Chapter 15
Near St. Goar, there rises out of the waters of the Rhine a perpendicular rock, some four hundred feet high. Many a boatman in bygone days there met his death, and the echo which it possesses is still a mournful one. Those who know the great river, under which lies hid the treasure of the Nibelungs, with its "gleaming towns by the river-side and the green vineyards combed along the hills," and who have felt the romance of the rugged crags, crowned by ruined castles, that stand like fantastic and very ancient sentries to guard its channel, can well understand how easy of belief was the legend of the Lorelei.
Down the green waters came the boatman's frail craft, ever drawing nearer to the perilous rock. All his care and all his skill were required to avert a very visible danger. But high above him, from the rock round which the swirling eddies splashed and foamed, there came a voice.
"Her voice was like the voice the stars Had when they sang together."
And when the boatman looked up at the sound of such sweet music, he beheld a maiden more fair than any he had ever dreamed of. On the rock she sat, combing her long golden hair with a comb of red gold. Her limbs were white as foam and her eyes green like the emerald green of the rushing river. And her red lips smiled on him and her arms were held out to him in welcome, and the sound of her song thrilled through the heart of him who listened, and her eyes drew his soul to her arms.
Forgotten was all peril. The rushing stream seized the little boat and did with it as it willed. And while the boatman still gazed upwards, intoxicated by her matchless beauty and the magic of her voice, his boat was swept against the rock, and, with the jar and crash, knowledge came back to him, and he heard, with broken heart, the mocking laughter of the Lorelei as he was dragged down as if by a thousand icy hands, and, with a choking sigh, surrendered his life to the pitiless river.
To one man only was it granted to see the siren so near that he could hold her little, cold, white hands, and feel the wondrous golden hair sweep across his eyes. This was a young fisherman, who met her by the river and listened to the entrancing songs that she sang for him alone. Each evening she would tell him where to cast his nets on the morrow, and he prospered greatly and was a marvel to all others who fished in the waters of the Rhine. But there came an evening when he was seen joyously hastening down the river bank in response to the voice of the Lorelei, that surely never had sounded so honey-sweet before, and he came back nevermore. They said that the Lorelei had dragged him down to her coral caves that he might live with her there forever, and, if it were not so, the rushing water could never whisper her secret and theirs, of a lifeless plaything that they swept seawards, and that wore a look of horror and of great wonder in its dead, wide-open eyes.
It is "ein Märchen aus alten Zeiten"--a legend of long ago.
But it is a very much older _Märchen_ that tells us of the warning of Circe to Odysseus:
"To the Sirens first shalt thou come, who bewitch all men, whosoever shall come to them. Whoso draws nigh them unwittingly and hears the sound of the Siren's voice, never doth he see wife or babes stand by him on his return, nor have they joy at his coming; but the Sirens enchant him with their clear song."
And until there shall be no more sea and the rivers have ceased to run, the enchantment that comes from the call of the water to the hearts of men must go on. Day by day the toll of lives is paid, and still the cruel daughters of the deep remain unsatisfied. We can hear their hungry whimper from the rushing river through the night, and the waves of the sea that thunders along the coast would seem to voice the insistence of their desire. And we who listen to their ceaseless, restless moan can say with Heine:
"_Ich weiss nicht, was soll es bedeuten,_ _Dass ich so traurig bin._"
For the sadness of heart, the melancholy that their music brings us is a mystery which none on this earth may ever unravel.
FOOTNOTES:
[7] Archilochus of Paros.
[8] Fiona Macleod (_The Winged Destiny_).
