Part 3

Now, Princess, tell me, how is this to be settled, so as to satisfy equally the father, the three brothers, and the King? And Rasakósha ceased. But the Princess bent down her head, and remained a moment in meditation, while the King's soul almost quitted his body. Then after a while, raising her head, she replied: Let the brothers borrow another cow. Then of the twenty cows, let the eldest take half, or ten cows; the next, a quarter, or five cows; and the youngest, a fifth, or four cows. Then let them return the borrowed cow. Thus the nineteen cows will be exhausted without leaving a remainder, and the father satisfied: each brother will receive more than under their own division; and finally, the King will be pleased. For he was a just King: and what could displease such a king more than that, in his dominions, Brahmans should kill and eat cows, or disregard their father's orders[4]. Rather would he lose, not nineteen cows, but ten millions[5].

And when the Princess had said this, she rose up and went out, casting a glance, as she went, at the King, whose heart went with her. But the King and Rasakósha returned to their own apartments.

[1] Just as the clothes of the Princess change colour every day, so does the state of the King's mind, which goes through a regular series of transitory emotions (wyabhichári).

[2] _i.e._ 'seat of justice.' The meaning is important, as the sequel shows. It does the Princess credit that she notes and remembers it.

[3] To kill, let alone to eat, a cow, would be of course one of the most deadly sins of which a Brahman could be guilty.

[4] See _Manu_ II., 227, _sqq._

[5] I remember to have heard a very inferior version of this story from an old Pundit with whom I read Maráthi.

DAY 3.

Then the King said to Rasakósha: My friend, though the Princess has answered your question, and yet another day has been lost, yet I forgive you, for the sake of the glance she gave me as she went away. Oh! it was cooling to my burning soul as the drops of rain to the parched and thirsty earth. And but for the portrait, it is certain that my life could not last till the morning. Thus the King lamented, and passed the night in a state of longing, gazing at the portrait of his beloved. And when at last the sun rose, he rose also, and passed the day with Rasakósha in the garden, longing for the moment of reunion. And when the sun set, they went again to the hall of audience. And there they saw the Princess, clad in a yellow robe, and a bodice studded with diamonds, and her crown and other ornaments, sitting on her throne. And she looked intently at the King, who sank upon a couch, speechless and fascinated, gazing at her loveliness. Then Rasakósha came forward, and stood before her, and began again:

Lady, in a former age there was a king who died of a fever. And his heir was a baby, too young to speak or walk. Now that king had a brother, who desired the kingdom for himself. And in order to compass this object, he determined to make away with the little Rájá, thinking to himself: There will be no difficulty in this, for he is but a baby, and can easily be put to death in a thousand ways.

So one night he persuaded the child's attendants, by means of an immense bribe, to leave him alone in his room. And he hired an assassin to kill him, posting him in a secret place within the palace, and telling him: At such an hour, enter the king's room, where you will find him alone, and kill him. But this assassin was a Rajpoot from the Deccan, who had but just come to that city, and did not know who the king was. And expecting a man, at the appointed hour he entered the king's room, and saw nothing but a baby playing on the floor with a fruit. And the fruit, escaping from its hands, rolled to the feet of the assassin as he came in. And the little Rájá put out his hand, and cried, _Bhó, Bhó_. So the assassin rolled it back, and the baby laughed and clapped its hands. Thus they remained, playing with the fruit, till the guards came in and found that assassin. And when they asked him who he was, he said: I have a message from my master to the king. Then they laughed, and said: The king is dead: there is the king. But he was amazed, and said: Then I must return and tell the news to my master. For how can I deliver a message to one who cannot even speak? And they suffered him to depart, and he went out, and fearing for his own life, left that city without delay.

Then the king's brother, finding that his plot had failed, hired a whole band of robbers. And watching his opportunity, he posted them by the side of a road leading to a temple, and said: There will come by this road a baby, magnificently dressed, and ornamented with jewels, attended by servants. Fall on them and plunder them, and if you please, kill them, but make sure that you kill the baby. But while they waited, in the meanwhile some other robbers, attracted by the richness of the little Rájá's ornaments, set upon his retinue. And killing all his servants but one, who fled naked, they stripped the little Rájá of all he had on him, but left him alone alive, saying: He cannot tell any one, let him live. So they hastily departed. Then that fugitive crept back, and finding the baby in the road, picked it up, and wrapping it in a cloth, carried it home. And he passed before the eyes of the gang that was waiting to kill the baby Rájá, but they thought that he was some beggar, and took no notice of him. And thus a second time the child escaped.

