Chapter 6

It is at this point that Michael Trevanion falls into line with the great masters. Since the apostolic days we have had two conspicuously successful evangelists--John Wesley and Mr. Spurgeon. The secret of their success is so obvious that he who runs may read. I turn to my edition of John Wesley's _Journal_, and at the end I find a tribute like this: 'The great purpose of his life was doing good. For this he relinquished all honor and preferment; to this he dedicated all his powers of body and mind; at all times and in all places, in season and out of season, by gentleness, by terror, by argument, by persuasion, by reason, by interest, by every motive and every inducement, he strove, with unwearied assiduity, to turn men from the error of their ways and awaken them to virtue and religion. To the bed of sickness or the couch of prosperity; to the prison or the hospital; to the house of mourning or the house of feasting, wherever there was a friend to serve or a soul to save, he readily repaired. He thought no office too humiliating, no condescension too low, no undertaking too arduous, to reclaim the meanest of God's offspring. _The souls of all men were equally precious in his sight and the value of an immortal creature beyond all estimation._'

In relation to Mr. Spurgeon, we cannot do better than place ourselves under Mr. W. Y. Fullerton's direction. Mr. Fullerton knew Mr. Spurgeon intimately, and the standard biography of the great preacher is from his pen. Mr. Fullerton devotes a good deal of his space to an inquiry as to the sources of Mr. Spurgeon's power and authority. It is an elusive and difficult question. It is admitted that there is scarcely one respect in which Mr. Spurgeon's powers were really transcendent. He had a fine voice; but others had finer ones. He was eloquent; but others were no less so. He used to say that his success was due, not to his preaching of the Gospel, but to the Gospel that he preached. Obviously, however, this is beside the mark, for he himself would not have been so uncharitable as to deny that others preached the same Gospel and yet met with no corresponding success. The truth probably is that, although he attained to super-excellence at no point, he was really great at many. And, behind this extraordinary combination of remarkable, though not transcendent, powers was an intense conviction, a deadly earnestness, a consuming passion, that made second-rate qualities sublime. The most revealing paragraph in the book occurs towards the end. It is a quotation from Mr. Spurgeon himself. 'Leaving home early in the morning,' he says, 'I went to the vestry and sat there all day long, seeing those who had been brought to Christ by the preaching of the Word. Their stories were so interesting to me that the hours flew by without my noticing how fast they were going. I had seen numbers of persons during the day, one after the other; and I was so delighted with the tales of divine mercy they had to tell me, and the wonders of grace God wrought in them, that I did not notice how the time passed. At seven o'clock we had our prayer meeting. I went in to it. After that came the church meeting. A little before ten I felt faint, and I began to think at what hour I had eaten my dinner, and I then for the first time remembered that _I had not had any_! I never thought of it. I never even felt hungry, because God had made me so glad!' Mr. Spurgeon lived that he might save men. He thought of nothing else. From his first sermon at Waterbeach to his last at Mentone, the conversion of sinners was the dream of all his days. That master-passion glorified the whole man, and threw a grandeur about the common details of every day. He would cheerfully have thrown away his soul to save the souls of others.

It is along this road that the Church has always marched to her most splendid triumphs. Why did the Roman Empire so swiftly capitulate to the claims of Christ? Lecky discusses that question in his _History of European Morals_. And he answers it by saying that the conquest was achieved by the new spirit which Christ had introduced. The idea of a Saviour who could weep at the sepulcher of His friend; and be touched by a sense of His people's infirmities, was a novelty to that old pagan world. And when the early Christians showed themselves willing to endure any suffering, or bear any loss, if, by so doing, they might win their friends, their sincerity and devotion proved irresistible.

V

But Michael Trevanion must lead us higher yet. For what Michael Trevanion learned from Paul, Paul himself had learned from an infinitely greater. Let us trace it back!

'Let me be damned to all eternity that my boy may be saved!' cries Michael Trevanion, sitting at the feet of Paul, but misunderstanding his teacher.

