Part 21

“My wife,” he said, “has two distinctive traits. She is a born poetess and a born collector. I ought to warn you.”

“I did not know,” said I, “that she rhymed.”

“I was speaking more of the imaginative quality, the temperament that finds a splendour in the grass, a glory in the flower, that clothes the whole world in a vestiture of interpretation.”

“Indeed!” I said. I felt she was watching us anxiously. He could not, of course, suspect. But I was relieved to fancy he was simply talking nonsense.

“The magnificent figures of heroic, worshipful, and mysterious womanhood naturally appeal to her—Cleopatra, Messalina, Beatrice, the Madonna, and so forth.”

“And she is writing—”

“No, she is acting. That is the real poetry of women and children. A platonic Cleopatra of infinite variety, spotless reputation, and a large following. Her make-believe is wonderful. She would use Falstaff for Romeo without a twinge, if no one else was at hand. She could exert herself to break the heart of a soldier. I assure you, Bellows—”

I heard her dress rustle behind me.

“I want some more tea,” he said to her. “You misunderstood me about the collecting, Millie.”

“What were you saying about Cleopatra?” she said, trying, I think, to look sternly at him.

“Scandal,” he said. “But about the collecting, Bellows—”

“You must come to this bazaar,” she interrupted.

“I shall be delighted,” I said, boldly. “Where is it, and when?”

“About this collecting,” he began.

“It is in aid of that delightful orphanage at Wimblingham,” she explained, and gave me an animated account of the charity. He emptied his second cup of tea. “May I have a third cup?” he said.

The two girls signalled departure, and her attention was distracted. “She collects—and I will confess she does it with extraordinary skill—the surreptitious addresses—”

“John,” she said over her shoulder, “I wish you would tell Miss Smithers all those interesting things about Argon.” He gulped down his third cup, and rose with the easy obedience of the trained husband. Presently she returned to the tea-things. “Cannot I fill your cup?” she asked. “I really hope John was not telling you his queer notions about me. He says the most remarkable things. Quite lately he has got it into his head that he has a formula for my character.”

“I wish _I_ had,” I said, with a sigh.

“And he goes about explaining me to people, as though I was a mechanism. ‘Scalp collector,’ I think is the favourite phrase. Did he tell you? Don’t you think it perfectly horrid of him?”

“But he doesn’t understand you,” I said, not grasping his meaning quite at the minute.

She sighed.

“You have,” I said, with infinite meaning, “my sincere sympathy—” I hesitated—“my whole sympathy.”

“Thank you _so much_,” she said, quite as meaningly. I rose forthwith, and we clasped hands, like souls who strike a compact.

Yet, thinking over what he said afterwards, I was troubled by a fancy that there was the faintest suggestion of a smile of triumph about her lips and mouth. Possibly it was only an honourable pride. I suppose he has poisoned my mind a little. Of course, I should not like to think of myself as one of a fortuitously selected multitude strung neatly together (if one may use the vulgarism) on a piece of string,—a stringful like a boy’s string of chestnuts,—nice old gentlemen, nice boys, sympathetic and humorous men of thirty, kind fellows, gifted dreamers, and dashing blades, all trailing after her. It is confoundedly bad form of him, anyhow, to guy her visitors. She certainly took it like a saint. Of course, I shall see her again soon, and we shall talk to one another about one another. Something or other cropped up and prevented my going there on her last Tuesday.

THE APPLE

“I must get rid of it,” said the man in the corner of the carriage, abruptly breaking the silence.

Mr. Hinchcliff looked up, hearing imperfectly. He had been lost in the rapt contemplation of the college cap tied by a string to his portmanteau handles—the outward and visible sign of his newly-gained pedagogic position—in the rapt appreciation of the college cap and the pleasant anticipations it excited. For Mr. Hinchcliff had just matriculated at London University, and was going to be junior assistant at the Holmwood Grammar School—a very enviable position. He stared across the carriage at his fellow-traveller.

“Why not give it away?” said this person. “Give it away! Why not?”

He was a tall, dark, sunburnt man with a pale face. His arms were folded tightly, and his feet were on the seat in front of him. He was pulling at a lank, black moustache. He stared hard at his toes.

“Why not?” he said.

Mr. Hinchcliff coughed.

