Chapter 2
This opinion, oft repeated, did not settle the matter in my mind, for I long ago discovered that none are so ignorant of the birds and flowers of a neighborhood as most of the people who live among them. I sought out my post, and I looked for myself.
There are birds in the State, plenty of them, but they are not on exhibition like the mountains and their wonders. No driver knows the way to their haunts, and no guide-book points them out. Even a bird student may travel a day's journey, and not encounter so many as one shall see in a small orchard in New England. He may rise with the dawn, and hear nothing like the glorious morning chorus that stirs one in the Atlantic States. He may search the trees and shrubberies for long June days, and not find so many nests as will cluster about one cottage at home.
Yet the birds are here, but they are shy, and they possess the true Colorado spirit,--they are mountain-worshipers. As the time approaches when each bird leaves society and retires for a season to the bosom of its own family, many of the feathered residents of the State bethink them of their inaccessible canyons. The saucy jay abandons the settlements where he has been so familiar as to dispute with the dogs for their food, and sets up his homestead in a tall pine-tree on a slope which to look at is to grow dizzy; the magpie, boldest of birds, steals away to some secure retreat; the meadow-lark makes her nest in the monotonous mesa, where it is as well hidden as a bobolink's nest in a New England meadow.
The difficulties in the way of studying Colorado birds are several, aside from their excessive suspicion of every human being. In the first place, observations must be made before ten o'clock, for at that hour every day a lively breeze, which often amounts to a gale, springs up, and sets the cottonwood and aspen leaves in a flutter that hides the movements of any bird. Then, all through the most interesting month of June the cottonwood-trees are shedding their cotton, and to a person on the watch for slight stirrings among the leaves the falling cotton is a constant distraction. The butterflies, too, wandering about in their aimless way, are all the time deceiving the bird student, and drawing attention from the bird he is watching.
On the other hand, one of the maddening pests of bird study at the East is here almost unknown,--the mosquito. Until the third week in June I saw but one. That one was in the habit of lying in wait for me when I went to a piece of low, swampy ground overgrown with bushes. Think of the opportunity this combination offers to the Eastern mosquito, and consider my emotions when I found but a solitary individual, and even that one disposed to coquette with me.
I had hidden myself, and was keeping motionless, in order to see the very shy owners of a nest I had found, when the lonely mosquito came as far as the rim of my shade hat, and hovered there, evidently meditating an attack--a mosquito hesitating! I could not stir a hand, or even shake my leafy twig; but it did not require such violent measures; a light puff of breath this side or that was enough to discourage the gentle creature, and in all the hours I sat there it never once came any nearer. The race increased, however, and became rather troublesome on the veranda after tea; but in the grove they were never annoying; I rarely saw half a dozen. When I remember the tortures endured in the dear old woods of the East, in spite of "lollicopop" and pennyroyal, and other horrors with which I have tried to repel them, I could almost decide to live and die in Colorado.
The morning bird chorus in the cottonwood grove where I spent my June was a great shock to me. If my tent had been pitched near the broad plains in which the meadow-lark delights, I might have wakened to the glorious song of this bird of the West. It is not a chorus, indeed, for one rarely hears more than a single performer, but it is a solo that fully makes up for want of numbers, and amply satisfies the lover of bird music, so strong, so sweet, so moving are his notes.
