Chapter 1

Chapter 13,605 wordsPublic domain

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+--------------------------------------------------------+ | Transcriber's Note: | | | | Inconsistent hyphenation and spelling in the original | | document have been preserved. | | | | Three obvious typographical errors were corrected in | | this text. For a complete list, please see the end of | | the book. | | | +--------------------------------------------------------+

A BOOK OF QUAKER SAINTS

A BOOK OF QUAKER SAINTS

L. V. HODGKIN (Mrs. John Holdsworth)

Illustrated By F. Cayley-Robinson, A.R.A.

MacMillan and Co., Limited St. Martin's Street, London 1922 Copyright First Edition 1917 Reprinted 1918 Transferred to Macmillan & Co. and reprinted 1922 Printed in Great Britain

DEDICATED TO THE CHILDREN OF THE SOCIETY OF FRIENDS AND TO THE GRANDCHILDREN OF THOMAS HODGKIN

PREFACE

The following stories are intended for children of various ages. The introductory chapter, 'A Talk about Saints,' and the stories marked with an asterisk in the Table of Contents, were written first for an eager listener of nine years old. But as the book has grown longer the age of its readers has grown older for two reasons:

_First:_ because it was necessary to take for granted some knowledge of the course of English History at the period of the Civil Wars. To have re-told the story of the contest between King and Parliament, leading up to the execution of Charles the First and the Protectorate of Oliver Cromwell, would have taken up much of the fresh, undivided attention that I was anxious to focus upon the lives and doings of these 'Quaker Saints.' I have therefore presupposed a certain familiarity with the chief actors and parties, and an understanding of such names as Cavalier, Roundhead, Presbyterian, Independent, etc.; but I have tried to explain any obsolete words, or those of which the meaning has altered in the two and a half centuries that have elapsed since the great struggle.

_Secondly_: because the stories of the persecutions of the Early Friends are too harrowing for younger children. Even a very much softened and milder version was met with the repeated request: 'Do, please, skip this part and make it come happy quickly.' I have preferred, therefore, to write for older boys and girls who will wish for a true account of suffering bravely borne; though without undue insistence on the physical side. For to tell the stories of these lives without the terrible, glorious account of the cruel beatings, imprisonments, and even martyrdom in which they often ended here, is not truly to tell them at all. The tragic darkness in the picture is necessary to enhance its high lights.

My youngest critic observes that 'it does not matter so much what happens to grown-up people, because I can always skip that bit; but if anything bad is going to happen to children, you had better leave it out of your book altogether.' I have therefore obediently omitted the actual sufferings of children as far as possible, except in one or two stories where they are an essential part of the narrative.

It must be remembered that this is not a History of the Early Quaker Movement, but a book of stories of some Early Quaker Saints. I have based my account on contemporary authorities; but I have not scrupled to supply unrecorded details or explanatory speeches in order to make the scene more vivid to my listeners. In two stories of George Fox's youth, as authentic records are scanty, I have even ventured to look through the eyes of imaginary spectators at 'The Shepherd of Pendle Hill' and 'The Angel of Beverley.' But the deeper I have dug down into the past, the less need there has been to fill in outlines; and the more possible it has been to keep closely to the actual words of George Fox's Journal, and other contemporary documents. The historical notes at the end of the book will indicate where the original authorities for each story are to be found, and they will show what liberties have been taken. The quotations that precede the different chapters are intended mainly for older readers, and to illustrate either the central thought or the history of the times.

Many stories of other Quaker Saints that should have been included in this book have had to be omitted for want of room. The records of William Penn and his companions and friends on both sides of the Atlantic will, it is hoped, eventually find a place in a later volume. The stories in the present book have been selected to show how the Truth of the Inward Light first dawned gradually on one soul, and then spread rapidly, in ever-widening circles, through a neighbourhood, a kingdom, and, finally, all over the world.

I have to thank many kind friends who have helped me in this delightful task. _The Book of Quaker Saints_ owes its existence to my friend Ernest E. Taylor, who first suggested the title and plan, and then, gently but inexorably, persuaded me to write it. Several of the stories and many of the descriptions are due to his intimate knowledge of the lives and homes of the Early Friends; he has, moreover, been my unfailing adviser and helper at every stage of the work.

No one can study this period of Quaker history without being constantly indebted to William Charles Braithwaite, the author of _Beginnings of Quakerism_, and to Norman Penney, the Librarian at Devonshire House, and Editor of the Cambridge Edition of George Fox's Journal with its invaluable notes. But beyond this I owe a personal debt of gratitude to these two Friends, for much wise counsel as to sources, for their kindness in reading my MS. and my proofs, and for the many errors that their accurate scholarship has helped me to avoid, or enabled me to detect.

