Chapter 6

"Well," said Hoskins, "those Dutch are queer. They don't look at women as respectfully as we do, and they mix up so much cabbage with their romance that you don't know exactly how to take them; and yet here you find this fellow suffering just as much as a white man because the girl's folks won't let her have him. In fact, I don't know but he suffered more than the average American citizen. I think we have a great deal more common sense in our love-affairs. We respect women more than any other people, and I think we show them more true politeness; we let 'em have their way more, and get their finger into the pie right along, and it's right we should: but we don't make fools of ourselves about them, as a general rule. We know they're awfully nice, and they know we know it; and it's a perfectly understood thing all round. We've been used to each other all our lives, and they're just as sensible as we are. They like a fellow, when they do like him, about as well as any of 'em; but they know he's a man and a brother after all, and he's got ever so much human nature in him. Well, now, I reckon one of these Dutch chaps, the first time he gets a chance to speak with a pretty girl, thinks he's got hold of a goddess, and I suppose the girl feels just so about him. Why, it's natural they should,--they've never had any chance to know any better, and your feelings _are_ apt to get the upper hand of you, at such times, anyway. I don't blame 'em. One of 'em goes off and shoots himself, and the other one feels as if she was never going to get over it. Well, now, look at the way Miss Lily acted in that little business of hers: one of these girls over here would have had her head completely turned by that adventure; but when she couldn't see her way exactly clear, she puts the case in your hands, and then stands by what you do, as calm as a clock."

"It was a very perplexing thing. I did the best I knew," said Elmore.

"Why, of course you did," cried Hoskins, "and she sees that as well as you or I do, and she stands by you accordingly. I tell you, that girl's got a cool head."

In his soul Elmore ungratefully and inconsistently wished that her heart were not equally cool; but he only said, "Yes, she is a good and sensible girl. I hope the--the--other one is equally resigned."

"Oh, _he_'ll get along," answered Hoskins, with the indifference of one man for the sufferings of another in such matters. We are able to offer a brother very little comfort and scarcely any sympathy in those unhappy affairs of the heart which move women to a pretty compassion for a disappointed sister. A man in love is in no wise interesting to us for that reason; and if he is unfortunate, we hope at the farthest that he will have better luck next time. It is only here and there that a sentimentalist like Elmore stops to pity him; and it is not certain that even he would have sighed over Captain Ehrhardt if he had not been the means of his disappointment. As it was, he came away, feeling that doubtless Ehrhardt had "got along," and resolved at least to spend no more unavailing regrets upon him.

The time passed very quietly now, and if it had not been for Hoskins, the ladies must have found it dull. He had nothing to do, except as he made himself occupation with his art, and he willingly bestowed on them the leisure which Elmore could not find. They went everywhere with him, and saw the city to advantage through his efforts. Doors, closed to ordinary curiosity, opened to the magic of his card, and he showed a pleasure in using such little privileges as his position gave him for their amusement. He went upon errands for them; he was like a brother, with something more than a brother's pliability; he came half the time to breakfast with them, and was always welcome to all. He had the gift of extracting comfort from the darkest news about the war; he was a prophet of unfailing good to the Union cause, and in many hours of despondency they willingly submitted to the authority of his greater experience, and took heart again.

"I like your indomitable hopefulness, Hoskins," said Elmore, on one of those occasions when the consul was turning defeat into victory. "There's a streak of unconscious poetry in it, just as there is in your taking up the subjects you do. I imagine that, so far as the judgment of the world goes, our fortunes are at the lowest ebb just now--"

"Oh, the world is wrong!" interrupted the consul. "Those London papers are all in the pay of the rebels."

"I mean that we have no sort of sympathy in Europe; and yet here you are, embodying in your conception of 'Westward' the arrogant faith of the days when our destiny seemed universal union and universal dominion. There is something sublime to me in your treatment of such a work at such a time. I think an Italian, for instance, if his country were involved in a life and death struggle like this of ours, would have expressed something of the anxiety and apprehension of the time in it; but this conception of yours is as serenely undisturbed by the facts of the war as if secession had taken place in another planet. There is something Greek in that repose of feeling, triumphant over circumstance. It is like the calm beauty which makes you forget the anguish of the Laocoön."