FREYA, QUEEN OF THE NORTHERN GODS
"Friday's bairn is loving and giving," says the old rhyme that sets forth the special qualities of the children born on each day of the week, and to the superstitious who regard Friday as a day of evil omen, it seems strange that Friday's bairn should be so blessed. But they forget that before Christianity swept paganism before it, and taught those who worshipped the northern gods the story of that first black "Good Friday," the tragedy in which all humanity was involved, Friday was the day of Freya, "The Beloved," gentle protectress, and most generous giver of all joys, delights, and pleasures. From her, in mediæval times, the high-born women who acted as dispensers to their lords first took the title _Frouwa_ (=Frau), and when, in its transition stage, the old heathenism had evolved into a religion of strong nature worship, overshadowed by fatalism, only thinly veneered by Christianity, the minds of the Christian converts of Scandinavia, like those of puzzled children, transferred to the Virgin Mary the attributes that had formerly been those of their "Lady"--Freya, the goddess of Love.
Long before the Madonna was worshipped, Freya gave her name to plants, to flowers, and even to insects, and the child who says to the beautiful little insect, that he finds on a leaf, "Ladybird, ladybird, fly away home," is commemorating the name of the Lady, Freya, to whom his ancestors offered their prayers.
In her home in the Hall of Mists, Freya (or Frigga), wife of Odin the All Father, sat with her golden distaff spinning the clouds. Orion's Belt was known as "Frigga's spindle" by the Norsemen, and the men on the earth, as they watched the great cumulous masses of snowy-white, golden or silver edged, the fleecy cloudlets of grey, soft as the feathers on the breast of a dove, or the angry banks of black and purple, portending a storm, had constant proof of the diligence of their goddess. She was the protectress of those who sailed the seas, and the care of children as they came into the world was also hers. Hers, too, was the happy task of bringing together after death, lovers whom Death had parted, and to her belonged the glorious task of going down to the fields of battle where the slain lay strewn like leaves in autumn and leading to Valhalla the half of the warriors who, as heroes, had died. Her vision enabled her to look over all the earth, and she could see into the Future, but she held her knowledge as a profound secret that none could prevail upon her to betray.
"Of me the gods are sprung; And all that is to come I know, but lock In my own breast, and have to none reveal'd."
Matthew Arnold.
Thus she came to be pictured crowned with heron plumes, the symbol of silence--the silence of the lonely marshes where the heron stands in mutest contemplation--a tall, very stately, very queenly, wholly beautiful woman, with a bunch of keys at her girdle--symbol of her protection of the Northern housewife--sometimes clad in snow-white robes, sometimes in robes of sombre black. And because her care was for the anxious, weary housewife, for the mother and her new-born babe, for the storm-tossed mariner, fighting the billows of a hungry sea, for those whose true and pure love had suffered the crucifixion of death, and for the glorious dead on the field of battle, it is very easy to see Freya as her worshippers saw her--an ideal of perfect womanhood.
But the gods of the Norsemen were never wholly gods. Always they, like the gods of Greece, endeared themselves to humanity by possessing some little, or big, human weakness. And Freya is none the less lovable to the descendants of her worshippers because she possessed the so-called "feminine weakness" of love of dress. Jewels, too, she loved, and knowing the wondrous skill of the dwarfs in fashioning exquisite ornaments, she broke off a piece of gold from the statue of Odin, her husband, and gave it to them to make into a necklace--the marvellous jewelled necklace Brisingamen, that in time to come was possessed by Beowulf. It was so exquisite a thing that it made her beauty twice more perfect, and Odin loved her doubly much because of it. But when he discovered that his statue had been tampered with, his wrath was very great, and furiously he summoned the dwarfs--they who dealt always with fine metal--and demanded of them which of them had done him this grievous wrong. But the dwarfs loved Freya, and from them he got no answer.
Then he placed the statue above the temple gate, and laboured with guile to devise runes that might give it the power of speech, so that it might shout aloud the name of the impious robber as the robber went by. Freya, no longer an omnipotent goddess, but a frightened wife, trembled before his wrath, and begged the dwarfs to help her. And when one of them--the most hideous of all--promised that he would prevent the statue from speaking if Freya would but deign to smile upon him, the queen of the gods, who had no dread of ugly things, and whose heart was full of love and of pity, smiled her gentle smile on the piteous little creature who had never known looks of anything but horror and disgust from any of the deathless gods. It was for him a wondrous moment, and the payment was worth Death itself. That night a deep sleep fell on the guards of Odin's statue, and, while they slept, the statue was pulled down from its pedestal and smashed into pieces. The dwarf had fulfilled his part of the bargain.
