Part 1

A BOOK OF BRYN MAWR STORIES

EDITED BY

MARGARETTA MORRIS AND LOUISE BUFFUM CONGDON

=PHILADELPHIA= GEORGE W JACOBS AND COMPANY =ANNO DOMINI MCMI=

Copyright, 1901, by GEORGE W. JACOBS & CO.

A Book of Bryn Mawr Stories

Preface

In compiling a volume of Bryn Mawr stories, the editors have been conscious that such a book could never adequately represent the college life. Its strong subtle character that commands the devotion of every Bryn Mawr student is something difficult if not impossible to depict. Yet there comes a time in the life of a college, as of an individual, when self-expression is inevitable. Such a time, the editors believe, has come for Bryn Mawr. And this conviction has induced them to bring out the present volume.

Until now the literary efforts of the students have concerned themselves with external matters rather than with introspection. Perhaps this is due to an instinctive reticence we Bryn Mawrtyrs have wherever our feelings are deeply stirred. We can joke about ourselves and our traditions as we do in _The Fortnightly Philistine_. But when we come to speak seriously to the outside world, as in _The Lantern_, we confine ourselves for the most part to subjects of general literary interest, practically ignoring the college atmosphere. At last, however, the ice is broken, and Bryn Mawr talks about herself.

In the earliest days, when the college had only two buildings and forty-four students, even in that first year it had a character and a spirit all its own. And fifteen years of rapid growth have seemed but to strengthen its individuality. To show the college unity in diversity the editors have carefully chosen authors from the older and younger alumnæ and from the undergraduates. They hope that in this way a truer impression of the college life may be given than would be possible if the whole book were written by one person.

Some readers may ask which of the many heroines in these tales is the typical Bryn Mawr girl. The reply is no one, but all. Bryn Mawr students come from all parts of the country, from all sorts of different surroundings, and on entering college they do not, popular prejudice to the contrary, immediately drop their individuality and become samples of a type. We have among our number the pedant, the coquette, the athlete, the snob, the poser, the girl who loves dress and prettiness, and she who affects mannish simplicity, the all-round girl, the serious-minded, and the frivolous. Yet none of these is the Bryn Mawr girl _par excellence_. That mythical personage can be known only by comparing and contrasting her various incarnations.

This book is an attempt to show some of her incarnations and some typical scenes of Bryn Mawr life. College life is not dramatic and college stories have no great dramatic interest, unless they introduce elements foreign to the campus. Those who look to these stories, therefore, for entertainment may be disappointed, since most of them are serious in tone, and in their appeal to the reader depend largely upon the charm of local colour.

If in the mind of any one the spirit portrayed in this book is unworthy, if it falls short of the ideal of what college life should be, let it be remembered that this is a first attempt, and let the expression be blamed but not the Bryn Mawr spirit.

All of the following stories are new, and were written for this book, except _Studies in College Colour_, which are reprinted from _The Lantern_ of 1893. One of these studies, the description of Chapel, has appeared also in _Cap and Gown in Prose_. For permission to use this last the editors are indebted to the courtesy of Messrs. L. C. Page & Company.