"Is that so, Professor?" said Hoskins, blushing modestly, as an artist often must in these days of creative criticism. He seemed to reflect awhile before he added, "Well, I reckon you're partly right. If we ever did go to smash, it would take us a whole generation to find it out. We have all been raised to put so much dependence on Uncle Sam, that if the old gentleman really did pass in his checks we should only think he was lying low for a new deal. I never happened to think it out before, but I'm pretty sure it's so."

"Your work wouldn't be worth half so much to me if you had 'thought it out,'" said Elmore. "It's the unconsciousness of the faith that makes its chief value, as I said before; and there is another thing about it that interests and pleases me still more."

"What's that?" asked the sculptor.

"The instinctive way in which you have given the figure an entirely American quality. There was something very familiar to me in it, the first time you showed it, but I've only just been able to formulate my impression: I see now that while the spirit of your conception is Greek, you have given it, as you ought, the purest American expression. Your 'Westward' is no Hellenic goddess: she is a vivid and self-reliant American girl."

At these words, Hoskins reddened deeply, and seemed not to know where to look. Mrs. Elmore had the effect of escaping through the door into her own room, and Miss Mayhew ran out upon the balcony. Hoskins followed each in turn with a queer glance, and sat a moment in silence. Then he said, "Well, I reckon I must be going," and went rather abruptly, without offering to take leave of the ladies.

As soon as he was gone, Lily came in from the balcony, and whipped into Mrs. Elmore's room, from which she flashed again in swift retreat to her own, and was seen no more; and then Mrs. Elmore came back, with a flushed face, to where her husband sat mystified.

"My dear," he said gravely, "I'm afraid you've hurt Mr. Hoskins's feelings."

"Do you think so?" she asked; and then she burst into a wild cry of laughter. "O, Owen, Owen! you will kill me yet!"

"Really," he replied with dignity, "I don't see any occasion in what I said for this extraordinary behavior."

"Of course you don't, and that's just what makes the fun of it. So you found something familiar in Mr. Hoskins's statue from the first, did you?" she asked. "And you didn't notice anything particular in it?"

"Particular, particular?" he demanded, beginning to lose his patience at this.

"Oh," she exclaimed, "couldn't you see that it was Lily, all over again?"

Elmore laughed in turn. "Why, so it is; so it is! That accounts for everything that puzzled me. I don't wonder my maunderings amused you. It _was_ ridiculous, to be sure! When in the world did she give him the sittings, and how did you manage to keep it from me so well?"

"Owen!" cried his wife, with terrible severity. "You don't think that Lily would _let_ him put her into it?"

"Why, I supposed--I didn't know--I don't see how he could have done it unless--"

"He did it without leave or license," said Mrs. Elmore. "We saw it all along, but he never 'let on,' as he would say, about it, and we never meant to say anything, of course."

"Then," replied Elmore, delighted with the fact, "it has been a purely unconscious piece of cerebration."

"Cerebration!" exclaimed Mrs. Elmore, with more scorn than she knew how to express. "I should think as much!"

"Well, I don't know," said Elmore, with the pique of a man who does not care to be quite trampled under foot. "I don't see that the theory is so very unphilosophical."

"Oh, not at all!" mocked his wife. "It's philosophical to the last degree. Be as philosophical as you please, Owen; I shall love you still the same." She came up to him where he sat, and twisting her arm round his face, patronizingly kissed him on top of the head. Then she released him, and left him with another burst of derision.

X.

After this Elmore had such an uncomfortable feeling that he hated to see Hoskins again, and he was relieved when the sculptor failed to make his usual call, the next evening. He had not been at dinner either, and he did not reappear for several days. Then he merely said that he had been spending the time at Chioggia, with a French painter who was making some studies down there, and they all took up the old routine of their friendly life without embarrassment.