When Odin next morning discovered the sacrilege, great was his anger, and when no inquiry could find for him the criminal, he quitted Asgard in furious wrath. For seven months he stayed away, and in that time the Ice Giants invaded his realm, and all the land was covered with a pall of snow, viciously pinched by black frosts, chilled by clinging, deadening, impenetrable mists. But at the end of seven dreary months Odin returned, and with him came the blessings of light and of sunshine, and the Ice Giants in terror fled away.
Well was it for woman or for warrior to gain the favour of Freya, the Beloved, who knew how to rule even Odin, the All Father, himself. The Winilers who were warring with the Vandals once sought her aid, and gained her promise of help. From Hlidskialf, the mighty watch-tower, highest point in Asgard, from whence Odin and his queen could look down and behold what was happening all the world over, amongst gods and men, dwarfs, elves, and giants, and all creatures of their kingdom, Freya watched the Vandals and the Winilers making ready for the battle which was to decide forever which people should rule the other.
Night was descending, but in the evening light the two gods beheld the glitter of spears, the gleam of brass helmets and of swords, and heard from afar the hoarse shouts of the warriors as they made ready for the great fight on the morrow. Knowing well that her lord favoured the Vandals, Freya asked him to tell her which army was to gain the victory. "The army upon which my eyes shall first rest when I awake at the dawning," said Odin, full well knowing that his couch was so placed that he could not fail to see the Vandals when he woke. Well pleased with his own astuteness, he then retired to rest, and soon sleep lay heavy on his eyelids. But, while he slept, Freya gently moved the couch upon which he lay, so that he must open his eyes not on the army who had won his favour, but on the army that owned hers. To the Winilers, she gave command to dress up their women as men, and let them meet the gaze of Odin in the dawning, in full battle array.
"Take thou thy women-folk, Maidens and wives; Over your ankles Lace on the white war-hose; Over your bosoms Link up the hard mail-nets; Over your lips Plait long tresses with cunning;-- So war beasts full-bearded King Odin shall deem you, When off the grey sea-beach At sunrise ye greet him."
Charles Kingsley.
When the sun sent its first pale green light next morning over grey sky and sea, Odin awoke, and gazed from his watch-tower at the army on the beach. And, with great amazement, "What Longbeards are those?" he cried.
"They are Winilers!" said Freya, in joyous triumph, "but you have given them a new name. Now must you also give them a gift! Let it be the victory, I pray you, dear lord of mine."
And Odin, seeing himself outwitted and knowing that honour bade him follow the Northern custom and give the people he had named a gift, bestowed on the Longbeards and their men the victory that Freya craved. Nor was the gift of Odin one for that day alone, for to him the _Langobarden_ attributed the many victories that led them at last to find a home in the sunny land of Italy, where beautiful Lombardy still commemorates by its name the stratagem of Freya, the queen.
With the coming of Christianity, Freya, the Beloved, was cast out along with all the other old forgotten gods. The people who had loved and worshipped her were taught that she was an evil thing and that to worship her was sin. Thus she was banished to the lonely peaks of the mountains of Norway and of Sweden and to the Brocken in Germany, no longer a goddess to be loved, but transformed into a malignant power, full of horror and of wickedness. On Walpurgis Night she led the witches' revels on the Brocken, and the cats who were said to draw her car while still she was regarded as a beneficent protectress of the weak and needy, ceased to be the gentle creatures of Freya the Good, and came under the ban of religion as the satanic companions of witches by habit and repute.
One gentle thing only was her memory allowed to keep. When, not as an omnipotent goddess but as a heart-broken mother, she wept the death of her dearly-loved son, Baldur the Beautiful, the tears that she shed were turned, as they fell, into pure gold that is found in the beds of lonely mountain streams. And we who claim descent from the peoples who worshipped her--
"Saxon and Norman and Dane are we"--
can surely cleanse her memory from all the ugly impurities of superstition and remember only the pure gold of the fact that our warrior ancestors did not only pray to a fierce and mighty god of battles, but to a woman who was "loving and giving"--the little child's deification of the mother whom it loves and who holds it very dear.