_M. M. 1900._ _L. B. C. 1900._

Contents

HER MASTERPIECE, _Marian T. MacIntosh, '90_

IN MAYTIME, _Anne Maynard Kidder, 1903_

WITHIN FOUR YEARS, _Elva Lee, '93_

FREE AMONG THE DEAD, _Georgiana Goddard King, '96_

STUDIES IN COLLEGE COLOUR, _L. S. B. S., '93, and G. E. T. S., '93_

EPOCH MAKING, _Cora Armistead Hardy, '99_

A REMINISCENCE, _Clara Warren Vail, '97_

CATHERINE'S CAREER, _Harriet Jean Crawford, 1902_

THE APOSTASY OF ANITA FISKE, _Ellen Rose Giles, '96_

A DIPLOMATIC CRUSADE, _Edith Campbell Crane, 1900_

_HER MASTERPIECE_

I

For the first time in many years Ellen Blake was conscious of inability. Of course she could not have expected that her good fortune would last forever. And yet, it must be confessed, that her helplessness coming, as it did, when she had every reason to feel confident, had been altogether a surprise, had, indeed, taken her at a cruel disadvantage. She was the more disconcerted at finding herself unable to do what she had promised when she thought of the serious responsibility resting upon her. It was wholly natural that she should be looking at the predicament with the eye not of an ordinary being but of a personage, whose failure would be a public calamity,--no mere personal misfortune. Intellectual distinction, natural eloquence, and the personal charm that made her so marked and attractive a figure, had brought her into prominence as a leader among progressive women. If she seemed inclined to take herself a trifle seriously, no one could wonder, for the demands made upon her were neither few nor slight. And while a more selfish person might have shown a nice discrimination in the choice of duties, Ellen, in her gracious readiness to be of service, accepted as obligations all the greatnesses thrust upon her. Constantly importuned for utterances, she felt bound to answer all requests for opinions, till at last, her sense of humour grew weak in conflict with her strenuousness, she had become an oracle on all matters that were or ought to be of interest to women. And so it happened that when she had been asked to make a speech at the Women's Convention in Indianapolis, on _The Educational Value of College Life_, she had unhesitatingly consented. But in this instance her fame and her conscience had brought her face to face with failure, for on a subject peculiarly suited to her, she could find no words for feelings or ideas.

She was in despair, for not to make the speech would be to play the traitor to the cause of Woman, and to show the basest ingratitude to Bryn Mawr, the place that had fitted her for her life work. Taking herself to task had no effect. She wrote some sentences, read them over, found them vague and inaffective, gushing indeed. She continued to write almost feverishly only to reject sheet after sheet. At length she decided that she had no exact information, neither facts nor figures. That was the trouble. In the discussion of so weighty a matter both were important. Then, almost as an inspiration, it seemed to her, came the thought of Katherine Brewster, also a Bryn Mawrtyr, also interested in woman.

"She is certainly just the person," said Ellen, and she was soon standing on the Brewsters' doorstep. A very systematic maid opened the door and showed Ellen to a small room at the end of the hall. Katherine's quarters had always met with her approval,--the little room in which she waited, communicating as she remembered with a larger room beyond, had about it an air of business and privacy. Though it had for seats only the stiffest of chairs, and for reading matter only the dullest of reports, Ellen's mood led her to envy the uncomfortable and repellent atmosphere. By force of contrast it reminded her of many miserable occasions, when she had tried to feel at ease, while interviewing some ardent reformer in the presence of her humourous if sympathetic family.

She forgot for the time being, what she could not but perceive in her less absorbed moments, that the distinction and notoriety of Katherine was the distinction and notoriety of the Brewster family; and that, in sacrificing the general comfort to the convenience of one, they were exchanging insignificance for importance; while she, however conspicuous personally, was also the daughter of Chief Justice Blake, and was "the image of her mother, the beautiful Polly Meredith." "Not so good-looking though," sighed many an old gentleman, as his thoughts reverted to the triumphs of that beauteous maid in the days when girls broke hearts, rather than conventions.

Wealth and social distinction, good-breeding and beauty were hers without an effort, without a college education; yet she knew well that there was something in her that was due to Bryn Mawr. In striving to express this she had come to Katherine Brewster, sure that from her she would get the explanation.

She had hardly sat down before the door between the rooms opened energetically and the brisk young owner appeared, cheerful and businesslike in manner.

"Oh, Ellen! How do you do? I shall be at leisure," drawing out her watch and considering a moment, "in six or seven minutes."

Without waiting for an answer, Katherine turned back to the other room. She left the door behind her open and Ellen could not but see what was going on. Her disused sense of the ridiculous stirred slightly as she took in the details. Katherine was talking, or rather giving facts, to a young man who was dotting down her words in shorthand. From the scraps of the conversation that reached her, Ellen received a confused impression of myriads of facts marshalled in excellent order. She congratulated herself that she had indeed come to the right person and would find valuable assistance in the clear brain of Katherine Brewster.