To Ethel Crawshaw, Assistant at the same Library; to my sister, Ellen S. Bosanquet; and to several other friends who have helped me in various ways, my grateful thanks are also due.

The stories are intended in the first place for Quaker children, and are written throughout from a Quaker standpoint, though with the wish to be as fair as possible not only to our staunch forefathers, but also to their doughty antagonists. Even when describing the fiercest encounters between them, I have tried to write nothing that might perplex or pain other than Quaker listeners; above all, to be ever mindful of what George Fox himself calls 'the hidden unity in the Eternal Being.'

L. V. HODGKIN.

_29th July 1917._

CONTENTS

PREFACE _page_ vii

* A TALK ABOUT SAINTS 1

* I. 'STIFF AS A TREE, PURE AS A BELL' 19

* II. 'PURE FOY, MA JOYE' 33

* III. THE ANGEL OF BEVERLEY 57

* IV. TAMING THE TIGER 79

* V. 'THE MAN IN LEATHER BREECHES' 97

VI. THE SHEPHERD OF PENDLE HILL 111

VII. THE PEOPLE IN WHITE RAIMENT 121

VIII. A WONDERFUL FORTNIGHT 131

IX. UNDER THE YEW-TREES 149

X. 'BEWITCHED!' 163

XI. THE JUDGE'S RETURN 175

* XII. 'STRIKE AGAIN!' 185

* XIII. MAGNANIMITY 197

* XIV. MILES HALHEAD AND THE HAUGHTY LADY 209

XV. SCATTERING THE SEED 223

XVI. WRESTLING FOR GOD 239

XVII. LITTLE JAMES AND HIS JOURNEYS 255

XVIII. THE FIRST QUAKER MARTYR 271

* XIX. THE CHILDREN OF READING MEETING 285

* XX. THE SADDEST STORY OF ALL 301

* XXI. PALE WINDFLOWERS 321

XXII. AN UNDISTURBED MEETING 343

XXIII. BUTTERFLIES IN THE FELLS 353

XXIV. THE VICTORY OF AMOR STODDART 367

* XXV. THE MARVELLOUS VOYAGE OF THE GOOD SHIP 'WOODHOUSE' 379

* XXVI. RICHARD SELLAR AND THE 'MERCIFUL MAN' 403

* XXVII. TWO ROBBER STORIES--WEST AND EAST 427

XXVIII. SILVER SLIPPERS: OR A QUAKERESS AMONG THE TURKS 441

* XXIX. FIERCE FEATHERS 465

* XXX. THE THIEF IN THE TANYARD 479

XXXI. HOW A FRENCH NOBLE BECAME A FRIEND 489

XXXII. PREACHING TO NOBODY 509

COME-TO-GOOD 523

HISTORICAL NOTES 539

_Note._--An Asterisk denotes stories suitable for younger children.

LIST OF ILLUSTRATIONS

_reproduced from water-colour drawings by_ F. CAYLEY-ROBINSON

I. LOIS AND HER NURSE _Frontispiece_

II. THE BOYHOOD OF GEORGE FOX _page_ 36

III. 'DREAMING OF THE COT IN THE VALE' 114

IV. 'THE VOICE OF THE SILENCE' 306

V. PALE WINDFLOWERS 324

VI. FIERCE FEATHERS 474

VII. A FRIENDS' MEETING 534

A TALK ABOUT SAINTS

_'What are these that glow from afar,_ _These that lean over the golden bar,_ _Strong as the lion, pure as the dove,_ _With open arms and hearts of love?_ _They the blessed ones gone before,_ _They the blessed for evermore._ _Out of great tribulation they went_ _Home to their home of Heaven-content;_ _Through flood or blood or furnace-fire,_ _To the rest that fulfils desire.'_

_CHRISTINA ROSSETTI._

_St. Patrick's three orders of Saints: 'a glory on the mountain tops: a gleam on the sides of the hills: a few faint lights in the valleys.'_

_'The Lord is King in His Saints, He guards them, and guides them with His mighty power, into His kingdom of glory and eternal rest, where they find joy, and peace, and rest eternal.'--GEORGE FOX._

A TALK ABOUT SAINTS

_'What is a Saint? How I do wish I knew!'_

_A little girl asked herself this question a great many years ago, as she sat looking up at a patch of sunset cloud that went sailing past the bars of her nursery window late one Sunday afternoon; but the window was small and high up, and the cloud sailed by quickly._