THE DEATH OF BALDUR
"I heard a voice, that cried, 'Baldur the Beautiful Is dead, is dead!' And through the misty air Passed like the mournful cry Of sunward sailing cranes."
Longfellow.
Among the gods of Greece we find gods and goddesses who do unworthy deeds, but none to act the permanent part of villain of the play. In the mythology of the Norsemen we have a god who is wholly treacherous and evil, ever the villain of the piece, cunning, malicious, vindictive, and cruel--the god Loki. And as his foil, and his victim, we have Baldur, best of all gods, most beautiful, most greatly beloved. Baldur was the Galahad of the court of Odin the king, his father.
"My strength is of the strength of ten, Because my heart is pure."
No impure thing was to be found in his dwelling; none could impugn his courage, yet ever he counselled peace, ever was gentle and infinitely wise, and his beauty was as the beauty of the whitest of all the flowers of the Northland, called after him _Baldrsbrá_. The god of the Norsemen was essentially a god of battles, and we are told by great authorities that Baldur was originally a hero who fought on the earth, and who, in time, came to be deified. Even if it be so, it is good to think that a race of warriors could worship one whose chief qualities were wisdom, purity, and love.
In perfect happiness, loving and beloved, Baldur lived in Asgard with his wife Nanna, until a night when his sleep was assailed by horrible dreams of evil omen. In the morning he told the gods that he had dreamed that Death, a thing till then unknown in Asgard, had come and cruelly taken his life away. Solemnly the gods debated how this ill happening might be averted, and Freya, his mother, fear for her best beloved hanging heavy over her heart, took upon herself the task of laying under oath fire and water, iron and all other metals, trees and shrubs, birds, beasts and creeping things, to do no harm to Baldur. With eager haste she went from place to place, nor did she fail to exact the oath from anything in all nature, animate or inanimate, save one only.
"A twig of mistletoe, tender and fair, grew high above the field," and such a little thing it was, with its dainty green leaves and waxen white berries, nestling for protection under the strong arm of a great oak, that the goddess passed it by. Assuredly no scathe could come to Baldur the Beautiful from a creature so insignificant, and Freya returned to Asgard well pleased with her quest.
Then indeed was there joy and laughter amongst the gods, for each one tried how he might slay Baldur, but neither sword nor stone, hammer nor battle-axe could work him any ill.
Odin alone remained unsatisfied. Mounted on his eight-footed grey steed, Sleipnir, he galloped off in haste to consult the giant prophetess Angrbotha, who was dead and had to be followed to Niflheim, the chilly underworld that lies far north from the world of men, and where the sun never comes. Hel, the daughter of Loki and of Angrbotha, was queen of this dark domain.
"There, in a bitterly cold place, she received the souls of all who died of sickness or old age; care was her bed, hunger her dish, starvation her knife. Her walls were high and strong, and her bolts and bars huge; 'Half blue was her skin, and half the colour of human flesh. A goddess easy to know, and in all things very stern and grim.'"
Dasent.
In her kingdom no soul that passed away in glorious battle was received, nor any that fought out the last of life in a fierce combat with the angry waves of the sea. Only those who died ingloriously were her guests.
When he had reached the realm of Hel, Odin found that a feast was being prepared, and the couches were spread, as for an honoured guest, with rich tapestry and with gold. For many a year had Angrbotha rested there in peace, and it was only by chanting a magic spell and tracing those runes which have power to raise the dead that Odin awoke her. When she raised herself, terrible and angry from her tomb, he did not tell her that he was the mighty father of gods and men. He only asked her for whom the great feast was prepared, and why Hel was spreading her couches so gorgeously. And to the father of Baldur she revealed the secret of the future, that Baldur was the expected guest, and that by his blind brother Hodur his soul was to be hastened to the Shades.
