CHAPTER IX

MATERIAL AND INTELLECTUAL PROGRESS IN SPAIN, 1031-1276

_Moslem Spain_

[Sidenote: Economic vicissitudes.]

The political vicissitudes of Moslem Spain could not fail to have an unfavorable effect on industry and commerce. The economic decline did not at once manifest itself and was not continuous in any event, for the periods of depression were often followed by others of great prosperity. Agriculture, industry, and the arts profited by new impulses, and trade was carried on with eastern Mediterranean lands. The Christian conquests meant an end of these commercial relations, but many of the industries survived in the hands of Moslems, now become Mudéjares.

[Sidenote: Moslem intellectual achievements.]

[Sidenote: Averröes and Maimónides.]

In intellectual culture, Moslem Spain was even greater than it had been in the days of its political power,--at least in the higher manifestations of that culture. The _taifa_ kings encouraged freedom of thought and expression, even when unorthodox; yet, in literature and science the greatest heights were reached, by both Jewish and Moslem writers, in the twelfth and thirteenth centuries, during the rule of the intolerant Almoravides and Almohades. That, too, was the period of their greatest influence on the Christians. The principal service of Moslem Spain to western Europe was, as has been said, the transmission of Greek thought, although not in its purity, but with the modifications and variants of its later days, especially those of the Alexandrian school. In the twelfth and thirteenth centuries many European scholars of note visited Spain, and took back with them the Greco-oriental thought which was to be the chief basis of the philosophy and science of Christendom, until the true Greek texts were discovered at the time of the Renaissance. The Moslems were further advanced in medicine than the other western European peoples, and were the first in Europe since the days of the Greeks to cultivate the study of botany. In pure mathematics and its applications, such as in astronomy and the pseudo-science of astrology, they were equally to the fore. Their greatest influence was to make itself felt, however, in the realm of philosophy, especially in the works of Averröes and Maimónides, scholars who are to be compared with Saint Isidore, both as respects the greatness of their achievements, and as concerns the breadth, almost universality, of their attainments. Averröes of Cordova (1126-1198), as commentator and propagator of the ideas of Aristotle and Plato, was perhaps the principal resort of western European scholarship for an early knowledge of Greek thought. He was also a distinguished doctor and mathematician. Maimónides (or Moisés ben Maimón), also of Cordova (1139-1205), was the founder of the rationalistic explanation of Jewish doctrine and a bitter opponent of the neoplatonism[27] of the Alexandrian school, but he was much influenced by Aristotle, whose ideas he contributed to disseminate in western Europe. He was also a celebrated physician. In addition to individual treatises on the various sciences, many encyclopedias were written inclusive of all. As might be expected, the rhetorical taste of Moslem Spain found abundant expression, in both poetry and prose, and in subject-matter of a heroic, fabulous, satirical, or amatory character. History, which at this time was more akin to literature than to science, was also much cultivated. Aben-Hayyán of Cordova wrote a history in sixty volumes, of the epoch in which he lived; and there were others almost equally prolific who dealt with different phases of the history of Moslem Spain. In the sciences, Jewish scholars followed the current of their Moslem masters, but in philosophy and literature they developed originality, inspired by their religious sentiments. Their poetry had a somewhat more elevated tone than that of the Moslems.

[Sidenote: Architectural mediocrity.]

Although the Almoravides and Almohades were great builders, this period was less important in Moslem architecture than either the preceding or the following eras. The principal characteristic seems to have been a withdrawal from Visigothic and classical forms, but the execution was less correct and in poorer taste than formerly.

_León and Castile_

[Sidenote: Advance of agriculture and stock-raising.]

The advance of the conquests, leaving large areas back from the frontier in the enjoyment of a measure of peace, furthered economic development. There continued to be civil wars in the interior, and personal security against abuses of the lords and the attacks of bandits was none too great, but matters were very much better than before, as a result of legislation favorable to property, the greater importance of the towns, and the emancipation of the servile classes. Agriculture was encouraged,--for example, by laws granting unbroken lands to whoever should cultivate them. The conquest made itself directly felt through the introduction of the vine and the olive of Moslem Spain into regions which had not previously cultivated them. Works of irrigation and the buildings of roads, so important for the agricultural prosperity of Spain, seem not to have been undertaken, however. Stock-raising was much more actively pursued than agriculture, due in part to the traditional importance of that occupation, and in part to the ease with which that form of wealth could be withdrawn from the hazards of war,--an advantage which agriculture, naturally, could not share. The age-long war of the stock-raisers against the farmers was usually favorable to the former, who were wont to appropriate commons for their animals and even to enter cultivated fields and damage or despoil them. Associations of stock-raisers to protect their interests were already in existence.

[Sidenote: Industrial and commercial beginnings.]

In the thirteenth century Castilian Spain made a beginning of industrial and commercial life, of which Santiago de Compostela had been perhaps the only representative prior to that date. Laborers united in guilds, just as in other western European lands, working together according to the laws of their guild, and living in the same street. Many of them were foreigners, Jews, or Mudéjares. An export trade of raw materials and wine developed between the towns of the north coast and the merchants of Flanders, England, and Germany, and just at the end of the period the capture of Seville added commercial wealth to Castile, through the trade of that city in the western Mediterranean. Interior commerce still encountered the difficulties which had harassed it in earlier times, but some of them were overcome through the development of fairs to facilitate exchange. Certain days in the year, usually corresponding with the feast of the patron saint of the town, were set aside by important centres for a general market, or fair, on which occasions special measures were undertaken to assure the safety of the roads and to protect all who might attend,--Moslem and Jews as well as Christians. Men naturally travelled in large groups at such times, which was an additional means of security. The season of the fair might be the only occasion in a year when a town could procure a supply of goods not produced at home, wherefore this institution assumed great importance. The increased use of coin as a medium of exchange demonstrates the commercial advance of this period over the preceding.

[Sidenote: The intellectual awakening.]

In every branch of intellectual culture there was a vigorous awakening at this time. The classical traditions of the Spanish clergy and the Mozárabes were reinforced by western European influences coming especially from France, while the Greco-oriental culture of the Mudéjares and Mozárabes merged with the former to produce a Spanish civilization, which became marked after the conquests of the thirteenth century. In the twelfth century universities had sprung up in Italy and France, where the Roman and the canon law, theology, and philosophy were taught. In those countries the formal organization of the universities had grown naturally out of the gatherings of pupils around celebrated teachers, but Spain had no Irnerius or Abélard, wherefore the origins of the universities of the peninsula were the result of official initiative. In 1212 or 1214 Alfonso VIII founded a university at Palencia, but this institution lived only thirty-one years. About the year 1215 Alfonso IX of León made a beginning of the more celebrated University of Salamanca, the fame of which belongs, however, to the next following era. By the close of the eleventh century the Castilian language had become definitely formed, as also the Leonese and Galician variants. By the middle of the twelfth century all three had become written languages, and, by the middle of the thirteenth, Latin works were already being translated into the Romance tongues.

[Sidenote: Romance poetry.]

[Sidenote: Beginnings of the drama.]

One of the earliest forms of Romance literature was that of popular poetry of an epic character, singing the deeds of Christian warriors. This was of French origin, coming in with French crusaders and the monks of Cluny. Two long poems of this class, both dealing with the life of the Cid, have been preserved. One, the _Poema_ (Poem), is believed to date from the middle of the twelfth century, while the other, the _Crónica_ (Chronicle), is probably of later origin. Both mix legend with fact, but the former is the less legendary. In the thirteenth century another type of poetry developed in Castile called _mester de clerecía_ (office of the clergy), also bound up with French influences, but more erudite and formally correct and usually religious in subject-matter, a Spanish expression of European scholasticism. From the side of Aragon came the influence of southern France, in the lyrical and erotic poetry of the Provençal troubadours. Galicia was much affected by these foreign impulses, due to the journeys of pilgrims to Santiago de Compostela, and developed a notable poetry of its own. In this period, too, the Castilian theatre had its origins, in the mystery plays of the church and in the popular performances of jugglers in the streets. Whereas the former were in the nature of a religious ceremony, the latter, which were ultimately to exercise the greater influence, were of a secular character, usually satirical, and given to great liberty of expression.

[Sidenote: History and science.]

In historical literature there were two names of some note in this period. Rodrigo Jiménez de Rada, archbishop of Toledo (1170-1247), reduced the early Spanish chronicles to a narrative form, embellished by erudite references which his classical knowledge enabled him to employ. He may be regarded as the father of Spanish historiography. Naturally, given the age, his works were not free from legends and errors, and do not display the critical spirit of modern times. Bishop Lucas of Tuy (died 1288), though far inferior to Jiménez de Rada in both method and criticism, wrote a life of Saint Isidore and other works which enjoyed great popularity in the thirteenth century. In scientific literature there were no great names, for this was a period of study and the translation of Arabic and western European texts, rather than one of original composition.

[Sidenote: Romanesque architecture.]

[Sidenote: Early Gothic architecture.]

[Sidenote: Mudéjar architecture.]

[Sidenote: Sculpture, painting, and the lesser arts.]