The stranger lifted his eyes—they were curious, dark grey eyes—and stared blankly at Mr. Hinchcliff for the best part of a minute, perhaps. His expression grew to interest.

“Yes,” he said slowly. “Why not? And end it.”

“I don’t quite follow you, I’m afraid,” said Mr. Hinchcliff, with another cough.

“You don’t quite follow me?” said the stranger, quite mechanically, his singular eyes wandering from Mr. Hinchcliff to the bag with its ostentatiously displayed cap, and back to Mr. Hinchcliff’s downy face.

“You’re so abrupt, you know,” apologised Mr. Hinchcliff.

“Why shouldn’t I?” said the stranger, following his thoughts. “You are a student?” he said, addressing Mr. Hinchcliff.

“I am—by Correspondence—of the London University,” said Mr. Hinchcliff, with irrepressible pride, and feeling nervously at his tie.

“In pursuit of knowledge,” said the stranger, and suddenly took his feet off the seat, put his fist on his knees, and stared at Mr. Hinchcliff as though he had never seen a student before. “Yes,” he said, and flung out an index finger. Then he rose, took a bag from the hat-rack, and unlocked it. Quite silently, he drew out something round and wrapped in a quantity of silver-paper, and unfolded this carefully. He held it out towards Mr. Hinchcliff,—a small, very smooth, golden-yellow fruit.

Mr. Hinchcliff’s eyes and mouth were open. He did not offer to take this object—if he was intended to take it.

“That,” said this fantastic stranger, speaking very slowly, “is the Apple of the Tree of Knowledge. Look at it—small, and bright, and wonderful—Knowledge—and I am going to give it to you.”

Mr. Hinchcliff’s mind worked painfully for a minute, and then the sufficient explanation, “Mad!” flashed across his brain, and illuminated the whole situation. One humoured madmen. He put his head a little on one side.

“The Apple of the Tree of Knowledge, eigh!” said Mr. Hinchcliff, regarding it with a finely assumed air of interest, and then looking at the interlocutor. “But don’t you want to eat it yourself? And besides—how did you come by it?”

“It never fades. I have had it now three months. And it is ever bright and smooth and ripe and desirable, as you see it.” He laid his hand on his knee and regarded the fruit musingly. Then he began to wrap it again in the papers, as though he had abandoned his intention of giving it away.

“But how did you come by it?” said Mr. Hinchcliff, who had his argumentative side. “And how do you know that it _is_ the Fruit of the Tree?”

“I bought this fruit,” said the stranger, “three months ago—for a drink of water and a crust of bread. The man who gave it to me—because I kept the life in him—was an Armenian. Armenia! that wonderful country, the first of all countries, where the ark of the Flood remains to this day, buried in the glaciers of Mount Ararat. This man, I say, fleeing with others from the Kurds who had come upon them, went up into desolate places among the mountains—places beyond the common knowledge of men. And fleeing from imminent pursuit, they came to a slope high among the mountain-peaks, green with a grass like knife-blades, that cut and slashed most pitilessly at any one who went into it. The Kurds were close behind, and there was nothing for it but to plunge in, and the worst of it was that the paths they made through it at the price of their blood served for the Kurds to follow. Every one of the fugitives was killed save this Armenian and another. He heard the screams and cries of his friends, and the swish of the grass about those who were pursuing them—it was tall grass rising overhead. And then a shouting and answers, and when presently he paused, everything was still. He pushed out again, not understanding, cut and bleeding, until he came out on a steep slope of rocks below a precipice, and then he saw the grass was all on fire, and the smoke of it rose like a veil between him and his enemies.”

The stranger paused. “Yes?” said Mr. Hinchcliff. “Yes?”

“There he was, all torn and bloody from the knife-blades of the grass, the rocks blazing under the afternoon sun,—the sky molten brass,—and the smoke of the fire driving towards him. He dared not stay there. Death he did not mind, but torture! Far away beyond the smoke he heard shouts and cries. Women screaming. So he went clambering up a gorge in the rocks—everywhere were bushes with dry branches that stuck out like thorns among the leaves—until he clambered over the brow of a ridge that hid him. And then he met his companion, a shepherd, who had also escaped. And, counting cold and famine and thirst as nothing against the Kurds, they went on into the heights, and among the snow and ice. They wandered three whole days.