Then the king's brother bribed a cook, who put deadly poison into the little Rájá's milk. And it was given to him in a crystal goblet. And he took it in both hands, and put it to his mouth, to drink; and at that instant, one of the attendants standing before him sneezed. And the little Rájá dropped the goblet, and began to crow and clap his hands in delight; but the goblet fell to the ground and broke into a thousand pieces, and all its contents were spilled upon the floor. Thus he escaped the third time. And before the king's brother could form another plot, he was himself slain by the husband of a woman of the Kshatriya caste, whom he had carried off and dishonoured.

Now tell me, Princess, how was it that the schemes of that villain could never succeed against the little king, being but a mere child? And Rasakósha ceased. Then the Princess said: It was its very childhood that baffled him. For just as a stone, lying openly on the ground, is more secure than a costly jewel, though protected by adamantine bars, because it is worthless and arouses no cupidity; so is a thing so feeble that none would attack it more powerfully protected by its very feebleness than strength possessed of many enemies though defended by a thousand guards. No antidote so good, as the absence of poison: no virtue so good, as the absence of beauty: no fortification so good, as the absence of enemies: and no guard so potent as the helplessness of a child. For where are the enemies of the fragile lotus?

And when the Princess had said this, she rose up and went out, looking back as she went at the King, whose heart went with her. But the King and Rasakósha returned to their own apartments.

DAY 4.

Then the King said to Rasakósha: My friend, your question was again answered by the Princess, and of my days now three are gone, yet freely do I forgive you, for the sake of the glance she gave me as she went away. Oh! it snared my soul as it were in a net. And but for the portrait to keep me alive during the period of separation, beyond question I should never see the light of day. So he passed the night in a state of lovelorn recollection[1], an enemy to sleep, gazing at the portrait. And when the sun rose, he rose also, and got somehow or other through the day, by the help of Rasakósha and the garden. Then when the sun set, they went again to the hall of audience. And there they saw the Princess, clad in a sable robe and a bodice studded with sapphires, and her crown and other ornaments, sitting on her throne. And she looked kindly at the King, who sank trembling upon a couch, speechless and fascinated, under the spell of her beauty. Then Rasakósha came forward, and standing before her, began again:

Lady, there lived formerly in a certain country two brothers, Brahmans, called Bimba and Pratibimba[2], who were twins. And I think that the Creator, when he made one, had gone under water to make the other. For the moon does not more closely resemble her own image in a lake, nor one leaf on a branch another, than each of them did the other. Between them, when they were children, the sole point of distinction was the charm tied for that purpose round their necks; and when they grew up, those who saw them together imagined that their own eyes had become enemies, and were each giving a separate reflection of the self-same object. And as their external forms, so were their voices, and their internal dispositions: they corresponded in every atom, from the extremity of the skin to the inmost recesses of the heart.

Now one day it happened that Bimba saw a young woman[3] at the spring festival. And she looked at him at the same moment. And then and there the god of love penetrated their hearts, employing their mutual glances as his weapon. So having discovered her family and place of residence, Bimba used to go and visit her three days in every week. But in the excess of his own happiness, proud of the extraordinary beauty of his love, he could not contain himself, nor endure to keep the secret of his own good fortune. So he told his brother the whole story; and contriving a suitable opportunity, he exhibited to him his mistress, who was all unconscious of what he was doing. But Pratibimba, being as he was but the double of his brother, instantly conceived an equally violent passion for her. And without scruple--for what has love to do with honour?--he used to go himself, on the other three days of the week, to visit her. But she in the meanwhile, believing him to be Bimba himself, for she could not see any difference, only rejoiced in gaining as she thought the company of her lover twice as often as before.

But when some time had passed by, it fell out that Bimba, not being able to endure separation, went to visit his mistress on one of his brother's days. And when he got there, he saw Pratibimba, who had arrived before him, and was lying asleep on a couch while his beloved fanned him with a palm leaf. But she, when she saw Bimba come in, uttered a shriek of astonishment and terror, which woke Pratibimba. And while she looked in amazement from one to the other, Bimba rushed upon Pratibimba, mad with jealousy and howling with rage, while Pratibimba did the same to him. And grappling with one another, they rolled upon the floor, fighting and kicking each other, till, hearing the shrieks of the woman, the King's officers came in and separated them, and carried them all three to the judge. Then Bimba said: This man is my brother, and he has stolen my beloved from me. But Pratibimba said: No, she is mine: it is you that are the thief. Then Bimba howled: I was first, and you are a villain. And Pratibimba echoed his words[4]. So the judge said to the woman: Which of them is your lover? But she answered: Sir, I cannot tell which is which, nor did I ever know that there were two till to-day.

So now tell me, Princess, how shall the judge distinguish between them? And Rasakósha ceased. Then the Princess said: Let him take all three apart, and ask each to describe in detail the circumstances under which he saw the woman first. For though the impostor may have heard that it was at the spring festival, yet the eye that saw, aided by the heart that remembers, will convict the ear that only heard.