But on my first morning in the grove, what was my dismay--I may almost say despair--to find that the Western wood-pewee led the matins! Now, this bird has a peculiar voice. It is loud, pervasive, and in quality of tone not unlike our Eastern phoebe, lacking entirely the sweet plaintiveness of our wood-pewee. A pewee chorus is a droll and dismal affair. The poor things do their best, no doubt, and they cannot prevent the pessimistic effect it has upon us. It is rhythmic, but not in the least musical, and it has a weird power over the listener. This morning hymn does not say, as does the robin's, that life is cheerful, that another glorious day is dawning. It says, "Rest is over; another day of toil is here; come to work." It is monotonous as a frog chorus, but there is a merry thrill in the notes of the amphibian which are entirely wanting in the song. If it were not for the light-hearted tremolo of the chewink thrown in now and then, and the loud, cheery ditty of the summer yellow-bird, who begins soon after the pewee, one would be almost superstitious about so unnatural a greeting to the new day. The evening call of the bird is different. He will sit far up on a dead twig of an old pine-tree, and utter a series of four notes, something like "do, mi, mi, do," repeating them without pausing till it is too dark to see him, all the time getting lower, sadder, more deliberate, till one feels like running out and committing suicide or annihilating the bird of ill-omen.
I felt myself a stranger indeed when I reached this pleasant spot, and found that even the birds were unfamiliar. No robin or bluebird greeted me on my arrival; no cheerful song-sparrow tuned his little pipe for my benefit; no phoebe shouted the beloved name from the peak of the barn. Everything was strange. One accustomed to the birds of our Eastern States can hardly conceive of the country without robins in plenty; but in this unnatural corner of Uncle Sam's dominion I found but one pair.
The most common song from morning till night was that of the summer yellow-bird, or yellow warbler. It was not the delicate little strain we are accustomed to hear from this bird, but a loud, clear carol, equal in volume to the notes of our robin. These three birds, with the addition of a vireo or two, were our main dependence for daily music, though we were favored occasionally by others. Now the Arkansas goldfinch uttered his sweet notes from the thick foliage of the cottonwood-trees; then the charming aria of the catbird came softly from the tangle of rose and other bushes; the black-headed grosbeak now and then saluted us from the top of a pine-tree; and rarely, too rarely, alas! a passing meadow-lark filled all the grove with his wonderful song.
And there was the wren! He interested me from the first; for a wren is a bird of individuality always, and his voice reminded me, in a feeble way, of the witching notes of the winter wren, the
"Brown wren from out whose swelling throat Unstinted joys of music float."
This bird was the house wren, the humblest member of his musical family; but there was in his simple melody the wren quality, suggestive of the thrilling performances of his more gifted relatives; and I found it and him very pleasing.
The chosen place for his vocal display was a pile of brush beside a closed-up little cottage, and I suspected him of having designs upon that two-roomed mansion for nesting purposes. After hopping all about the loose sticks, delivering his bit of an aria a dozen times or more, in a most rapturous way, he would suddenly dive into certain secret passages among the dead branches, when he was instantly lost to sight. Then, in a few seconds, a close watcher might sometimes see him pass like a shadow, under the cottage, which stood up on corner posts, dart out the farther side, and fly at once to the eaves.
One day I was drawn from the house by a low and oft-repeated cry, like "Hear, hear, hear!" It was emphatic and imperative, as if some unfortunate little body had the business of the world on his shoulders, and could not get it done to his mind. I carefully approached the disturbed voice, and was surprised to find it belonged to the wren, who was so disconcerted at sight of me, that I concluded this particular sort of utterance must be for the benefit of his family alone. Later, that kind of talk, his lord-and-master style as I supposed, was the most common sound I heard from him, and not near the cottage and the brush heap, but across the brook. I thought that perhaps I had displeased him by too close surveillance, and he had set up housekeeping out of my reach. Across the brook I could not go, for between "our side" and the other raged a feud, which had culminated in torn-up bridges and barbed wire protections.
One day, however, I had a surprise. In studying another bird, I was led around to the back of the still shut-up cottage, and there I found, very unexpectedly, an exceedingly busy and silent wren. He did sing occasionally while I watched him from afar, but in so low a tone that it could not be heard a few steps away. Of course I understood this unnatural circumspection, and on observing him cautiously, I saw that he made frequent visits to the eaves of the cottage, the very spot I had hoped he would nest. Then I noted that he carried in food, and on coming out he alighted on a dead bush, and sang under his breath. Here, then, was the nest, and all his pretense of scolding across the brook was but a blind! Wary little rogue! Who would ever suspect a house wren of shyness?