_As she watched it go, little Lois wished that she was back in her own nursery at home, where the windows were large and low down, and so near the floor that even a small girl could see out of them easily. Moreover, her own windows had wide window-sills that she could sit on, with toy-cupboards underneath._

_There were no toy-cupboards in this old-fashioned nursery, where Lois was visiting, and not many toys either. There was a doll's house, that her mother used to play with when she was a little girl; but the dolls in it were all made of wood and looked stiff and stern, and one hundred years older than the dolls of to-day, or than the children either, for that matter. Besides, the doll's house might not be opened on Sundays._

_So Lois turned again to the window, and looking up at it, she wished, as she had wished many times before on this visit, that it was rather lower down and much larger, and that the window ledge was a little wider, so that she could lean upon it and see where that rosy cloud had gone._

_She ran for a chair, and climbed up, hoping to be able to see out better. Alas! the window was a long way from the ground outside. She still could not look out and see what was happening in the garden below. Even the sun had sunk too far down for her to say good-night to it before it set. But that did not matter, for the rosy cloud had apparently gone to fetch innumerable other rosy cloudlets, and they were all holding hands and dancing across the sky in a wide band, with pale, clear pools of green and blue behind them._

_'What lovely rainbow colours!' thought the little girl. And then the rainbow colours reminded her of the question that had been puzzling her when she began to watch the rosy cloud. So she repeated, out loud this time and in rather a weary voice, 'Whatever is a Saint? How I do wish I knew! And why are there no Saints on the windows in Meeting?'_

_No answer came to her questions. Lois and her nurse were paying a visit all by themselves. They spent most of their days up in this old nursery at the top of the big house. Nurse had gone downstairs a long time ago, saying that she would bring up tea for them both on a tea-tray, before it was time to light the lamps. For there was no gas or electric light in children's nurseries in those days._

_If Lois had been at home she would herself have been having tea downstairs in the dining-room at this time with her father and mother. Then she could have asked them what a Saint was, and have found out all about it at once. Father and mother always seemed to know the answers to her questions. At least, very nearly always. For Lois was so fond of asking questions, that sometimes she asked some that had no answer; but those were silly questions, not like this one. Lois felt certain that either her father or her mother would have explained to her quite clearly all about Saints, and would have wanted her to understand about them. Away here there was nobody to ask. Nurse would only say, 'If you ask me no questions, I'll tell you no lies.' Somehow whenever she said that, Lois fancied it meant that nurse was not very sure of the answer herself. She had already asked Aunt Isabel in church that same morning, when the puzzle began; and Aunt Isabel's answer about 'a halo' had left the little girl more perplexed than ever._

_Lois had heard of people 'going to church' before, but she had never understood what it meant until to-day. At home on Sundays she went to Meeting with father and mother. She liked walking there, in between them, holding a hand of each, skipping and jumping in order not to step on the black lines of the pavement. She liked to see the shops with their eyes all shut tight for Sunday, and to watch for the naughty shops, here and there, who kept a corner of their blinds up, just to show a few toys or goodies underneath. Lois always thought that those shops looked as if they were winking up at her; and she smiled back at them a rather reproving little smile. She enjoyed the walk and was sorry when it came to an end. For, to tell the truth, she did not enjoy the Meeting that followed it at all._

_Long before the hour was over she used to grow very tired of the silence and of the quiet room, tired of kicking her blue footstool (gently of course, but still kicking it) and of counting her boot buttons up and down, or else watching the hands of the clock move slowly round its big calm face. 'Church' was a more interesting place than Meeting, certainly; but then 'Church' had disadvantages of its own. Everything there was strange to Lois. It had almost frightened her, this first time. She did not know when she ought to stand up, or when she ought to kneel, and when she might sit down. Then, when the organ played and everybody stood up and sang a hymn, Lois found to her surprise that her throat was beginning to feel tight and choky. For some reason she began to wonder if father and mother were sitting in Meeting alone, and if they had quite forgotten their little girl. Two small tears gathered. In another minute they might have slipped out of the corners of her eyes, and have run down her cheeks. They might even have fallen upon the page of the hymn-book she was carefully holding upside down. And that would have been dreadful!_

_Happily, just in time, she looked up and saw something so beautiful above her that the two tears ran back to wherever it was they came from, in less time than it takes to tell._

_For there, above her head, was a tall, pointed, glass window, high up on the wall. The glass in the window was of wonderful colours, like a rainbow:--deep purple and blue, shining gold, rich, soft red, and glowing crimson, with here and there a green that twinkled like young beech-leaves in the woods in spring. Best of all, there was one bit of purest white, with sunlight streaming through it, that shone like dazzling snow. At first Lois only noticed the colours, and the ugly black lines that separated them. She wondered why the beautiful glass was divided up into such queer shapes. There are no black lines between the colours in a real rainbow._

_Gradually, however, she discovered that all the different colours meant something, that they were all part of a picture on the window, that a tall figure was standing there, looking down upon her--upon her, fidgety little Lois, kicking her scarlet hassock in the pew. But Lois was not kicking her hassock any longer. She was looking up into the grave, kind face above her on the window. 'Whoever was it? Who could it be? Was it a man or a woman? A man,' Lois thought at first, until she saw that he was wearing a robe that fell into glowing folds at his feet. 'Men never wear robes, do they? unless they are dressing-gowns. This certainly was not a dressing-gown. And what was the flat thing like a plate behind his head?' Lois had never seen either a man or a woman wear anything like that before. 'If it was a plate, how could it be fastened on? It would be sure to fall off and break....'_

_The busy little mind had so much to wonder about, that Lois found it easy to sit still, until the sermon was over, as she watched the sunlight pour through the different colours in turn, making each one more beautiful and full of light as it passed._

_At length the organ stopped, and the last long 'AH-MEN' had been sung. 'Church sings "AH-MEN" out loud, and Meeting says "Amen" quite gently; p'raps that's what makes the difference between them,' Lois thought to herself wisely. As soon as the last notes of music had died away, she nestled close to Aunt Isabel's side and said in an eager voice, 'What is that lovely window up there? Who is that beautiful person? I do like his face. And is it a He or a She?'_

_'Hush, darling!' her aunt whispered. 'Speak lower. That is a Saint, of course.'_

_'But what is a Saint and how do you know it is one?' the little girl whispered earnestly, pointing upwards to the tall figure through which the sunshine streamed. Aunt Isabel was busy collecting her books and she only whispered back, 'Don't you see the halo?' 'I don't know what a halo can be, but a Saint is a kind of glass window, I suppose,' thought Lois, as she followed her aunt down the aisle. Afterwards on her way home, and at dinner, and all the afternoon, there had been so many other things to see and to think about, that it was not until the rosy patch of cloud sailed past the nursery window-pane at sunset that she was reminded of the beautiful colours in church, and of the puzzle about Saints and haloes that till then she had forgotten._

_'At least, no, I didn't exactly forget', she said to herself, 'but I think p'raps I sort of disremembered--till the sunset colours reminded me. Only I haven't found out what a Saint is yet, or a halo. And why don't we have them on our Sunday windows in Meeting?'_

_Just at that moment the door opened, and nurse, who had been enjoying a long talk downstairs in the kitchen, came in with the tea-tray. 'How dark you are up here!' nurse exclaimed in her cheerful voice. 'We shall have to light the lamp after all, or you will never find the way to your mouth.'_

_So the lamp was lighted. The curtains were drawn. The sunset sky, fast fading now, was hidden. And Lois' questions remained unanswered._

* * * * *

_A few days later, the visit came to an end. The next Sunday, Lois was at home again, 'chattering like a little magpie,' as her mother said, about everything she had seen and done. She had so much to think about, that even Meeting did not seem as long as usual, though she thought the walls looked plainer than ever, and the glass windows very empty, till the sight of them reminded her that she could find out more about Saints now. At home in the afternoon she began. Drawing her footstool close to the big arm-chair, she put her elbows on her father's knee and looked up searchingly into his face. 'Father, please tell me, if you possibly can,' pleaded an earnest little voice, 'for I do very badly want to find out. Do you know what a Saint is?' Her father laughed. 'Know what a Saint is? I should think I did! No man better!' he answered. Lois wondered why he glanced across to the other side of the fire where her mother was sitting; and why she glanced back at him and shook her head, meeting his eyes with a happy smile. Then her father jumped up, and from the lowest shelf of one of his book-cases he fetched a fat, square volume, bound in brown leather and gold. This he put carefully on a table, and drawing Lois on to his knee and putting his arm round her, he showed her a number of photographs. Lambs were there, and running fountains, and spangly stars, and peacocks, and doves. But those pages he turned over quickly, until he came to others: photographs of men and women dressed in white, carrying palms and holding crowns in their hands._