At first it seemed to Elmore that Lily was a little shy of Hoskins, and he thought that she resented his using her charm in his art; but before the evening wore away, he lost this impression. They all got into a long talk about home, and she took her place at the piano and played some of the war-songs that had begun to supersede the old negro melodies. Then she wandered back to them, with fingers that idly drifted over the keys, and ended with "Stop dat knockin'," in which Hoskins joined with his powerful bass in the recitative "Let me in," and Elmore himself had half a mind to attempt a part. The sculptor rose as she struck the keys with a final crash, but lingered, as his fashion was when he had something to propose: if he felt pretty sure that the thing would be liked, he brought it in as if he had only happened to remember it. He now drew out a large, square, ceremonious-looking envelope, at which he glanced as if, after all, he was rather surprised to see it, and said, "Oh, by the by, Mrs. Elmore, I wish you'd tell me what to do about this thing. Here's something that's come to me in my official capacity, but it isn't exactly consular business,--if it was I don't believe I should ask _any_ lady for instructions,--and I don't know exactly what to do. It's so long since I corresponded with a princess that I don't even know how to answer her letter."

The ladies perhaps feared a hoax of some sort, and would not ask to see the letter; and then Hoskins recognized his failure to play upon their curiosity with a laugh, and gave the letter to Mrs. Elmore. It was an invitation to a mask ball, of which all Venice had begun to speak. A great Russian lady, who had come to spend the winter in the Lagoons, and had taken a whole floor at one of the hotels, had sent out her cards, apparently to all the available people in the city, for the event which was to take place a fortnight later. In the mean time, a thrill of preparation was felt in various quarters, and the ordinary course of life was interrupted in a way that gave some idea of the old times, when Venice was the capital of pleasure, and everything yielded there to the great business of amusement. Mrs. Elmore had found it impossible to get a pair of fine shoes finished until after the ball; a dress which Lily had ordered could not be made; their laundress had given notice that for the present all fluting and quilling was out of the question; one already heard that the chief Venetian perruquier and his assistants were engaged for every moment of the forty-eight hours before the ball, and that whoever had him now must sit up with her hair dressed for two nights at least. Mrs. Elmore had a fanatical faith in these stories; and while agreeing with her husband, as a matter of principle, that mask balls were wrong, and that it was in bad taste for a foreigner to insult the sorrow of Venice by a festivity of the sort at such a time, she had secretly indulged longings which the sight of Hoskins's invitation rendered almost insupportable. Her longings were not for herself, but for Lily: if she could provide Lily with the experience of a masquerade in Venice, she could overpay all the kindnesses that the Mayhews had ever done her. It was an ambition neither ignoble nor ungenerous, and it was with a really heroic effort that she silenced it in passing the invitation to her husband, and simply saying to Hoskins, "Of course you will go."

"I don't know about that," he answered. "That's the point I want some advice on. You see this document calls for a lady to fill out the bill."

"Oh," returned Mrs. Elmore, "you will find some Americans at the hotels. You can take them."

"Well, now, I was thinking, Mrs. Elmore, that I should like to take you."

"Take me!" she echoed tremulously. "What an idea! I'm too old to go to mask balls."

"You don't look it," suggested Hoskins.

"Oh, I couldn't go," she sighed. "But it's very, very kind."

Hoskins dropped his head, and gave the low chuckle with which he confessed any little bit of humbug. "Well, you _or_ Miss Lily."

Lily had retired to the other side of the room as soon as the parley about the invitation began. Without asking or seeing, she knew what was in the note, and now she felt it right to make a feint of not knowing what Mrs. Elmore meant when she asked, "What do _you_ say, Lily?"

When the question was duly explained to her, she answered languidly, "I don't know. Do you think I'd better?"