And when she had said this, the Princess rose up and went out, smiling at the King over her shoulder, and she drew away the King's heart after her. But the King and Rasakósha returned to their own apartments.

[1] _Smara_ means both love and memory.

[2] Both words mean _image, reflection_.

[3] The _hetæra_ plays in old Hindoo stories a still larger part than she did in Greek.

[4] There is an untranslateable play on the word here.

DAY 5.

Then the King said to Rasakósha: My friend, though my mistress guessed your question, and now four days have gone, yet I forgive you, for the sake of the smile she gave me when she went away. Oh! it irradiated the gloom of my soul like as the moonlight illuminates the forest glades: and when she disappeared, darkness again prevailed. But for the portrait, I were a dead man before morning. And he passed the night in a state of impatience, gazing at the portrait. Then when the sun rose, he rose also, and passed the day by the help of Rasakósha and the garden. And when the sun set, they went again to the hall of audience. And there they saw the Princess, clad in a pale red[1] robe, and a bodice studded with emeralds, and her crown and ornaments, sitting on her throne. And she dropped her eyes when she saw the King, who sank with a beating heart upon a couch, speechless and fascinated, under the spell of her beauty. Then Rasakósha came forward and stood before her, and began again:

Lady, in former times there was a king, who made war upon a neighbouring king, and went out and fought a great battle with him. Now there was in his army a certain Kshatriya, who, fighting all day long in that battle, after slaying multitudes of the enemy with his single arm, at length grew tired and faint from exhaustion. And perceiving this, many of the enemy set upon him at once, and overpowered him, and after mangling him with innumerable wounds, left him for dead upon the ground. But when the moon rose, that Kshatriya recovered his senses, and as it were came back to life. And he dragged himself with difficulty as far as a neighbouring village. And then his strength failed, and sinking down exhausted at the door of a certain house, he struck one great blow upon it, and fell down senseless.

Now there lived in that house a Brahman woman, whose husband was away from home. And she was beautiful as a jasmine blossom, and pure as snow, and her name was Suwarnashílá[2]. And hearing the knock, in the dead of night, she was frightened; but she looked out of a small round window, and saw in the bright moonlight a man lying still at her door. Then she thought: This may be a snare. Alas! the neighbours praise me for my beauty, and to whom is not beauty an object of cupidity? Or how can beauty, like a great pearl, be safe when its guardian is away? Then she looked again, and saw a dark stream trickling from the body along the white ground. And her heart was filled with compassion, and she thought: Doubtless the man is wounded, and perhaps dying. The greater[3] sin would be, to leave him to die at my door. So she summoned her maid, and went out, and took in the wounded man, and dressed his wounds and nursed him, keeping him in her house till he was well.

Then that Kshatriya, seeing her daily, was burned to a cinder by the glory of her beauty, and he made evil proposals to her. But she stopped her ears, and would not listen to him, but said: What! would you repay benefits with treachery and ingratitude? Know, that to a virtuous woman her husband is a god. Depart, and let me alone. Then finding that he could not prevail upon her, the Kshatriya said to her: It is you, not your husband, that is the divinity. Your beauty would turn even a holy ascetic from his penance. And though I owe you my life, yet you have robbed me of it again. And now I must depart quickly, otherwise my passion will master me, for love is stronger than gratitude. Then he went away hurriedly, but with reluctance, somewhere else.

But when the husband returned, a certain barber's wife, who was jealous of Suwarnashílá for her beauty, met him and said: Happy are those who possess treasures. In your absence another man has been wearing your crest-jewel. So the husband, burning with jealousy, went home and asked his wife. And she said: It is true, but listen; and she told him the whole story. But he would not believe her. Then she extended her hand to the fire, and said: I appeal to the fire, if I have ever been faithless to you for a moment, even in a dream. And the fire shot up, and a bright flame licked the roof, and two tongues of flame crept out and kissed that saint, one on the mouth, and the other on the heart. But blinded with jealousy and rage, the husband said: This is a trick. And taking his sword, he said to his wife: Follow me. So she said: As my lord pleases. Then he led her away into the forest, and there he tied her to a tree, and cut off her hands and her feet, and her nose and her breasts, and went away and left her. And after a while she died alone in the forest, of cold and pain and loss of blood.

But that Kshatriya heard of what he had done. And filled with rage and despair, he went to that husband, and said to him: O fool, know, that you have murdered a saint. And but that I know that life will henceforth be a punishment to you worse than any death, I would slay you where you stand. But as it is, live, and may your guilt bring you death without a son. Then the husband, learning the truth, and discovering the villainy of that lying barber's wife, was filled with remorse. And he abandoned the world, and went to the Ganges to expiate his guilt. But the Kshatriya killed himself with his own sword.