At length she caught the words, "I have now given you all the information at my command, and shall trust you to make it interesting to the general public and so prepare the way for our reform." The young man could not linger in face of the finality in her manner, and before he was well out of the door Katherine had turned to her next visitor with brief friendliness.

"I'm glad to see you, Ellen, and can just fit you in between the Committee of Councils and the reporter, who was anxious to get my opinion on the new system for the disposal of garbage. I should like to tell you all about it. It is so absorbing."

"I am afraid I shall have to hold you down to another subject. I need enlightenment as well as the reporter. I have to tell the Women's Congress the value of life in a woman's college. I was sure this subject was one on which I was well informed, till I came to think what I might say,--and lo! commonplaces are all I can utter. I was at a loss what to do,--loath to break my promise, and helpless in my stupidity. Now, can't you give me an idea? I hate to bother you, you are so busy. But it isn't for myself only."

"Well, Ellen, I think I can help you," answered Katherine with the utmost seriousness, "but you will need pencil and paper," rising to get them, "or suppose you sit here," sweeping aside the papers littered over the desk and pointing to the chair in front of it. "I shall have to deal in figures and you might not remember them all."

Then followed a maze of numbers reeled off with surprising readiness, now and then authenticated by a glance at one of the many pigeon-holes. Ellen felt somewhat dazed; but she was conscious that the bewilderment was her contribution for the figures were arranged with precision,--_Health of College Women_, _Matrimonial Prospects of College Women_, _The College Woman and the Problem of Domestic Service_, _The Economic Results of College training for Women_. Valuable facts were quoted from them, facts bristling with suggestions for the capable young woman so utterly mistress of them, but a trifle unmanageable for Ellen till she should have time thoroughly to conquer them.

She was not altogether ungrateful when the servant announced the Committee of Selectmen, and she hastened to show her deference to the fathers of the city by immediate withdrawal.

Katherine's good-bye took the form of advice, "I should certainly deal with the practical value of college life, taking up some line of thought that will show its power to make women effective citizens in the broad sense of the word."

There was no use in going directly home, for she could make nothing of facts so dull, Ellen decided, as she left the house. Besides she had no time to get down to work. It was now four o'clock, and she had promised to be at Edith Warrington's for tea at five. She could go directly there; or, better still, she might find Sara Ford and Augusta Coles at home. Their flat was near by. They would be sure to give her some ideas.

Sara was alone when Ellen reached their rooms, and gave her a warm and ready welcome, of the sort that tempted to friendly chat rather than to weighty discussion. Sara was slight and frail in appearance, and made an immediate appeal to most persons by the wistful expression of her eyes. But for all her seeming delicacy, she was full of nervous strength, and was besides very earnest, almost anxious in her devotion to her duty and in her attitude toward the responsibilities of a college woman.

There was in the room an effect of collision, of an effort to combine the possessions of a gentle, ease-loving nature, with those of one given overmuch to austerity. The room itself, sunny and old-fashioned, went far to reconcile the hostile elements, and the result was inviting, if not harmonious.

Sara had settled Ellen comfortably on the broad window-seat, and was solicitously tucking pillows behind her back, apologizing the while for Augusta's absence. "She has gone to see an authority on labor," Sara explained. "She wanted his opinion on public ownership. She won't be gone long, though."

"How does Augusta excite herself over such questions?" wondered Ellen. Sara smiled absent-mindedly, and then as though pondering, without a shade of remonstrance in her manner, said, "Augusta has the keenest insight into everyday subjects, and the most wonderful grasp of them that I have ever known. I never dare to be amused at Augusta. I can do nothing but admire her. But now, Nell," she continued, drawing her chair nearer the window where Ellen was sitting, "tell me about yourself. You are always doing interesting things. Certainly the world ought to be convinced of the value of college education by the work of such women as you and Augusta."