"I might as well make a clean breast of it, first as last," said Hoskins. "I thought perhaps Mrs. Elmore might refuse, she's so stiff about some things,"--here he gave that chuckle of his,--"and so I came prepared for contingencies. It occurred to me that it mightn't be quite the thing, and so I went round to the Spanish consul and asked him how he thought it would do for me to matronize a young lady if I could get one, and he said he didn't think it would do at all." Hoskins let this adverse decision sink into the breasts of his listeners before he added: "But he said that he was going with his wife, and that if we would come along she could matronize us both. I don't know how it would work," he concluded impartially.

They all looked at Elmore, who stood holding the princess's missive in his hand, and darkly forecasting the chances of consent and denial. At the first suggestion of the matter, a reckless hope that this ball might bring Ehrhardt above their horizon again sprang up in his heart, and became a desperate fear when the whole responsibility of action was, as usual, left with him. He stood, feeling that Hoskins had used him very ill.

"I suppose," began Mrs. Elmore very thoughtfully, "that this will be something quite in the style of the old masquerades under the Republic."

"Regular Ridotto business, the Spanish consul says," answered Hoskins.

"It might be very useful to you, Owen," she resumed, "in an historical way, if Lily were to go and take notes of everything; so that when you came to that period you could describe its corruptions intelligently."

Elmore laughed. "I never thought of that, my dear," he said, returning the invitation to Hoskins. "Your historical sense has been awakened late, but it promises to be very active. Lily had better go, by all means, and I shall depend upon her coming home with very full notes upon her dance-list."

They laughed at the professor's sarcasm, and Hoskins, having undertaken to see that the last claims of etiquette were satisfied by getting an invitation sent to Miss Mayhew through the Spanish consul, went off, and left the ladies to the discussion of ways and means. Mrs. Elmore said that of course it was now too late to hope to get anything done, and then set herself to devise the character that Lily would have appeared in if there had been time to get her ready, or if all the work-people had not been so busy that it was merely frantic to think of anything. She first patriotically considered her as Columbia, with the customary drapery of stars and stripes and the cap of liberty. But while holding that she would have looked very pretty in the dress, Mrs. Elmore decided that it would have been too hackneyed; and besides, everybody would have known instantly who it was.

"Why not have had her go in the character of Mr. Hoskins's 'Westward'?" suggested Elmore, with lazy irony.

"The very thing!" cried his wife. "Owen, you deserve great credit for thinking of that; no one else would have done it! No one will dream what it means, and it will be great fun, letting them make it out. We must keep it a dead secret from Mr. Hoskins, and let her surprise him with it when he comes for her that evening. It will be a very pretty way of returning his compliment, and it will be a sort of delicate acknowledgement of his kindness in asking her, and in so many other ways. Yes, you've hit it exactly, Owen; she shall go as 'Westward.'"

"Go?" echoed Elmore, who had with difficulty realized the rapid change of tense. "I thought you said you couldn't get her ready."

"We must manage somehow," replied Mrs. Elmore. And somehow a shoemaker for the sandals, a seamstress for the delicate flowing draperies, a hair-dresser for the adjustment of the young girl's rebellious abundance of hair beneath the star-lit fillet, were actually found,--with the help of Hoskins, as usual, though he was not suffered to know anything of the character to whose make-up he contributed. The perruquier, a personage of lordly address naturally, and of a dignity heightened by the demand in which he found himself came early in the morning, and was received by Elmore with a self-possession that ill-comported with the solemnity of the occasion. "Sit down," said Elmore easily, pushing him a chair. "The ladies will be here presently."

"But I have no time to sit down, signore!" replied the artist, with an imperious bow, "and the ladies must be here instantly."