“The third day came the vision. I suppose hungry men often do see visions, but then there is this fruit.” He lifted the wrapped globe in his hand. “And I have heard it, too, from other mountaineers who have known something of the legend. It was in the evening time, when the stars were increasing, that they came down a slope of polished rock into a huge, dark valley all set about with strange, contorted trees, and in these trees hung little globes like glow-worm spheres, strange, round, yellow lights.

“Suddenly this valley was lit far away, many miles away, far down it, with a golden flame marching slowly athwart it, that made the stunted trees against it black as night, and turned the slopes all about them and their figures to the likeness of fiery gold. And at the vision they, knowing the legends of the mountains, instantly knew that it was Eden they saw, or the sentinel of Eden, and they fell upon their faces like men struck dead.

“When they dared to look again, the valley was dark for a space, and then the light came again—returning, a burning amber.

“At that the shepherd sprang to his feet, and with a shout began to run down towards the light; but the other man was too fearful to follow him. He stood stunned, amazed, and terrified, watching his companion recede towards the marching glare. And hardly had the shepherd set out when there came a noise like thunder, the beating of invisible wings hurrying up the valley, and a great and terrible fear; and at that the man who gave me the fruit turned—if he might still escape. And hurrying headlong up the slope again, with that tumult sweeping after him, he stumbled against one of these stunted bushes, and a ripe fruit came off it into his hand. This fruit. Forthwith, the wings and the thunder rolled all about him. He fell and fainted, and when he came to his senses, he was back among the blackened ruins of his own village, and I and the others were attending to the wounded. A vision? But the golden fruit of the tree was still clutched in his hand. There were others there who knew the legend, knew what that strange fruit might be.” He paused. “And this is it,” he said.

It was a most extraordinary story to be told in a third-class carriage on a Sussex railway. It was as if the real was a mere veil to the fantastic, and here was the fantastic poking through. “Is it?” was all Mr. Hinchcliff could say.

“The legend,” said the stranger, “tells that those thickets of dwarfed trees growing about the garden sprang from the apple that Adam carried in his hand when he and Eve were driven forth. He felt something in his hand, saw the half-eaten apple, and flung it petulantly aside. And there they grow, in that desolate valley, girdled round with the everlasting snows; and there the fiery swords keep ward against the Judgment Day.”

“But I thought these things were—” Mr. Hinchcliff paused—“fables—parables rather. Do you mean to tell me that there in Armenia—”

The stranger answered the unfinished question with the fruit in his open hand.

“But you don’t know,” said Mr. Hinchcliff, “that that _is_ the fruit of the Tree of Knowledge. The man may have had—a sort of mirage, say. Suppose—”

“Look at it,” said the stranger.

It was certainly a strange-looking globe, not really an apple, Mr. Hinchcliff saw, and a curious glowing golden colour, almost as though light itself was wrought into its substance. As he looked at it, he began to see more vividly the desolate valley among the mountains, the guarding swords of fire, the strange antiquities of the story he had just heard. He rubbed a knuckle into his eye. “But—” said he.

“It has kept like that, smooth and full, three months. Longer than that it is now by some days. No drying, no withering, no decay.”

“And you yourself,” said Mr. Hinchcliff, “really believe that—”

“Is the Forbidden Fruit.”

There was no mistaking the earnestness of the man’s manner and his perfect sanity. “The Fruit of Knowledge,” he said.

“Suppose it was?” said Mr. Hinchcliff, after a pause, still staring at it. “But after all,” said Mr. Hinchcliff, “it’s not my kind of knowledge—not the sort of knowledge. I mean, Adam and Eve have eaten it already.”

“We inherit their sins—not their knowledge,” said the stranger. “That would make it all clear and bright again. We should see into everything, through everything, into the deepest meaning of everything—”

“Why don’t you eat it, then?” said Mr. Hinchcliff, with an inspiration.

“I took it intending to eat it,” said the stranger. “Man has fallen. Merely to eat again could scarcely—”

“Knowledge is power,” said Mr. Hinchcliff.

“But is it happiness? I am older than you—more than twice as old. Time after time I have held this in my hand, and my heart has failed me at the thought of all that one might know, that terrible lucidity—Suppose suddenly all the world became pitilessly clear?”