Ellen's mind was so firmly fixed on the object of her visit that she was unembarrassed by the flattery lavished upon her, and noted only the sympathy in the words. When she had explained her difficulties to Sara, she met with instant comprehension.

"Why, Nellie dear, I know just how you feel," was the prompt response to Ellen's statement. "You are conscious of an overwhelming desire to honour Bryn Mawr, of a responsibility to woman's education, and you would not by a word injure the one or retard the other."

"Of course, I feel that. But what am I going to do? I've thought and thought till I haven't an idea left. Katherine Brewster has loaded me down with statistics, but I need something more. Can't you give me a hint? There is so much of the picturesque in the college life that is not at all frivolous, and yet when I put pen to paper it is gone."

"I am always conscious of just that state of mind," assented Sara, "when I try to express my feeling about college. The beauty of the place, the glamour over everything! One can't describe it."

It was becoming evident to Ellen that Sara was but echoing her own words, was giving sympathy rather than advice. She had just made up her mind to be off, when the door opened to admit Sara's room-mate.

A cursory, modern greeting was all that Augusta Barneson Coles vouchsafed her visitor.

"Is there anything I can do for you?" asked Augusta, drawing off her gloves, and with the greatest precision pulling out the fingers. When she had finished this operation she laid the gloves on the table. Augusta maintained, against all comers, that neatness alone was to be considered in dress, and showed herself consistent by appearing at a formal dinner party in an immaculate shirt waist and short skirt. In the obtrusive simplicity of the shapeless coat, the uncompromising hat, the well-hung but skimped skirt, the severely arranged tie, the colourless hair smoothed in defiance of the wind, the stout shoes and correct stockings, you perceived the care of one who had a character to preserve.

Ellen straightened herself and assumed a thrifty exactness in her speech, setting aside preamble and apology; for in talk with Augusta she felt that the amenities of life were worse than wasted, they were insulting.

"Yes, Augusta, tell me what you can say for women's colleges, as distinguished from other modes of training."

"They will redeem the world from its present deplorable condition by teaching women to live by ideas," was the succinct if sweeping assertion.

"I am afraid I don't understand," murmured Ellen.

"By removing them from the sordid pressure of the practical," Augusta went on, "and that at a critical period in the mind's development and bringing them into an atmosphere of pure ideas, till the concrete no longer exists for them."

This statement seemed somewhat nonsensical to Ellen, but she had come for information and persisted. "That's all very well, but to make it more personal. I can't express what my college education has meant to me. What has it meant to you?"

"Experience meetings of any sort are distasteful to me," answered Augusta brusquely, "they make impossible abstract thought and result in commonplaces of undisciplined sentiment. They bend the idea to the individual, not the individual to the idea."

There was no doubt that Augusta had given all that was in her power and that Ellen would only lose time by urging her to closer definition. So far she had received opinions almost irreconcilable one with the other, the practical views of Katherine and the abstractions of Augusta. She was indeed amused rather than disappointed at the failure of her visit. How absurd she had been to expect fertile suggestions from Sara, always ready to reflect the mood of her companion--a quality often soothing and endearing but hardly useful in moments of perplexity;--or from Augusta with her futile theories and ridiculous jargon.

She had still one hope, Bertha Christie, who had gathered about her a group of Bryn Mawr graduates, all anxious to indulge the scholastic passion. Research and literature occupied them for the most part; but, in the intervals of study, they cultivated self-consciousness and held dress-rehearsals that they might perfect themselves in the parts selected. Phrase-making was their pastime and tricks of face and manner their delight. Their duty to themselves led them to withdraw from their families, thus liberating themselves from the exigencies of an unappreciative society. So sedulous were these artists in life to free themselves from tyranny to the individual that they regarded all outside demands as impertinent intrusions. They courted criticism and experience and craved æsthetic satisfaction.

