Chapter 5

The altar, symbolizes the atonement made by Christ for sin; and, consequently, the position of the souls of the martyrs under it, indicates their reliance on him for an inheritance in his everlasting kingdom,—when “he shall come to be glorified in his saints,” and to “take vengeance on them that know not God, and obey not the gospel,” 2 Thess. 1:8, 10.

The presentation of white robes to them, symbolizes their acceptance and justification.

The declaration that they must rest till _their fellow-servants are killed_, as they have been, implies another persecution, to be subsequent to the period symbolized by the opening of this seal. The persecutions which followed the Reformation, in which the fires of Smithfield were lighted in England, the Huguenots were driven from France, and thousands suffered martyrdom, probably fulfilled this.

The interest taken by the souls of the martyrs in the avenging of their blood on the earth, shows that the spirits of departed saints look forward with intense interest to the time of their glorification. And although the dead who die in the Lord are blessed, the glories of the resurrection morn are not less desired by those who are absent from the body and present with the Lord, than by humble, devoted, waiting Christians here.

The opening of this seal evidently synchronizes with the commencement of the reformation, when they might have supposed the kingdom of God would immediately appear.

The Sixth Seal.

“And I beheld when he opened the sixth seal, and there was a great earthquake; and the sun became black like sackcloth of hair, and the moon became like blood: and the stars of heaven fell to the earth, as a fig-tree casteth its unripe figs, when shaken by a mighty wind. And the heaven departed like a scroll rolled together; and every mountain and island were removed from their places. And the kings of the earth, and the nobles, and the rich, and the commanders, and the strong men, and every bond-man, and every freeman, hid themselves in the dens and in the rocks of the mountains; and said to the mountains and rocks, Fall on us, and hide us from the face of Him seated on the throne, and from the wrath of the Lamb: for the great day of his wrath is come; and who can stand?”—Rev. 6:12-17.

The laws of symbolization require that symbols should not be representatives of their own order when there is any analogous order to be representatives of. In other places in the Apocalypse, these symbols are used, under circumstances where it is impossible to regard them as symbols of their own order. And here, as the kings of the earth call on the rocks and mountains to fall on them after the heaven has departed as a scroll and every mountain and island is moved out of its place, it is necessary to regard them as symbols of objects of analogous orders.

The earthquake, then, as in corresponding Scriptures, symbolizes a political revolution. The darkening of the sun and moon, would represent a change in the character of the rulers and legislators of the world, so that instead of extending a genial influence over their subjects, they should exert a deleterious one; and the fall of the stars, their ejection from their stations—synchronizing with the first five vials (16:1-11), and fulfilled in the political revolutions of Europe during the past century.

By the passing away of the heavens and the removal of mountains and islands from their places, is symbolized the total dissolution of all human governments—corresponding to the seventh vial (16:20).

On the occurrence of this unprecedented state of anarchy, the inhabitants of earth will be aware of the proximity of the Advent. They flee from the face of the Lamb, which indicates his appearance in the clouds of heaven at his personal advent. The great day of wrath will have come; but before the infliction of merited punishment on his enemies, the servants of God are to be designated, the righteous dead are to be raised, and they with the righteous living are to be caught up to meet the Lord in the air, 1 Thess. 4:17. The living righteous are designated by:

The Sealing of the Servants of God.

“And after these things I saw four angels standing on the four corners of the earth, holding fast the four winds of the earth, that a wind might not blow on the earth, nor on the sea, nor on any tree. And I saw another angel ascending from the rising of the sun, having a seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to injure the earth and the sea, saying, Injure not the earth, nor the sea, nor the trees, till we have sealed the servants of our God on their foreheads! And I heard the number of those sealed: a hundred and forty-four thousand were sealed out of all the tribes of the children of Israel. Of the tribe of Judah, twelve thousand were sealed. Of the tribe of Reuben twelve thousand were sealed. Of the tribe of Gad twelve thousand were sealed. Of the tribe of Asher twelve thousand were sealed. Of the tribe of Naphtali, twelve thousand were sealed. Of the tribe of Manasseh twelve thousand were sealed. Of the tribe of Simeon twelve thousand were sealed. Of the tribe of Levi twelve thousand were sealed. Of the tribe of Issachar twelve thousand were sealed. Of the tribe of Zebulon twelve thousand were sealed. Of the tribe of Joseph twelve thousand were sealed. Of the tribe of Benjamin twelve thousand were sealed.”—Rev. 7:1-8.

The symbols here presented, were seen immediately subsequent to the exhibition of the preceding ones. This alone would not prove that the events symbolized follow in order, but it is indicated by their being a continuation of the symbolization under the sixth seal, and before the opening of the seventh.