“That, I think, would be a great advantage,” said Mr. Hinchcliff, “on the whole.”

“Suppose you saw into the hearts and minds of every one about you, into their most secret recesses—people you loved, whose love you valued?”

“You’d soon find out the humbugs,” said Mr. Hinchcliff, greatly struck by the idea.

“And worse—to know yourself, bare of your most intimate illusions. To see yourself in your place. All that your lusts and weaknesses prevented your doing. No merciful perspective.”

“That might be an excellent thing too. ‘Know thyself,’ you know.”

“You are young,” said the stranger.

“If you don’t care to eat it, and it bothers you, why don’t you throw it away?”

“There again, perhaps, you will not understand me. To me, how could one throw away a thing like that, glowing, wonderful? Once one has it, one is bound. But, on the other hand, to _give_ it away! To give it away to some one who thirsted after knowledge, who found no terror in the thought of that clear perception—”

“Of course,” said Mr. Hinchcliff, thoughtfully, “it might be some sort of poisonous fruit.”

And then his eye caught something motionless, the end of a white board black-lettered outside the carriage-window. “—MWOOD,” he saw. He started convulsively. “Gracious!” said Mr. Hinchcliff. “Holmwood!”—and the practical present blotted out the mystic realisations that had been stealing upon him.

In another moment he was opening the carriage-door, portmanteau in hand. The guard was already fluttering his green flag. Mr. Hinchcliff jumped out. “Here!” said a voice behind him, and he saw the dark eyes of the stranger shining and the golden fruit, bright and bare, held out of the open carriage-door. He took it instinctively, the train was already moving.

“_No!_” shouted the stranger, and made a snatch at it as if to take it back.

“Stand away,” cried a country porter, thrusting forward to close the door. The stranger shouted something Mr. Hinchcliff did not catch, head and arm thrust excitedly out of the window, and then the shadow of the bridge fell on him, and in a trice he was hidden. Mr. Hinchcliff stood astonished, staring at the end of the last waggon receding round the bend, and with the wonderful fruit in his hand. For the fraction of a minute his mind was confused, and then he became aware that two or three people on the platform were regarding him with interest. Was he not the new Grammar School master making his début? It occurred to him that, so far as they could tell, the fruit might very well be the naïve refreshment of an orange. He flushed at the thought, and thrust the fruit into his side pocket, where it bulged undesirably. But there was no help for it, so he went towards them, awkwardly concealing his sense of awkwardness, to ask the way to the Grammar School, and the means of getting his portmanteau and the two tin boxes which lay up the platform thither. Of all the odd and fantastic yarns to tell a fellow!

His luggage could be taken on a truck for sixpence, he found, and he could precede it on foot He fancied an ironical note in the voices. He was painfully aware of his contour.

The curious earnestness of the man in the train, and the glamour of the story he told, had, for a time, diverted the current of Mr. Hinchcliff’s thoughts. It drove like a mist before his immediate concerns. Fires that went to and fro! But the preoccupation of his new position, and the impression he was to produce upon Holmwood generally, and the school people in particular, returned upon him with reinvigorating power before he left the station and cleared his mental atmosphere. But it is extraordinary what an inconvenient thing the addition of a soft and rather brightly-golden fruit, not three inches in diameter, prove to a sensitive youth on his best appearance. In the pocket of his black jacket it bulged dreadfully, spoilt the lines altogether. He passed a little old lady in black, and he felt her eye drop upon the excrescence at once. He was wearing one glove and carrying the other, together with his stick, so that to bear the fruit openly was impossible. In one place, where the road into the town seemed suitably secluded, he took his encumbrance out of his pocket and tried it in his hat. It was just too large, the hat wobbled ludicrously, and just as he was taking it out again, a butcher’s boy came driving round the corner.

“Confound it!” said Mr. Hinchcliff.

He would have eaten the thing, and attained omniscience there and then, but it would seem so silly to go into the town sucking a juicy fruit—and it certainly felt juicy. If one of the boys should come by, it might do him a serious injury with his discipline so to be seen. And the juice might make his face sticky and get upon his cuffs—or it might be an acid juice as potent as lemon, and take all the colour out of his clothes.