The only one of the band at home when Ellen was shown in, was Bertha Christie. Had she been seen in the midst of commonplace surroundings, dressed in a less studied fashion, she would in all likelihood have passed unnoticed. But the clinging folds of her dress, exquisite in colour and texture, the deliberately loosened hair, the poise of the head, and the languid grace of motion as she moved forward to greet Ellen, suggested something of the romantic, something of the ascetic, with just a seasoning of coquetry. She had the artistic temperament, but abilities critical rather than creative. She read poetry but measured life by her intellect. Hers was a disposition susceptible to impressions, but cruel in the analysis of them.

Her expression of indifference became one of scornful amusement as she listened to Ellen's earnest setting forth of her errand. A skilled fencer in words she succeeded in parrying the insistent queries, without revealing the triviality of her ideas. The impression left on Ellen's mind by this conversation was really disturbing. Up to this point she had no doubts about the value of college life, but now she wondered if there were not more to be said against it than for it. Was it not responsible for the selfishness and affectation of Bertha Christie? She looked at the clock on a near-by steeple and saw that she was already late for her engagement with Edith. In her annoyance at her wasted effort she was not sorry to think that at her next stopping-place she might dismiss business from her thoughts and enjoy the consolation and diversion she was sure to find.

It was significant of her attitude that, although she had meant all along to drop in on Edith, on her way home, and knew besides that she was certain to find one or two more of her college friends, she had no thought of them in connection with her speech. She had unconsciously drifted into imagining, as did all outsiders, that Augusta Coles and Bertha Christie were the types and her own friends the anomalies among college women. Her friendships and her activities were no longer brought into contact. So long as Ellen was looking for companionship, she still showed herself capable of appreciating wisdom as well as cleverness, good sense as well as originality; but just so soon as she desired enlightenment, she forgot that her own friends might hold opinions worthy of consideration, and singled out the eccentric or visionary among her acquaintances. In doing so she was not consciously seeking singularity, she was rather showing her instinctive reverence for experience. Having become something of a doctrinaire, she went for her instruction to those more advanced than herself.

Had Edith Warrington been true to what seemed to Ellen the best in her, she might have been set among the sages, but Edith had voluntarily forfeited all right to be considered really earnest, for after she had determined to devote her life to study, she had been turned aside by a mere trifle. In the second year of her post-graduate study, she had had a call from an old lady whom she had always found most entertaining and had been bored with the random gossip so delightful hitherto.

"It's the last straw," she said, in talking to one of her friends of the occurrence, "when Mrs. Astruther bores me there's something the matter. I've noticed an indifference to everything but my work growing upon me of late, but have ignored it. This shock has brought me to my senses and shows me that I prefer people to things." She was urged not to generalize too hastily, by the friends who were eager to see her fulfil her promise as a scholar. She had now been married about five years, and, because the memory of her scholarship was still fresh, she was spoken of as one lost past recovery; for, though she never lost her student ways, she was no longer called a student.

When Ellen came within sight of the house, she heard some one tap on the pane and on looking up saw Edith signalling to her not to ring.

"Here you are at last, Nell," was her greeting. "I was looking for you. What kept you so late? Some old committee?"

"Oh, I'm dead tired. I have had a miserable afternoon."

"You poor thing! Come along and be amused. Louise and Evelyn are here. They're having a heated discussion about matrimony. It's a bit personal and very funny."

"Louise and Evelyn? It must be absurd."

"Yes, they think they're talking on broad general principles, but they're just talking about Dick Fisher and Mr. Brandon."

"You know him?" asked Ellen. "I've never met him and since Evelyn's engagement was announced I've been curious about him."

"Oh, he is a very nice fellow--really charming."

"But not good enough for Evelyn, I'm sure."

"They never are, are they, Nell?" and Edith turned with an amused smile.

"No, not even Mr. Warrington," laughed Ellen. "I don't agree about him yet."