In the sixth chapter, the great men and rich men, as well as bond-men, are aware of the proximity of the day of the Lord, and seek for a refuge from the face of the Lamb. The next events in consecutive order, would be the resurrection of the righteous dead, the change of the living, their ascension to meet the Lord in the air, and the infliction of the wrath of God on the wicked.

After the wicked seek to escape from God’s presence, the righteous are still unchanged upon the earth. But before the wrath of God is poured upon his enemies, the winds of heaven are to be holden while the angel of the living God seals his servants in their foreheads. The holding of the winds and the sealing are, consequently, subsequent to the terror of the wicked, at the appearance of the Saviour.

The four winds are the winds coming from all directions; and symbolize strife, war, and commotion among men, analogous to the violent action of the winds of heaven.

In Dan. 7:2, the striving of the four winds upon the great sea preceded the rising of the four beasts: in other words, the various contests and strifes among the different people and tongues of earth resulted in the establishment of the successive empires which have arisen to universal dominion. The blowing of the wind seems to be any influence exerted upon men. In Ezek. 37:9 the breathing of the wind revives the dead; and in Zech. 5:9 it symbolizes the removal of the wickedness of the Jews.

The angels holding the winds, consequently, must symbolize the agencies which have the power to excite or quell these disturbing influences. They do the bidding of the Lord in restraining or exerting the influences which should produce the effect symbolized. The holding of them indicates the proximity and certainty of their blowing unless they are restrained. The earth, sea, and trees, which would be hurt by the blowing of the wind, evidently symbolize the different classes of inhabitants of the earth, on whom an effect would be produced by the blowing of the winds, analogous to the effect produced on those elements by a violent tempest, or hurricane. The storm here symbolized is evidently that of which the Scriptures speak. “On the wicked he shall rain snares, fire and brimstone, and an horrible tempest,” Psa. 11:6. “Thou shalt be visited of the Lord of hosts with thunder, and with earthquake, and great noise, with storm and tempest, and the flame of devouring fire,” Isa. 29:6. “The Lord hath a mighty and strong one, which as a tempest of hail, and a destroying storm, as flood of waters overflowing, shall cast down to the earth with the hand,” _Ib._ 28:2.

The sealing of the servants of God in their foreheads, designates them, but does not constitute them such; for none are sealed, only those who are previously his. This is in allusion to the ancient custom of stamping with a hot iron the name of the owner on the forehead or shoulder of his slave. Before the final destruction of Jerusalem by the Babylonians, Ezekiel saw in vision a man clothed in linen, with a writer’s ink-horn by his side, who was commissioned to go through the midst of Jerusalem and set a mark on the foreheads of the men that sigh and that cry for all the abominations that be done in the midst thereof. And the destroying angels who were commanded to slay all, both old and young, to spare not, nor to have pity, were expressly told to “come not near any man upon whom is the mark,” Ezek. 9:2-6. When the destroying angel passed through Egypt, on the night of the Passover, “to slay all the first-born of that nation, the houses of the Israelites were indicated by the blood of the Paschal Lamb sprinkled on their lintels and door-posts; and by these the angels passed,” Ex. 12:23. Thus in the present instance, before the descent of the impending storm, the servants of the Lord are to be indicated by the seal of the living God in their foreheads, and will be spared the horrible tempest which will “hurt” all those on whom it shall fall.

The 144,000,—the whole number sealed, is a perfect number,—an appropriate symbol of all the living righteous on the earth. The twelve tribes, then, would symbolize all the branches of Christ’s mystical body in which the servants of God are found. The pious dead would need no mark indicative of their acceptance, having previously, in the white robes given them, received the symbols of their justification, 6:11. That their resurrection and the changing of the living, immediately succeeded, is evident from:

The Palm-bearing Multitude.

“After these things I looked, and lo, a great crowd, which no one could number, out of all nations, and tribes, and people, and tongues, stood before the throne, and before the Lamb, clothed with white robes, and palm-branches in their hands; and they cried with a loud voice, saying, Salvation to our God seated on the throne, and to the Lamb! And all the angels stood around the throne, and the elders and the four living beings, and fell before the throne on their faces, and worshipped God, saying, Amen: blessing and glory, and wisdom, and thanksgiving, and honor, and power, and might, be to our God for ever and ever. Amen! And one of the elders answered, saying to me, Who are these arrayed in white robes? and whence came they? And I said to him, My Lord, thou knowest. And he said to me, These are they who came out of great affliction, and have washed their robes, and made them white in the blood of the Lamb. For this, they are before the throne of God, and serve him day and night in his temple: and He, who sitteth on the throne, will dwell among them. They will hunger no more, and will thirst no more; nor will the sun light on them, nor any heat. For the Lamb, who is in the midst of the throne, will tend them, and lead them to fountains of living waters: and God will wipe away every tear from their eyes.”—Rev. 7:9-17.