Mrs. Elmore always said that if she had not heard this conversation, and hurried in at once, the perruquier would have left them at that point. But she contrived to appease him by the manifestation of an intelligent sympathy; she made Lily leave her breakfast untasted, and submit her beautiful head to the touch of this man, with whom it was but a head of hair and nothing more; and in an hour the work was done. The artist whisked away the cloth which covered her shoulders, and crying, "Behold!" bowed splendidly to the spectators, and without waiting for criticism or suggestion, took his napoleon and went his way. All that day the work of his skill was sacredly guarded, and the custodian of the treasure went about with her head on her shoulders, as if it had been temporarily placed in her keeping, and were something she was not at all used to taking care of. More than once Mrs. Elmore had to warn her against sinister accidents. "Remember, Lily," she said, "that if anything _did_ happen, NOTHING could be done to save you!" In spite of himself Elmore shared these anxieties, and in the depths of his wonted studies he found himself pursued and harassed by vague apprehensions, which upon analysis proved to be fears for Miss Lily's hair. It was a great moment when the robe came home--rather late--from the dressmaker's, and was put on over Lily's head; but from this thrilling rite Elmore was of course excluded, and only knew of it afterwards by hearsay. He did not see her till she came out just before Hoskins arrived to fetch her away, when she appeared radiantly perfect in her dress, and in the air with which she meant to carry it off. At Mrs. Elmore's direction she paraded dazzlingly up and down the room a number of times, bending over to see how her dress hung, as she walked. Mrs. Elmore, with her head on one side, scrutinized her in every detail, and Elmore regarded her young beauty and delight with a pride as innocent as her own. A dim regret, evaporating in a long sigh, which made the others laugh, recalled him to himself, as the bell rang and Hoskins appeared. He was received in a preconcerted silence, and he looked from one to the other with his queer, knowing smile, and took in the whole affair without a word.

"Isn't it a pretty idea?" said Mrs. Elmore. "Studied from an antique bas-relief, or just the same as an antique,--full of the anguish and the repose of the Laocoön."

"Mrs. Elmore," said the sculptor, "you're too many for me. I reckon the procession had better start before I make a fool of myself. Well!" This was all Hoskins could say; but it sufficed. The ladies declared afterwards that if he had added a word more, it would have spoiled it. They had expected him to go to the ball in the character of a miner perhaps, or in that of a trapper of the great plains; but he had chosen to appear more naturally as a courtier of the time of Louis XIV. "When you go in for a disguise," he explained, "you can't make it too complete; and I consider that this limp of mine adds the last touch."

"It's no use to sit up for them," Mrs. Elmore said, when she and her husband had come in from calling good wishes and last instructions after them from the balcony, as their gondola pushed away. "We sha'n't see anything more of _them_ till morning. Now this," she added, "is something like the gayety that people at home are always fancying in Europe. Why, I can remember when I used to imagine that American tourists figured brilliantly in _salons_ and _conversazioni_, and spent their time in masking and throwing _confetti_ in carnival, and going to balls and opera. I didn't know what American tourists were, then, and how dismally they moped about in hotels and galleries and churches. And I didn't know how stupid Europe was socially,--how perfectly dead and buried it was, especially for young people. It would be fun if things happened so that Lily never found it out! I don't think two offers already,--or three, if you count Rose-Black,--are very bad for _any_ girl; and now this ball, coming right on top of it, where she will see hundreds of handsome officers! Well, she'll never miss Patmos, at this rate, will she?"

"Perhaps she had better never have left Patmos," suggested Elmore gravely.

"I don't know what you mean, Owen," said his wife, as if hurt.

"I mean that it's a great pity she should give herself up to the same frivolous amusements here that she had there. The only good that Europe can do American girls who travel here is to keep them in total exile from what they call a good time,--from parties and attentions and flirtations; to force them, through the hard discipline of social deprivation, to take some interest in the things that make for civilization,--in history, in art, in humanity."

"Now, there I differ with you, Owen. I think American girls are the nicest girls in the world, just as they are. And I don't see any harm in the things you think are so awful. You've lived so long here among your manuscripts that you've forgotten there is any such time as the present. If you are getting so Europeanized, I think the sooner we go home the better."

"_I_ getting Europeanized!" began Elmore indignantly.

"Yes, Europeanized! And I don't want you to be so severe with Lily, Owen. The child stands in terror of you now; and if you keep on in this way, she can't draw a natural breath in the house."