'_I could wish that myself were accursed from Christ for my brethren, my kinsmen according to the flesh_,' exclaims Paul, sitting at the feet of One who not only _wished_ to be accursed, but _entered into_ the impenetrable darkness of that dreadful anathema.

'_My God, my God, why hast Thou forsaken Me?_' He cried from that depth of dereliction. 'In that awful hour,' said Rabbi Duncan, addressing his students, 'in that awful hour _He took our damnation, and He took it lovingly!_' When, with reverent hearts and bated breath, we peer down into the fathomless deeps that such a saying opens to us, we catch a glimpse of the inexpressible value which heaven sets upon the souls of men. And, when Michael Trevanion has led us to such inaccessible heights and to such unutterable depths as these, we can very well afford to say Good-bye to him.

IX

HUDSON TAYLOR'S TEXT

I

The day on which James Hudson Taylor--then a boy in his teens--found himself confronted by that tremendous text was, as he himself testified in old age, 'a day that he could never forget.' It is a day that China can never forget; a day that the world can never forget. It was a holiday; everybody was away from home; and the boy found time hanging heavily upon his hands. In an aimless way he wandered, during the afternoon, into his father's library, and poked about among the shelves. 'I tried,' he says, 'to find some book with which to while away the leaden hours. Nothing attracting me, I turned over a basket of pamphlets and selected from among them a tract that looked interesting. I knew that it would have a story at the commencement and a moral at the close; but I promised myself that I would enjoy the story and leave the rest. It would be easy to put away the tract as soon as it should seem prosy.' He scampers off to the stable-loft, throws himself on the hay, and plunges into the book. He is captivated by the narrative, and finds it impossible to drop the book when the story comes to an end. He reads on and on. He is rewarded by one great golden word whose significance he has never before discovered: '_The Finished Work of Christ!_' The theme entrances him; and at last he only rises from his bed in the soft hay that he may kneel on the hard floor of the loft and surrender his young life to the Saviour who had surrendered everything for him. If, he asked himself, as he lay upon the hay, if the whole work was finished, and the whole debt paid upon the Cross, what is there left for me to do? 'And then,' he tells us, 'there dawned upon me the joyous conviction that there was nothing in the world to be done but to fall upon my knees, accept the Saviour and praise Him for evermore.'

'_It is finished!_'

'_When Jesus, therefore, had received the vinegar he said, "It is finished!" and He bowed His head and gave up the ghost._'

'_Then there dawned upon me the joyous conviction that, since the whole work was finished and the whole debt paid upon the Cross, there was nothing for me to do but to fall upon my knees, accept the Saviour and praise Him for evermore!_'

II

'_It is finished!_'

It is really only one word: the greatest word ever uttered; we must examine it for a moment as a lapidary examines under a powerful glass a rare and costly gem.

It was a _farmer's_ word. When, into his herd, there was born an animal so beautiful and shapely that it seemed absolutely destitute of faults and defects, the farmer gazed upon the creature with proud, delighted eyes. '_Tetelestai!_' he said, '_tetelestai!_'

It was an _artist's_ word. When the painter or the sculptor had put the last finishing touches to the vivid landscape or the marble bust, he would stand back a few feet to admire his masterpiece, and, seeing in it nothing that called for correction or improvement, would murmur fondly, '_Tetelestai! tetelestai!_'

It was a _priestly_ word. When some devout worshiper, overflowing with gratitude for mercies shown him, brought to the temple a lamb without spot or blemish, the pride of the whole flock, the priest, more accustomed to seeing the blind and defective animals led to the altar, would look admiringly upon the pretty creature. '_Tetelestai!_' he would say, '_tetelestai!_'

And when, in the fullness of time, the Lamb of God offered Himself on the altar of the ages, He rejoiced with a joy so triumphant that it bore down all His anguish before it. The sacrifice was stainless, perfect, finished! '_He cried with a loud voice Tetelestai! and gave up the ghost._'

This divine self-satisfaction appears only twice, once in each Testament. When He completed the work of Creation, He looked upon it and said that it was very good; when He completed the work of Redemption He cried with a loud voice _Tetelestai_! It means exactly the same thing.

III

The joy of finishing and of finishing well! How passionately good men have coveted for themselves that ecstasy! I think of those pathetic entries in Livingstone's journal. 'Oh, to finish my work!' he writes again and again. He is haunted by the vision of the unseen waters, the fountains of the Nile. Will he live to discover them? 'Oh, to finish!' he cries; 'if only I could finish my work!' I think of Henry Buckle, the author of the _History of Civilization_. He is overtaken by fever at Nazareth and dies at Damascus. In his delirium he raves continually about his book, his still unfinished book. 'Oh, to finish my book!' And with the words 'My book! my book!' upon his burning lips, his spirit slips away. I think of Henry Martyn sitting amidst the delicious and fragrant shades of a Persian garden, weeping at having to leave the work that he seemed to have only just begun. I think of Doré taking a sad farewell of his unfinished _Vale of Tears_; of Dickens tearing himself from the manuscript that he knew would never be completed; of Macaulay looking with wistful and longing eyes at the _History_ and _The Armada_ that must for ever stand as 'fragments'; and of a host besides. Life is often represented by a broken column in the church-yard. Men long, but long in vain, for the priceless privilege of finishing their work.

IV

The joy of finishing and of finishing well! There is no joy on earth comparable to this. Who is there that has not read a dozen times the immortal postscript that Gibbon added to his _Decline and Fall_? He describes the tumult of emotion with which, after twenty years of closest application, he wrote the last line of the last chapter of the last volume of his masterpiece. It was a glorious summer's night at Lausanne. 'After laying down my pen,' he says, 'I took several turns in a covered walk of acacias which commands a prospect of the country, the lake and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent.' It was the greatest moment of his life. We recall, too, the similar experience of Sir Archibald Alison. 'As I approached the closing sentence of my _History of the Empire_,' he says, 'I went up to Mrs. Alison to call her down to witness the conclusion, and she saw the last words of the work written, and signed her name on the margin. It would be affectation to conceal the deep emotion that I felt at this event.' Or think of the last hours of Venerable Bede. Living away back in the early dawn of our English story--twelve centuries ago--the old man had set himself to translate the Gospel of John into our native speech. Cuthbert, one of his young disciples, has bequeathed to us the touching record. As the work approached completion, he says, death drew on apace. The aged scholar was racked with pain; sleep forsook him; he could scarcely breathe. The young man who wrote at his dictation implored him to desist. But he would not rest. They came at length to the final chapter; could he possibly live till it was done?

'And now, dear master,' exclaimed the young scribe tremblingly, 'only one sentence remains!' He read the words and the sinking man feebly recited the English equivalents.

'It is finished, dear master!' cried the youth excitedly.

'Ay, _it is finished_!' echoed the dying saint; 'lift me up, place me at that window of my cell at which I have so often prayed to God. Now glory be to the Father and to the Son and to the Holy Ghost!' And, with these triumphant words, the beautiful spirit passed to its rest and its reward.

V

In his own narrative of his conversion, Hudson Taylor quotes James Proctor's well-known hymn--the hymn that, in one of his essays, Froude criticizes so severely:

Nothing either great or small, Nothing, sinner, no; Jesus did it, did it all, Long, long ago.

'_It is Finished!_' yes, indeed, Finished every jot; Sinner, this is all you need; Tell me, is it not?

Cast your deadly doing down, Down at Jesus' feet; Stand in Him, in Him alone, Gloriously complete.

Froude maintains that these verses are immoral. It is only by 'doing,' he argues, that the work of the world can ever get done. And if you describe 'doing' as 'deadly' you set a premium upon indolence and lessen the probabilities of attainment. The best answer to Froude's plausible contention is the _Life of Hudson Taylor_. Hudson Taylor became convinced, as a boy, that 'the whole work was finished and the whole debt paid.' 'There is nothing for me to do,' he says, 'but to fall down on my knees and accept the Saviour.' The chapter in his biography that tells of this spiritual crisis is entitled '_The Finished Work of Christ_,' and it is headed by the quotation:

Upon a life I did not live, Upon a death I did not die, Another's life, Another's death I stake my whole eternity.

And, as I have said, the very words that Froude so bitterly condemns are quoted by Hudson Taylor as a reflection of his own experience. And the result? The result is that Hudson Taylor became one of the most prodigious toilers of all time. So far from his trust in '_the Finished Work of Christ_' inclining him to indolence, he felt that he must toil most terribly to make so perfect a Saviour known to the whole wide world. There lies on my desk a Birthday Book which I very highly value. It was given me at the docks by Mr. Thomas Spurgeon as I was leaving England. If you open it at the twenty-first of May you will find these words: '_"Simply to Thy Cross I cling" is but half of the Gospel. No one is really clinging to the Cross who is not at the same time faithfully following Christ and doing whatsoever He commands_'; and against those words of Dr. J. R. Miller's in my Birthday Book, you may see the autograph of _J. Hudson Taylor_. He was our guest at the Mosgiel Manse when he set his signature to those striking and significant sentences.

VI

'_We Build Like Giants; we Finish Like Jewelers!_'--so the old Egyptians wrote over the portals of their palaces and temples. I like to think that the most gigantic task ever attempted on this planet--the work of the world's redemption--was finished with a precision and a nicety that no jeweler could rival.

'_It is finished!_' He cried from the Cross.

'_Tetelestai! Tetelestai!_'

When He looked upon His work in Creation and saw that it was good, He placed it beyond the power of man to improve upon it.

To gild refinèd gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful and ridiculous excess.

And, similarly, when He looked upon His work in Redemption and cried triumphantly '_Tetelestai_,' He placed it beyond the power of any man to add to it.

There are times when any addition is a subtraction. Some years ago, White House at Washington--the residence of the American Presidents--was in the hands of the painters and decorators. Two large entrance doors had been painted to represent black walnut. The contractor ordered his men to scrape and clean them in readiness for repainting, and they set to work. But when their knives penetrated to the solid timber, they discovered to their astonishment that it was heavy mahogany of a most exquisite natural grain! The work of that earlier decorator, so far from adding to the beauty of the timber, had only served to conceal its essential and inherent glory. It is easy enough to add to the wonders of Creation or of Redemption; but you can never add without subtracting. '_It is finished!_'

VII

Many years ago, Ebenezer Wooton, an earnest but eccentric evangelist, was conducting a series of summer evening services on the village green at Lidford Brook. The last meeting had been held; the crowd was melting slowly away; and the evangelist was engaged in taking down the marquee. All at once a young fellow approached him and asked, casually rather than earnestly, 'Mr. Wooton, what must _I_ do to be saved?' The preacher took the measure of his man.

'Too late!' he said, in a matter of fact kind of way, glancing up from a somewhat obstinate tent-peg with which he was struggling. 'Too late, my friend, too late!' The young fellow was startled.

'Oh, don't say that, Mr. Wooton!' he pleaded, a new note coming into his voice. 'Surely it isn't too late just because the meetings are over?'

'Yes, my friend,' exclaimed the evangelist, dropping the cord in his hand, straightening himself up, and looking right into the face of his questioner, 'it's too late! You want to know what you must _do_ to be saved, and I tell you that you're hundreds of years too late! The work of salvation is done, completed, _finished_! It was finished on the Cross; Jesus said so with the last breath that He drew! What more do you want?'

And, then and there, it dawned upon the now earnest inquirer on the village green as, at about the same time, it dawned upon young Hudson Taylor in the hay-loft, that '_since the whole work was finished and the whole debt paid upon the Cross, there was nothing for him to do but to fall upon his knees and accept the Saviour_.' And there, under the elms, the sentinel stars witnessing the great transaction, he kneeled in glad thanksgiving and rested his soul for time and for eternity on '_the Finished Work of Christ_.'