This great multitude of white-robed palm-bearers, must include those who, under the preceding seal, anxiously inquired how long was to be deferred the avenging of their blood on those who dwell on the earth. That epoch had now arrived; and they come forth arrayed in the white robes then given them. The palm-branches in their hands, are emblems of victory. They symbolize the subjects of the first resurrection, caught up to meet the Lord in the air. That they are gathered from every land and every age, is asserted when it is said they are from every kindred, tongue, and people; and that they triumph over death and the grave, is evident from the answer of one of the elders to the questions: “What are these?” and “Whence came they?”

The epoch, is a point of time intervening between the first resurrection, and the descent of the new Jerusalem, 21:2. The loud and united voice, with which the redeemed multitude cry “Salvation to our God which sitteth upon the throne, and unto the Lamb,”—synchronizes with that of the “great multitude,” which, like the voice of many waters, and of “mighty thunderings,” shouted “Alleluia: for the Lord God omnipotent reigneth” (19:6), immediately preceding the marriage-supper of the Lamb (19:6-9). They are removed above the troubles of earth, which are impending upon the wicked, under:

The Seventh Seal.

“And when he opened the seventh seal, silence took place in heaven for about half an hour. And I saw the seven angels, who stood before God; and seven trumpets were given to them. And another angel came and stood by the altar, having a golden censer; and much incense was given to him, that he should offer it with the prayers of all the saints on the golden altar before the throne. And the smoke of the incense, with the prayers of the saints, ascended before God from the angel’s hand. And the angel took the censer, and filled it with the fire of the altar, and out it into the earth: and there were voices, and thunders, and lightnings, and an earthquake.”—Rev. 8:1-5.

The epoch of this seal, is sometimes regarded as anterior to that of the trumpets; and those are often supposed to be included in the events of this seal; but no conclusive reason has ever been given for removing it from its obvious position as the closing one, of a series of successive periods, commencing with the gospel, and extending to the end of the world. If the first six are successive in their respective order, analogy would require that the seventh be thus considered.

Under the sixth seal, the great men and rich, are seen fleeing to the rocks for refuge from the wrath of the Lamb; and the risen saints symbolized, are in the Saviour’s presence; but the infliction of the wrath of God on the wicked is not there symbolized. The events of that seal come down as far as those in the 19th chapter, which precede the marriage of the Lamb, 19:7.

The half-hour’s silence, is the first thing indicated under the seventh seal. Being so expressly noticed, it would seem to be of some significance. As a period of symbolic time, on the scale of a day for a year, “about half an hour,” would equal a week’s duration—corresponding to the time which intervened between the entrance of Noah into the ark, and the commencement of the deluge, Gen. 7:1-4. As the period evidently synchronizes with the parable of the Saviour, when “the Bridegroom came; and they that were ready went in with him to the marriage, and the door was shut” (Matt. 25:10),—the others being still without,—it would seem to symbolize the time, between the entrance to the marriage of the Lamb (19:7), and the going forth of the Word of God with his armies, to judge, make war, and to slay the remnant with the sword, 19:11-21. It would be a period of holy joy to the righteous in the Saviour’s presence, and of awful suspense to the wicked.

The seven angels, to whom were given seven trumpets, being introduced here, have doubtless caused the events of this seal to be regarded as anterior to the first trumpet. As those immediately following, evidently synchronize with occurrences of the closing epoch, the angels can only be introduced here in anticipation of the symbolization which they are to unfold under the sounding of the successive trumpets—the same as the seven angels with the last plagues are introduced, before the epoch of the commencement of their allotted work, 15:1.

The golden censer was the instrument in which incense was burned in the Jewish worship. Incense symbolizes prayers (5:8). The offering of much incense with the prayers of all saints and the smoke of the incense ascending up before God, indicates the acceptance of their offerings in heaven—the act being before the throne, and not on the earth. The acceptance of their prayers, also implies their own acceptance, when presented “faultless before the presence of his glory with exceeding joy,” Jude 24.

The fire from the altar, symbolizes the instruments of divine justice; and the filling the censer with coals after the acceptance of the saints, and the casting of both the censer and fire to the earth, indicate that thenceforth there would be no more acceptance of prayer from those left on the earth, but the speedy infliction of impending judgments.

The “voices, and thunderings, and lightnings, and an earthquake,” which followed, evidently synchronize with the same events which follow the seventh trumpet: when the “wrath of God” has come, with “the time of the dead that they should be judged;” and when those are to be destroyed who have destroyed the earth, 11:19. They are the same, also, as those under the seventh vial, (16:18); and symbolize the final overturn and commotion, previous to the cleansing of the earth and the ushering in of a better day: Then will the

“fire purge all things new, Both Heaven and Earth, wherein the just shall dwell.”—MILTON, BOOK XI.

The Seven Trumpets.

“And the seven angels having seven trumpets prepared themselves to sound.”—Rev. 8:6.