Just as the Romance tongues replaced the Latin, so Romanesque architecture took the place of the decadent classical styles. Although there was not a little variety in details, this style was characterized in León and Castile by an accentuation of the cruciform ground plan, robustness of form, heaviness in proportions, and profuse ornamentation, often of a rude type. Arches were sometimes round, and sometimes slightly pointed. Over the crossing there often appeared a polygonal dome or a tower with arcades and a cap. The wooden roof was supplanted by barrel-vaulting in stone, and this led to a strengthening of the walls, reducing the window space, and to the use of heavy piers or columns and of exterior buttresses attached to the walls. The west front, or portal, of churches was adorned in luxurious style, notably with the sculptured work of men, animals, or foliage. At the same time, new influences proceeding out of France were making themselves felt, and by the thirteenth century the so-called Gothic style of architecture was firmly established. In this the entire edifice was subordinated to the treatment of the vault, which attained to a great height through the use of the true pointed arch and of transversals to receive the weight of the vault. For this purpose the flying buttress, now free from the walls, was greatly developed. Edifices not only became higher, but also were enabled to use a large amount of space for windows, since the walls no longer had to sustain the thrust. At the same time decorative effects were increased, not only in porticoes, but also in the glass of the windows, the capitals of columns, water-spouts, pinnacles and towers, and in various forms of sculpture. The spaces between the buttresses were often filled in to form chapels. Remarkable as was the advance made in architecture, the work of this period was sober and robust when compared with the later Gothic work. Nevertheless, the development was very great, and is to be explained, very largely, by social causes, such as the advance in the population and importance of the cities and of the middle class. Greater cathedrals were therefore needed, but they were also desired from motives of vanity, which prompt new social forces to construct great monuments. The cathedrals became not only a religious centre but also a place of meeting for the discussion of business and political affairs, the heart and soul of the cities in which they were located. Gothic architecture also manifested itself in military and civil edifices. The castle was the characteristic type of the former. The material now became stone, instead of wood. As in other parts of Europe, there were the surrounding moat and the bridge, the walls with their salients and towers, the buildings inside for the artisans on the one hand, and for the lord and his soldiers on the other, and the powerfully built tower of homage to serve as a last resort. The growth of the towns gave rise to the erection of local government buildings, or town halls, and private dwellings began to have an important architectural character. Another style of architecture, usually called Mudéjar, existed in this period, combining Arabic with Christian elements, of which the latter were Gothic of a simplified character. The roof was of wood, but with the ornamentation of the period. The body of the edifice was of brick, which was left without covering on the outside, giving a reddish tone to the building. Sculpture had an important vogue as an adjunct of architecture. Gradually, it passed from the badly proportioned, stiff figures of the earlier years to something approaching realism and to a great variety of form. Painting was notable only for its use in the adornment of manuscripts and of windows, and in these respects the work done was of a high order. Both sculpture and painting were employed to represent sacred history or allegory. Rich tiles were much used, both in the form of azulejos, and in that of compositions of human figures, in which the usual symbolism appeared. The gold work and furniture also bore witness to the greater wealth of this period as compared with earlier times.

_Aragon, Catalonia, and Valencia_

[Sidenote: Economic differences in the kingdom of Aragon.]

[Sidenote: Catalan commerce.]

Much that has been said about León and Castile as regards material prosperity might be repeated for Aragon, Catalonia, and Valencia. Aragon proper was the poorest part of this region, economically. Stock-raising and industries growing out of it were the principal occupations there. Catalonia, though not backward in agriculture, was not too well adapted to it, since certain crops, notably grain, could not be raised, but it had a varied industrial life and an active commerce. Valencia was the most favored region, being agriculturally wealthy, on account of the extensive use of irrigation, and, like Catalonia, having a rich industrial and commercial life. This was true also of Majorca. The Catalans had been engaged in Mediterranean commerce since the ninth century, but in this period their trade reached much greater proportions. Although Catalan boats went to every part of the Mediterranean, the principal relations were with Italy; there were frequent commercial treaties with Pisa and Genoa. Jaime I brought about the sending of commercial representatives, or consuls, to foreign countries, and was responsible for the establishment of mercantile bodies, called _consulados de mar_ (commercial tribunals of the sea) in Catalan ports. A special maritime law sprang up, and was embodied in a code, called the _Libro del consulado de mar_ (Book of the _consulado_ of the sea).

[Sidenote: Intellectual manifestations.]

[Sidenote: Raymond Lull.]

The intellectual movement in Aragon and Catalonia ran along lines parallel to that in León and Castile, but with more frequent contact with French and Italian thought. Jaime I followed the custom of the era in founding universities, establishing one at Lérida and another at Valencia. One great name appeared in the literary history of this period, reaching over into the next, that of Raimundo Lulio, known to English scholars as Raymond Lull, or Lully (1232-1315), a philosopher, mystic, and poet, who wrote many books which had a noteworthy influence on European thought. Writing in the vulgar tongue and in a style adapted to the general public, he attacked the pantheistic ideals of Averröes and held that all sciences, though they have their individual principles, lead to a single all-embracing science, which, for him, was Christianity; in other words, he represented the reconcilement of Christianity with reason and science. The development of the Romance tongues followed the same course as in Castile, but the Catalan became widely separated from the other peninsular tongues, being more akin to the Provençal, or language of southern France. The Provençal influence on poetry was earlier in evidence in Catalonia than in Castile, and was more pronounced. Lyric poetry, accompanied by music, was so high in favor that great nobles and the kings themselves cultivated it. Alfonso II (1162-1196) was the first Spanish troubadour, and other kings followed, including Jaime I. History was the most important form of prose literature, and the principal work was that of Jaime I himself, a chronicle of the vicissitudes of his reign. Jaime I also compiled a collection of proverbs and the sayings of wise men.

[Sidenote: Architecture.]

The Romanesque art of this region was less heavy and more gracefully proportioned than that of Castile,--possibly, the result of Italian influences. Catalan Gothic architecture was especially affected by Italian art,--so much so, that it lacked some of the principal elements of the Gothic.

_Navarre_

Attention need be called only to the profound French influence in this region.