I had evidently done him injustice when I regarded the scolding as his family manner, for here in his home he was quiet as a mouse, except when his joy bubbled over in trills.
To make sure of my conclusions I went close to the house, and then for the first time (to know it) I saw his mate. She came with food in her beak, and was greatly disturbed at sight of her uninvited guest. She stood on a shrub near me fluttering her wings, and there her anxious spouse joined her, and fluttered his in the same way, uttering at the same time a low, single note of protest.
On looking in through the window, I found that the cottage was a mere shell, all open under the eaves, so that the birds could go in and out anywhere. The nest was over the top of a window, and the owner thereof ran along the beam beside it, in great dudgeon at my impertinent staring. Had ever a pair of wrens quarters so ample,--a whole cottage to themselves? Henceforth, it was part of my daily rounds to peep in at the window, though I am sorry to say it aroused the indignation of the birds, and always brought them to the beam nearest me, to give me a piece of their mind.
Bird babies grow apace, and baby wrens have not many inches to achieve. One day I came upon a scene of wild excitement: two wrenlings flying madly about in the cottage, now plump against the window, then tumbling breathless to the floor, and two anxious little parents, trying in vain to show their headstrong offspring the way they should go, to the openings under the eaves which led to the great out-of-doors. My face at the window seemed to be the "last straw." A much-distressed bird came boldly up to me behind the glass, saying by his manner--and who knows but in words?--"How can you be so cruel as to disturb us? Don't you see the trouble we are in?" He had no need of Anglo-Saxon (or even of American-English!). I understood him at once; and though exceedingly curious to see how they would do it, I had not the heart to insist. I left them to manage their willful little folk in their own way.
The next morning I was awakened by the jolliest wren music of the season. Over and over the bird poured out his few notes, louder, madder, more rapturously than I had supposed he could. He had guided his family safely out of their imprisoning four walls, I was sure. And so I found it when I went out. Not a wren to be seen about the house, but soft little "churs" coming from here and there among the shrubbery, and every few minutes a loud, happy song proclaimed that wren troubles were over for the summer. Far in among the tangle of bushes and vines, I came upon him, as gay as he had been of yore:--
"Pausing and peering, with sidling head, As saucily questioning all I said; While the ox-eye danced on its slender stem, And all glad Nature rejoiced with them."
The chewink is a curious exchange for the robin. When I noticed the absence of the red-breast, whom--like the poor--we have always with us (at the East), I was pleased, in spite of my fondness for him, because, as every one must allow, he is sometimes officious in his attentions, and not at all reticent in expressing his opinions. I did miss his voice in the morning chorus,--the one who lived in the grove was not much of a singer,--but I was glad to know the chewink, who was almost a stranger. His peculiar trilling song was heard from morning till night; he came familiarly about the camp, eating from the dog's dish, and foraging for crumbs at the kitchen door. Next to the wood-pewee, he was the most friendly of our feathered neighbors.
He might be seen at any time, hopping about on the ground, one moment picking up a morsel of food, and the next throwing up his head and bursting into song:--
"But not for you his little singing, Soul of fire its flame is flinging, Sings he for himself alone,"
as was evident from the unconscious manner in which he uttered his notes between two mouthfuls, never mounting a twig or making a "performance" of his music. I have watched one an hour at a time, going about in his jerky fashion, tearing up the ground and searching therein, exactly after the manner of a scratching hen. This, by the way, was a droll operation, done with both feet together, a jump forward and a jerk back of the whole body, so rapidly one could hardly follow the motion, but throwing up a shower of dirt every time. He had neither the grace nor the dignity of our domestic biddy.
Matter of fact as this fussy little personage was on the ground, taking in his breakfast and giving out his song, he was a different bird when he got above it. Alighting on the wren's brush heap, for instance, he would bristle up, raising the feathers on head and neck, his red eyes glowing eagerly, his tail a little spread and standing up at a sharp angle, prepared for instant fight or flight, whichever seemed desirable.
I was amused to hear the husky cry with which this bird expresses most of his emotions,--about as nearly a "mew," to my ears, as the catbird executes. Whether frolicking with a comrade among the bushes, reproving a too inquisitive bird student, or warning the neighborhood against some monster like a stray kitten, this one cry seemed to answer for all his needs, and, excepting the song, was the only sound I heard him utter.
Familiar as the chewink might be about our quarters, his own home was well hidden, on the rising ground leading up to the mesa,--
"An unkempt zone, Where vines and weeds and scrub oaks intertwine,"
which no one bigger than a bird could penetrate. Whenever I appeared in that neighborhood, I was watched and followed by anxious and disturbed chewinks; but I never found a nest, though, judging from the conduct of the residents, I was frequently "very warm" (as the children say).
About the time the purple aster began to unclose its fringed lids, and the mariposa lily to unfold its delicate cups on the lower mesa,--nearly the middle of July,--full-grown chewink babies, in brown coats and streaked vests, made their appearance in the grove, and after that the whole world might search the scrub oaks and not a bird would say him nay.
"All is silent now Save bell-note from some wandering cow, Or rippling lark-song far away."
III.
AN UPROAR OF SONG.
The bird music of Colorado, though not so abundant as one could wish, is singularly rich in quality, and remarkable for its volume. At the threshold of the State the traveler is struck by this peculiarity. As the train thunders by, the Western meadow-lark mounts a telegraph pole and pours out such a peal of melody that it is distinctly heard above the uproar of the iron wheels.
This bird is preeminently the bird of the mesa, or high table-land of the region, and only to hear his rare song is well worth a journey to that distant wonderland. Not of his music could Lucy Larcom say, as she so happily does of our bird of the meadow,--
"Sounds the meadow-lark's refrain Just as sad and clear."
Nor could his sonorous song be characterized by Clinton Scollard's exquisite verse,--
"From whispering winds your plaintive notes were drawn."
For the brilliant solo of Colorado's bird is not in the least like the charming minor chant of our Eastern lark. So powerful that it is heard at great distances in the clear air, it is still not in the slightest degree strained or harsh, but is sweet and rich, whether it be close at one's side in the silence, or shouted from the housetop in the tumult of a busy street. It has, moreover, the same tender winsomeness that charms us in our own lark song; something that fills the sympathetic listener with delight, that satisfies his whole being; a siren strain that he longs to listen to forever. The whole breadth and grandeur of the great West is in this song, its freedom, its wildness, the height of its mountains, the sweep of its rivers, the beauty of its flowers,--all in the wonderful performance. Even after months of absence, the bare memory of the song of the mesa will move its lover to an almost painful yearning. Of him, indeed, Shelley might truthfully say,--
"Better than all measures Of delightful sound, Better than all treasures That in books are found, Thy skill to poet were, Thou scorner of the ground."
Nor is the variety of the lark song less noteworthy than its quality. That each bird has a large _repertoire_ I cannot assert, for my opportunities for study have been too limited; but it is affirmed by those who know him better, that he has, and I fully believe it.
One thing is certainly true of nearly if not quite all of our native birds, that no two sing exactly alike, and the close observer soon learns to distinguish between the robins and the song-sparrows of a neighborhood, by their notes alone. The Western lark seems even more than others to individualize his utterances, so that constant surprises reward the discriminating listener. During two months' bird-study in that delightful canyon-hidden grove at the foot of Cheyenne Mountain, one particular bird song was for weeks an unsolved mystery. The strain consisted of three notes in loud, ringing tones, which syllabled themselves very plainly in my ear as "Whip-for-her."
This unseemly, and most emphatic, demand came always from a distance, and apparently from the top of some tall tree, and it proved to be most tantalizing; for although the first note invariably brought me out, opera-glass in hand, I was never able to come any nearer to a sight of the unknown than the sway of a twig he had just left.