"Who, then, would avenge him?" asked the father, great wrath in his heart. And the prophetess replied that his death should be avenged by Vali, his youngest brother, who should not wash his hands nor comb his hair until he had brought the slayer of Baldur to the funeral pyre. But yet another question Odin would fain have answered.
"_Who_," he asked, "_would refuse to weep at Baldur's death?_"
Thereat the prophetess, knowing that her questioner could be none other than Odin, for to no mortal man could be known so much of the future, refused for evermore to speak, and returned to the silence of her tomb. And Odin was forced to mount his steed and to return to his own land of warmth and pleasure.
On his return he found that all was well with Baldur. Thus he tried to still his anxious heart and to forget the feast in the chill regions of Niflheim, spread for the son who was to him the dearest, and to laugh with those who tried in vain to bring scathe to Baldur.
Only one among those who looked at those sports and grew merry, as he whom they loved stood like a great cliff against which the devouring waves of the fierce North Sea beat and foam and crash in vain, had malice in his heart as he beheld the wonder. In the evil heart of Loki there came a desire to overthrow the god who was beloved by all gods and by all men. He hated him because he was pure, and the mind of Loki was as a stream into which all the filth of the world is discharged. He hated him because Baldur was truth and loyalty, and he, Loki, was treachery and dishonour. He hated him because to Loki there came never a thought that was not full of meanness and greed and cruelty and vice, and Baldur was indeed one _sans peur et sans reproche_.
Thus Loki, taking upon himself the form of a woman, went to Fensalir, the palace, all silver and gold, where dwelt Freya, the mother of Baldur.
The goddess sat, in happy majesty, spinning the clouds, and when Loki, apparently a gentle old woman, passed by where she sat, and then paused and asked, as if amazed, what were the shouts of merriment that she heard, the smiling goddess replied:
"All things on earth have sworn to me never to injure Baldur, and all the gods use their weapons against him in vain. Baldur is safe for evermore."
"All things?" queried Loki.
And Freya answered, "All things but the mistletoe. No harm can come to him from a thing so weak that it only lives by the lives of others."
Then the vicious heart of Loki grew joyous. Quickly he went to where the mistletoe grew, cut a slender green branch, shaped it into a point, and sought the blind god Hodur.
Hodur stood aside, while the other gods merrily pursued their sport.
"Why dost thou not take aim at Baldur with a weapon that fails and so join in the laughter?" asked Loki.
And Hodur sadly made answer:
"Well dost thou know that darkness is my lot, nor have I ought to cast at my brother."
Then Loki placed in his hand the shaft of mistletoe and guided his aim, and well and surely Hodur cast the dart. He waited, then, for the merry laughter that followed ever on the onslaught of those against him whom none could do harm. But a great and terrible cry smote his ears. "_Baldur the Beautiful is dead! is dead!_"
On the ground lay Baldur, a white flower cut down by the scythe of the mower. And all through the realm of the gods, and all through the land of the Northmen there arose a cry of bitter lamentation.
"That was the greatest woe that ever befell gods and men," says the story.
The sound of terrible mourning in place of laughter brought Freya to where
"on the floor lay Baldur dead; and round lay thickly strewn swords, axes, darts, and spears, which all the gods in sport had lightly thrown at Baldur, whom no weapon pierced or clove; but in his breast stood fixed the fatal bough of mistletoe."
Matthew Arnold.
When she saw what had befallen him, Freya's grief was a grief that refused to be comforted, but when the gods, overwhelmed with sorrow, knew not what course to take, she quickly commanded that one should ride to Niflheim and offer Hel a ransom if she would permit Baldur to return to Asgard.
Hermoder the Nimble, another of the sons of Odin, undertook the mission, and, mounted on his father's eight-footed steed, he speedily reached the ice-cold domain of Hel.
There he found Baldur, sitting on the noblest seat of those who feasted, ruling among the people of the Underworld. With burning words Hermoder pled with Hel that she would permit Baldur to return to the world of gods and the world of men, by both of whom he was so dearly beloved. Said Hel: