sent an envoy against Shiragi, but it was deemed wiser to employ diplomacy in the first place, for the principalities of Korea were now in close relations with the great Tang dynasty of China and might even count on the latter's protection in case of emergency.

*"The Buddhist baptism consists in washing the top of the head with perfumed water. The baptismal flags were so called because they had the same efficiency, raising those who passed under them, first, to the rank of Tchakra Radja, and, ultimately, to that of a Buddha." (Aston.)

Two plenipotentiaries were therefore sent from Japan. Their mission proved very simple. Shiragi acquiesced in all their proposals and pledged herself once for all to recognize Mimana as a dependency of Japan. But after the despatch of these plenipotentiaries, the war-party in Japan had gained the ascendancy, and just as the plenipotentiaries, accompanied by tribute-bearing envoys from Shiragi and Mimana, were about to embark for Japan, they were astounded by the apparition of a great flotilla carrying thousands of armed men. The exact dimensions of this force are not on record: it is merely described as having consisted of "several tens of thousands of men," but as it was commanded by two generals of the first rank and seven of the second, it must have been a very formidable army, and nothing is more remarkable about it than that it was assembled and embarked in the space of a few weeks. Shiragi did not attempt to resist. The King tendered his submission and it was accepted without a blow having been struck. But there were no tangible results. Japan did not attempt to re-establish her miyake in Mimana, and Shiragi refrained from sending envoys to Yamato except on special occasions. Friendly, though not intimate, relations were still maintained with the three kingdoms of Korea, mainly because the peninsula long continued to be the avenue by which the literature, arts, and crafts of China under, the Tang dynasty found their way to Japan. Since, however, the office in Mimana no longer existed to transact business connected with this intercourse, and since Yamato was too distant from the port of departure and arrival--Anato, now Nagato--a new office was established in Tsukushi (Kyushu) under the name of the Dazai-fu.

LESSONS TAUGHT BY THE INTERCOURSE BETWEEN JAPAN AND KOREA

The record of Japan's relations with Korea, so far as it has been carried above--namely, to the close of the Empress Kogyoku's reign (A.D. 645)--discloses in the Korean people a race prone to self-seeking feuds, never reluctant to import foreign aid into domestic quarrels, and careless of the obligations of good faith. In the Japanese we see a nation magnanimous and trustful but of aggressive tendencies.

IMPORTATION OF CHINESE CIVILIZATION

Although Japan's military influence on the neighbouring continent waned perceptibly from the reign of Kimmei (540-571) onwards, a stream of Chinese civilization flowed steadily into the Island Empire from the west, partly coming direct from the fountain head; partly filtering, in a more or less impure form, through Korean channels. Many of the propagandists of this civilization remained permanently in Japan, where they received a courteous welcome, being promoted to positions of trust and admitted to the ranks of the nobility. Thus a book (the Seishi-roku), published in 814, which has been aptly termed the "peerage of Japan," shows that, at that time, nearly one-third of the Japanese nobility traced their descent to Chinese or Korean ancestors in something like equal proportions. The numbers are, China, 162 families; Kudara, 104; Koma, 50; Mimana, 9; Shiragi, 9; doubtful, 47. Total, 381 Chinese and Korean families out of a grand aggregate of 1177. But many of the visitors returned home after having sojourned for a time as teachers of literature, art, or industrial science.

This system of brief residence for purposes of instruction seems to have been inaugurated during the reign of Keitai, in the year 513, when Tan Yang-i, a Chinese expounder of the five classics, was brought to Yamato by envoys from Kudara as a gift valued enough to purchase political intervention for the restoration of lost territory; and when, three years later, a second embassy from the same place, coming to render thanks for effective assistance in the matter of the territory, asked that Tan might be allowed to return in exchange for another Chinese pundit, Ko An-mu. The incident suggests how great was the value attached to erudition even in those remote days. Yet this promising precedent was not followed for nearly forty years, partly owing to the unsettled nature of Japan's relations. with Korea.

After the advent of Buddhism (552), however, Chinese culture found new expansion eastward. In 554, there arrived from Kudara another Chinese literatus, and, by desire of the Emperor, Kimmei, a party of experts followed shortly afterwards, including a man learned in the calendar, a professor of divination, a physician, two herbalists, and four musicians. The record says that these men, who, with the exception of the Chinese doctor of literature, were all Koreans, took the place of an equal number of their countrymen who had resided in Japan for some years. Thenceforth such incidents were frequent. Yet, at first, a thorough knowledge of the ideographic script seems to have spread very slowly in Japan, for in 572, when the Emperor Bidatsu sought an interpretation of a memorial presented by the Koma sovereign, only one man among all the scribes (fumi-bito), and he (Wang Sin-i) of Chinese origin, was found capable of reading the document.

But from the accession of the Empress Suiko (593), the influence of Shotoku Taishi made itself felt in every branch of learning, and thenceforth China and Japan may be said to have stood towards each other in the relation of teacher and pupil. Literature, the ideographic script,* calendar compiling, astronomy, geography, divination, magic, painting, sculpture, architecture, tile-making, ceramics, the casting of metal, and other crafts were all cultivated assiduously under Chinese and Korean instruction. In architecture, all substantial progress must be attributed to Buddhism, for it was by building temples and pagodas that Japanese ideas of dwelling-houses were finally raised above the semi-subterranean type, and to the same influence must be attributed signal and rapid progress in the art of interior decoration. The style of architecture adopted in temples was a mixture of the Chinese and the Indian. Indeed, it is characteristic of this early epoch that traces of the architectural and glyptic fashions of the land where Buddhism was born showed themselves much more conspicuously than they did in later eras; a fact which illustrates Japan's constant tendency to break away from originals by modifying them in accordance with her own ideals.

*The oldest ideographic inscription extant in Japan is carved on a stone in Iyo province dating from A.D. 596. Next in point of antiquity is an inscription on the back of an image of Yakushi which stands in the temple Horyu-ji. It is ascribed to the year A.D. 607.

ENGRAVING: THE KONDO, HALL or THE HORYU-JI TEMPLE (Ji means temple)

None of the religious edifices then constructed has survived in its integrity to the present day. One, however,--the Horyu-ji, at Nara--since all its restorations have been in strict accord with their originals, is believed to be a true representative of the most ancient type. It was founded by Shotoku Taishi and completed in 607. At the time of its construction, this Horyu-ji was the chief academy of Buddhist teaching, and it therefore received the name of Gakumon-ji (Temple of Learning). Among its treasures is an image of copper and gold which was cast by the Korean artist, Tori--commonly called Tori Busshi, or Tori the image-maker--to order of Shotoku; and there is mural decoration from the brush of a Korean priest, Doncho. This building shows that already in the seventh century an imposing type of wooden edifice had been elaborated--an edifice differing from those of later epochs in only a few features; as, slight inequality in the scantling of its massive pillars; comparatively gentle pitch of roof; abnormally overhanging eaves, and shortness of distance between each storey of the pagoda. These sacred buildings were roofed with tiles, and were therefore called kawara-ya (tiled house) by way of distinction, for all private dwellings, the Imperial palace not excepted, continued to have thatched roofs in the period now under consideration,* or at best roofs covered with boards. The annals show that when the Empress Kogyoku built the Asuka palace, timber was obtained from several provinces; labour was requisitioned throughout a district extending from Omi in the east to Aki in the west; the floor of the "great hall"** was paved with tiles; there were twelve gates, three on each of the four sides, and the whole was in the architectural style of the Tang dynasty. Yet for the roofs, boards alone were used.

*Down to A.D. 645.1

**It was here that the assassination of Soga no Iruka took place.

PAINTING

Little is recorded about the progress of painting in this epoch. It has been shown above that during Yuryaku's reign pictorial experts crossed to Japan from Korea and from China. The Chronicles add that, in A.D. 604, when the Empress Suiko occupied the throne, two schools of painters were established, namely, the Kibumi and the Yamashiro. It is elsewhere explained that the business of those artists was to paint Buddhist pictures, the special task of the Kibumi men being to illuminate scrolls of the Sutras. We read also that, in 603, on the occasion of the dedication of the temple of Hachioka, Prince Shotoku painted banners as offerings. These had probably the same designs as those spoken of a century later (710) when, at a ceremony in the great hall of the palace, there were set up flags emblazoned with a crow,* the sun, an azure dragon, a red bird, and the moon, all which designs were of Chinese origin. Shotoku Taishi himself is traditionally reported to have been a skilled painter and sculptor, and several of his alleged masterpieces are preserved to this day, but their authenticity is disputed.

*The three-legged crow of the sun.

AGRICULTURE

In the field of agriculture this epoch offers nothing more remarkable than the construction of nine reservoirs for irrigation purposes and the digging of a large canal in Yamashiro province. It is also thought worthy of historical notice that a Korean prince unsuccessfully attempted to domesticate bees on a Japanese mountain.

COMMERCE

Considerable progress seems to have been made in tradal matters. Markets were opened at several places in the interior, and coastwise commerce developed so much that, in A.D. 553, it was found expedient to appoint an official for the purpose of numbering and registering the vessels thus employed. The Chinese settler, Wang Sin-i, who has already been spoken of as the only person able to decipher a Korean memorial, was given the office of fune no osa (chief of the shipping bureau) and granted the title of fune no fubito (registrar of vessels). Subsequently, during the reign of Jomei (629-641), an akinai-osa (chief of trade) was appointed in the person of Munemaro, whose father, Kuhi, had brought scales and weights from China during the reign of Sushun (558-592), and this system was formally adopted in the days of Jomei (629-641). There had not apparently been any officially recognized weights and measures in remote antiquity. The width of the hand (ta or tsuka) and the spread of the arms (hiro) were the only dimensions employed. By and by the Korean shaku (foot), which corresponds to 1.17 shaku of the present day, came into use. In Kenso's time (485-487) there is mention of a measure of rice being sold for a piece of silver, and the Emperor Kimmei (540-571) is recorded to have given 1000 koku of seed-barley to the King of Kudara. But it is supposed that the writer of the Chronicles, in making these entries, projected the terminology of his own time into the previous centuries. There were neither coins nor koku in those eras.

COSTUME AND COIFFURE

Up to the time (A.D. 603) of the institution of caps as marks of rank, men were in the habit of dividing their hair in the centre and tying it above the ears in a style called mizura. But such a fashion did not accord with the wearing of caps which were gathered up on the crown in the shape of a bag. Hence men of rank took to binding the hair in a queue on the top of the head. The old style was continued, however, by men having no rank and by youths. A child's hair was looped on the temples in imitation of the flower of a gourd--hence called hisago-bana--and women wore their tresses hanging free. The institution of caps interfered also with the use of hairpins, which were often made of gold and very elaborate. These now came to be thrust, not directly into the hair, but through the cord employed to tie the cap above. It is recorded that, in the year 611, when the Empress Suiko and her Court went on a picnic, the colour of the ministers' garments agreed with that of their official caps, and that each wore hair-ornaments which, in the case of the two highest functionaries, were made of gold; in the case of the next two, of leopards' tails; and in the case of lower ranks, of birds' tails.

On a more ceremonious occasion, namely, the reception of the Chinese envoys from the Sui Court, the Chronicles state that Japanese princes and ministers "all wore gold hair-ornaments,* and their garments were of brocade, purple, and embroidery, with thin silk stuffs of various colours and patterns." Costume had become thus gorgeous after the institution of Buddhism and the establishment of intercourse direct with the Sui, and, subsequently, the Tang dynasty. Even in the manner of folding the garments over the breast--not from right to left but from left to right--the imported fashion was followed. Wadded garments are incidently mentioned in the year A.D. 643.

*These were called usu. They were, in fact, hairpins, generally shaped like a flower.

MUSIC AND AMUSEMENTS

It has already been recorded that, in the middle of the sixth century, musicians were sent from the Kudara Court to the Yamato, and since these are said to have taken the place of others then sojourning in Japan, the fact is established that such a visit was not then without precedent. Music, indeed, may be said to have benefitted largely by the advent of Buddhism, for the services of the latter required a special kind of music. The first foreign teacher of the art was a Korean, Mimashi, who went to Japan in A.D. 612, after having studied both music and dancing for some years in China. A dwelling was assigned to him at Sakurai (in Yamato) and he trained pupils. At the instance of Prince Shotoku and for the better performance of Buddhist services, various privileges were granted to the professors of the art. They were exempted from the discharge of official duties and their occupation became hereditary. Several ancient Japanese books contain reference to music and dancing, and in one work* illustrations are given of the wooden masks worn by dancers and the instruments used by musicians of the Wu (Chinese) school. These masks were introduced by Mimashi and are still preserved in the temple Horyu-ji.