VIII

'_The Finished Work of Christ!_'

'_Tetelestai! Tetelestai!_'

'_It is finished!_'

It is not a sigh of relief at having reached the end of things. It is the unutterable joy of the artist who, putting the last touches to the picture that has engrossed him for so long, sees in it the realization of all his dreams and can nowhere find room for improvement. Only once in the world's history did a finishing touch bring a work to absolute perfection; and on that day of days a single flaw would have shattered the hope of the ages.

X

RODNEY STEELE'S TEXT

I

'As soon,' Dr. Chalmers used to say, 'as soon as a man comes to understand that _GOD IS LOVE_, he is infallibly converted.' Mrs. Florence L. Barclay wrote a book to show how Rodney Steele made that momentous and transfiguring discovery. Rodney Steele--the hero of _The Wall of Partition_--was a great traveler and a brilliant author. He had wandered through India, Africa, Australia, Egypt, China and Japan, and had written a novel colored with the local tints of each of the countries he had visited. He was tall, strong, handsome, bronzed by many suns, and--largely as a result of his literary successes--immensely rich. But he was soured. Years ago he loved a beautiful girl. But an unscrupulous and designing woman had gained his sweetheart's confidence and had poisoned her heart by pouring into her ear the most abominable scandals concerning him. She had returned his letters; and he, in the vain hope of being able to forget, had abandoned himself to travel and to literature. But, on whatever seas he sailed, and on whatever shores he wandered, he nursed in his heart a dreadful hate--a hate of the woman who had so cruelly intervened. And, cherishing that hate, his heart became hard and bitter and sour. He lost faith in love, in womanhood, in God, in everything. And his books reflected the cynicism of his soul. This is Rodney Steele as the story opens. The boat-train moves into Charing Cross, and, after an absence of ten years, he finds himself once more in London.

II

Many years ago, when our grandmothers were girls, they devoted their spare moments to the making of bookmarkers; and on the marker, in colored silk, they embroidered the letters GOD IS LOVE. Dr. Handley Moule, Bishop of Durham, made effective use of such a bookmarker when he visited West Stanley immediately after the terrible colliery disaster there. He motored up to the scene of the catastrophe and addressed the crowd at the pit's mouth. Many of those present were the relatives of the entombed miners. 'It is very difficult,' he said, 'for us to understand why God should let such an awful disaster happen, but we know Him, and trust Him, and all will be right. I have at home,' the Bishop continued, 'an old bookmarker given me by my mother. It is worked in silk, and, when I examine the wrong side of it, I see nothing but a tangle of threads crossed and recrossed. It looks like a big mistake. One would think that someone had done it who did not know what she was doing. But, when I turn it over and look at the right side, I see there, beautifully embroidered, the letters GOD IS LOVE. We are looking at all this to-day,' he concluded, 'from the wrong side. Some day we shall see it from another standpoint, and shall understand.' This all happened many years ago; but quite recently some who were present declared that they never forgot the story of the bookmarker and the comfort that it brought.

It was a bookmarker of exactly the same kind, and bearing precisely the same inscription, that brought the fragrance of roses into the dusty heart of Rodney Steele. Sitting alone in his Harley Street flat, he found himself turning over the pages of a Bible that belonged to Mrs. Jake, his housekeeper. Among those pages he found Mrs. Jake's marriage 'lines,' a photograph of her husband in military uniform, some pressed flowers and--a perforated bookmarker! And on the bookmarker, in pink silk, were embroidered the words: GOD IS LOVE. It reminded him of those far-off days in which, as a little boy, he had delighted in the possession of his first box of paints. He had begged his mother to give him something to color, and she had pricked out those very words on a card and asked him to paint them for her.

_God! Love!_

_Love! God!_

_God is Love!_

So said the bookmarker; but, he reflected sadly, _love_ had failed him long ago, and of _God_ he had no knowledge at all.

III