One morning, however, before I was up, the puzzling songster visited the little grove under my windows, and I heard his whole song, of which it now appeared the three notes were merely the conclusion. The performance was eccentric. It began with a soft warble, apparently for his sole entertainment, then suddenly, as if overwhelmed by memory of wrongs received or of punishment deserved, he interrupted his tender melody with a loud, incisive "Whip-for-her!" in a totally different manner. His nearness, however, solved the mystery; the ring of the meadow-lark was in his tones, and I knew him at once. I had not suspected his identity, for the Western bird does not take much trouble to keep out of sight, and, moreover, his song is rarely less than six or eight notes in length.
Another unique singer of the highlands is the horned lark. One morning in June a lively carriage party passing along the mountain side, on a road so bare and bleak that it seemed nothing could live there, was startled by a small gray bird, who suddenly dashed out of the sand beside the wheels, ran across the path, and flew to a fence on the other side. Undisturbed, perhaps even stimulated, by the clatter of two horses and a rattling mountain wagon, undaunted by the laughing and talking load, the little creature at once burst into song, so loud as to be heard above the noisy procession, and so sweet that it silenced every tongue.
"How exquisite! What is it?" we asked each other, at the end of the little aria.
"It's the gray sand bird," answered the native driver.
"Otherwise the horned lark," added the young naturalist, from his broncho behind the carriage.
Let not his name mislead: this pretty fellow, in soft, gray-tinted plumage, is not deformed by "horns;" it is only two little tufts of feathers, which give a certain piquant, wide-awake expression to his head, that have fastened upon him a title so incongruous. The nest of the desert-lover is a slight depression in the barren earth, nothing more; and the eggs harmonize with their surroundings in color. The whole is concealed by its very openness, and as hard to find, as the bobolink's cradle in the trackless grass of the meadow.
Most persistent of all the singers of the grove beside the house was the yellow warbler, a dainty bit of featherhood the size of one's thumb. On the Atlantic coast his simple ditty is tender, and so low that it must be listened for; but in that land of "skies so blue they flash," he sings it at the top of his voice, louder than the robin song as we know it, and easily heard above the roar of the wind and the brawling of the brook he haunts.
Before me at this moment is the nest of one of these little sprites, which I watched till the last dumpy infant had taken flight, and then secured with the branchlet it was built upon. It was in a young oak, not more than twelve feet from the ground, occupying a perpendicular fork, where it was concealed and shaded by no less than sixteen twigs, standing upright, and loaded with leaves. The graceful cup itself, to judge by its looks, might be made of white floss silk,--I have no curiosity to know the actual material,--and is cushioned inside with downy fibres from the cottonwood-tree. It is dainty enough for a fairy's cradle.
The wood-pewee, in dress and manners nearly resembling his Eastern brother,
"The pewee of the loneliest woods, Sole singer in the solitudes,"
has a strange and decidedly original utterance. While much louder and more continuous, it lacks the sweetness of our bird's notes; indeed, it resembles in quality of tone the voice of our phoebe, or his beautiful relative, the great-crested flycatcher. The Westerner has a great deal to say for himself. On alighting, he announces the fact by a single note, which is a habit also of our phoebe; he sings the sun up in the morning, and he sings it down in the evening, and he would be a delightful neighbor if only his voice were pleasing. But there is little charm in the music, for it is in truth a dismal chant, with the air and cheerfulness of a funeral dirge--a pessimistic performance that inspires the listener with a desire to choke him then and there.
This bird's nest, as well as his song, is unlike that of our wood-pewee. Instead of a delicate, lichen-covered saucer set lightly upon a horizontal crotch of a dead branch,--our bird's chosen home,--it is a deeper cup, fastened tightly upon a large living branch, and, at least in a cottonwood grove, decorated on the outside with the fluffy cotton from the trees.