Then round a bend in the lane came two pleasant, sunlit, girlish figures. They were walking slowly towards the town and chattering—at any moment they might look round and see a hot-faced young man behind them carrying a kind of phosphorescent yellow tomato! They would be sure to laugh.

“_Hang!_” said Mr. Hinchcliff, and with a swift jerk sent the encumbrance flying over the stone wall of an orchard that there abutted on the road. As it vanished, he felt a faint twinge of loss that lasted scarcely a moment. He adjusted the stick and glove in his hand, and walked on, erect and self-conscious, to pass the girls.

But in the darkness of the night Mr. Hinchcliff had a dream, and saw the valley, and the flaming swords, and the contorted trees, and knew that it really was the Apple of the Tree of Knowledge that he had thrown regardlessly away. And he awoke very unhappy.

In the morning his regret had passed, but afterwards it returned and troubled him; never, however, when he was happy or busily occupied. At last, one moonlight night about eleven, when all Holmwood was quiet, his regrets returned with redoubled force, and therewith an impulse to adventure. He slipped out of the house and over the playground wall, went through the silent town to Station Lane, and climbed into the orchard where he had thrown the fruit. But nothing was to be found of it there among the dewy grass and the faint intangible globes of dandelion down.

THE SAD STORY OF A DRAMATIC CRITIC

I was—you shall hear immediately why I am not now—Egbert Craddock Cummins. The name remains. I am still (Heaven help me!) Dramatic Critic to the “Fiery Cross.” What I shall be in a little while I do not know. I write in great trouble and confusion of mind. I will do what I can to make myself clear in the face of terrible difficulties. You must bear with me a little. When a man is rapidly losing his own identity, he naturally finds a difficulty in expressing himself. I will make it perfectly plain in a minute, when once I get my grip upon the story. Let me see—where _am_ I? I wish I knew. Ah, I have it! Dead self! Egbert Craddock Cummins!

In the past I should have disliked writing anything quite so full of “I” as this story must be. It is full of “I’s” before and behind, like the beast in Revelation—the one with a head like a calf, I am afraid. But my tastes have changed since I became a Dramatic Critic and studied the masters—G.R.S., G.B.S., G.A.S., and the others. Everything has changed since then. At least the story is about myself—so that there is some excuse for me. And it is really not egotism, because, as I say, since those days my identity has undergone an entire alteration.

That past!—I was—in those days—rather a nice fellow, rather shy—taste for grey in my clothes, weedy little moustache, face “interesting,” slight stutter which I had caught in early life from a schoolfellow. Engaged to a very nice girl, named Delia. Fairly new, she was—cigarettes—liked me because I was human and original. Considered I was like Lamb—on the strength of the stutter, I believe. Father, an eminent authority on postage stamps. She read a great deal in the British Museum. (A perfect pairing ground for literary people, that British Museum—you should read George Egerton and Justin Huntly M’Carthy and Gissing and the rest of them.) We loved in our intellectual way, and shared the brightest hopes. (All gone now.) And her father liked me because I seemed honestly eager to hear about stamps. She had no mother. Indeed, I had the happiest prospects a young man could have. I never went to the theatres in those days. My Aunt Charlotte before she died had told me not to.

Then Barnaby, the editor of the “Fiery Cross,” made me—in spite of my spasmodic efforts to escape—Dramatic Critic. He is a fine, healthy man, Barnaby, with an enormous head of frizzy black hair and a convincing manner; and he caught me on the staircase going to see Wembly. He had been dining, and was more than usually buoyant. “Hullo, Cummins!” he said. “The very man I want!” He caught me by the shoulder or the collar or something, ran me up the little passage, and flung me over the waste-paper basket into the arm-chair in his office. “Pray be seated,” he said, as he did so. Then he ran across the room and came back with some pink and yellow tickets and pushed them into my hand. “Opera Comique,” he said, “Thursday; Friday, the Surrey; Saturday, the Frivolity. That’s all, I think.”

“But—” I began.

“Glad you’re free,” he said, snatching some proofs off the desk and beginning to read.

“I don’t quite understand,” I said.

“_Eigh?_” he said, at the top of his voice, as though he thought I had gone, and was startled at my remark.

“Do you want me to criticise these plays?”

“Do something with ’em— Did you think it was a treat?”

“But I can’t.”

“Did you call me a fool?”

“Well, I’ve never been to a theatre in my life.”