The sounding of each successive trumpet marks the commencement of an era, of a longer or shorter duration, as the striking of a clock does the succession of hours. During each era, were to be fulfilled the events symbolized in connection with its respective trumpet. Those under the trumpets are more of a political character than those presented in connection with the seals.

The First Trumpet.

“And the first angel sounded, and there was hail and fire mingled with blood, and they were cast into the earth; and the third part of the earth was burnt up, and the third part of the trees was burnt up, and every green herb was burnt up.”—Rev. 8:7.

The earth of the Apocalypse is regarded by most expositors as the Roman empire, in a state of comparative quiet. As no tornado like this described has ever happened, its correspondence must be sought for in the political relations of the empire. There is great unanimity among commentators respecting the period and the agents here symbolized,—that it refers to the invasions of the Goths and other barbarians, from A. D. 363 to 410. After 395, their incursions were more severe than during the earlier portion of that period. The third part of the earth, would be the third part of the Roman empire, in distinction from the other two-thirds.

The green grass of the earth, the trees, &c., are distinguished from “those men which have _not_ the seal of God in their foreheads” (9:4), and must therefore symbolize the people of God in the third part of the empire. As all the green grass is burnt up, while only one-third of the trees suffer, the latter cannot include one-third of all the trees in the empire, but only one-third in the parts affected,—the grass indicating the more weakly, and the trees the more hardy classes of Christians.

The infidel historian, Gibbon, has given the events which fitly correspond with the symbolization of these trumpets. After the death of Theodosius, in January, A. D. 395, Alaric, the bold leader of the Gothic nation, took arms against the empire. The terrible effects of this invasion, are thus described:—

“The barbarian auxiliaries erected their independent standard; and boldly avowed hostile designs, which they had long cherished in their ferocious minds. Their countrymen, who had been condemned, by the conditions of the last treaty, to a life of tranquillity and labor, deserted their farms at the first sound of the trumpet, and eagerly assumed the weapons which they had reluctantly laid down. The barriers of the Danube were thrown open; the savage warriors of Scythia issued from their forest; and the uncommon severity of the winter, allowed the poet to remark, that ‘they rolled their ponderous wagons over the broad and icy back of the indignant river.’ The unhappy nations of the provinces to the south of the Danube, submitted to the calamities, which, in the course of twenty years, were almost grown familiar to their imagination; and the various troops of barbarians, who gloried in the Gothic name, were irregularly spread from the woody shores of Dalmatia, to the walls of Constantinople. The Goths were directed by the bold and artful genius of Alaric. In the midst of a divided court, and a discontented people, the emperor, Arcadius, was terrified by the aspect of the Gothic arms. Alaric disdained to trample any longer on the prostrate and ruined countries of Thrace and Dacia, and he resolved to seek a plentiful harvest of fame and riches in a province which had hitherto escaped the ravages of war.

“Alaric traversed, without resistance, the plains of Macedonia and Thessaly. The troops which had been posted to defend the Straits of Thermopylæ, retired, as they were directed, without attempting to disturb the secure and rapid passage of Alaric; and the fertile fields of Phocis and Bœotia were instantly covered with a deluge of barbarians, who massacred the males of an age to bear arms, and drove away the beautiful females, with the spoil and cattle of the flaming villages. The travellers who visited Greece several years afterwards, could easily discover the deep and bloody traces of the march of the Goths. The whole territory of Attica was blasted by his baneful presence; and if we may use the comparison of a cotemporary philosopher, Athens itself resembled the bleeding and empty skin of a slaughtered victim. Corinth, Argos, Sparta, yielded without resistance to the arms of the Goths; and the most fortunate of the inhabitants were saved, by death, from beholding the slavery of their families, and the conflagration of their cities.”—_Gibbon’s Rome_, vol. v., p. 177.

Being tempted by the fame of Rome, Alaric hastened to subjugate it. He put to flight the Emperor of the West; but deliverance soon came, and Rome was saved from his hands. Alaric was first conquered in 403. But another cloud was gathering, and is thus described by Gibbon:—

“About four years after the victorious Toulan had assumed the title of Khan of the Geougen, another barbarian, the haughty Rhodogast, or Radagaisus, marched from the northern extremities of Germany almost to the gates of Rome, and left the remains of his army to achieve the destruction of the West. The Vandals, the Suevi, and the Burgundians, formed the strength of this mighty host; but the Alani, who had found a hospitable reception in their new seats, added their active cavalry to the heavy infantry of the Germans; and the Gothic adventurers crowded so eagerly to the standard of Radagaisus, that, by some historians, he has been styled the King of the Goths. Twelve thousand warriors, distinguished above the vulgar by their noble birth, or their valiant deeds, glittered in the van; and the whole multitude, which was not less than two hundred thousand fighting men, might be increased by the accession of women, of children, and of slaves, to the amount of four hundred thousand persons.