So now tell me, Princess, why does fate inflict such terrible punishment on the innocent[4]? And Rasakósha ceased. Then the Princess said: Can emancipation be attained, save by those who are worthy of it? And how can gold[5] be tested, save by fire? And Suwarnashílá stood the test, and proved her nature: and doubtless she has her reward. For even death is not so sure as the consequences of even the minutest action.

Then a bodiless voice[6] fell from the sky, and said aloud: Well spoken, dear child. And the Princess rose up and went out, looking at the King with glistening eyes, and the heart of the King went with her. But the King and Rasakósha returned to their own apartments.

[1] _Goura_ cannot mean white, because _dhawala_ comes on a later day.

[2] See below.

[3] _i.e._ to take him in, with her husband away, would be bad enough, but, &c. A Hindoo even at the present day would murder his wife for a much smaller crime than this.

[4] This appalling question, which has puzzled the wise men of all ages, is answered by the Princess as well as by any one else.

[5] An allusion to the name Suwarnashílá, which means 'good as gold.'

[6] This is an everyday phenomenon in Hindoo stories; and its appearance in the _Golden Ass_ of Apuleius puts it beyond all doubt that his story came originally from India.

DAY 6.

Then the King said to Rasakósha: My friend, though your question was again answered by the Princess, and now five days are lost, yet fully do I forgive you, for the sake of the tear that glistened in her eye as she went away. O! it was like a drop of dew in the blown flower of a blue lotus. It is beyond a doubt that but for the portrait my life would fail before the morning. And he passed the night in a state of stupefaction, gazing at the portrait of his mistress. Then when the sun rose, he rose also, and got through the long hours of day with difficulty by the help of Rasakósha and the garden. And when at length the sun set, they went again to the hall of audience. And there they saw the Princess, clad in a blood-red robe and a bodice studded with opals, and her crown and other ornaments, sitting on her throne. And she was looking for the King when he came in, and the King sank upon a couch, speechless and fascinated, under the spell of her beauty. Then Rasakósha came forward and stood before her, and began again:

Lady, there was once a king who had three queens, of such indescribable beauty, that at night in the light fortnight it was impossible to decide which of the four was the true moon. And one night, when the king was sleeping in the hot season on the terrace of his palace in the company of his queens, he woke up while they were asleep. And rising up, he stood in the moonlight looking down upon his sleeping queens. And he said to himself: Various indeed is the form assumed by the beauty of woman. But I wonder which of my queens is the most beautiful of the three. So he went from one to the other, considering them attentively. And one queen lay on her back in the full light of the moon, with one arm over her head, and one breast raised, and every now and then a light breeze stirred and lifted her garment, disclosing it. And another lay in the shadow of the trellis-work with alternate stripes of shadow and light turning her into curves of ebony and ivory. And the third lay all in deep shadow, save that a single streak of moonlight fell softly on the shell of her little ear. So the king wandered all night from one to another, puzzling over his difficulty, thinking each queen to be the most beautiful till he came to another. And before he had decided it, the sun rose.

Then when, after performing his daily ceremonies, he was going to take his seat on his throne, his prime minister, named Nayanétri[1] said to him: O king, why are your royal eyes red with want of sleep? So the king said: Nayanétri, last night it came into my head to ask myself, which of my three queens was the most beautiful. And I could not sleep for my perplexity, and even now I have not been able to solve the problem. Then Nayanétri said: O king, be content that you have queens between whom there is no distinction in beauty, and no cause of jealousy. Idle curiosity destroys peace of mind and produces evil. But the king said: I am determined, at whatever cost, to settle this point.

So finding that the king's heart was set upon the matter, Nayanétri said to him: King, ministers are like riders: a horse which they cannot restrain they must at any rate guide, or it will be the worse for both. Since it is absolutely necessary for you to decide between your queens in respect of beauty, listen to me. There has recently arrived in your capital a dissolute young Brahman called Kántígraha[2], who is famous in the three worlds as a judge of female beauty. Send for him, and let him see your queens, and he will certainly tell you which is the most beautiful. For a swan cannot more accurately separate milk from water[3], than he can distinguish the shades of beauty.

Accordingly the king, much pleased, had Kántígraha fetched; and as they stood conversing, he caused his three queens to pass in order through the room. And when the first queen passed, the Brahman stood as if rooted to the ground. And when the second passed, he trembled slightly. And when the third passed, he changed colour. Then when all had gone, the king said: Brahman, tell me, for you are a judge, which of those three is the most beautiful? But Kántígraha said to himself: If I tell the king, I may displease him, by slighting his favourite: moreover, the other two queens will certainly hear of it, and have me poisoned. So he bowed, and said: King, I must have time to decide: give me leave till to-morrow. So the king dismissed him. And Kántígraha went quickly away, intending to quit that city before nightfall, yet with reluctance, for he said to himself: There is one of those queens I would give much to enjoy.