*The Horyu-ji Shizai-cho, composed in A.D. 747.

In the matter of pastimes, a favourite practice, first mentioned in the reign of the Empress Suiko, was a species of picnic called "medicine hunting" (kusuri-kari). It took place on the fifth day of the fifth month. The Empress, her ladies, and the high functionaries, all donned gala costumes and went to hunt stags, for the purpose of procuring the young antlers, and to search for "deer-fungus" (shika-take), the horns and the vegetables being supposed to have medical properties. All the amusements mentioned in previous sections continued to be followed in this era, and football is spoken of as having inaugurated the afterwards epoch-making friendship between Prince Naka and Kamatari. It was not played in the Occidental manner, however. The game consisted in kicking a ball from player to player without letting it fall. This was apparently a Chinese innovation. Here, also, mention may be made of thermal springs. Their sanitary properties were recognized, and visits were paid to them by invalids. The most noted were those of Dogo, in Iyo, and Arima, in Settsu. The Emperor Jomei spent several months at each of these, and Prince Shotoku caused to be erected at Dogo a stone monument bearing an inscription to attest the curative virtues of the water.

CONDITION OF THE PEOPLE

That Buddhism obtained a firm footing among the upper classes during the first century after its introduction must be attributed in no small measure to the fact that the throne was twice occupied by Empresses in that interval. The highly decorative aspects of the creed appealing to the emotional side of woman's nature, these Imperial ladies encouraged Buddhist propagandism with earnest munificence. But the mass of the people remained, for the most part, outside the pale. They continued to believe in the Kami and to worship them. Thus, when a terribly destructive earthquake* occured in 599, it was to the Kami of earthquakes that prayers were offered at his seven shrines in the seven home provinces (Kinai), and not to the Merciful Buddha, though the saving grace of the latter had then been preached for nearly a cycle. The first appeal to the foreign deity in connexion with natural calamity was in the opening year (642) of the Empress Kogyoku's reign when, in the presence of a devastating drought, sacrifices of horses and cattle to the Shinto Kami, changes of the market-places,** and prayers to the river gods having all failed to bring relief, an imposing Buddhist service was held in the south court of the Great Temple. "The images of Buddha, of the bosatsu, and of the Four Heavenly Kings were magnificently adorned; a multitude of priests read the Mahayana Sutra, and the o-omi, Soga no Emishi, held a censer, burned incense, and prayed." But there was no success; and not until the Empress herself had made a progress to the source of a river and worshipped towards the four quarters, did abundant rain fall.

*Only three earthquakes are recorded up to the year A.D. 645, and the second alone (A.D. 599) is described as destructive.

**This was a Chinese custom, as was also the sacrificial rite mentioned in the same context.

Such an incident cannot have contributed to popularize the Indian creed. The people at large adhered to their traditional cult and were easily swayed by superstitions. The first half of the seventh century was marked by abnormal occurrences well calculated to disturb men's minds. There were comets (twice); there was a meteor of large dimensions; there were eclipses of the sun and moon; there were occultations of Venus; there was snow in July and hail "as large as peaches" in May, and there was a famine (621) when old people ate roots of herbs and died by the wayside, when infants at the breast perished with their mothers, and when thieves and robbers defied authority. It is not, perhaps, surprising in such circumstances, and when witches and wizards abounded, that people fell into strange moods, and were persuaded to regard a caterpillar as the "insect of the everlasting world," to worship it, and to throw away their valuables in the belief that riches and perpetual youth would be thus won. A miyatsuko, by name Kawakatsu, had the courage to kill the designing preacher of this extravagance, and the moral epidemic was thus stayed.

ENGRAVING: ONE OF THE STATUES OF "SHITENNO" IN THE KAIDAN-IN, TODAIJI (Tembyo Sculpture, Eighth Century)

ENGRAVING: UTENSILS USED IN THE TEA CEREMONY (CHA-NO-YU)